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2019 WORLDWIDE PINHOLE DAY 28 April – Our images

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WPD-logo

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Round the [w]hole world on Sunday the 28th of April 2019 pinholers were out having fun – Making their images for the 2019 WPD. Far away from the darkroom (again) we’ve once again fitted a pin-prick in a piece of aluminium fitted to a body cap of our Olympus Pen camera and we went on a road trip in Tasmania from the D’Entrecasteaux Channel to the mountains and back again.

This is the 14th year we have supported the WPD project!

 

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ABOUT VICKY’S PINHOLE IMAGE:

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Capturing time and light in the mountains of Tasmania..

The photo was taken by digital capture with hand-made hole on an Olympus Pen using manual setting.

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My friends take a photo with their iPhones

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ABOUT DOUG’S PINHOLE IMAGE:

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Late this afternoon we went walking in the Autumn light down past the bare trunks and branches of deciduous trees – my friends stopped to photograph with their iPhones… Callie walked on…

 

Both pinhole photographs were taken on an Olympus Pen camera

Olympus Pen with hand pierced aluminum foil hole, Aperture exposure mode, ISO 1600.

Camera with pricked pinhole in alfoil, Aperture exposure mode, ISO 800.

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Other images we made on the day…

 

Visit the WPD Site for details of other submissions:  http://pinholeday.org/

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Our Past WPD images:

2018 Doug+Vicky https://wotwedid.com/2018/04/29/2018-worldwide-pinhole-day-29-april-our-images/

2016 Doug: http://www.pinholeday.org/index.php?id=1235

2016 Vicky: http://www.pinholeday.org/index.php?id=1540

2015  https://wotwedid.com/2015/05/04/april-26-worldwide-pinhole-day-our-contributions-for-2015/

2014  Vicky’s http://pinholeday.org/gallery/2014/index.php?id=1810&City=Toowoomba

2014  Doug’s http://pinholeday.org/gallery/2014/index.php?id=1811&City=Toowoomba

2013   https://wotwedid.com/2013/04/29/world-pinhole-photography-day-our-contribution/

2012   http://www.pinholeday.org/gallery/2012/index.php?id=1937&searchStr=spowart

2011    http://www.pinholeday.org/gallery/2011/index.php?id=924

HERE IS THE LINK to the 2011 pinhole video   http://www.youtube.com/watch?v=Yk4vnbzTqOU

2010   http://www.pinholeday.org/gallery/2010/index.php?id=2464&Country=Australia&searchStr=spowart

2006  http://www.pinholeday.org/gallery/2006/index.php?id=1636&Country=Australia&searchStr=cooper

2004 Vicky  http://www.pinholeday.org/gallery/2004/index.php?id=1553&Country=Australia&searchStr=cooper

2004 Doug  http://www.pinholeday.org/gallery/2004/index.php?id=1552&Country=Australia&searchStr=spowart

2003  http://www.pinholeday.org/gallery/2003/index.php?id=615&Country=Australia&searchStr=spowart

2002  http://www.pinholeday.org/gallery/2002/index.php?id=826&Country=Australia&searchStr=spowart

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 ©2019 Doug Spowart+Victoria Cooper
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Creative Commons-by-nc-nd.eu.
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Our photographs and words are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.http://creativecommons.org/licenses/by-nc-sa/2.5/au/..
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HEAD-ON Exhibition in SYDNEY to include Victoria COOPER + Ruby SPOWART

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Headon Logo

I’m excited to announce that the two women in my life VICTORIA Cooper and my mother RUBY Spowart have both been selected as one of the LOUD and LUMINOUS curated 100 AUSTRALIAN WOMEN PHOTOGRAPHERS exhibition to be shown at the 2019 HEAD-ON PHOTO FESTIVAL. It is an amazing and powerful exhibition of contemporary photography brought together by the dynamic duo Hilary Wardhaugh and Melissa Anderson.

 

Here’s the story…

 

ABOUT LOUD & LUMINOUS – from the web page

The Loud and Luminous mission is to recognise and celebrate the contribution of contemporary women in the photographic arts in Australia. We believe this project is unique and important in identifying the extensive cultural contribution women photo-based artists and photographers have made in this country. This project is designed to empower the girls and women of today and tomorrow to chase in their dreams. This is a timely project and one that hopes will help educate and inspire many women of all ages.

 

Vicky’s photograph is based on an important Tasmanian issue…

Listening …

 

VICKY’s ARTIST’S STATEMENT

My ancestors are European…. but I am removed by generations from these origins and have always sought to understand my place in this altered land. Over recent years I have spent time in Tasmania. I have come to know of Aboriginal stories that tell of women that lived and survived through the colonial invasion of their land and the resulting massive change to their lives and the future of their culture. I found Putalina, in Palawa kani, a place for reflection on the story telling that has highlighted the strength and power of past Aboriginal women including Truganini and Fanny Cochrane Smith.

 

Ruby’s work related to where she now lives and a reflection on her mother’s amateur painting…

My mother painted floral arrangements

 

RUBY’s ARTISTS STATEMENT:

My mother painted floral arrangements.

Before getting married and having children on a farm in central Victoria in the early 1900s my mother painted in oils. I never saw her paint – having children and the hard life on the farm meant that there was no time for art. Her paintings, mainly of floral subjects, however lived on and now are cherished by the family generations that followed.

If there is an art gene then my mother passed it to me. In my life I have practiced many art mediums from enamelling to china painting and ceramics as well as photography. Despite having three children and working with my husband in a family business I persisted with my art making. It has rewarded me and enriched my life.

Now in my 90s I photograph with my iPhone and these flower photographs come from the gardens that my neighbours and I nurture. In this work I feel that I am making the flower ‘paintings’ that my mother was never able to…

 

Venue / Date / Times

 

 

From the Headon website

 

 

 

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WIM de VOS – Artist, teacher, musician, mentor, brother & friend

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A portrait of Wim de Vos with his work at Studio West End

 

For Wim, by Vicky Cooper

 

In your last days we visited you….

Like the artist thinking about your next artwork…

You described your final work…

How, where, when…

You would be buried….

An acrylic case made by friends

In the bush

Up a hilly rocky track

To a hidden mountain

A stand of trees that had black bark

A particular view across a Valley

A golden sunset

A rock with the Red Fox coat of arms

Also created by a friend

 

50 years I have known you

Sometimes distant

Sometimes close

 

I danced with your groupies

In Cloudland where

You played a red Fender

Those favourite songs

Neil Young, Focus, George Harrison

Beach Boys and so may more…

 

I danced with Opa

At the Dutch Club

I loved Oma’s apple pie

The paper flowers and the needle work

The smell of pipe tobacco

The Dutch jokes

Stories of WW2

 

I remember your first exhibition

Michael Milburn

Your time in Maastricht

My sister with the two boys and soon a girl

My sister is now another beautiful story

The boys are also creating new stories

And the girl is strong and confident

The world has not limited them

 

At seminal moments

I needed inspiration and support

You were there

With Doug…

Fellow teacher, artist and family

I for 50 years

Doug for 30….

You could be at times testing…

But you were also investing

Your energy, creativity, ingenuity and knowledge

 

There are so many years of art

Toowoomba, Flying Arts, McGregor…

Then West End and Adele

A collaboration that built a strong community

 

Each of us all has personal stories

Each will be different

But all of it rich

 

Just like your studio and apartment

The walls and corners of your life

Are jam packed with collections

Of moments

Sad or cantankerous

Solitary or social

Dedicated and creative

 

But your parting words to me now echo in my everyday

That I never stop making my art…

And I now reflect that if it were not for his support

I – and perhaps many others – would not have started…..

 

It is in this legacy that you will always remain

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Wim de Vos

VALE Wim de Vos 27/5/1947-8/12/2018.

 

Christene Drewe has written a post in the State Library of Queensland’ John Oxley Library Blog about Wim and the works that they have in their collection.

http://blogs.slq.qld.gov.au/jol/2019/01/24/remembering-brisbane-artist-wim-de-vos/

SLQ-JOL Blog post by Christene Drewe

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Some images of Wim from events over the last few years…

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Wim presenting a long book at the Artists Book Brisbane Event – Griffith University Brisbane

Wim & Adele at ABBE Artists Book Conference July 2015

Wim showing the State Librarian Janette Wright his tunnel books at the Siganto Seminar 2015

 

Wim & Adele at the State Library of Qld’s Artists’ Book Fair 2015

The launch of the 'Bookplates Unbound' project with Helen Cole and Gael Phillips and others

The launch of the Bookplate collection with Anne Jolly, Helen Cole and Gael Phillips and others

A return to the ‘Band’ days at Studio West End

Farewell to ABSOE party, 23rd April 2016

A blog post about the ABSOE Studio and the NEW Studio can be found HERE

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At the NEW West End Studio – November 2016

The NEW West End Studio

Adele in the New West End Studio

Lunch is prepared at the New West End Studio

Lunch at the New West End Studio

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Wim will be back in the studio soon…

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The studio

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©Texts by Vicky Cooper . . . © All photographs by Doug Spowart

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In remembrance….

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BUNDANON Residency 2018 – WHY ARE WE HERE?

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WHY ARE WE – documentation of a page from the Island Book

 

WHY ARE WE … Here at Bundanon?

In 2007 we were successful applicants for a Bundanon residency that enabled is to realize a major component of our individual PhD research. However we still needed to resolve many issues raised by this work and to return our finished works to be documented in the site that they were created. So in 2009 we were granted a second residency to complete this part of our studies.

While we were deep in our research other interesting and unanswered questions arose that have haunted us since this time. Although our itinerant life in the last few years has been exciting and constantly changing, we have missed the opportunity to be in a studio and a place devoted to just working on our practice.

Now this latest residency will give us time to work again at the boundaries of our practice and create the new work that has been gestating in our minds over these few years.

See our COOPER+SPOWART website for further info. (Please note the content of this page are Adobe Flash driven presentations)See relevant aspects of our past Bundanon residencies relating to our PhD research here Victoria COOPER ThesisDoug SPOWART – Thesis.

FOLLOW OUR WORK over the next 3 weeks on our FACEBOOK Page

 

A SELECTION OF IMAGES

From artists’ books, photobooks, experimental projects, artwork documentation and our collaboration made during our 2007 & 2009 residencies.

 

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SINGLE MEN’S QUARTERS CAMERA OBSCURA

 

Documentation of the Camera Obscura image in the Single Men’s Quarters

 

PROJECTIONS

‘CLICK’ to enlarge

 

SOME IMAGES FROM DOUG’S WORK

‘CLICK’ to enlarge

 

SOME IMAGES FROM VICKY’S WORK

‘CLICK’ to enlarge

 

 

TO FOLLOW OUR ACTIVITIES OVER THE NEXT 3 WEEKS “LIKE” our FACEBOOK PAGE and in “Follow” – click “SEE FIRST”

 

FB-Follow

 

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Please join with us in this exciting project…

 

 

 

LIBRIS ARTISTS’ BOOK AWARD – Cooper+Spowart Finalists

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The artists’ book TIDAL by Cooper+Spowart

 

Our artists’ book TIDAL is now on show as a FINALIST in the 2018 LIBRIS ARTISTS’ BOOK AWARD at Artspace Mackay, Queensland, Australia.

We are excited to be finalists in this Award exhibition. The awards were announced on May 26 – details of the winning works and a download of the exhibition catalogue are available at the bottom of this post.

 

ABOUT OUR ARTISTS’ BOOK – TIDAL :

 

TIDAL is a montage of fragmented imprints made from the solid reality of found objects swept up by the tide–beautiful castaways from the ocean.

These objects as image elements, no longer in their original form, are woven together as if a poem, song or dance. In many ways TIDAL relates to a ‘desire for that melancholy wonder that is the blue of distance’ from Rebecca Solnit’s A field guide to getting lost.  Or just simply it could be about the artist and their art.

It is book of double-sided cyanotype prints, when held to the light, allow for the montage of the images front and back, thus merging and unfolding the space and time of the page and the book. Reading becomes the blending of the fragments through the spatial divide of the turning page.

The video that follows gives a basic view of the TIDAL book:

 

 

 

ABOUT THE TIDAL BOOK PROJECT:

 

This project began with the collection of beach detritus at low tide after the super moon at Wooli, north coast New South Wales.

We worked collaboratively in the intense heat of Christmas Day 2016 to hand coat the cyanotype emulsion on ricepaper, expose the ‘found objects’ to the paper in the sun, and then wash-out in running water with a dash of lemon juice to create the double-sided cyanotype folios.

Over the next year we developed the structural form of the book, and finally returned to finish it at Wooli, as this state, over Christmas in 2017.

The double-sided cyanotype prints, when held to the light, allow for the montage of the images front and back, thus merging and unfolding the space and time of the page and the book. Reading becomes the blending of the fragments through the spatial divide of the turning page.

 

THE BOOK:

A unique state book of 6 double-sided cyanotype images on rice paper.

Book size 49.5x30x1 cm

The text was written by Victoria Cooper and includes a quote by Rebecca Solnit.

Folders and text:
Canson Stonehenge and Arches paper with rice-paper collage elements.

Garamond font family in pigmented inks on Arches paper.

This book is another work created in an ongoing series relating to the locality of Wooli and we acknowledge the support provided by Dr Felicity Rea

 

BOOK TEXT:

 

Frontpiece: TIDAL

 

 

OTHER INFORMATION INCLUDING THE WINNING BOOKS:

 

Category 1. Dalrymple Bay Coal Terminal National Artists’ Book Award

Winner: Clyde McGill for his work ‘Witness’

Category 2. Dalrymple Bay Coal Terminal Altered Book Award

Michelle Vine for her work ‘Contested Biography I (quadrat)’

Category 3. Mackay Regional Council Regional Artists’ Book Award

Jamian Stayt for his work ‘Tagged’

Category 4. Artspace Mackay Foundation Tertiary Artists’ Book Award

Jenna Lee for her work ‘A plant in the wrong place’

 

LIBRIS CATALOGUE

CLICK THE LINK BELOW TO DOWNLOAD A COPY OF THE CATALOGUE

Libris_Awards_2018_Catalogue_of_Entries_brochureA4

 

SEE OUR POST ABOUT THE 2016 LIBRIS AWARDS HERE

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2018 WORLDWIDE PINHOLE DAY 29 April – Our images

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WPD-logo

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Round the [w]hole world on Sunday the 29th of April 2018 pinholers were out having fun – Making their images for the 2018 WPD. Far away from the darkroom (again) we’ve once again fitted a pin-prick in a piece of aluminium fitted to a body cap of our Olympus Pen EP-5 camera and we went on a cruise around the New South Wales town of Muswellbrook pinholing…

This is the 13th year we have supported the WPD project!

 

Bird bath by Victoria Cooper

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ABOUT VICKY’S PINHOLE IMAGE:

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Each day birds of all sizes come to drink from this and it is shared with the two cats who live here too… It is the driest April on record in this region of Australia.

The photo was taken with the intention of capturing the sun flare. Digital capture with hand-made hole on an Olympus EP5 on manual setting.

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Lest we forget – April 25th by Doug Spowart

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ABOUT DOUG’S PINHOLE IMAGE:

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Each year on April 25 Australian and New Zealand peoples commemorate ANZAC Day in recognition of the sacrifice made by soldiers from our country in the First World War. Floral tributes are laid at memorials all over the country. The message on most wreaths is the phrase ‘Lest we forget’.

The photomontage is made up of 5 images – each photo was taken on an Olympus EP5 digitally with a hand-made pinhole.

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Olympus Pen with hand pierced aluminum foil hole, Aperture exposure mode, ISO 1600.

Olympus Pen with hand pierced aluminum foil hole, Aperture exposure mode, ISO 800.

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Visit the WPD Site for details of other posted:  http://pinholeday.org/

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Our Past WPD images:

2016 Doug: http://www.pinholeday.org/index.php?id=1235

2016 Vicky: http://www.pinholeday.org/index.php?id=1540

2015  https://wotwedid.com/2015/05/04/april-26-worldwide-pinhole-day-our-contributions-for-2015/

2014  Vicky’s http://pinholeday.org/gallery/2014/index.php?id=1810&City=Toowoomba

2014  Doug’s http://pinholeday.org/gallery/2014/index.php?id=1811&City=Toowoomba

2013   https://wotwedid.com/2013/04/29/world-pinhole-photography-day-our-contribution/

2012   http://www.pinholeday.org/gallery/2012/index.php?id=1937&searchStr=spowart

2011    http://www.pinholeday.org/gallery/2011/index.php?id=924

HERE IS THE LINK to the 2011 pinhole video   http://www.youtube.com/watch?v=Yk4vnbzTqOU

2010   http://www.pinholeday.org/gallery/2010/index.php?id=2464&Country=Australia&searchStr=spowart

2006  http://www.pinholeday.org/gallery/2006/index.php?id=1636&Country=Australia&searchStr=cooper

2004 Vicky  http://www.pinholeday.org/gallery/2004/index.php?id=1553&Country=Australia&searchStr=cooper

2004 Doug  http://www.pinholeday.org/gallery/2004/index.php?id=1552&Country=Australia&searchStr=spowart

2003  http://www.pinholeday.org/gallery/2003/index.php?id=615&Country=Australia&searchStr=spowart

2002  http://www.pinholeday.org/gallery/2002/index.php?id=826&Country=Australia&searchStr=spowart

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 ©2018 Doug Spowart+Victoria Cooper
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.Creative Commons-by-nc-nd.eu
Our photographs and words are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.http://creativecommons.org/licenses/by-nc-sa/2.5/au/..

VICTORIA COOPER: Loud & Luminous – Women’s Day Exhibition

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Loud & Luminous invite

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VICTORIA COOPER IN A NATIONAL EXHIBITION OF WOMEN PHOTOGRAPHERS

LOUD AND LUMINOUS the exhibition, a celebration of Australian Women photographers, has been on show at Brunswick Street Gallery in Melbourne from 28th February – 13th March 2018 linking with International Women’s Day.


The Loud and Luminous mission concieved by Mel Anderson and Hilary Wardhaugh was to recognise and celebrate the contribution of contemporary women in the photographic arts in Australia. The exhibition has 56 emerging and influential Australian women photographers, referencing a women’s symbol in their finished work. Australian women from 9 years to 90 years contributed, with the goal to empower women of today and tomorrow.


The brief was completely open to interpretation. Artists used the figure of a woman literally or referenced it by shape or to make a statement. Each artists’ interpretation is quite unique and as a collective there is a strong message revealed.


This is a timely project and will educate and inspire women of all ages, backgrounds and disciplines by recognising the extensive cultural contribution women photographic artists make. It aims to empower the girls and women of today and tomorrow to chase in their dreams.

 

Victoria Cooper portrait

 

Artists Statement: Dreaming a River by Victoria Cooper

 

Influenced by Gerhard Richter’s enigmatic painting ‘Betty’, I was drawn to this photograph I made of a friend while travelling along the Danube River in Austria. It is an everyday moment but yet I find myself drawn into the reverie.

At first I struggled with the intervention of the exhibition symbolic motif, but as I contemplated my time walking beside this iconic river it was transformed through the thinking process. The motif multiplied: a thought pattern; a metaphorical weaving into a psychological fabric; or the confluence of symbolic women becoming a river.

Rather than a message or a memory of time and place, this work is embedded in the story of everyday life– of being in the world, and moments of dreaming …

 

Digital photomontage created for the Loud and Luminous Project World Women’s Day 2018 exhibition

 

Victoria Cooper talks about her work

 

 

Who is in the show…?

SEE THE LOUD AND LUMINOUS SITE FOR BIOGs   Click HERE

The opening event

The Loud+Luminous opening PHOTO: Hilary Wardhaugh

The conference

SEE THE LOUD AND LUMINOUS SITE FOR DETAILS   Click HERE

 

A book about the exhibition made by sponsor MomentoPro

 

 

 

Thank you Melissa Anderson and Hilary Wardhaugh for coming up with the idea and coordinating the project through to its conclusion.

Thanks also to the Sponsors…

 

Sponsors

 

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Written by Cooper+Spowart

March 14, 2018 at 11:27 pm

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