Archive for May 2016
ODE TO TARAGO CARCAMERA OBSCURA
Today I was just remembering when I first bought
the Tarago as a new car…
It was a smooth car/van in 1986 even though it was a 1985 model.
… I was its sole owner
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Although Doug was a major driver and sharer of the running costs
then there are all those kilometers we three have travelled
Doug, Me and Tarago….
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We have travelled, camped, forded flooded creeks, pushed through tracks that only
four wheel drives should go, crossed the sea (Tasmania), been invaded by possums,
carried our art, groceries, garden waste, house moving, friends, family,
and even a tour group of Japanese tourists,
Dodged kangaroos except for one that jumped into the side of us,
driven through bull dust without getting bogged,
though – monsoonal rains,
locust plagues, searing heat,
snow, sleet and frost, wild winds,
And beautiful spring days …
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Dodged crazy drivers that were talking on mobile phones while simultaneously writing
in a book resting on the steering wheel!!!!
And then there was that really big spider that walked across the windscreen while I was driving…
was it inside or outside – not sure where that ended up?
The Tarago survived break-ins back in the Imagery Gallery days in Fish Lane …
There were the breakdowns… we all have so why not CarCamera Obscura Tarago?
But Treg… you always got her going again – Thank you so much …
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Tarago suffered our singing along with the old cassette tapes
of the Travelling Wilburys, George Harrison and Pink Floyd
We planned, we imagined, we argued, we laughed, we cried, we did many things
We ate fish and chips on the Great Ocean Road …
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We made the car into a camera obscura! And drove it across Australia …
Just as we celebrated 630,000 km …
the journey for our Tarago was to end….
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We said our farewells – April 10, 2016
The Tarago CarCamera Obscura will be auctioned we were told…
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A PICTURE STORY OF OUR TARAGO CARCAMERA OBSCURA
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THE OPENING RENATA BUZIAK’S ‘Medicinal Plant Cycles’ by Dr Victoria Cooper
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MEDICINAL PLANT CYCLES: RENATA BUZIAK
@ Redland Art Gallery: 24 APRIL – SUNDAY 5 JUNE 2016
Medicinal Plant Cycles by Renata Buziak is an exhibition of medical plant images was opened by Dr Victoria Cooper on April 22nd. Buziak’s work is based on the fusion of organic and photographic materials in a process of decomposition that Buziak names the ‘biochrome’. They are generated by arranging plant samples on photographic emulsions and allowing them to transform through the bacterial micro-organic activities that are part of cyclic decay and regeneration.
Through this exhibition Buziak hopes to reveal a beauty in decomposition and raise notions of transformative cycles. This focus on Minjerribah medicinal plants aims to promote the recognition, appreciation, and value of local medicinal plants in the context of Aboriginal knowledge and natural science. (From the gallery and Renata Buziak’s website)
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An extract from Victoria’s opening address:
Renata Buziak’s art presents a synergy with the natural environment rather than the considered reconfiguration of natural objects seen in the work of many contemporary artists that follow in the land art tradition of Andy Goldsworthy and Richard Long. As such Buziak’s work and methodology invests in collaboration and empathy in all aspects of her research.
Through her Biochrome process Buziak visually explores the complexity–sometimes messy and chaotic–within the lifecycle of plants and the ecological systems that sustains them. Within the process, and evident in the final works, is the agency of borders, boundaries and edges. It is at the edges of the plants from the leaves and stems down to the cellular level that vital exchanges occur between life, death and decay. Buziak also works in the generative but slippery space that traverses the boundaries of art and science, culture and knowledge.
At first sight, these images are an aesthetic experience: of colour, shape, form and texture. But as I spend time to look into the microscopic worlds made visible within each image, I am drawn into other aspects of the work. I am engaged by the evolving story of her investigation with this process that is underpinned by a respect for the lived experience and knowledge of Aboriginal culture.
As I continue to linger–taking time for reverie–questions emerge along with a sense of wonder. These images are a visual thesis for the Deep Ecology of these medicinal plants and the natural environment that forms the unseen and unknown of our everyday existence.
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