Archive for the ‘Wot happened on this day’ Category
2019 PHOTOBOOK ROAD TRIP BEGINS – HOBART
The 2019 Photobook Road Trip
PHOTOBOOKS @ TOPSPACE STUDIO/GALLERY IN HOBART
Ilona Schneider and Doug Spowart
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The 2019 Photobook Road Trip began last night at the TopSpace StudioGallery in Hobart. The Australia & New Zealand Photobook Awards (ANZPA) exhibition was installed by Victoria Cooper and Doug Spowart. Visitors to the Gallery were welcomed by the gallery Director Ilona Schneider.
Vicky setting up the dispaly
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Winners 2018
- PHOTOBOOK WINNER: Second Sight by Sarah Walker & Perimeter Books (AU)
- PHOTOBOOK COMMENDED: Huon by Noah Thompson (AU)
- STUDENT WINNER: ROYGBIV by Kira Sampurno at Massey University, Wellington (NZ)
- STUDENT COMMENDED: Craigieburn, it’s not the same by Yask Desai at Photography Studies College, Melb (AU)
Finalists 2018 from 117 entries:
- Dream State by Stavros Messinis / M-Art Books (AU)
- I Want This Life and Another by Robyn Daly (NZ)
- Image Ecologies by James Farley & Jacob Raupach / Currency Editions (AU)
- Living with AIDS (1988) by Fiona Clark & Michael Lett (NZ)
- Permission To Belong by Tammy Law (AU)
- Six for Gold by Jake Mein & Bad News Books (NZ)
- The Tensile Strength of a Heartstring by Hannah Rose Arnold (NZ)
- The Winter Garden by Christine McFetridge, Bad News Books & M.33 (NZ)
Looking at the Cooper+Spowart books
Doug presenting his talk
THANK YOU!
D+V Coming to Canberra
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4 PHOTOBOOK EVENTS – Brisbane August 2, 3 & 4 2019
4 PHOTOBOOK EVENTS OVER 3 DAYS – Check out the individual program
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Event 1 – FREE TO ATTEND
VIEW THE BEST PHOTOBOOKS
from the Australia & New Zealand Photobook Awards
From Friday evening August 2, Saturday 3 & Sunday 4, 2019
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- It’s a FREE EVENT
- Attend the ANZ Photobooks Awards Launch on Saturday at 12.30pm
- You can view the books from 5.30–8.00pm on Friday and also Saturday & Sunday 10.30–3.30pm
- Location: THE MAUD STREET PHOTO GALLERY – 6 Maud Street, Newstead, Brisbane
- The Sponsor of the ANZ Photobook Awards is MomentoPro Books.
BOOK THIS EVENT THROUGH EVENTBRITE using this ink:
To Register to ATTEND THE ANZ PHOTOBOOK LAUNCH & VIEWINGS
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Event 2 – FREE TO ATTEND
THE ALL PHOTOBOOK POP-UP SHOP
SATURDAY August 3, 2019 ALL DAY
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THIS EVENT WILL FEATURE:
- The BEST Australian & New Zealand Photobooks
- Talks by Libby Jeffery from MomentoPro
- The latest Queensland Photobooks from the 2019 Melbourne Art Book Fair
- Buy Second-Hand and new photobooks
- A display of historical and rare photobooks
- Photobook performances
- Photobook table-talks
TO BOOK THE TALKS AND THE ANZ PHOTOBOOK AWARDS LAUNCH use these links:
LAUNCH The Australian & New Zealand Photobook Awards Brisbane Launch at 12.30pm
DEMO by Libby Jeffery from MomentoPro about ‘How to make a photobook with MomentoPro software’
TALK by Libby Jeffery from MomentoPro about ‘How to launch and market your photobook’
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TO BOOK A $25 TABLE SPACE “CLICK” This LINK
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Event 3 – For a Fee
HAVE A PHOTOBOOK REVIEW
with the Doctors – Doug Spowart +Victoria Cooper
By Appointment
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We will work, one-on-one, with you to review book ideas, dummy photobooks and photos from projects being considered for a book and provide comments, critique and supportive feedback.
We can discuss relevant aspects of your photobook process including:
- idea development
- image sequencing and narrative
- issues of texts and photos
- aspects of contemporary and traditional book design
- production options – DIY, Print-on-demand and trade
- pricing > sales > promotion > distribution
BOOK THIS EVENT THROUGH EVENTBRITE using this ink:
https://www.eventbrite.com.au/e/photobook-review-with-the-doctors-tickets-62800959360..
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…Event 4 – For a Fee
..NARRATIVE:
Sequencing photos for photobooks
…A full day workshop with Doug+Vicky
…SUNDAY August 4, 2019
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One of the biggest challenges in making photobooks is the initial task of selecting images from the 100’s that you have captured to form sequences that carry strong communicative potential in a book.
This workshop is designed to engage the photographer with different processes of distilling images and structuring narrative flow in their photobook projects.
These ideas will be developed concurrently with the hands-on making of 3 photobook forms as ‘dummy’ books. A dummy is a tester, a sample book – it’s a physical object that you can you can hold and turn pages to review the changes that may be required to make a better book. Book designers may make many dummies as a key part of developing a great photobook.
The participant armed with these skills and knowledge will be better prepared to publish their photobook through print-on-demand options.
BOOK THIS EVENT THROUGH EVENTBRITE using this ink:
https://www.eventbrite.com.au/e/narrative-sequencing-photos-for-photobooks-tickets-62800120852
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ANZ Photobook Awards at Maud Gallery
Thank You The Maud Street Photo Gallery for supporting this Photobook Club Brisbane event.
These events are coordinated by Doug Spowart and Victoria Cooper
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2019 WORLDWIDE PINHOLE DAY 28 April – Our images
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Round the [w]hole world on Sunday the 28th of April 2019 pinholers were out having fun – Making their images for the 2019 WPD. Far away from the darkroom (again) we’ve once again fitted a pin-prick in a piece of aluminium fitted to a body cap of our Olympus Pen camera and we went on a road trip in Tasmania from the D’Entrecasteaux Channel to the mountains and back again.
This is the 14th year we have supported the WPD project!
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ABOUT VICKY’S PINHOLE IMAGE:
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Capturing time and light in the mountains of Tasmania..
The photo was taken by digital capture with hand-made hole on an Olympus Pen using manual setting.
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My friends take a photo with their iPhones
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ABOUT DOUG’S PINHOLE IMAGE:
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Late this afternoon we went walking in the Autumn light down past the bare trunks and branches of deciduous trees – my friends stopped to photograph with their iPhones… Callie walked on…
Both pinhole photographs were taken on an Olympus Pen camera
Camera with pricked pinhole in alfoil, Aperture exposure mode, ISO 800.
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Other images we made on the day…
Visit the WPD Site for details of other submissions: http://pinholeday.org/
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Our Past WPD images:
2018 Doug+Vicky https://wotwedid.com/2018/04/29/2018-worldwide-pinhole-day-29-april-our-images/
2016 Doug: http://www.pinholeday.org/index.php?id=1235
2016 Vicky: http://www.pinholeday.org/index.php?id=1540
2015 https://wotwedid.com/2015/05/04/april-26-worldwide-pinhole-day-our-contributions-for-2015/
2014 Vicky’s http://pinholeday.org/gallery/2014/index.php?id=1810&City=Toowoomba
2014 Doug’s http://pinholeday.org/gallery/2014/index.php?id=1811&City=Toowoomba
2013 https://wotwedid.com/2013/04/29/world-pinhole-photography-day-our-contribution/
2012 http://www.pinholeday.org/gallery/2012/index.php?id=1937&searchStr=spowart
2011 http://www.pinholeday.org/gallery/2011/index.php?id=924
HERE IS THE LINK to the 2011 pinhole video http://www.youtube.com/watch?v=Yk4vnbzTqOU
2010 http://www.pinholeday.org/gallery/2010/index.php?id=2464&Country=Australia&searchStr=spowart
2006 http://www.pinholeday.org/gallery/2006/index.php?id=1636&Country=Australia&searchStr=cooper
2004 Vicky http://www.pinholeday.org/gallery/2004/index.php?id=1553&Country=Australia&searchStr=cooper
2004 Doug http://www.pinholeday.org/gallery/2004/index.php?id=1552&Country=Australia&searchStr=spowart
2003 http://www.pinholeday.org/gallery/2003/index.php?id=615&Country=Australia&searchStr=spowart
2002 http://www.pinholeday.org/gallery/2002/index.php?id=826&Country=Australia&searchStr=spowart
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.2018 FIELD STUDIES: CAMERA OBSCURA FERRY PORTHOLE – Bass Straight waves over the Spirit of Tasmania
Our 2018 Field Studies submission of 100 artworks
As an important end of year ritual, we have once again prepared our submission to the ‘FIELD STUDIES INTERNATIONAL’ collaborative mail art project organised by David Dellafiora. Artists from around the world contribute to this project by mailing to David 100 artworks of any process and printed media made to A5 size. He then works with a team to collate all the submissions and assemble 100 copies of the collaborative book. After each participant receives one of these books, a number are then sold to private and institutional collectors to fund the project. We have contributed to the Field Studies for the last 10 years. Some links to the previous submissions are provided at the end of this post.
Here’s the story of our 2018 Field Studies report…
In 2000, we began a series of site-specific camera obscura projects that is a continuing body of work… This year we made two attempts to construct a cabin camera obscura. The second attempt proved more successful and so in this blog we present this recent work – Through a porthole in 3-5metre seas on the The Spirit of Tasmania.
The Spirit of Tasmania
On the morning of the 3rd of November we boarded the Spirit of Tasmania and checked in to our cabin for the nine-hour day crossing. We had booked months earlier and had requested a porthole cabin with the idea of making a camera obscura.
Earlier in 2018 we had tried unsuccessfully to make camera obscura images on an overnight crossing figuring that by the time we boarded the ship we would have a brief period of sunlight – alas, that would not be the case it was dark by the time we had boarded and checked into our cabin. This second time we worked it differently with a day crossing and a porthole cabin… we then prepared for a full day of camera obscura work.
You can imagine our excitement to find that our cabin was in the middle at the front of the boat with a view over the flagpole on the prow of the ferry to the sea beyond. So we set to work with a mini camera obscura tool kit had been prepared for the preparation of the darkroom:
- A quantity of heavy-duty black garbage bags
- Gaffa tape
- Scissors
A camera obscura tool kit
Vicky documented Doug as he negotiated the space beyond the bunks to tape the black bags over the window. Progressively the room got darker and glimpses of the features outside our little cabin imaged themselves on the walls of the cabin. One problem was the darkening down of the central image area caused by depth of the room and a mirror on the reverse of the door. We decided that to create an observable image we needed re-purposed two white doona covers as a screen by taping them to the ceiling and walls with the gaffa tape. To recreate the theatrical space of the cabin camera obscura, we combined a series of images of the cabin walls and the screen at different stages of the journey. We also found our humble Olympus Pen camera set at ISO25,000 the best option as it fitted the small space and enabled hand-held exposures.
The Spirit of Tasmania left Devonport port and headed out into Bass Straight. For us this was a challenging crossing as there were strong westerly winds and huge 3-5 metre waves for most of the day. It wasn’t long before we began to experience the ‘bang’ and ‘splash’ of waves over our porthole… we were on one of the upper decks – deck 8!!! Kwells (anti-seasickness pills) were taken and to take our minds off the thump and roll we got active documenting the CO crossing.
Two composite images were constructed from our work that day that we entitled Through a porthole in 3-5 metre seas on the The Spirit of Tasmania. The first is a panorama that shows Vicky on her bunk looking at the projected camera obscura image. On the right-hand side the shadow of the camera held aloft is imaged. The final panorama is made of 4 images.
Vicky observing the panorama camera obscura image
The second image is a triptych of the projected image on the screen showing a series of three photographs made by Vicky as the boat rocked with the centre image documenting a whiteout as a wave crashes on the window.
Camera obscura: a 3-5 metre wave crashes against our porthole (inverted)
Camera obscura: a 3-5 metre wave crashes against our porthole
We left the camera obscura setup until we docked. Midway across Bass Straight the images described above we assembled and optimised as the ‘bang’ and ‘whoosh’ of the waves on the boat continued incessantly. At one stage we ventured out to see how those brave souls in the public areas of the ferry were managing… they all looked pretty green–some not well at all, and many finding any horizontal space they could to find some comfort.
When the Spirit docked we dismantled the CO and disembarked, glad to be on terra firma again.
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To see a post about the FIELD STUDIES INTERNATIONAL and other of our Field Studies submissions
About David Dellafiora and Field Studies International
https://wotwedid.com/2013/01/05/field-study-international-our-contribution/
Our 2016 Field Studies International submission
https://wotwedid.com/2017/01/17/field-studies-international-2016-our-contribution/
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4 PHOTOBOOK EVENTS – Brisbane August 3, 4 &5 2018
Australian + New Zealand Photobook of the Year Finalists
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PLEASE NOTE THESE EVENTS HAVE NOW COMPLETED
FRIDAY August 3, 2018 evening
Event 1 – VIEW THE BEST PHOTOBOOKS from Australia & New Zealand
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SATURDAY August 4, 2018 ALL DAY
Event 2 – HEAR CONTEMPORARY PHOTOBOOK people talking about the medium
Both events are FREE though registration/booking is essential
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SUNDAY August 5 – Two NEW Sessions
(See Eventbrite links for session details, fees and booking details)
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Event 3 – HAVE A PHOTOBOOK REVIEW with the Doctors – Doug+Vicky
Event 4 – DESIGNING & MAKING CONCERTINA FOLD BOOKS – with Doug+Vicky
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EVENT 1: FRIDAY – August 3
An evening presentation the very best of contemporary photobooks from Australia and New Zealand from the recent Photobook of the Year Awards.
- Meet Libby Jeffery from the Award’s Patron MOMENTO PRO.
- Come in and look at the books from 5.30–8.00pm and Saturday 10.30–3.30pm.
- Location: MAUD GALLERY – 6 Maud Street, Newstead, Brisbane.
TO BOOK this event do so on this Facebook page: PHOTOBOOK FRIDAY FACEBOOK EVENT
ANZ Photobook Awards at Maud Gallery
Event 2: TALKING BOOKS SYMPOSIUM (free)
- SATURDAY August 4 – 10.30am – 4.00pm
- 6 speakers on the contemporary photobook
- Location: MAUD GALLERY – 6 Maud Street, Newstead, Brisbane.
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Eventbrite Logo
AS SEATING IS LIMITED – ….“CLICK” THE EVENTBRITE LINK BELOW.
https://www.eventbrite.com.au/e/talking-books-photobook-club-brisbane-event-tickets-37573180394
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Libby Jeffery – MomentoPro
At 11.00am
KEYNOTE SPEAKER: Libby Jeffery from MomentoPro
Libby will talk about the Antipodean experience of self publishing a photo book – from purpose through to publicity
including:
- Purpose
- Budget/Funding
- Self/Publish
- Edit/Design
- Format/Print
- Sell/Distribute
- Launch/Publicise
From 1.00-4.00pm
MEET SOME LOCAL PHOTOBOOK MAKERS & THEIR BOOKS
Tammy Law and her book Permission to Belong being developed in conjunction with Yumi Goto and the Reminders Photography Stronghold workshop
TAMMY LAW documents stories that are reflective of her experiences of being a child of Chinese migrants, and the bubble of Asian/Australianness within which she lives. Her travels through Asia—mostly in Japan, China, Malaysia, Thailand and Burma—and the differences between Asia and the West propel her to focus on concepts of migration, home and belonging.
Tammy’s book ‘Permission to Belong’, explores themes of migration, home and belonging through the everyday lives of refugee families from Myanmar. Living against the backdrop of decades of repressive rule and civil war, countless families live between a place of home and homelessness, belonging and unbelonging. The negotiation and renegotiation of identities is as complex as the history and future of Myanmar.
Ana Paula Estrada and 2 spreads from her book Memorandum
ANA PAULA ESTRADA: I am a Mexican–Australian artist based in Brisbane. For the last seven years my art practice has focused mainly on the documentation of life stories of older Australians by combining photography, oral history, and the artist book. I am currently undertaking my Master of Visual Arts by research degree at the Queensland College of Art.
In 2016, I self-published an artist book called Memorandum in an edition of 200, which was recognized and exhibited broadly nationally and internationally. My current project consists of publishing a two-volume artist book that tells the life stories of Kevin and Esta, two participants aged over eighty, with whom I have been collaborating. Merging the fields of documentary practice, oral history and fine arts, and influenced by visual poetry, my books explore the combination of text, image and the blank space of the page.
Jan Ramsay and her book Toaster, and another book showing her fine binding skills
JAN RAMSAY: Being inspired by creative parents and grandparents, After a few career changes including dental nurse/radiographer, fashion design and working with special needs people using braille & sign language Jan started a professional photography business, Eye on Photography in 1996. In photography Jan found expression for her creative spirit.
Jan’s books are mix of creative play and exploration of ideas where the form of the book becomes an important opportunity to push boundaries, making mistakes and having fun. Her books are hand bound featuring artists’ book techniques and are usually published in singular editions.
Raphaela Rosella and her book We met a little early, but I get to love you longer
Raphaela Rosella is an Australian based artist working in the tradition of long-form documentary storytelling. She has spent the past decade highlighting the lived experience of women in her life as they grapple with the complexities and cyclical nature of social disadvantage in Australia. Her artistic practice draws heavily on relational exchanges and a collaborative ethos to challenge tropes of victimhood and poverty.
When my teenage twin sister told me she was pregnant, I was angry. I called her a ‘slut’ and told her to get an abortion. I thought she could have a ‘better life’. But what is a better life? It was a path we were all expected to take. For many of my friends, becoming a parent young was not a ‘failure of planning’, but a tacit response to the choices and opportunities available to us. My book ‘We met a little early, but I get to love you longer‘ documents women in my life; my twin, my-step sister, and new and old friends as they grapple with the complexities of motherhood and the turbulent and uncertain environments around them.
HEAR ABOUT RECENT PHOTOBOOK EVENTS ACTIVITIES IN New Zealand & Bangkok
Tammy Law will talk about her experiences at the PHOTO BANGKOK event.
Libby Jeffery will talk about her experiences as an observer of the PBNZ Masterclass in Wellington last August..
Doug Spowart’s A Compendium of AuNz Photobooks
Doug Spowart will talk about his latest edition of A Compendium of Australian and New Zealand Photobooks.
The Symposium will conclude at 4.00pm
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Maud Gallery sign
Thank You Maud Gallery for supporting this Photobook Club Brisbane event.
These events are coordinated by Doug Spowart and Victoria Cooper
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GRACIA+LOUISE: A whisker of light @ Maitland Regional Art Gallery
A Whisker of Light ………PHOTO: a hold-up of a cut-out from the exhibition’s activity table
A Whisker of Light
An exhibition by Gracia Haby and Louise Jennison @ Maitland Regional Art Gallery March-April 2018
Along with the recent work of artists book shown in the vitrines, there was a few wall installations of Haby’s collages and Jennison’s pencil drawn birds.
The books are based on the layering of image fragments into a visual form of poetry and shown under glass much like museum specimens. These books when time is taken to ‘read’ can stir the imagination beyond the space of words.
The wall works, All breathing, all right, are a breathtaking 446 collages constructed on to antique postcards by Haby from 2006 to 2015. Overwhelming to take in on one visit these transformed postcards are regimented into columns that disrupt a formal ‘reading’ by left to right or of the entire work at once. Instead one discovers them individually, up close and at random bringing a kind of child play or ‘I spy’ to the engagement of this work.
Across the room in a free flowing formation is a flock of birds and one butterfly in flight, All flying, all right, drawn by the sensitive hand of Louise Jennison. Serendipitously, in the gallery space at certain times of the day, a streak of sunlight falls across the wall and seems to guide the birds as a reference to the exhibition title. In this gallery space these works form a kind of habit for the reimagining of the fragile relationship between humans and animals.
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All breathing, all right by Gracia Haby
Gracia Haby
All breathing, all right
2006–2015
Postcard collages
All breathing, all right (detail) by Gracia Haby
Gracia Haby
All breathing, all right (detail of 2 components)
2006–2015
Postcard collages
All flying, all right, by Louise Jennison
Louise Jennison
All flying, all right
2011–2014
Pencil on paper
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3 books by Gracia Haby & Louise Jennison
Disrupted and rumpled
Dim wood, spark bright
A warmed pebble in my hand
For further information about Gracia & Louise’s exhibitions see:
http://gracialouise.com/a-whisker-of-light
http://gracialouise.com/all-breathing-in-heaven
http://gracialouise.com/unwinking-night
Maitland Regional Art Gallery
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1788–January 25th, the next day, and now
with 4 comments
In 2010 we wanted to make an artwork to comment and reflect on Australia Day and some of our feelings about the origins of the date – the implications of that event and the repercussions that we live with and navigate today. Through a scorchingly hot day in Toowoomba we worked with cyanotype solutions and selected objects – some from our home and others sourced from the food scraps from a local seafood smorgasbord restaurant on the day.
The work that we did that day emerged as the collaborative artists’ book, a broadsheet we titled, Australian Banquet, January 25/ 26, 1788.
A statement about the artwork
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View 1: Australian Banquet, January 25/ 26, 1788
The 25th of January side of the broadsheet is viewed and contemplated.
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View 2: Australian Banquet, January 25/ 26, 1788
The broadsheet is then turned over to view the 26th of January side.
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View 3: Australian Banquet, January 25/ 26, 1788
Finally the broadsheet is held up to the light – the complex interrelationship between the two visual references to be seen and considered.
BOOK DESCRIPTION: A unique state artists’ book broadsheet
TITLE: Australian Banquet January 25/26, 1788
MEDIA: Double-sided cyanotype image in rice paper
DIMENSIONS: 37.6 x 77cm
PLACE & DATE MADE: Toowoomba, Queensland, Australia, 2010
EDITION: 7 variations
EXHIBITIONS & AWARDS:
2014 EXHIBITED: Alternative Imaging – Curated by Dawne Fahey at Two Doors Gallery, The Rocks, Sydney
2011 SHORTLISTED: Southern Cross University Artists’ Book Award, Lismore. Judge: Ross Woodrow
2011 EXHIBITED: BLUE – Arts Council Toowoomba members exhibition, Toowoomba Regional Art Gallery
2010 FINALIST: Josephine Ulrick & Win Schubert Photography Award,
………………………Gold Coast City Gallery. Judge: Judy Annear
COLLECTIONS: Australian Library of Art, State Library of Queensland
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Written by Cooper+Spowart
January 27, 2019 at 11:03 am
Posted in Artists Books, Cyanotypes, Wot happened on this day
Tagged with 1788, artists' book cyanotype, Australia Day comment, Australia Day in art, colonial Australia, cyanotype, invasion day, January 25/ 26, View 1: Australian Banquet