wotwedid

Victoria Cooper+Doug Spowart Blog

Archive for the ‘Wot happened on this day’ Category

2020 WORLDWIDE PINHOLE DAY 26 April – Our images

leave a comment »

WPPD2020 – LOGO

.

Around the [w]hole world on Sunday April 26, 2020 pinholers were out having fun – Making their images for the 2020 Worldwide Pinhole Photography Day.

This year we are hunkered down during the Pandemic in Toowoomba, Queensland Australia. Once again, far away from the darkroom, we’ve fitted a piece of aluminium with a light admitting pin-prick to the body cap of our Olympus Pen camera and braved the parkland at the end of our street. The next day we uploaded our images with a detailed caption to the WPPD website to add to the contributions from Australian pinholers and many more from around the world.

This is the 15th year we have supported the WPD project!

 

WHAT IS WORLDWIDE PINHOLE DAY ALL ABOUT?

From the Worldwide Pinhole Photography Day website introduction

All the photographs in this extraordinary collection share two common characteristics: (1) they are lensless photographs (2) they were all made on April 26, 2020.

They also share an additional and less formal characteristic: the sincere enthusiasm of their creators who, by participating in this collective event, shared individual visions and techniques. Hence the amazing diversity of subjects, cameras, techniques and photographic materials combined in this exhibit!

 

Australian WWPD submission @ May3

 

VICTORIA’s PINHOLE IMAGE

Out walking the dog during COVID Isolation PHOTO: Victoria Cooper

ABOUT VICKY’S PINHOLE IMAGE:

Walking in the park as it turns to Autumn … Many people are exercising: walking, running, cycling during our period of isolation for COVID-19. I am grateful that during this terrible time, we are able to slow down and reconnect with what is important in our lives.”

 

 

DOUG’s PINHOLE IMAGE

Doug Spowart’s Stay Home-WPPD-2020

ABOUT DOUG’S PINHOLE IMAGE:

With the world-wide pandemic Covid-19 changing everything signs appear everywhere to remind us to stay vigilant in our resolve to limit community infection. Our local real estate agent has replaced photos of houses for sale with the letters S-T-A-Y H-O-M-E / S-T-A-Y W-E-L-L. Stay healthy everyone…”

 .

OUR Digi-PINHOLE CAMERA

The Cooper+Spowart digi OLYMPUS PEN with pinhole ...

The Cooper+Spowart digi OLYMPUS PEN with pinhole …

This is a converted digital Olympus Pen, shared with my partner Doug Spowart. The pinhole is a pin pierced hole in aluminium which is inserted into a hole drilled into a body cap. It is a hand held exposure of 1/20th second at ISO 800.”

Our digi-pinhole camera is an OLYMPUS Pen digital. The body cover has been drilled-out and a aluminium foil sheet with pin prick acts as the light emitting ‘hole’. Hand-held exposure 1/20th of a second ISO 800″

 

 

The 2020 WPPD GALLERY DEDICATION:

to Eric Renner who passed away in the USA last month

Self Portrait: Sweatshirt pinhole camera, Arles, 1996, pinhole photograph

Self Portrait: Sweatshirt pinhole camera, Arles, 1996, pinhole photograph, 14″x11″   SOURCE: https://ericrennerphoto.com

 

WPPD 2020 Eric Renner Dedication

WPPD 2020 Eric Renner Dedication

 

VALE ERIC RENNER: Our connection with Eric and partner Nancy Spencer

Eric’s Pinhole Photography book

From early in 1990 Vicky had connected with Eric Renner, partner Nancy Spencer and their Pinhole Resource. We exchanged communications and images showing the work that we were doing in Australia. Eric and Nancy, through their inclusive and generous efforts created a world-wide movement in pinhole photography that continues to grow.

Eric published a body a colour pinhole and zoneplate images from the exhibition Natural Encounter by Vicky in the pinhole journal. Later a collection of Doug’s 4×5 Zoneplate images were also published in the journal.

Over the years we continued to connect and share ideas and some of our work was included in the Focal Press book Pinhole Photography rediscovering a historic technique.  Our work was also included in the Pinhole Resource collection, Poetics of Light exhibition and the accompanying Poetics of Light book at the New Mexico Museum of History.

Pinhole photography is a vibrant and exciting world-wide pinhole community and we are grateful for this legacy that Eric, with Nancy nurtured.

 

There’s a Blog post about the Poetics of Light book and our work in it HERE

 

 

.

Other images we made on the day…

 

Visit the WWPD Site for details of other submissions:  http://pinholeday.org/

.

Our Past WWPD images:

2019 Doug+Vicky https://wotwedid.com/2019/04/29/2019-worldwide-pinhole-day-28-april-our-images/

2018 Doug+Vicky https://wotwedid.com/2018/04/29/2018-worldwide-pinhole-day-29-april-our-images/

2016 Doug: http://www.pinholeday.org/index.php?id=1235

2016 Vicky: http://www.pinholeday.org/index.php?id=1540

2015  https://wotwedid.com/2015/05/04/april-26-worldwide-pinhole-day-our-contributions-for-2015/

2014  Vicky’s http://pinholeday.org/gallery/2014/index.php?id=1810&City=Toowoomba

2014  Doug’s http://pinholeday.org/gallery/2014/index.php?id=1811&City=Toowoomba

2013   https://wotwedid.com/2013/04/29/world-pinhole-photography-day-our-contribution/

2012   http://www.pinholeday.org/gallery/2012/index.php?id=1937&searchStr=spowart

2011    http://www.pinholeday.org/gallery/2011/index.php?id=924

HERE IS THE LINK to the 2011 pinhole video   http://www.youtube.com/watch?v=Yk4vnbzTqOU

2010   http://www.pinholeday.org/gallery/2010/index.php?id=2464&Country=Australia&searchStr=spowart

2006  http://www.pinholeday.org/gallery/2006/index.php?id=1636&Country=Australia&searchStr=cooper

2004 Vicky  http://www.pinholeday.org/gallery/2004/index.php?id=1553&Country=Australia&searchStr=cooper

2004 Doug  http://www.pinholeday.org/gallery/2004/index.php?id=1552&Country=Australia&searchStr=spowart

2003  http://www.pinholeday.org/gallery/2003/index.php?id=615&Country=Australia&searchStr=spowart

2002  http://www.pinholeday.org/gallery/2002/index.php?id=826&Country=Australia&searchStr=spowart

.

.

.
 ©2020 Doug Spowart+Victoria Cooper
.
Creative Commons-by-nc-nd.eu.
.
Our photographs and words are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.http://creativecommons.org/licenses/by-nc-sa/2.5/au/..

The photobook event that THE VIRUS TOOK AWAY

leave a comment »

Some Antipodean Photobooks from the Tate project PHOTOCOLLAGE: Doug Spowart

.

On the weekend of May 2-3 2020 there was a weekend of major photobook activities planned for the PHOTO 2020 International Photo Festival in Melbourne.

 

A significant component of the event: A seminal selection of 52 Australian and New Zealand Photobooks* from the State Library of Victoria’s collection was to be made available for public viewing.

On Sunday May 3 international photobook guru Martin Parr was to team up with local photobook aficionado Doug Spowart in a public Q&A session. Of particular interest were their methodologies and considerations for reviewing photobooks. Among other questions it was proposed that they respond to the contentious issues of ‘What validates a book for it to be considered eligible to be included in a canon of photobooks?’ and ‘How such curated selections can energise the recognition for photobooks?’

It was planned that the panel interviewers and contributors to the discussion would be renown writer and Photojournalism Now publisher Alison Stieven-Taylor and would also include the celebrated New Zealand photobook maker and Massey University lecturer David Cook.

An additional event to add to the PHOTO 2020 Photobook Weekend was a major Photobook Fair that would include major publishers, significant photobook makers, a showing of the ANZ Photobook Awards, photobook manufacturers and POD suppliers, workshops and info sessions.

 

However the COVID-19 pandemic was to change all that …

 

 

March 15, 2020 post on the PHOTO 2020 Facebook page

March 15, 2020 post on the PHOTO 2020 Facebook page

 

The PHOTO2020 event, retitled as PHOTO2021 is being rescheduled with the new dates of 18 February – 7 March 2021.

Thank you to founder and Artistic Director Elias Redstone and Producer Rachel Ciesla from the PHOTO 2020 team and Des Cowley from the State Library of Victoria for their efforts to bring this project into fruition. And we look forward to being part of the programme on the rescheduled dates…

 

Keep up to date with PHOTO 2021

FACEBOOK: https://www.facebook.com/photofestivalau/

WEBSITE: https://photo.org.au/

 The PHOTO 2021 team have been posting video interviews with a diverse group of international photographers and artists – Check them out…

 

FACEBOOK: Photo 2021-Photo Live

 

 

 

*52 Antipodean Photobooks: A beginning for a canon of the ANZ photobook

In 2019 the Tate Library received a selection of 52 photographically illustrated books from the Australian and New Zealand region. The books were curated by Australian photobook aficionado Dr Doug Spowart and were specially chosen to extend the Antipodean photobook presence within Martin Parr’s 12.5K photobook donation to the Tate in 2017.

Doug Spowart’s Tate commission came as a result of his meeting with Martin Parr at the 2017 Vienna Photobook Festival. Parr attended Spowart’s lecture on the Antipodean photobook at the Festival and saw examples of the 2016 ANZ Photobook of the Year Awards.

Martin Parr and Doug Spowart reviewing ANZ photobooks at the SLV for consideration to be included in the Tate submission. January 2018. ….. PHOTO: Victoria Cooper

 

In early 2018 Spowart met with Parr at the State Library of Victoria and shared with him a selection of the photobooks that had been curated for proposed Tate purchase.

While interest in the photobook has resulted in publications and scholarship from every major country in the world the same has not been the case for the Antipodean photobooks. Spowart sees the PHOTO 2020/2021 event as being an opportunity to celebrate ANZ photobooks and bring recognition to the local contemporary and historical publications. To this end Doug Spowart has published a blog entitled The Antipodean Photobook and a FACEBOOK page The Photobook in Australia and New Zealand (under construction @ May 2020).

.

.

Looking forward to PHOTO2021: 18 February – 7 March 2021

.

.

.

.

BRITISH LIBRARY Acquires our cyanotype artists’ book

with 4 comments

We are excited to announce that the British Library has recently acquired our artwork Australian Banquet, January 25/ 26, 1788.

In 2010 we wanted to make a work to comment and reflect on Australia Day and some of our feelings about the origins of the date – the implications of that event and the repercussions that we live with and navigate today. Through a scorchingly hot day in Toowoomba we worked with cyanotype solutions and selected objects – some from our home and others sourced from the food scraps from a local seafood smorgasbord restaurant on the day.

The work that we did that day emerged as the collaborative artists’ book, a broadsheet we titled, Australian Banquet, January 25/ 26, 1788.

We acknowledge the support in the negotiations with the British Library by our agent Helen Cole.

 

A statement about the artwork

Across Australia over the January 26th long weekend, people prepare, cook and consume food to mark this day in history.

For us, this work is our response to, and in recognition of, the ‘turning of the page’ in Australian history that this date represents. One day, January 25th 1788, Aboriginal people feasted on a diverse banquet of bush tucker as they had for thousands of years. The next day, the country was transformed by a new paradigm represented in this work by the table setting of the First Fleet.

Australia Day, for us, is an important time to acknowledge the First Peoples’ perspective and their knowing of land, culture and history and how it should be recognised as underpinning the diversity and identity of contemporary Australia. We, as descendants of European people, are seeking to understand and know more about our place within the longer history of this land.

.

View 1: Australian Banquet, January 25/ 26, 1788

The 25th of January side of the broadsheet is viewed and contemplated.

.

View 2: Australian Banquet, January 25/ 26, 1788

The broadsheet is then turned over to view the 26th of January side.

.

View 3: Australian Banquet, January 25/ 26, 1788

Finally the broadsheet is held up to the light – the complex interrelationship between the two visual references to be seen and considered.

 

BOOK DESCRIPTION: A unique state artists’ book broadsheet

TITLE: Australian Banquet January 25/26, 1788

MEDIA: Double-sided cyanotype image in rice paper

DIMENSIONS: 37.6 x 77cm

PLACE & DATE MADE: Toowoomba, Queensland, Australia, 2010

EDITION: 7 unique state variants

 

SOME REFLECTIONS ON THE BOOK’S HISTORY

 

 

COLLECTIONS, EXHIBITIONS & AWARDS:

2020 COLLECTION: British Library

2015 EXHIBITED: Books by Artists – The Webb Gallery as part of the Artists Book Brisbane Event, Conference at the Queensland College of Art, Brisbane

2014 EXHIBITED: Artist’s Books (reprised) [artists’ books 1978-2014] – George Paton Gallery, University of Melbourne

2014 EXHIBITED: Alternative Imaging  – Curated by Dawne Fahey at Two Doors Gallery, The Rocks, Sydney

2011: COLLECTION: Australian Library of Art, State Library of Queensland

2011 SHORTLISTED: Southern Cross University Artists’ Book Award, Lismore. Judge: Ross Woodrow

2011 EXHIBITED: BLUE – Arts Council Toowoomba members exhibition, Toowoomba Regional Art Gallery

2010 AWARD WINNER: Martin Hanson Awards, Gladstone Regional Art Gallery – Works on Paper

2010 EXHIBITED: Art BoundRed Gallery, Glebe, Sydney

2010 FINALIST: Josephine Ulrick & Win Schubert Photography Award – Gold Coast City Gallery. Judge: Judy Annear

 .

.

.

.

.

Text and © Doug Spowart+Victoria Cooper

.

.

.

.

LOOKING AT PHOTOs IN THE GALLERY: a talk by Doug Spowart

leave a comment »

Doug Spowart in The Museum Project exhibition at Lismore Regional Gallery .…..PHOTO: Victoria Cooper

 

I’ve a lifetime of connection with art galleries from exhibitor to director and curator to reviewer. I’ve often pondered on how the gallery space connects with those who visit it and what insights they may take-away from that interaction.

Viewing an exhibition can be a very superficial activity or it can be one that can create the opportunity for a meaningful and personal experience.

I have often been interested in observing people in the gallery space and wondered whether they were: (1) an interested and attentive participant, (2) using the space for social interaction – with friends/partners/children, (3) there as a flâneur to be seen in the gallery or possibly (4) a person accompanying 1, 2 or 3.

Floor talks are a necessary part of the educative process carried out in an art gallery. It can transform the way art is introduced to a new audience and enlighten those wanting to know more.

 

At the end of last year I was invited to present a floor talk about an exhibition of photography at the Lismore Regional Gallery in northern NSW. The talk was to coincide with the gallery’s showing of The Museum Project a collection of American photography work from the 1970-2010. The project represents a selection of works from 7 photographers that cover a diverse range of approaches to photography. The photographers, and genre of their works are:

 

The Museum Project at the Lismore Regional Gallery

.

I considered the invitation and proposed that the talk would be based upon the idea of ‘Looking at photos in the gallery’. Rather than a direct translation of curator’s didactics I decided that I would use my gallery and photography experiences to suggest a number of steps and questions for the visitor in their engagement in the gallery space so they may derive more from the experience. I also acknowledged that attendees would be interested in a commentary about interesting aspects of the works including the conceptual and technical approaches taken by the photographers. The works presented an excellent opportunity to also talk about different approaches to photography as a visual art form.

In my preparation for the talk I visited the gallery and made notes on the works as well as carried out online research about the photographer’s backgrounds, manifestos and techniques.

I thought further about the proposition of looking at photographs in the gallery and prepared a script for the talk. To make the talk more interactive and personal, I decided to hand make a little booklet for each attendee to refer to during the talk and as take-home information source. In the 2015 Artists’ Book Brisbane Event, I did a similar process where I made a booklet of my talk for each of the 60 attendees of the conference and rather than an electronic presentation, I performed the book …

The gallery staff member assisting me for the day, Claudie Frock, had printed up 25 A3 sheets of my 8-page fold booklet the evening before so that Joanna Kambourian, Vicky and I could make up the books.

 

The Looking at Photos in the Gallery booklet

The Looking at Photos in the Gallery booklet

 

Overnight before the talk Lismore, and South-East Queensland and North-East New South Wales were drenched with flash-flooding rains so I was pleasantly surprised in the morning when 25 people came along to the talk. There was also a small group of deaf people attending the talk and I was supported in my presentation by AUSLAN interpreter Bronwyn. After the acknowledgement of country and an introduction by Claudie we began the talk.

.

Participant involvement is a necessary part of my presentation style and the question/answer format gave ample opportunities for attendees to interact in the talk. One of the gallery’s curators that attended, Fiona, added special insights about gallery installation, copyright and image conservation. The booklet process worked well and we managed to cover a diverse range of topics within the 1-hour time allotted.

 

You can download a PDF of the little A5 booklet LRG-Booklet

 

Vicky and I stayed on after the talk to connect with attendees who wanted to chat further and also to re-connect with two local photographers Jacklyn Wagner and Peter Derrett OAM who were associated with workshops that we had presented in Lismore at the Gasworks Art Centre and the Southern Cross University in the early 1990s. They presented us with a copy of the catalogue for a documentary project called Heart & Soul that featured people from around the region.

On leaving the gallery the rain had cleared to a sunny day…

.

.

 

Vicky + Doug with the catalogue for the Heart&Soul exhibition by Jacklyn and Peter PHOTO: Peter Derret

Vicky + Doug with the catalogue for the Heart&Soul exhibition by Jacklyn and Peter PHOTO: Peter Derrett OAM

 

Doug with Jacklyn Wagner + Peter Derrett PHOTO: Dr Ros Derrett OAM

 

 

 

Please note the Booklet and the lecture are a work in progress to be added to in future versions – and it’s ©2020 Doug Spowart.

 

 

A PHOTOBOOK BIRTHDAY PARTY – BIFB Photobook Weekend

leave a comment »

 

WPD Birthday Candles

 

A Birthday PartyCelebrating 176 years of photobooks..!  

On World Photobook Day – Monday October 14, 2019

World Photobook Weekend Hub, Mitchell Harris Wines, 38 Doveton Street North

 

Each year World Photobook Day is celebrated by members of the international network of Photobook Clubs around the world. Since it’s inception 7 years ago it has been organized by The Photobook Club Madrid and Matt Johnston. October 14th has been selected as it was on this date in 1843 that Anna Atkins’ Photographs of British Algae: Cyanotype Impressions was accepted into and catalogued by the British Library.

This year a small group celebrated the 176th birthday at the Ballarat International Foto Biennalé…

 

The BIFB World Photobook Day Birthday Cake

 

.The cake was cut…

Doug cuts the World Photobook Day cake

Doug cuts the World Photobook Day Birthday cake

.

.And then we all sang HAPPY BIRTHDAY…

 

As the Australian and New Zealand Photobook Award travelling exhibition concluded over the weekend we were able to announce the winner of the PEOPLE’S CHOICE AWARD

.

 

Congratulations Tammy Law for your book Permission to belong

Tammy Law and her book AANZPA People's Choice award winning book Permission to Belong

Tammy Law and her book ANZPA People’s Choice award winning book Permission to Belong

 

Videos and photographs by Victoria Cooper.

.

.

.

Return to the BIFB Photobook Weekend Blog Homepage.

 

 

On Judging a Regional Art Award

leave a comment »

The Somerset Bendigo Bank Art Award – July 26, 2019

 

I spent most of the day at Esk in south-east Queensland judging a regional art award organised by the Somerset Art Society. The Awards attracted a diverse collection of 337 artworks ranging from re-purposed kitchenalia made into sculptures to delicate fine ceramics, to tapestries, photographs and the traditional oil on canvas. Decisions about what was the ‘best’ art in 4 main categories and 4 other special awards were required to be made with my judging partner Dr Beata Batorowicz, artist and Associate Professor from the University of Southern Queensland. The curator of the event and the judging process was LeAnne Vincent.

 

Beata + Doug Photo: Victoria Cooper

 

Let the judging begin

As a judge I have an interest and expectation that I will receive a story from each artwork. The communiqué could be about the artist’s insight or comment about some idea or issue and it must resonate in some way to transform or challenge my understanding of the world. After a judge’s briefing by LeAnne we individually reviewed the works that had been hung on moveable wall panels and plinths within the expanses of the Somerset Civic Centre. Works from each of the 3 2D categories of (1) painting and works on paper, (2) fabrics and (3) photography were grouped for easy viewing and comparison on the panels. The 3D works were arranged in the central gallery and front gallery areas.

At the end of our first review Beata and I met and discussed the work generally and looked at works that had left a strong impressions with us. We walked around the gallery again this time in conversation gaining an understanding not only about the works but also each other’s point of view, opinions and our perceived strengths or weaknesses of certain works. The selection of Beata and myself as judges brought together an opportunity to utilise the overlap of our individual arts practice and our understanding of artmaking processes and storyteling through art.

.

Judges among the display panels PHOTO: Victoria Cooper

 

The regional artist and their role in community beyond the Awards

Over an afternoon coffee with my partner Victoria Cooper I reflected upon the role of the artist in regional communities. As the viewer of many artworks today I had received and been touched by so many stories and communiqués. I thought about the important role of artists in recording and documenting their lived experience. And how in a changing world these artworks come to be a history of place, a touchstone for the issues, moods and interests of that time.

 

Somerset Regional Art Gallery – The Condensery

Somerset Regional Art Gallery – The Condensery

 

Art tourism in regional Australia

In the afternoon Vicky and I visited the Somerset Regional Art Gallery at The Condensery in the small town Toogoolawah just north of Esk. Formerly a condensed milk factory it has been repurposed into an art gallery with two exhibition spaces.

I thought about how art tourism is a burgeoning catch cry in regional Australia. Fine examples include Toowoomba’s First Coat Street Art initiative that brings visitors to that community and the Silo art project in Central/western Victoria that has created a boon to local businesses. Tourists now don’t drive through the town; they now stop and stay to take in those large-scale silo mural projects.

Perhaps with this growing interest in art tourism and the wealth of artwork abundantly visible in this exhibition it may be time to consider the The Condensery as a major regional gallery space with the funding for and arts manager/curator to oversee the display and management of the arts facility.

The various sponsors of the art awards including the major sponsor the Bendigo Bank clearly support the artists and their community. The Hon. Shayne Neumann federal member for Blair, and Somerset Mayor Graham Lehman speaking at the awards event both identified and praised the importance of the arts to the community. So perhaps now is the time for the next step.

 

Dr Doug Spowart

 

The formal group at the Awards presentation night…… PHOTO: Victoria Cooper

 

THE AWARDS

We selected the 3D category first and reviewed personal favourites and their stories – sometimes guided by the title. We were also interested in the techniques employed and the way the artwork operated within the 3D space. A small bronze work entitled Swim Squad by Mela Cooke was selected as the First Prize. The sculpture represents a stilled moment of two figures by a pool. Swimming togs and bathing caps in a greenish patina clad the two young female figures their legs dawn up encircled by arms and clasped by hand.

(Photographs from the SASI website courtesty of LeAnne Vincent)

 

.

Next we approached the textiles and I was interested in Beata’s insights into the range of materials and techniques presented. Works I this category included traditional tapestry, contemporary image-making through materials collaged together with extensive over-sewing. The First Prize winner and the inaugural Hetty Van Boven Textile Award was Elisabeth Czaia with her work Afternoon Shadow. The work was the representation of a room interior with the perspective flattened to resemble a two-dimensional space. The colour scheme was a riot of colour predominantly green with accents of purple and tangerine.

.

The Photography category consisted of a variety approaches to the discipline from traditional pictorialism to contemporary digital montage. Gerry O’Connor won the First Prize with a portrait entitled Warren Palmer Artist. The monochrome photograph was large in size and was frank in its direct and powerful presentation of the subject.

.

Painting/Works on paper was won by a mult-coloured woodblock print by Owen Hutchison entitled The Long Flight…and some stars fell into the sea. This large print suggested a mythical allegory that spoke of flight and a night journey.

.

Youth Award was won by a large drawing by Aneldi van Wyck. Entitled My identity that was a self-portrait. The drawing was skillfully and carried out honouring the media of its creation.

.

Sharon McKenzie with Woven Destiny 3 won the special prize category of Susan Cory Contemporary Award. Originally submitted in the fabric section this work exhibited a very contemporary use of various materials over layered with hand sewing. There is a feeling of the work being just put down as threads dangle as if there is more work to be done.

.

The award of The Best In Show was won by Margaret Underdown with her painting Home Paddock. Though a representational landscape in style this large work captured the emotive spirit of place. For both Beata and I have driven down from Toowoomba that morning where the ranges were enshrouded in mist and the early morning light diffused – that may have contributed to our consensus on that decision.

.

One prize was awarded by votes cast by attendees to the exhibition. The People’s Choice was won by Kathy Ellem with her painting of a male horseman entitled Edges.

.

.

President of SASI Betty Williams thanks curator LeAnne Vincent PHOTO: Victoria Cooper

 

THE FULL AWARDS LIST: 2019 Somerset Bendigo Bank Art Award Winners

 

$5000 Best of Show – Margaret Underdown, Home Paddock

$1000 Photography Prize – Gerry O’Connor, Warren Palmer Artist

Highly Commended PhotographyLinda McPhee The Second Best Café in Town and Wayne Gillis Satin Bower Bird Male

$1000 3D Prize – Mela Cooke, Swim Squad

Highly Commended 3DRussell Solomon, Have They Always Been Here and Carol Forster, Love Not War

$1000 Painting/Works on paper Prize – Owen Hutchison, The Long Flight…and some stars fell into the sea

$750 Painting/Works on paper Prize – Charmaine Davis, Mountain

Highly Commended Painting/Works on paper – Clay Dawson, Ships in the Night and Odessa Mahony de Vries Sea view

$1000 Hetty Van Boven Textile Award – Elisabeth Czaia, Afternoon Shadow

Highly Commended Textile Wendy Houston, Dear Stag and Jodie Wade, Grass Trees

$500 Susan Cory Contemporary Prize – Sharon McKenzie, Woven Destiny 3

$500 Youth Prize – Aneldi Van Wyk, My Identity

$500 Somerset Artist Prize – Marcel Desbiens, Transition

People’s Choice – Kathy Ellem, Edges

.

.

Somerset Bendigo Bank Art Awards sign

Photographs of the artworks are from the SASI website courtesty of LeAnne Vincent

.

.

.

ADELAIDE HERE WE COME – BEST PHOTOBOOKS & WORKSHOP

leave a comment »

Adelaide Road Trip

 

The Australian and New Zealand Photobook Awards have been to Hobart, Canberra and Brisbane and now we are taking them to Adelaide.

The presentation of the books, a talk about the photobooks by Doug Spowart and a one-day workshop will be hosted by us at Adelaide’s Centre for Creative Photography.

 

ANZ Photobook Awards Finalists

.

COME AND SEE THE BEST AUSTRALIAN & NEW ZEALAND PHOTOBOOKS

On Saturday September 28 the books will be on show from 10am–4.00pm. The Official Launch, the announcement of the People’s Choice Award and a talk about photobooks by Doug Spowart will take place at 2.00pm.

There is no charge to view the books and attending the talk however we do request that you book via this Eventbrite link: https://tinyurl.com/y225btkx

 

 

 

Arranging photos

ATTEND A ONE-DAY PHOTOBOOK WORKSHOP

On Sunday September 29 photobook road trip co-ordinators Victoria Cooper and Doug Spowart will present concepts and hands on practical exercises for working on photobook projects. These are designed to assist the photographer in distilling images from their archives and then structure them into an engaging narrative flow. The workshop includes practical work in hand-making photobook formats and preparing book ideas for Print-on-Demand output.

There is a charge to attend the workshop – Details of the workshop and booking information can be found on this Eventbrite Link: https://tinyurl.com/y2pnpbhu

 

.

.

Victoria Cooper & Doug Spowart acknowledge the support of MomentPro Photobooks and the Centre for Creative Photography in making this event possible.

.

.

.

 

2019 PHOTOBOOK ROAD TRIP BEGINS – HOBART

leave a comment »

The 2019 Photobook Road Trip

PHOTOBOOKS @ TOPSPACE STUDIO/GALLERY IN HOBART

.

Ilona Schneider and Doug Spowart

.

The 2019 Photobook Road Trip began last night at the TopSpace StudioGallery in Hobart. The Australia & New Zealand Photobook Awards (ANZPA) exhibition was installed by Victoria Cooper and Doug Spowart. Visitors to the Gallery were welcomed by the gallery Director Ilona Schneider.

.
.

Vicky setting up the dispaly

.
On show were the 12 Finalists and Award winners of the 2018 Australia and New Zealand Photobook Awards sponsored by MomentoPro Photobooks. The books were:

.

Winners 2018

Finalists 2018 from 117 entries:

SEE More about the ANZPA HERE
.
.
The event as attended by around 30 participants including representatives from the Tasmanian Museum and Art Gallery, the Allport Library, members of the AIPP and representatives from the Hobart Camera Club.
.
.
To cover costs associated with the gallery hire a raffle was conducted with books by Cooper+Spowart and ANZPA catalogues and MomentoPro’s ‘Publish Your “Bloody” Photobook‘ booklets.
.

Looking at the Cooper+Spowart books

.
COOPER+SPOWART presented a small selection of the concertina photobooks including  YOU ARE HERE and QUESTIONING+KNOWING.
.
Around 6.00pm Doug made a presentation about the awards and the current state of the Antipodean photobook. A lengthy Q&A session followed and private conversations and continued book viewing took place well after the intended finish time.
.

Doug presenting his talk

.
.

THANK YOU!

Thanks to Ilona Schneider and the AIPP coordinator Matt Palmer for their assistance with the presentation and Momento Pro for making the books available.
.
CANBERRA is the next stop in the PHOTOBOOK ROAD TRIP on July 20 at PhotoAccess where the books will be displayed, Doug will present a talk about photobooks and Doug+Vicky will present a workshop on photobook forms and the photobook narrative.
.

D+V Coming to Canberra

.

.

#MomentoProBooks #ANZPhotobookAwards #PhotobookRoadTrip #Photobookjousting
.
.
.
.
.
.
.

4 PHOTOBOOK EVENTS – Brisbane August 2, 3 & 4 2019

leave a comment »

PoP-uP logo

 

4 PHOTOBOOK EVENTS OVER 3 DAYS – Check out the individual program

.

.

Event 1 – FREE TO ATTEND

VIEW THE BEST PHOTOBOOKS

from the Australia & New Zealand Photobook Awards                  

From Friday evening August 2, Saturday 3 & Sunday 4, 2019

.

.

  • It’s a FREE EVENT
  • Attend the ANZ Photobooks Awards Launch on Saturday at 12.30pm
  • You can view the books from 5.30–8.00pm on Friday and also Saturday & Sunday 10.30–3.30pm
  • Location: THE MAUD STREET PHOTO GALLERY – 6 Maud Street, Newstead, Brisbane
  • The Sponsor of the ANZ Photobook Awards is MomentoPro Books.

BOOK THIS EVENT THROUGH EVENTBRITE using this ink:

To Register to ATTEND THE ANZ PHOTOBOOK LAUNCH & VIEWINGS

..

.

PoP-uP logo

.

Event 2 – FREE TO ATTEND 

THE ALL PHOTOBOOK POP-UP

SATURDAY August 3, 2019 ALL DAY

.

.

THIS EVENT WILL FEATURE:

  • The BEST Australian & New Zealand Photobooks
  • Talks by Libby Jeffery from MomentoPro
  • The latest T&G PUBLISHING BOOKS from PHOTO IRELAND
  • Queensland Photobooks from the 2019 Melbourne Art Book Fair
  • Buy Second-Hand and new photobooks
  • A display of historical and rare photobooks

 

TO BOOK THE TALKS AND THE ANZ PHOTOBOOK AWARDS LAUNCH use these links:

 

LAUNCH The Australian & New Zealand Photobook Awards Brisbane Launch at 12.30pm

“CLICK THIS LINK”

DEMO by Libby Jeffery from MomentoPro about ‘How to make a photobook with MomentoPro software’

“CLICK THIS LINK”

TALK by Libby Jeffery from MomentoPro about ‘How to launch and market your photobook’

“CLICK THIS LINK”

.

TO BOOK A $25 TABLE SPACE “CLICK” This LINK

.

.

 

Event 3 – For a Fee

HAVE A PHOTOBOOK REVIEW

with the Doctors – Doug Spowart +Victoria Cooper

By Appointment

.

We will work, one-on-one, with you to review book ideas, dummy photobooks and photos from projects being considered for a book and provide comments, critique and supportive feedback.

We can discuss relevant aspects of your photobook process including:

  • idea development
  • image sequencing and narrative
  • issues of texts and photos
  • aspects of contemporary and traditional book design
  • production options – DIY, Print-on-demand and trade
  • pricing > sales > promotion > distribution

BOOK THIS EVENT THROUGH EVENTBRITE using this ink:

https://www.eventbrite.com.au/e/photobook-review-with-the-doctors-tickets-62800959360..

 

.

Event 4 – For a Fee

..NARRATIVE:

   Sequencing photos for photobooks

A full day workshop with Doug+Vicky

SUNDAY August 4, 2019

.

 

One of the biggest challenges in making photobooks is the initial task of selecting images from the 100’s that you have captured to form sequences that carry strong communicative potential in a book.

This workshop is designed to engage the photographer with different processes of distilling images and structuring narrative flow in their photobook projects.

These ideas will be developed concurrently with the hands-on making of 3 photobook forms as ‘dummy’ books. A dummy is a tester, a sample book – it’s a physical object that you can you can hold and turn pages to review the changes that may be required to make a better book. Book designers may make many dummies as a key part of developing a great photobook.

The participant armed with these skills and knowledge will be better prepared to publish their photobook through print-on-demand options.

 

BOOK THIS EVENT THROUGH EVENTBRITE using this ink:

https://www.eventbrite.com.au/e/narrative-sequencing-photos-for-photobooks-tickets-62800120852

.

.

ANZ Photobook Awards at Maud Gallery

 

 

 

Thank You The Maud Street Photo Gallery for supporting this Photobook Club Brisbane event.

 

These events are coordinated by Doug Spowart and Victoria Cooper

 

.

 

.

.

  .

.

 

2019 WORLDWIDE PINHOLE DAY 28 April – Our images

leave a comment »

WPD-logo

.

Round the [w]hole world on Sunday the 28th of April 2019 pinholers were out having fun – Making their images for the 2019 WPD. Far away from the darkroom (again) we’ve once again fitted a pin-prick in a piece of aluminium fitted to a body cap of our Olympus Pen camera and we went on a road trip in Tasmania from the D’Entrecasteaux Channel to the mountains and back again.

This is the 14th year we have supported the WPD project!

 

.

ABOUT VICKY’S PINHOLE IMAGE:

.

Capturing time and light in the mountains of Tasmania..

The photo was taken by digital capture with hand-made hole on an Olympus Pen using manual setting.

.

My friends take a photo with their iPhones

.

ABOUT DOUG’S PINHOLE IMAGE:

.

Late this afternoon we went walking in the Autumn light down past the bare trunks and branches of deciduous trees – my friends stopped to photograph with their iPhones… Callie walked on…

 

Both pinhole photographs were taken on an Olympus Pen camera

Olympus Pen with hand pierced aluminum foil hole, Aperture exposure mode, ISO 1600.

Camera with pricked pinhole in alfoil, Aperture exposure mode, ISO 800.

.

Other images we made on the day…

 

Visit the WPD Site for details of other submissions:  http://pinholeday.org/

.

Our Past WPD images:

2018 Doug+Vicky https://wotwedid.com/2018/04/29/2018-worldwide-pinhole-day-29-april-our-images/

2016 Doug: http://www.pinholeday.org/index.php?id=1235

2016 Vicky: http://www.pinholeday.org/index.php?id=1540

2015  https://wotwedid.com/2015/05/04/april-26-worldwide-pinhole-day-our-contributions-for-2015/

2014  Vicky’s http://pinholeday.org/gallery/2014/index.php?id=1810&City=Toowoomba

2014  Doug’s http://pinholeday.org/gallery/2014/index.php?id=1811&City=Toowoomba

2013   https://wotwedid.com/2013/04/29/world-pinhole-photography-day-our-contribution/

2012   http://www.pinholeday.org/gallery/2012/index.php?id=1937&searchStr=spowart

2011    http://www.pinholeday.org/gallery/2011/index.php?id=924

HERE IS THE LINK to the 2011 pinhole video   http://www.youtube.com/watch?v=Yk4vnbzTqOU

2010   http://www.pinholeday.org/gallery/2010/index.php?id=2464&Country=Australia&searchStr=spowart

2006  http://www.pinholeday.org/gallery/2006/index.php?id=1636&Country=Australia&searchStr=cooper

2004 Vicky  http://www.pinholeday.org/gallery/2004/index.php?id=1553&Country=Australia&searchStr=cooper

2004 Doug  http://www.pinholeday.org/gallery/2004/index.php?id=1552&Country=Australia&searchStr=spowart

2003  http://www.pinholeday.org/gallery/2003/index.php?id=615&Country=Australia&searchStr=spowart

2002  http://www.pinholeday.org/gallery/2002/index.php?id=826&Country=Australia&searchStr=spowart

.

.

.
 ©2019 Doug Spowart+Victoria Cooper
.
Creative Commons-by-nc-nd.eu.
.
Our photographs and words are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.http://creativecommons.org/licenses/by-nc-sa/2.5/au/..
%d bloggers like this: