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AUSTRALIAN CYANOTYPES on exhibition at home & in the USA

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INVITE: The Maud Street Photo Gallery Under the Southern Sun exhibition

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For over a year we have been coordinating with Gail Neumann the Facebook group THE CYANOTYPE IN AUSTRALIA. In June of this year we circulated through our networks an Invitation for Australian cyanotypers to submit work for a travelling exhibition to be shown in Brisbane, Australia and then Texas, USA to link with World Cyanotype Day celebrations on September 28, 2019. This work will be first shown at The Maud Street Photo Gallery, Brisbane in August and will then travel to the USA to be part of two international exhibitions, one at the A Smith Gallery, Texas in September, and then at PhotoNola, New Orleans in December.

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THE BRIEF FROM THE INTERNATIONAL WORLD CYANOTYPE EXHIBITION COORDINATORS:

The exhibition theme Land/Sea/Sky with the exhibition abstract being: Most ancient peoples had no word for the color blue. They could not explain the sky nor the ocean. Poetry and love letters suffered. Once “blue” entered the world the earth rattled and chimed, sending forth “turquoise” and “sapphire.” The Navajo and the Jewelers rejoiced. Poets wept. Picasso danced and Policemen beamed. Mary smiled.

It was hoped that everyone in the world making cyanotypes that could be connected with was invited to create the cyanotypes on white cloth, each 12×12 inches (30×30cm) and that they will be strung together, the flags symbolize the beautiful planet we all inhabit.

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Install day at the A Smith Gallery 24 September

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CYANOTYPERS FROM OVER AUSTRALIA RESPONDED TO THE CALL-OUT

Here are their images:

 

THE EXHIBITION AT THE MAUD STREET PHOTO GALLERY

The installation at The Maud Street Photo Gallery PHOTO: Gail Neumann

The installation at The Maud Street Photo Gallery PHOTOs: Gail Neumann

THE CATALOGUE

A catalogue about the Under the southern sun project featuring each submission, artist’s statements and exhibition documents has been collated, the cyanotypes copied and designed by Doug Spowart. The catalogue forward states:

The Cyanotype in Australia is a photographic medium that continues to be enthusiastically utilised by a growing group of creative practitioners ranging from analogue photographers to fine art printmakers.

While the process and the chemical formulas may be the same the resulting images vary depending on the subject chosen and the creative input of the cyanotypist. This is proven by this body of work and the plethora of potential outcomes presented. And sometimes, as with the vagaries of the process, many results may be a surprise to the author at the time the image is washed-out. Such is the nature and the promise of things hand-made.

We are excited to contribute this collection of cyanotype flags to the 2019 World Cyanotype Day Celebrations at the A Smith Gallery in Texas and PhotoNola in New Orleans in the U.S.A.

The catalogue

FREE TO DOWNLOAD HERE: AUSTRALIAN_WCD_CATALOGUE-Final

 

THE BEHIND THE SCENES

THE CYANOTYPE IN AUSTRALIA Team coordinated:

  • A gallery exhibition at The Maud Street Photo Gallery in early August that will include an opening event
  • The packaging and shipment of the ‘Flags’ to the USA by the due date
  • The creation and distribution of social media content promoting the Australian artworks and their makers
  • A PDF catalogue of all contributor’s works
  • And later the return of the works to their makers on conclusion of the project.

A fee of $40 was charged to all participants

This project, by The Cyanotype in Australia team, was curated by Gail Neumann, Victoria Cooper + Doug Spowart with assistance from David Symons.

 

 

The gallery installation team: Gail Neumann, Victoria Cooper, Irena Prikryl, David Symons and Doug Spowart

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ADVANCE NOTICE: WORLD PHOTOBOOK DAY Brisbane Event

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To mark the 175th anniversary of what is recognised as the first photobook – Anna Atkins’ Photographs of British Algae: Cyanotype Impressions‘ we invite photobook lovers/collectors/makers to a Brisbane celebration of World Photobook Day 2018.

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Green Anna Logo

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This year the theme of the WPBD is ‘Anna goes green’ and is intended to focus on the concerns of:

       – Global warming

       – Environmental change and destruction

       – Books about natural history topics including plants and nature

       – Books with links to planet earth

The theme originates from Atkins’ activities as a scientific illustrator of flora and other specimens.

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At this year’s event you will have the opportunity to:

  • HEAR: Special guest speaker: Dr Paolo Magagnoli from the UQ School of Communications and Arts
  • VIEW: Photobooks from the Fryer Library collection
  • DISCUSS: “My favourite photobook”
  • BRING: Along your favourite photobook to share.

VENUE: Fryer Library University of Queensland, St Lucia Campus from 11.00 am Saturday the 13th of October.

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David Symons

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This event is being coordinated by David Symons – we thank David for taking on this task while we are away in Tasmania.

We also wish to acknowledge that the World Photobook Day has been set up as a collaboration between the organizers of Photobook Club Madrid and Matt Johnston the founder of the Photobook Club network.

PLEASE NOTE: World Photobook Day is October 14 – This event is scheduled on the 13th due to the availability of the venue.

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FOR MORE DETAILS & TO REGISTER>>>    https://www.facebook.com/events/247464655970747/

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Photobook Club Logo

DARK LOVE: Stories of the darkroom @ Maud Gallery

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It seems that in the digital age many photographers still pine for the days past when the darkroom was familiar territory. While older photographers may have fond memories, today they share their darkroom love with new-comers, mainly younger and digitally native photographers. To honour the past and to celebrate the future of the darkroom we worked with the Director of Maud Creative Gallery Irena Prikryl recently to host a series of events and workshops to recognise analogue photography in contemporary photographic practice.

 

On November 8 a group of photographers responded to the call to attend an event at the gallery called DARK LOVE: Stories of the Darkroom. They were asked to come along with something special about the darkroom and tell a story associated with it. On arrival at the gallery their photographs were prepared and then hung on the wall.  The presentations were timed at around 5 minutes and were quite fascinating.

 

Part of the Dark Love exhibition at Maud Gallery

Part of the Dark Love exhibition at Maud Gallery

What follows is a photo of the attendee, their print and a brief comment about their stories …

 

Alex Buckingham

Alex Buckingham

Alex spoke about working with Liquid Light emulsions

 

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Victoria Cooper

Victoria Cooper discussed the making of this pinhole biscuit tin photo and the challenges of printing the 6x18cm negative

 

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Thomas Oliver

Thomas spoke about his current academic research in the multiple printing of a single negative.

 

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Tammy Forward

Tammy discussed the making of a studio portrait.

 

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Sandy Barrie

Sandy spoke of the dangers of shooting large format in busy Sydney traffic.

 

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Robyn Hills

Robyn told the story of the making of this award winning print – from its origins from a point-n-shoot camera to darkroom high contrast printing ‘Tipp-ex” and a little bit of marker pen…  A great animated performance….

 

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Rob Crapnell

Rob discussed his interest in the darkroom and work with a 6×7 Pentax documenting how old heritage buildings in Brisbane are being cramped by the skyscraper…

 

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Peter Pescell

Peter discussed his use of an ‘ancient’ bellows camera and reloaded 120 aerial film on spools to make this image… the old and the outdated still have currency in analogue…

 

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Michael Stephenson

Michael discussed his modern printing of a series of lantern slides that represented a panorama of Brisbane made in the 1870s(?) by the photographer a Mr Wilson(?).

 

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Louis Lim

Louis spoke of a camera obscura that he made in a children’s hospital as part of an artist in residence. He described the view of Vulture Street in Brisbane on the ceiling of the room and how children visiting the space were enthralled by the images on the ceiling and walls…

 

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Jeff Ryan

Jeff discussed the taking of this photograph and its connection personal connection with he and his brother’s lives. The photo was made relatively recently at a place where Jeff and his brother played as kids 40 years earlier.

 

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Irena Prikryl

Irena’s story related to buying her first serious camera – a Hasselblad and then taking some photos in Grand Central Station in New York. The camera was balanced on a railing and the shutter speed was long…  The photo was recently printed in a Fine Art Print workshop at Maud with Doug+Vicky.

 

 

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Chris Bowes

Chris Bowes was unable to attend but had come by earlier to install his personal investigation of self and sweat by placing un-exposed B&W photopaper against his body. The prints are then process yield a ‘Chemigram’.  Chris will present a floortalk at the gallery. Check the Dark Love page for details…

 

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David Symons

David discussed that the origins of his 1980s photographic series was a response to the work and photobooks of David Hamilton. Hamilton was well known for his ‘soft-porn’ photos of young girls. Symons spoke about how he appropriated Hamilton’s photos by double printing copy negatives through a cracked mud image. Texts from Hamilton’s book were adapted by Symons using a redactive process to reveal an alternative story….

 

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Doug Spowart

I commented about how a recent re-connection with pinhole photography during the Pinhole workshop last weekend had helped to resolve a need for a new project that Vicky and I will be working on next year. I passed around an 8″x10″ film pinhole negative that had revived my interest and love of the darkroom.  PHOTO: Victoria Cooper.

 

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Edwin Wecker

Edwin discussed his experiences with film photography whilst on tour to India with his friend Russell Shakespeare.

 

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Gail Hoger-Neuman

Gail showed some photographs from her early 1990s exhibition ‘Hollywood Stills’ that was shown at Imagery Gallery.

 

Sandy Barrie demonstrates ancient portable daylight enlargers – the oldest was made before 1859.

Sandy Barrie demonstrates ancient portable daylight enlargers – the oldest was made before 1859.

 

Conversations continued after the presentations

Conversations continued after the presentations

The DARK LOVE works were enjoyed and discussed

The DARK LOVE works were enjoyed and discussed

 

CHRIS BOWES FLOORTALK  – 26 November – details to be confirmed

A FINE ART PRINTING WORKSHOP WILL TAKE PLACE ON – Postponed to 2017

A CYANOTYPE WORKSHOP – Details HERE

AND THE FRONT GALLERY WILL BE CONVERTED INTO A CAMERA OBSCURA on November 26 (to be confirmed)

 

 

 

Festival of the Darkroom logo

Festival of the Darkroom logo

 

All portrait photographs and gallery documentations unless credited otherwise ©2016 Doug Spowart

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