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2022 WORLDWIDE PINHOLE DAY – Our images

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ON THE LAST SUNDAY IN APRIL pinhole photographers across the world gather together as individuals or groups to celebrate pinhole photography in all its forms.

This year for the first time in many years we find ourselves in a place that we call home. On this warm sunny April morning we connected with fellow Benalla artist, Maggie Hollins, and found joy in pinhole play on Worldwide Pinhole Photography Day. 

We met in the Benalla Botanic Gardens renown for its rose garden, cricket field, the lake and the Benalla Art Gallery. The Gardens and surrounds are a popular place for locals to picnic, exercise, canoe or just hang out.

 

This is the 16th year we have supported the WPPD project!

SEE LINKS to our other submissions at the end of this Post.

 

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WHAT IS WORLDWIDE PINHOLE PHOTOGRAPHY DAY ALL ABOUT?

 

From the Worldwide Pinhole Photography Day website introduction:

All the photographs in this extraordinary collection share two common characteristics: (1) they are lensless photographs (2) they were all made on April 24, 2022.

They also share an additional and less formal characteristic: the sincere enthusiasm of their creators who, by participating in this collective event, shared individual visions and techniques. Hence the amazing diversity of subjects, cameras, techniques and photographic materials combined in this exhibit!

The process is that photographs are made on April 24 > they are processed / optimised by the photographer > uploaded and captioned on the WPPD website. The 2022 Gallery of images can be searched to see what photographers from around the world did on that day…

 

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VICTORIA’s PINHOLE IMAGE: DAY DREAMING

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ABOUT VICKY’S PINHOLE IMAGE: DAY DREAMING

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A beautiful Autumn day beside the Benalla Art Gallery and lake.

 

 

OTHER IMAGES BY VICKY:

 

 

 

VICKY’s DIGI-PINHOLE CAMERA

Vicky's Pinhole Olympus Pen

Vicky’s Pinhole Olympus Pen

Camera Olympus Pen: 1/90 @2500 ISO the pinhole is made with a camera body cap and a handmade pinhole in pie tin foil.

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DOUG’s PINHOLE IMAGE: WALKING THE DOGS

ABOUT DOUG’S PINHOLE IMAGE:

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This year I wandered as a free-ranging spirit on a bright sunny day through my local botanic garden. Spontaneously I responded to the subjects that emerged into my line of sight…

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SOME OF DOUG’s OTHER IMAGES

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DOUG’s DIGI-PINHOLE CAMERA

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Doug-Pinhole+CAMERA-1200

My pinhole was a readymade found in our pinhole workshop toolbox – capture device a digital Canon 6D operated around ISO 6000 with a S/S of 60th part of a second. 

 

 

Visit the WWPD Site for details of other submissions:  http://pinholeday.org/

 

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VIEW 16 YEARS OF PAST WPPD iMAGES:

2021 Doug+Vicky https://wordpress.com/post/wotwedid.com/12227

2020 Doug+Vicky https://wotwedid.com/2020/05/13/2020-worldwide-pinhole-day-26-april-our-images/

2019 Doug+Vicky https://wotwedid.com/2019/04/29/2019-worldwide-pinhole-day-28-april-our-images/

2018 Doug+Vicky https://wotwedid.com/2018/04/29/2018-worldwide-pinhole-day-29-april-our-images/

2016 Doug: http://www.pinholeday.org/index.php?id=1235

2016 Vicky: http://www.pinholeday.org/index.php?id=1540

2015  https://wotwedid.com/2015/05/04/april-26-worldwide-pinhole-day-our-contributions-for-2015/

2014  Vicky’s http://pinholeday.org/gallery/2014/index.php?id=1810&City=Toowoomba

2014  Doug’s http://pinholeday.org/gallery/2014/index.php?id=1811&City=Toowoomba

2013   https://wotwedid.com/2013/04/29/world-pinhole-photography-day-our-contribution/

2012   http://www.pinholeday.org/gallery/2012/index.php?id=1937&searchStr=spowart

2011    http://www.pinholeday.org/gallery/2011/index.php?id=924

HERE IS THE LINK to the 2011 pinhole video   http://www.youtube.com/watch?v=Yk4vnbzTqOU

2010   http://www.pinholeday.org/gallery/2010/index.php?id=2464&Country=Australia&searchStr=spowart

2006  http://www.pinholeday.org/gallery/2006/index.php?id=1636&Country=Australia&searchStr=cooper

2004 Vicky  http://www.pinholeday.org/gallery/2004/index.php?id=1553&Country=Australia&searchStr=cooper

2004 Doug  http://www.pinholeday.org/gallery/2004/index.php?id=1552&Country=Australia&searchStr=spowart

2003  http://www.pinholeday.org/gallery/2003/index.php?id=615&Country=Australia&searchStr=spowart

2002  http://www.pinholeday.org/gallery/2002/index.php?id=826&Country=Australia&searchStr=spowart

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 ©2022 Doug Spowart+Victoria Cooper
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Creative Commons-by-nc-nd.eu.
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Our photographs and words are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.http://creativecommons.org/licenses/by-nc-sa/2.5/au/..

2021 WORLDWIDE PINHOLE DAY – Our images

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WWPD 2021 LOGO

WWPD 2021 LOGO

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Around the [w]hole world on Sunday April 25, 20201pinholers were out having fun – Making their images for the 2021 Worldwide Pinhole Photography Day.

This year – still in Toowoomba we’ve been working on projects and supporting family. Once again, far away from the darkroom, we’ve fitted a piece of aluminium with a light admitting pin-prick to the body cap of our Olympus Pen camera and braved the parkland at the end of our street. Recently we uploaded our images with a detailed caption to the WPPD website to add to the contributions from Australian pinholers and many more from around the world.

This is the 17th year we have supported the WPPD project!

SEE LINKS to our other submissions at the end of this Post.

 

WHAT IS WORLDWIDE PINHOLE PHOTOGRAPHY DAY ALL ABOUT?

From the Worldwide Pinhole Photography Day website introduction

All the photographs in this extraordinary collection share two common characteristics: (1) they are lensless photographs (2) they were all made on April 25, 2021.

They also share an additional and less formal characteristic: the sincere enthusiasm of their creators who, by participating in this collective event, shared individual visions and techniques. Hence the amazing diversity of subjects, cameras, techniques and photographic materials combined in this exhibit!

The process is that photographs are made on April 25 > they are processed / optimised by the photographer > uploaded and captioned on the WPPD website. The 2021 Gallery of images can be searched to see what photographers from around the world did on that day…

 

Here’s the website page of the Australian pinhole photographer’s works:

WPPD 2021 Australian submissions @ May 11, 2021

WPPD 2021 Australian submissions @ May 11, 2021

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VICTORIA’s PINHOLE IMAGE: AFTERNOON WALK

Victoria Cooper's evening walk pinhole photo

Victoria Cooper’s Evening walk pinhole photo

 

ABOUT VICKY’S PINHOLE IMAGE:

 

We pass by these trees everyday… I decided to take pinhole photos of our walk as I enjoy the way they transform these everyday places into a kind of poem, not distinct nor descriptive just evocative.

 

 

DOUG’s PINHOLE IMAGE: TREE HOUSE

Tree House a pinhole image by Doug Spowart

Tree House a pinhole image by Doug Spowart

 

ABOUT DOUG’S PINHOLE IMAGE:

 

I chose the late afternoon to go out and make images as the low light angle and the deep shadows add drama and mystery to pinholes made at this time.

Over recent years I have continued to choose a digital camera and aluminium pie dish with a pin prick in it. Wet darkrooms and film, although it suited the zone plates of landscape that I made are beyond my current means – perhaps next year…

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OUR Digi-PINHOLE CAMERA

The Cooper+Spowart digi OLYMPUS PEN with pinhole ...

The Cooper+Spowart digi OLYMPUS PEN with pinhole …

This is a converted digital Olympus Pen, shared with my partner Doug Spowart. The pinhole is a pin pierced hole in aluminium which is inserted into a hole drilled into a body cap. It is a hand held exposure of 1/25th second at ISO 2000.

 

 

Visit the WWPD Site for details of other submissions:  http://pinholeday.org/

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Our Past WPPD images:

2020 Doug+Vicky https://wotwedid.com/2020/05/13/2020-worldwide-pinhole-day-26-april-our-images/

2019 Doug+Vicky https://wotwedid.com/2019/04/29/2019-worldwide-pinhole-day-28-april-our-images/

2018 Doug+Vicky https://wotwedid.com/2018/04/29/2018-worldwide-pinhole-day-29-april-our-images/

2016 Doug: http://www.pinholeday.org/index.php?id=1235

2016 Vicky: http://www.pinholeday.org/index.php?id=1540

2015  https://wotwedid.com/2015/05/04/april-26-worldwide-pinhole-day-our-contributions-for-2015/

2014  Vicky’s http://pinholeday.org/gallery/2014/index.php?id=1810&City=Toowoomba

2014  Doug’s http://pinholeday.org/gallery/2014/index.php?id=1811&City=Toowoomba

2013   https://wotwedid.com/2013/04/29/world-pinhole-photography-day-our-contribution/

2012   http://www.pinholeday.org/gallery/2012/index.php?id=1937&searchStr=spowart

2011    http://www.pinholeday.org/gallery/2011/index.php?id=924

HERE IS THE LINK to the 2011 pinhole video   http://www.youtube.com/watch?v=Yk4vnbzTqOU

2010   http://www.pinholeday.org/gallery/2010/index.php?id=2464&Country=Australia&searchStr=spowart

2006  http://www.pinholeday.org/gallery/2006/index.php?id=1636&Country=Australia&searchStr=cooper

2004 Vicky  http://www.pinholeday.org/gallery/2004/index.php?id=1553&Country=Australia&searchStr=cooper

2004 Doug  http://www.pinholeday.org/gallery/2004/index.php?id=1552&Country=Australia&searchStr=spowart

2003  http://www.pinholeday.org/gallery/2003/index.php?id=615&Country=Australia&searchStr=spowart

2002  http://www.pinholeday.org/gallery/2002/index.php?id=826&Country=Australia&searchStr=spowart

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 ©2021 Doug Spowart+Victoria Cooper
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Creative Commons-by-nc-nd.eu.
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Our photographs and words are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.http://creativecommons.org/licenses/by-nc-sa/2.5/au/..

Father’s Day: A remembrance in an art project

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Father’s Day 2020 – Thinking of our Dads

 

In 2010 artist, and then gallerist, Julie Barratt put out a call for artworks that asked artists to respond about their Fathers and their passing.

The request from Julie Barratt is as follows:

This project was borne out of the recent sudden death of my father, a handkerchief, some emotive words written by a sibling on his death and the traumatic aftermath of a death processed according to particular societal and cultural mores. Interested artists and Individuals are invited to create an artwork on a handkerchief (any handkerchief not necessarily a man’s) based around death/grief/bereavement.

We reflected on our connection with our Fathers and created artworks using the cyanotype process.

 

Doug’s Hankie

The WHITE KNIGHT – for Merv by Doug Spowart

 

MERV: The White Knight

 My father was an electrician for around sixty years. He always wore King Gee white overalls—even when we went on holidays.

Ever ready to help someone in need he would dash off at a moment’s notice—even when the family organised an outing on the weekend we would always fit in another job along the way.

Over the years he helped many an electrically troubled soul so we, his family, dubbed him the nickname – “The white knight”.

 

 

Victoria’s Hankie

Dad’ll do it – for Reg by Victoria Cooper

 

Dad’ll do it

I remember that he always tied knots in his hankie to keep it in place on his head and to soak up the sweat when he was working on things around the home. He had lived in this home (in the photo) for most of his life except for the time he was in Papua New Guinea for WW2 and shorter periods of time in other places. Over the years he adapted and renovated this home to suit the changing needs of the family.

 

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Barratt Gallery Invite

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The exhibition was shown at Barratt Gallery at Alstonville and Napier Gallery Melbourne

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A post about the exhibition can be found HERE

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ARTISTS SURVEY #23: Artists in Pandemic Isolation

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Artists Survey #23 Composite

 

ARTISTS HAVE ALWAYS ADAPTED TO AND EMBRACED CHANGE IN CHALLENGING TIMES OFTEN WORKING IN ISOLATION. Nearing the end of their artists in residence in Finland, Australian artist Julie Barratt and Argentinian photographer Solange Baques found themselves stranded on the other side of a pandemic stricken world. Concerned for their friend and colleague, Cooper and Spowart  connected with Barratt and proposed the concept of a collaborative Artists Survey book project to present the artists’ experiences during the COVID-19 enforced isolation.

This small book compilation is published by the Centre for Regional Arts Practice is the result of the collaboration. It is a small gesture to bridge the vast physical and psychological distance that this pandemic has engendered.

Here is the story of Artists Survey #23: Artists in Pandemic Isolation project.

 

THE BACKSTORY TO THIS SPECIAL EDITION OF THE ARTISTS SURVEY

The Centre for Regional Arts Practice (acronym C.R.A.P.) was founded in 2007 during an artist in residence at Arthur Boyd’s Bundanon property near Nowra on the NSW south coast. As artists’ bookmakers, we saw the opportunity to produce a democratic multiple publication to present our perspective on regional artist experience and to develop C.R.A.P. manifestoes.

All of our C.R.A.P. Artists Survey books draw upon humour and irony of the prosaic routines and events encountered in life of a regional artist. These publications are usually produced in editions of 25 with 5 artist’s proofs. They are humble handmade books which are sold to collectors and institutions – most are given away to friends and peers.

Some early C.R.A.P. Artists Survey books

The C.R.A.P. and its Artists Surveys have become a vehicle for highlighting, critiquing and questioning many issues both local and global affecting regional artists. The 23 editions to date have included topics such as Swine Flu, The Global Financial Crisis and Global warming. On seven occasions collaborative Artists Survey books have been created with a regional artists.

In late March we witnessed Julie Barratt’s situation as a participation in an artist’s residency in regional Finland. At that time the viral pandemic was closing the world down and cutting off homeward travel with airlines grounded. Though Julie seemed unphased we thought our shared isolation experiences could be an important commentary on these times. So we suggested to Julie our idea of a C.R.A.P. Artists Survey book about Covid-19 isolation and she agreed enthusiastically. Within a a short time Julie’s compatriot in isolation – Argentinian photographer Solange joined the project.

Screen snaps of Facebook group meetings

We formed a Facebook group and held online meetings to talk over the concepts, we shared work, discussed design ideas and quickly our isolation had a creative purpose. We are excited to share our stories with you …

 

ABOUT THE ARTISTS SURVEY #23

The Artists Survey project culminated in a book of 6 elements:

  • An introduction booklet
  • 2 works from Solange Baques (1) An image from her ‘Through the window project, and (2) a small piece of Finnish soap enclosed in a stitched holder accompanied by messages about anti COVID-19 hand washing techniques.
  • An original Polaroid image made by Julie Barratt in a stitched folder made at the residency with red thread used by Julie in some of her performance work.
  • A collaborative concertina book by Victoria Cooper and Doug Spowart.
  • All the elements are enclosed in a special folder cover designed and handmade by Doug Spowart with the support of Victoria Cooper

 

Size of the book: 15 x 10.5 x 2cm
Media: Various art papers, inkjet on photo paper, a Polaroid photograph, a soap shard, a plastic enclosure, various threads and cords
Design and printing: Doug Spowart of cover, intro booklet and other elements
Fabrication: The artists
Edition: 40
Published by: The Centre for Regional Arts Practice
PRICE: $100 + $25 Delivery in Australia (p&p)
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COVER Open with INTRO Booklet

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A PDF COPY OF THE INTRO BOOKLET CAN BE DOWNLOADED HERE: ARTIST Survey 23 INTRO Book Aug 21

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The video link is:
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SOLANGE BAQUES: is an Argentinean photographer born in Buenos Aires city. In her work she explores identities through memories and family albums. Her images are intimate and subtle.

Solange Baques and her two works

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Solange arrived in Finland on March 2nd to participate in the program “Silence Awareness Existence” as an artist in residency with 13 fellow artists at the Arteles Creative Center, which is located in a rural area near Tampere. Her project was to include visiting Valmet Oy plant and doing some research on the pulp and paper industry but due to the lockdown, this was not possible.

Within a short time of the growing worldwide shutdown of entry to countries 10 of the 13 artists in residency left Finland to return to their home countries. However by March 16 three remained.

Through the Window images included in this collaborative artists’ book was born as a part of the self-isolation program at Arteles Creative Center.

Solange was not able to return home due to the Argentine borders being closed and the only planes allowed to bring back Argentineans being those of Aerolíneas Argentinas. Around the world there were more than 20,000 citizens trying to get home with only 400 people allowed to arrive every day. On May 9th she was finally able to leave Finland and made it back to Argentina on May 11 and out of quarantine to her family on May 25!

 

 

JULIE BARRATT: is an Australian visual artist and arts producer whose mixed media practice encompasses printmaking, photography, artist books, installation and performance.

Julie Barratt and her Polaroid print + folder

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Julie arrived at the Arteles Creative Center in the beginning of March for a 1-month residency. As the worldwide lockdowns were initiated she experienced difficulty in getting flights back to Australia and her residency became an extended period of creative production.

Having this extra period of time in rural Finland has kept Julie just about as far from the grips of Covid-19 as you can imagine. And being distant from family and friends having little access to the Internet or the outside world for that matter was quite surreal!

Although she arrived without a clear project in mind Julie’s work became a visual diary of this period of isolation rendered through the mediums of photography, stitching, mixed media and hand stamping. This work in this collaborative artists’ book made with unique state Polaroid photographs relates to her experience of spending the Covid-19 period of isolation far from home in rural Finland!

By the 4th May she was still there! Cancelled flights, border closures and local transport collapses meant that options for getting home are all but non-existent. Finally Julie was able to get a direct flight from Helsinki to Sydney on May 10. On her arrival in Sydney she was escorted by Federal Police and Army personnel to 2 weeks forced isolation in a Melbourne hotel. She arrived home in Rockhampton on May 24!

 

COOPER+SPOWART

Cooper+Spowart collaborative book

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VICTORIA COOPER:

Victoria’s early career in science and microbiology is influential in much of her arts practice. Engaged in experimental photographic processes from pinhole to digital photomontage, she creates visual narratives, in the physical form of the book, exploring the human-non-human relationships of Place.

I began with energy for our collaboration across the ISO CO-void… This seemed a good time to explore new work informed by my past experience with pathogenic microorganisms. But I was unsettled in this COVID space — challenged by the consequences of being in familiar places that now were significantly altered by unseen entities. Continuity of creative thought was becoming increasingly more difficult under the existential struggle as sharp highs and lows destabilized every aspect of daily life.

During this time I utilised the social space of Instagram to break away from the silence of isolation. I captured and collected moments as they presented themselves and then instantly shared their potential to evoke memories and dreams with others. Over the next few weeks, my Instagram archive of isolated and unconnected fragments grew into a poetic narrative.

In this collaborative book with Doug there is no intended theme, our Instagram images present the fractured moments of our shifting altered reality.

 

DOUG SPOWART: is an Australian visual artist with a multi-media practice.

About 5 years ago Victoria Cooper and I sold our home in Toowoomba and headed out onto the road in search of a new place to live, work opportunities and to connect with friends and our extensive professional networks.

In early March we were on the beach in northern NSW and were planning our next foray into the real estate scene in Victoria. We were just about to head south when we recognised that the expanding threat of Covid-19 was something that could not be taken lightly.

Considering our options we decided to head back to the familiar location of Toowoomba. Our doctor is there, we have family there and importantly we have storage sheds with our art, library and personal effects. We saw isolation as presenting an opportunity to review and downsize our stored possessions.

Within a week we were back in Toowoomba and had viewed possible rental units, made a selection and had paid the first rental instalment.

My contribution to this project is a collaborative concertina book made with Victoria which features photographs made our first isolation period – it is entitled Fractured moments and small glimpses.

 

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OTHER STORIES ABOUT C.R.A.P. ARTISTS SURVEYS can be found at the links below:

Artists Survey Flash Mob Grafton

https://wotwedid.com/2013/09/23/artists-book-flash-mob-create-collaborative-artists-survey-book/

 

Artists Survey #19

https://wotwedid.com/2018/08/09/a-book-a-collaboration-time-19-artist-survey-book/

 

 

 

WOTWEDID BLOG CELEBRATES 100,000 VIEWS

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100K Header

 

Our www.wotwedid.com blog reached the milestone of 1000,000 views last week. It has had 56,000 visitors who have had the opportunity to view 380 posts and read around 250K words and see the hundreds of photographs that we have made to compliment the stories.

 

Our wotwedid Blog was started nine years ago as an opportunity to connect with our friends and creative communities via social media. The topic cloud for the wotwedid Blog includes ARTISTS’ BOOKS, PHOTBOOKS, CAMERA OBSCURA, EXHIBITIONS, MEETING PEOPLE, THE ART AND PRACTICE OF PHOTOGRAPHY, REGIONAL ARTS, CYANOTYPES, PLACE PROJECTS and POST-DOCTORAL RESEARCH.

 

Topic cloud wotwedid

 

Usually the content that we post is generated by us and includes the written commentaries, the photographs and illustrations – it can be quite a lengthy time consuming task to get a blog up.

While many posts relate to what we do, have done or will be doing, the Blog represents a chronology of activity in our art practice, our lives and issues that we are concerned about. Due to the contemporary space that the arts and artists occupy today much activity and many events go unnoticed and unrecorded. So a significant driver is to provide a space for commentary on what is happening outside of the popularist ‘art bubble’.

Early this year we were excited to learn that the State Library of Queensland had nominated wotwedid.com for inclusion in the Pandora Archive managed by the National Library of Australia, ‘to ensure the collection and long-term preservation of online publications relating to Australia and Australians. This objective contributes to the Library’s statutory function to comprehensively collect Australia’s documentary heritage.’

Over the years we have found that many views, screen dumps and downloads of resources we make available take place anonymously without comment or feedback. Then again, we understand that this is the same for most online resources. Despite this we find that as we travel and meet friends, fellow artists, academics and curators many say how much they appreciate and enjoy the content that we generate and post.

So, a BIG Thank You to all have visited … And we look forward to your return to help take www.wotwedid.com to the next milestone – 200,000K views.

 

D+V with masks

Vicky+Doug

PORTRAIT PHOTO: Susan Belperio

Here are some images of people met, events documented and our own art activities over recent years …

©2020 Doug Spowart+Victoria Cooper
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Creative Commons-by-nc-nd.eu
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Our photographs and words are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.http://creativecommons.org/licenses/by-nc-sa/2.5/au/..

 

 

 

FOUND: A camera obscura in a storage shed box

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An image is found in a packing box

An image is found in a packing box

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So today we were planning a day of shedding in our storage shed. We donned our dust masks and glasses, and cut through the five years of dust on many boxes and began to move our precious things into protective packing boxes.

Just as we were getting into the rhythm of this challenging chore we found something amazing in one of the empty boxes…

From that moment we stopped all work…

What follows is an impromptu document of performance we made in this remarkable image discovery. Found within an ordinary box ­– in a dusty storage shed – somewhere in the rows of storage sheds where we and others store our forgotten treasures…

 

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A video featuring the performance …

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Here are some images and a video on the refinement of the image by using other boxes and a pair of gloves to mask-out the light admitting aperture to around 3cm square.

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A video revealing the storage shed packing box set-up …

 

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OTHER COOPER+SPOWART CAMERA OBSCURA POSTS:

 

A collection of camera obscura works

https://wotwedid.com/2013/10/26/camera-obscura-2000-2020-in-hotels-and-other-places/

 

A porthole camera obscura on the Spirit of Tasmania

https://wotwedid.com/2019/01/11/2018-field-studies-camera-obscura-spirit-of-tasmania-porthole/

 

A gallery camera obscura

https://wotwedid.com/2016/11/14/maud-gallery-camera-obscura-for-one-day-only/

 

Our Tarago CarCamera Obscura

https://wotwedid.com/2016/05/13/ode-to-tarago-carcamera-obscura/

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Until the next obscura reveals itself …

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LYSSIOTIS+COOPER+SPOWART: WE ARE LIBRIS AWARD Finalists

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The LIBRIS AWARDS for Australian Artists Books is on again this year at Artspace Mackay – We are excited to announce that our works, including a Peter Lyssiotis book we collaborated on, have been selected in the 60 finalists. The exhibition is scheduled at Artspace Mackay between 27 June and 13 September 2020.

 

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A statement from the Artspace Director Tracey Heathwood

Since opening its doors in 2003, the gallery has been dedicated in its exploration and support of the artists’ book medium. The Libris Awards play a significant role in showcasing the very latest and best in contemporary artists’ book practice in Australia.

As extraordinary developments continue to unfold in response to Covid19, Artspace Mackay has faced and overcome many challenges presented throughout the year to now be in the final exciting stages of delivering another inspirational exhibition, 2020 Libris Awards: The Australian Artists’ Book Prize.

Despite restrictions beginning to ease across the country, lingering interstate travel constraints prevent our designated 2020 Libris Awards judges, Des Cowley and Robert Heather – who have already completed the challenging job of selecting finalists from an extensive range of artists’ books entries from across the nation – from travelling to Mackay for the final process of selecting winners in the three categories. In these exceptional circumstances, Artspace Mackay Director Tracey Heathwood will complete the final process of selecting this year’s prize winners.

Announcement of 2020 Winners: 4:30pm (AEST) Monday 13 July – Live streamed online via Artspace’s Facebook page.

 

 

HERE ARE THE BOOKS we were involved with :

 

PETER LYSSIOTIS:  WHAT THE MOON LET ME SEE

A collaboration with Victoria Cooper + Doug Spowart who created and optimised pinhole images of Peter’s montage image to accompany his texts.

This slideshow requires JavaScript.

 

Peter Lyssiotis: What The Moon Let Me See

ARTIST’S STATEMENT

The narrative of What The Moon Let Me See is a journey. It is also about a father and son and how their lives, and their purposes in life interweave. The journey is to a mountain; it could be Thomas Mann’s ‘Magic Mountain’, it could be the Bible’s Mount Ararat or it might be that mountain you see on the horizon when you look out of your car window as you drive through the country. The father and the son may be Abraham and Isaac or Kafka and his father or the father and son who live next door, or you and your father … the journey they’re on involves making decisions; perhaps the son will release the father, maybe the father will free the son … how do these two people read and map their worlds, how do they refer to the world here and the world beyond them?

 

 

VICTORIA COOPER:  BEING PRESENT

 

 

Victoria Cooper’s BEING PRESENT

ARTIST’S STATEMENT

Being Present has its physical origins from the Bundanon Trust and the Shoalhaven River.

The electron microscopic images come from unexplored work made during an earlier residence in 2007 of collected detritus from the river. The montages were constructed with these microscopic images as interventions into a riparian environment near the property.

The book is informed by the work of notable writers, thinkers and philosophers, Martin Heidegger and Rachel Carson.

 

 

 

DOUG SPOWART:  HOME

 

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Doug Spowart’s book  HOME

ARTIST’S STATEMENT

This book was conceptualised and created during an artist’s residency at Bundanon near Nowra in New South Wales in June 2018. The final design of the book took place in 2019.

For 5 years I have been homeless resulting from the need to travel, seeking work, looking for a place to settle, and maintaining connections with supporting friends and colleagues. The residency enabled inner thoughts to emerge that have been suppressed throughout this time.

Self-imaging is not something new to me. What is new however in this work is the frank reality of the expression, pose and perhaps vulnerability I present in these moments contemplating ‘home’ and what it means to me.

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Libris_Catalogue pic

 

Download a copy of the Catalogue:

LIBRIS_AWARDS-2020_Finalists_Catalogue

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SEE Other WOTWEDID.COM posts about the LIBRIS AWARDS:

Our FINALIST work from the 2018 Awards

https://wotwedid.com/2018/05/27/libris-artists-book-award-cooperspowart-finalists/

A COMMENT on the 2016 Awards

https://wotwedid.com/2016/10/22/covering-the-2016-libris-artists-book-award/

The JUDGE’S VIEW from Helen Cole of the 2013 Awards

https://wotwedid.com/2013/05/13/2013-libris-awards-the-judges-view/

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2020 WORLDWIDE PINHOLE DAY 26 April – Our images

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WPPD2020 – LOGO

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Around the [w]hole world on Sunday April 26, 2020 pinholers were out having fun – Making their images for the 2020 Worldwide Pinhole Photography Day.

This year we are hunkered down during the Pandemic in Toowoomba, Queensland Australia. Once again, far away from the darkroom, we’ve fitted a piece of aluminium with a light admitting pin-prick to the body cap of our Olympus Pen camera and braved the parkland at the end of our street. The next day we uploaded our images with a detailed caption to the WPPD website to add to the contributions from Australian pinholers and many more from around the world.

This is the 15th year we have supported the WPD project!

 

WHAT IS WORLDWIDE PINHOLE DAY ALL ABOUT?

From the Worldwide Pinhole Photography Day website introduction

All the photographs in this extraordinary collection share two common characteristics: (1) they are lensless photographs (2) they were all made on April 26, 2020.

They also share an additional and less formal characteristic: the sincere enthusiasm of their creators who, by participating in this collective event, shared individual visions and techniques. Hence the amazing diversity of subjects, cameras, techniques and photographic materials combined in this exhibit!

 

Australian WWPD submission @ May3

 

VICTORIA’s PINHOLE IMAGE

Out walking the dog during COVID Isolation PHOTO: Victoria Cooper

ABOUT VICKY’S PINHOLE IMAGE:

Walking in the park as it turns to Autumn … Many people are exercising: walking, running, cycling during our period of isolation for COVID-19. I am grateful that during this terrible time, we are able to slow down and reconnect with what is important in our lives.”

 

 

DOUG’s PINHOLE IMAGE

Doug Spowart’s Stay Home-WPPD-2020

ABOUT DOUG’S PINHOLE IMAGE:

With the world-wide pandemic Covid-19 changing everything signs appear everywhere to remind us to stay vigilant in our resolve to limit community infection. Our local real estate agent has replaced photos of houses for sale with the letters S-T-A-Y H-O-M-E / S-T-A-Y W-E-L-L. Stay healthy everyone…”

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OUR Digi-PINHOLE CAMERA

The Cooper+Spowart digi OLYMPUS PEN with pinhole ...

The Cooper+Spowart digi OLYMPUS PEN with pinhole …

This is a converted digital Olympus Pen, shared with my partner Doug Spowart. The pinhole is a pin pierced hole in aluminium which is inserted into a hole drilled into a body cap. It is a hand held exposure of 1/20th second at ISO 800.”

Our digi-pinhole camera is an OLYMPUS Pen digital. The body cover has been drilled-out and a aluminium foil sheet with pin prick acts as the light emitting ‘hole’. Hand-held exposure 1/20th of a second ISO 800″

 

 

The 2020 WPPD GALLERY DEDICATION:

to Eric Renner who passed away in the USA last month

Self Portrait: Sweatshirt pinhole camera, Arles, 1996, pinhole photograph

Self Portrait: Sweatshirt pinhole camera, Arles, 1996, pinhole photograph, 14″x11″   SOURCE: https://ericrennerphoto.com

 

WPPD 2020 Eric Renner Dedication

WPPD 2020 Eric Renner Dedication

 

VALE ERIC RENNER: Our connection with Eric and partner Nancy Spencer

Eric’s Pinhole Photography book

From early in 1990 Vicky had connected with Eric Renner, partner Nancy Spencer and their Pinhole Resource. We exchanged communications and images showing the work that we were doing in Australia. Eric and Nancy, through their inclusive and generous efforts created a world-wide movement in pinhole photography that continues to grow.

Eric published a body a colour pinhole and zoneplate images from the exhibition Natural Encounter by Vicky in the pinhole journal. Later a collection of Doug’s 4×5 Zoneplate images were also published in the journal.

Over the years we continued to connect and share ideas and some of our work was included in the Focal Press book Pinhole Photography rediscovering a historic technique.  Our work was also included in the Pinhole Resource collection, Poetics of Light exhibition and the accompanying Poetics of Light book at the New Mexico Museum of History.

Pinhole photography is a vibrant and exciting world-wide pinhole community and we are grateful for this legacy that Eric, with Nancy nurtured.

 

There’s a Blog post about the Poetics of Light book and our work in it HERE

 

 

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Other images we made on the day…

 

Visit the WWPD Site for details of other submissions:  http://pinholeday.org/

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Our Past WWPD images:

2019 Doug+Vicky https://wotwedid.com/2019/04/29/2019-worldwide-pinhole-day-28-april-our-images/

2018 Doug+Vicky https://wotwedid.com/2018/04/29/2018-worldwide-pinhole-day-29-april-our-images/

2016 Doug: http://www.pinholeday.org/index.php?id=1235

2016 Vicky: http://www.pinholeday.org/index.php?id=1540

2015  https://wotwedid.com/2015/05/04/april-26-worldwide-pinhole-day-our-contributions-for-2015/

2014  Vicky’s http://pinholeday.org/gallery/2014/index.php?id=1810&City=Toowoomba

2014  Doug’s http://pinholeday.org/gallery/2014/index.php?id=1811&City=Toowoomba

2013   https://wotwedid.com/2013/04/29/world-pinhole-photography-day-our-contribution/

2012   http://www.pinholeday.org/gallery/2012/index.php?id=1937&searchStr=spowart

2011    http://www.pinholeday.org/gallery/2011/index.php?id=924

HERE IS THE LINK to the 2011 pinhole video   http://www.youtube.com/watch?v=Yk4vnbzTqOU

2010   http://www.pinholeday.org/gallery/2010/index.php?id=2464&Country=Australia&searchStr=spowart

2006  http://www.pinholeday.org/gallery/2006/index.php?id=1636&Country=Australia&searchStr=cooper

2004 Vicky  http://www.pinholeday.org/gallery/2004/index.php?id=1553&Country=Australia&searchStr=cooper

2004 Doug  http://www.pinholeday.org/gallery/2004/index.php?id=1552&Country=Australia&searchStr=spowart

2003  http://www.pinholeday.org/gallery/2003/index.php?id=615&Country=Australia&searchStr=spowart

2002  http://www.pinholeday.org/gallery/2002/index.php?id=826&Country=Australia&searchStr=spowart

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 ©2020 Doug Spowart+Victoria Cooper
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Creative Commons-by-nc-nd.eu.
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Our photographs and words are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.http://creativecommons.org/licenses/by-nc-sa/2.5/au/..

The photobook event that THE VIRUS TOOK AWAY

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Some Antipodean Photobooks from the Tate project PHOTOCOLLAGE: Doug Spowart

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On the weekend of May 2-3 2020 there was a weekend of major photobook activities planned for the PHOTO 2020 International Photo Festival in Melbourne.

 

A significant component of the event: A seminal selection of 52 Australian and New Zealand Photobooks* from the State Library of Victoria’s collection was to be made available for public viewing.

On Sunday May 3 international photobook guru Martin Parr was to team up with local photobook aficionado Doug Spowart in a public Q&A session. Of particular interest were their methodologies and considerations for reviewing photobooks. Among other questions it was proposed that they respond to the contentious issues of ‘What validates a book for it to be considered eligible to be included in a canon of photobooks?’ and ‘How such curated selections can energise the recognition for photobooks?’

It was planned that the panel interviewers and contributors to the discussion would be renown writer and Photojournalism Now publisher Alison Stieven-Taylor and would also include the celebrated New Zealand photobook maker and Massey University lecturer David Cook.

An additional event to add to the PHOTO 2020 Photobook Weekend was a major Photobook Fair that would include major publishers, significant photobook makers, a showing of the ANZ Photobook Awards, photobook manufacturers and POD suppliers, workshops and info sessions.

 

However the COVID-19 pandemic was to change all that …

 

 

March 15, 2020 post on the PHOTO 2020 Facebook page

March 15, 2020 post on the PHOTO 2020 Facebook page

 

The PHOTO2020 event, retitled as PHOTO2021 is being rescheduled with the new dates of 18 February – 7 March 2021.

Thank you to founder and Artistic Director Elias Redstone and Producer Rachel Ciesla from the PHOTO 2020 team and Des Cowley from the State Library of Victoria for their efforts to bring this project into fruition. And we look forward to being part of the programme on the rescheduled dates…

 

Keep up to date with PHOTO 2021

FACEBOOK: https://www.facebook.com/photofestivalau/

WEBSITE: https://photo.org.au/

 The PHOTO 2021 team have been posting video interviews with a diverse group of international photographers and artists – Check them out…

 

FACEBOOK: Photo 2021-Photo Live

 

 

 

*52 Antipodean Photobooks: A beginning for a canon of the ANZ photobook

In 2019 the Tate Library received a selection of 52 photographically illustrated books from the Australian and New Zealand region. The books were curated by Australian photobook aficionado Dr Doug Spowart and were specially chosen to extend the Antipodean photobook presence within Martin Parr’s 12.5K photobook donation to the Tate in 2017.

Doug Spowart’s Tate commission came as a result of his meeting with Martin Parr at the 2017 Vienna Photobook Festival. Parr attended Spowart’s lecture on the Antipodean photobook at the Festival and saw examples of the 2016 ANZ Photobook of the Year Awards.

Martin Parr and Doug Spowart reviewing ANZ photobooks at the SLV for consideration to be included in the Tate submission. January 2018. ….. PHOTO: Victoria Cooper

 

In early 2018 Spowart met with Parr at the State Library of Victoria and shared with him a selection of the photobooks that had been curated for proposed Tate purchase.

While interest in the photobook has resulted in publications and scholarship from every major country in the world the same has not been the case for the Antipodean photobooks. Spowart sees the PHOTO 2020/2021 event as being an opportunity to celebrate ANZ photobooks and bring recognition to the local contemporary and historical publications. To this end Doug Spowart has published a blog entitled The Antipodean Photobook and a FACEBOOK page The Photobook in Australia and New Zealand (under construction @ May 2020).

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Looking forward to PHOTO2021: 18 February – 7 March 2021

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BIFB: PHOTOBOOK WEEKEND – A Report

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BIFB Webpage Header

 

WORLD PHOTOBOOK WEEKEND

 

The Ballarat International Foto Biennale was proud to host the World Photobook Day during the festival between Saturday 12 October and Monday 14 October. The call-out was to Celebrate World Photobook Day with other photography enthusiasts by attending 4 photobook events over the weekend.

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Doug meeting with Aaron Bradbrook

Doug meeting with Aaron Bradbrook

The back story for the BIFB’s World Photobook Weekend is that in March Vicky and I visited the BIFB in its home the National Centre of Photography. In a conversation with Associate Curator Aaron Bradbrook we pitched the idea of a photobook event to coincide with World Photobook Day.

In followup conversations with the BIFB Creative Director Fiona Sweet a series of four events became part of the program. The events were: a keynote talk, a forum, a photobook fair and a birthday celebration.

 

With BIFB Creative Director Fiona Sweet

In the months that followed we worked with Fiona, refined the event focus and the people who could be involved. We then followed through with our side of the necessary preparations and promotion of the event.

This series of Blog posts provides a report on the four events as well as an opportunity to present a commentary on the Australian and New Zealand photobooks that was the topic of the talk I presented on the first day of the weekend.

To navigate through the events just ‘CLICK’ on the title tab. At the end of each post there’s a ‘RETURN to the HOMEPAGE’ link.

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SATURDAY 12 OCTOBER

Doug Spowart + ANZ Photobooks


TALK BY DOUG SPOWART

Many Tribes: The Australian And New Zealand Photobook

Click LINK

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SUNDAY 13 OCTOBER

Book Fair participants


PHOTOBOOK FAIR

Click LINK

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Forum Panelists

 

FORUM: Photobooks – Getting Published & Getting Collected 

with Patrick Pound, Sarah Walker, Heidi Romano and David Wadelton. Moderated by Doug Spowart

Click LINK

 

MONDAY 14 OCTOBER

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World Photobook Day Birthday Celebration


HAPPY BIRTHDAY PARTY
!   Celebrating 176 years of photobooks

Click LINK

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