Archive for the ‘Doug Spowart’ Category
WORLD CYANOTYPE DAY 2022: ANZ – Online Exhibition
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EACH YEAR FOR THE LAST 4 YEARS WE HAVE COORDINATED AN EXHIBITION OF ARTWORKS BY AUSTRALIAN CYANOTYPE PRINTMAKERS TO CELEBRATE INTERNATIONAL EVENTS LINKED TO WORLD CYANOTYPE DAY.
Unlike most years where the exhibition is in a physical gallery this year the exhibition is an online catalogue. Another aspect of World Cyanotype Day (WCD) events is the connection that works made should respond to a theme which this year was – ENLIGHTEN. This year WCD falls on Saturday September 24th.
Our preparations for the exhibition began back in May with a call for expressions of interest from members of the Facebook Group The Cyanotype in Australia and New Zealand – A group we founded in 2019 to facilitate the first WCD exhibition at the Monash Gallery of Art.
Respondents were presented with the concept of “presenting your cyanotype in a way that shows something about you – It could be positioned in your studio, home setting, in the garden or somewhere in your locality”.
Twenty-five cyanotype makers sent in their submissions. These artworks were collated and prepared for the design stage of the project by us. Here are their cyanotypes and a link to download the catalogue. ALSO at the end of the post is the story and links to the previous year”s catalogues.
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Here the submissions:
“CLICK” on the thumbnail to enlarge the image and see the author’s name and title
THE ONLINE CATALOGUE IS AVAILABLE TO DOWNLOAD –
Here is the file: CYANOTYPE CATALOGUE 2022v3
Here is the backstory the 5 Cyanotype in Australia and New Zealand WORLD CYANOTYPE DAY exhibitions & catalogues
Download: WCD_CinA-Catalogue-2018
Event 1 – 2018
In September 2018 The Cyanotype in Australia Facebook group was founded and held its first collective exhibition and illustrated catalogue as part as the global event World Cyanotype Day (WCD). Entitled In Anna’s Garden the exhibition referenced Anna Atkins’ pioneering role in the development of the cyanotype.
The exhibition was held in the Atrium Space at Monash Gallery of Art, Wheeler’s Hill, Melbourne and was opened by Gael E Phillips. Gallery staff members Stephanie Richter and Gillian Jones joined with Victoria Cooper and Doug Spowart to prepare and hang the diverse representation of Australian contemporary cyanotype work. The Gallery Director Anouska Phizacklea attended the event along with many of the exhibitors.
Download: WCD_CinA-catalogue-2019
Event 2 – 2019
A world-wide call out from the A. Smith Gallery in Texas, USA, invited artists to participate in an exhibition by sending a cyanotype made on a 30cm square of fabric – referred to as ‘Flags’. The work was a personal response to the WCD theme for that year, Land / Sea / Sky.
The Cyanotype in Australia (CinA) co-ordinators decided to organize a collaborative show of cyanotype flags connecting with the WCD. Coordinated at the Maud Street Photo Gallery in Brisbane, the exhibition was called Under the Southern Sun. Again, the coordinators were supported by Gail Neumann, David Symons and Keiko Goto in the unpacking and hanging the flags in the gallery. However this was only the first part of a long and exciting journey for these cyanotype prints.
After the show came down, the working party packed up the show and the Flags were sent off to Texas where they were shown with all the other works from across the world at the A. Smith Gallery. Subsequently the exhibition was also shown at PhotoNOLA in New Orleans.
Download: ____WCD 2020 CATALOGUE-FINALv3
Event 3 – 2020
Due to the pandemic 2020 was a difficult year to show work in a physical gallery space so the CinA co-ordinators created an online presence and an illustrated catalogue referencing the WCD theme of Interconnected. After a call out to all members of our Facebook group, artists from across Australia and around the world responded by contributing to the collection of a creative work that showcased the diverse practice of the cyanotype in Australia and elsewhere.
Download: WCD 2021 Exhibition-SCREEN_Res-Sept27
Event 4 – 2021
Despite the challenges of Covid, 2021 saw the return of a physical exhibition. Gail Neumann curated the show at KEPK Gallery in Brisbane, supported by other members of the CinA team. The WCD theme this year was REJUVENATION. Local art identity and cyanotyper LeAnne Vincent opened the exhibition and an illustrated catalogue was made available to participants.
Event 5 – 2022
For many surviving Covid, floods and fire and rebuilding their arts practice has been challenging over the last 2-3 years, so the return to an online format seemed a good option. Also at this time, the organisers felt that it was important to recognize our friends and colleagues from across “the ditch” in New Zealand, so our group name was changed to The Cyanotype in Australia and New Zealand.
The call for expressions of interest was made in May and those who responded were asked to submit work on the WCD theme – ENLIGHTEN. They were also requested to consider making an in-situ representation of their cyanotype image in their studio space or where they live, to add a personal and physical dimension to the virtual online space. The 2022 catalogue includes the artists who responded to the in-situ request, and also those who only sent through a photograph of their cyanotype.
Once again, the catalogue presents a survey of the practice of cyanotype within our region. We wish to thank the contributors for making work available for this catalogue as well as providing commentaries about their work.
ENJOY and be ENLIGHTENED about the work by the members of the Cyanotype in Australia and New Zealand.
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ABOUT THE CYANOTYPE IN AUSTRALIA + NEW ZEALAND
The Cyanotype in Australia + New Zealand Facebook group has actively supported a vibrant community of practice of not only local, but also international cyanotypers for 5 yearsFF.
The Facebook page is a closed group though we welcome ‘Requests to join’ from cyanotype practitioners of this region.
The Cyanotype in Australia+New Zealand Team are Doug Spowart, Gail Neumann, David Symons and Victoria Cooper.
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.MGA POSTCARDS EXHIBITION – Our images
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WE RECENTLY RESPONDED TO A ‘CALL OUT’ FROM THE MONASH GALLERY OF ART to make and send in a POSTCARD representing ‘Our back yard’.
It is an interesting Mail Art Project so we selected images and sent them in. Recently we are in Melbourne and managed to go out to MCA to see their exhibitions and the post card show in the Atrium Gallery.
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If you are interested in participating – The details and link are at the end of this post.
VICTORIA’s CARD: Image from the book VISUAL FIELD NOTES
Victoria Cooper MGA POSTCARD
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ABOUT VICKY’S POST CARD IMAGE: DAY DREAMING
We arrived in Benalla during one of the long Covid 19 lockdowns of Victoria. We found ourselves under a state wide travel restriction of only 5kms from our home. So walking became my way of exploring my new locality.
On these walks, and later on longer journeys,
I was captivated by the remnants of natural environment at the edge of the suburban spaces, roadsides and bushland. Here in the North East the trees tower like epic monuments to a pre-colonial history …
DOUG’s CARD:
An image from the book WALKING URBAN GROUND
Doug Spowart’s MGA POSTCARD SHOW
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ABOUT DOUG’S POST CARD IMAGE:
This photo is about walking in the place where I live. While my walks with Vicky are for exercise, they are also an exploration of the streets, homes and spaces of my suburb.
During these walks I witness the seasons, varied architectural forms, garden features and the idiosyncratic things that homeowners create in their suburban environments.
In this work, from the book “Walking Urban Ground”, I explore through visual play, the creation of a joyful representation of the place where I live.
year I wandered as a free-ranging spirit on a bright sunny day through my local botanic garden. Spontaneously I responded to the subjects that emerged into my line of sight…
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A POSTCARD FROM GLEN O’MALLEY is also in the show…
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HERE’S THE SUBMISSION DETAILS
Postcards from our big backyard
“CLICK” URL HERE
3 August 2022 to 2 October 2022
MGA Atrium Gallery
Tuesday – Sunday
Postcards from our big backyard | Submissions now open
Viva Gibb took this photograph of the landscape she grew up on during a trip back to the area in the 1980s. The work is on display as part of MGA’s exhibition Return to nature, which journeys through the Australian landscape in photographs from the 1870s to today.
To coincide with this exhibition, we want you to send us a postcard of your big backyard!
Wherever you are in Australia, we want to see your landscape. So take a photograph of your corner of this great continent, print it at postcard size, write your name on the back, along with the title, date and a short note if you wish, then affix a stamp and send it by mail addressed to:
Monash Gallery of Art
860 Ferntree Gully Road
WHEELERS HILL
VIC 3150
We will then display your postcard in a growing exhibition in MGA’s Atrium gallery from 3 August to 2 October.
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.2022 WORLDWIDE PINHOLE DAY – Our images
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ON THE LAST SUNDAY IN APRIL pinhole photographers across the world gather together as individuals or groups to celebrate pinhole photography in all its forms.
This year for the first time in many years we find ourselves in a place that we call home. On this warm sunny April morning we connected with fellow Benalla artist, Maggie Hollins, and found joy in pinhole play on Worldwide Pinhole Photography Day.
We met in the Benalla Botanic Gardens renown for its rose garden, cricket field, the lake and the Benalla Art Gallery. The Gardens and surrounds are a popular place for locals to picnic, exercise, canoe or just hang out.
Benalla Pinholers – Maggie with Vicky+Doug
This is the 16th year we have supported the WPPD project!
SEE LINKS to our other submissions at the end of this Post.
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WHAT IS WORLDWIDE PINHOLE PHOTOGRAPHY DAY ALL ABOUT?
From the Worldwide Pinhole Photography Day website introduction:
All the photographs in this extraordinary collection share two common characteristics: (1) they are lensless photographs (2) they were all made on April 24, 2022.
They also share an additional and less formal characteristic: the sincere enthusiasm of their creators who, by participating in this collective event, shared individual visions and techniques. Hence the amazing diversity of subjects, cameras, techniques and photographic materials combined in this exhibit!
The process is that photographs are made on April 24 > they are processed / optimised by the photographer > uploaded and captioned on the WPPD website. The 2022 Gallery of images can be searched to see what photographers from around the world did on that day…
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VICTORIA’s PINHOLE IMAGE: DAY DREAMING
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ABOUT VICKY’S PINHOLE IMAGE: DAY DREAMING
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A beautiful Autumn day beside the Benalla Art Gallery and lake.
OTHER IMAGES BY VICKY:
VICKY’s DIGI-PINHOLE CAMERA
Vicky’s Pinhole Olympus Pen
Camera Olympus Pen: 1/90 @2500 ISO the pinhole is made with a camera body cap and a handmade pinhole in pie tin foil.
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DOUG’s PINHOLE IMAGE: WALKING THE DOGS
ABOUT DOUG’S PINHOLE IMAGE:
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This year I wandered as a free-ranging spirit on a bright sunny day through my local botanic garden. Spontaneously I responded to the subjects that emerged into my line of sight…
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SOME OF DOUG’s OTHER IMAGES
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DOUG’s DIGI-PINHOLE CAMERA
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My pinhole was a readymade found in our pinhole workshop toolbox – capture device a digital Canon 6D operated around ISO 6000 with a S/S of 60th part of a second.
Visit the WWPD Site for details of other submissions: http://pinholeday.org/
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VIEW 16 YEARS OF PAST WPPD iMAGES:
2021 Doug+Vicky https://wordpress.com/post/wotwedid.com/12227
2020 Doug+Vicky https://wotwedid.com/2020/05/13/2020-worldwide-pinhole-day-26-april-our-images/
2019 Doug+Vicky https://wotwedid.com/2019/04/29/2019-worldwide-pinhole-day-28-april-our-images/
2018 Doug+Vicky https://wotwedid.com/2018/04/29/2018-worldwide-pinhole-day-29-april-our-images/
2016 Doug: http://www.pinholeday.org/index.php?id=1235
2016 Vicky: http://www.pinholeday.org/index.php?id=1540
2015 https://wotwedid.com/2015/05/04/april-26-worldwide-pinhole-day-our-contributions-for-2015/
2014 Vicky’s http://pinholeday.org/gallery/2014/index.php?id=1810&City=Toowoomba
2014 Doug’s http://pinholeday.org/gallery/2014/index.php?id=1811&City=Toowoomba
2013 https://wotwedid.com/2013/04/29/world-pinhole-photography-day-our-contribution/
2012 http://www.pinholeday.org/gallery/2012/index.php?id=1937&searchStr=spowart
2011 http://www.pinholeday.org/gallery/2011/index.php?id=924
HERE IS THE LINK to the 2011 pinhole video http://www.youtube.com/watch?v=Yk4vnbzTqOU
2010 http://www.pinholeday.org/gallery/2010/index.php?id=2464&Country=Australia&searchStr=spowart
2006 http://www.pinholeday.org/gallery/2006/index.php?id=1636&Country=Australia&searchStr=cooper
2004 Vicky http://www.pinholeday.org/gallery/2004/index.php?id=1553&Country=Australia&searchStr=cooper
2004 Doug http://www.pinholeday.org/gallery/2004/index.php?id=1552&Country=Australia&searchStr=spowart
2003 http://www.pinholeday.org/gallery/2003/index.php?id=615&Country=Australia&searchStr=spowart
2002 http://www.pinholeday.org/gallery/2002/index.php?id=826&Country=Australia&searchStr=spowart
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.2021 WORLDWIDE PINHOLE DAY – Our images
WWPD 2021 LOGO
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Around the [w]hole world on Sunday April 25, 20201pinholers were out having fun – Making their images for the 2021 Worldwide Pinhole Photography Day.
This year – still in Toowoomba we’ve been working on projects and supporting family. Once again, far away from the darkroom, we’ve fitted a piece of aluminium with a light admitting pin-prick to the body cap of our Olympus Pen camera and braved the parkland at the end of our street. Recently we uploaded our images with a detailed caption to the WPPD website to add to the contributions from Australian pinholers and many more from around the world.
This is the 17th year we have supported the WPPD project!
SEE LINKS to our other submissions at the end of this Post.
WHAT IS WORLDWIDE PINHOLE PHOTOGRAPHY DAY ALL ABOUT?
From the Worldwide Pinhole Photography Day website introduction
All the photographs in this extraordinary collection share two common characteristics: (1) they are lensless photographs (2) they were all made on April 25, 2021.
They also share an additional and less formal characteristic: the sincere enthusiasm of their creators who, by participating in this collective event, shared individual visions and techniques. Hence the amazing diversity of subjects, cameras, techniques and photographic materials combined in this exhibit!
The process is that photographs are made on April 25 > they are processed / optimised by the photographer > uploaded and captioned on the WPPD website. The 2021 Gallery of images can be searched to see what photographers from around the world did on that day…
Here’s the website page of the Australian pinhole photographer’s works:
WPPD 2021 Australian submissions @ May 11, 2021
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VICTORIA’s PINHOLE IMAGE: AFTERNOON WALK
Victoria Cooper’s Evening walk pinhole photo
ABOUT VICKY’S PINHOLE IMAGE:
We pass by these trees everyday… I decided to take pinhole photos of our walk as I enjoy the way they transform these everyday places into a kind of poem, not distinct nor descriptive just evocative.
DOUG’s PINHOLE IMAGE: TREE HOUSE
Tree House a pinhole image by Doug Spowart
ABOUT DOUG’S PINHOLE IMAGE:
I chose the late afternoon to go out and make images as the low light angle and the deep shadows add drama and mystery to pinholes made at this time.
Over recent years I have continued to choose a digital camera and aluminium pie dish with a pin prick in it. Wet darkrooms and film, although it suited the zone plates of landscape that I made are beyond my current means – perhaps next year…
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OUR Digi-PINHOLE CAMERA
The Cooper+Spowart digi OLYMPUS PEN with pinhole …
This is a converted digital Olympus Pen, shared with my partner Doug Spowart. The pinhole is a pin pierced hole in aluminium which is inserted into a hole drilled into a body cap. It is a hand held exposure of 1/25th second at ISO 2000.
Visit the WWPD Site for details of other submissions: http://pinholeday.org/
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Our Past WPPD images:
2020 Doug+Vicky https://wotwedid.com/2020/05/13/2020-worldwide-pinhole-day-26-april-our-images/
2019 Doug+Vicky https://wotwedid.com/2019/04/29/2019-worldwide-pinhole-day-28-april-our-images/
2018 Doug+Vicky https://wotwedid.com/2018/04/29/2018-worldwide-pinhole-day-29-april-our-images/
2016 Doug: http://www.pinholeday.org/index.php?id=1235
2016 Vicky: http://www.pinholeday.org/index.php?id=1540
2015 https://wotwedid.com/2015/05/04/april-26-worldwide-pinhole-day-our-contributions-for-2015/
2014 Vicky’s http://pinholeday.org/gallery/2014/index.php?id=1810&City=Toowoomba
2014 Doug’s http://pinholeday.org/gallery/2014/index.php?id=1811&City=Toowoomba
2013 https://wotwedid.com/2013/04/29/world-pinhole-photography-day-our-contribution/
2012 http://www.pinholeday.org/gallery/2012/index.php?id=1937&searchStr=spowart
2011 http://www.pinholeday.org/gallery/2011/index.php?id=924
HERE IS THE LINK to the 2011 pinhole video http://www.youtube.com/watch?v=Yk4vnbzTqOU
2010 http://www.pinholeday.org/gallery/2010/index.php?id=2464&Country=Australia&searchStr=spowart
2006 http://www.pinholeday.org/gallery/2006/index.php?id=1636&Country=Australia&searchStr=cooper
2004 Vicky http://www.pinholeday.org/gallery/2004/index.php?id=1553&Country=Australia&searchStr=cooper
2004 Doug http://www.pinholeday.org/gallery/2004/index.php?id=1552&Country=Australia&searchStr=spowart
2003 http://www.pinholeday.org/gallery/2003/index.php?id=615&Country=Australia&searchStr=spowart
2002 http://www.pinholeday.org/gallery/2002/index.php?id=826&Country=Australia&searchStr=spowart
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.Father’s Day: A remembrance in an art project
Father’s Day 2020 – Thinking of our Dads
In 2010 artist, and then gallerist, Julie Barratt put out a call for artworks that asked artists to respond about their Fathers and their passing.
The request from Julie Barratt is as follows:
This project was borne out of the recent sudden death of my father, a handkerchief, some emotive words written by a sibling on his death and the traumatic aftermath of a death processed according to particular societal and cultural mores. Interested artists and Individuals are invited to create an artwork on a handkerchief (any handkerchief not necessarily a man’s) based around death/grief/bereavement.
We reflected on our connection with our Fathers and created artworks using the cyanotype process.
Doug’s Hankie
The WHITE KNIGHT – for Merv by Doug Spowart
MERV: The White Knight
My father was an electrician for around sixty years. He always wore King Gee white overalls—even when we went on holidays.
Ever ready to help someone in need he would dash off at a moment’s notice—even when the family organised an outing on the weekend we would always fit in another job along the way.
Over the years he helped many an electrically troubled soul so we, his family, dubbed him the nickname – “The white knight”.
Victoria’s Hankie
Dad’ll do it – for Reg by Victoria Cooper
Dad’ll do it
I remember that he always tied knots in his hankie to keep it in place on his head and to soak up the sweat when he was working on things around the home. He had lived in this home (in the photo) for most of his life except for the time he was in Papua New Guinea for WW2 and shorter periods of time in other places. Over the years he adapted and renovated this home to suit the changing needs of the family.
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Barratt Gallery Invite
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The exhibition was shown at Barratt Gallery at Alstonville and Napier Gallery Melbourne
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A post about the exhibition can be found HERE
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ARTISTS SURVEY #23: Artists in Pandemic Isolation
Artists Survey #23 Composite
ARTISTS HAVE ALWAYS ADAPTED TO AND EMBRACED CHANGE IN CHALLENGING TIMES OFTEN WORKING IN ISOLATION. Nearing the end of their artists in residence in Finland, Australian artist Julie Barratt and Argentinian photographer Solange Baques found themselves stranded on the other side of a pandemic stricken world. Concerned for their friend and colleague, Cooper and Spowart connected with Barratt and proposed the concept of a collaborative Artists Survey book project to present the artists’ experiences during the COVID-19 enforced isolation.
This small book compilation is published by the Centre for Regional Arts Practice is the result of the collaboration. It is a small gesture to bridge the vast physical and psychological distance that this pandemic has engendered.
Here is the story of Artists Survey #23: Artists in Pandemic Isolation project.
THE BACKSTORY TO THIS SPECIAL EDITION OF THE ARTISTS SURVEY
The Centre for Regional Arts Practice (acronym C.R.A.P.) was founded in 2007 during an artist in residence at Arthur Boyd’s Bundanon property near Nowra on the NSW south coast. As artists’ bookmakers, we saw the opportunity to produce a democratic multiple publication to present our perspective on regional artist experience and to develop C.R.A.P. manifestoes.
All of our C.R.A.P. Artists Survey books draw upon humour and irony of the prosaic routines and events encountered in life of a regional artist. These publications are usually produced in editions of 25 with 5 artist’s proofs. They are humble handmade books which are sold to collectors and institutions – most are given away to friends and peers.
Some early C.R.A.P. Artists Survey books
The C.R.A.P. and its Artists Surveys have become a vehicle for highlighting, critiquing and questioning many issues both local and global affecting regional artists. The 23 editions to date have included topics such as Swine Flu, The Global Financial Crisis and Global warming. On seven occasions collaborative Artists Survey books have been created with a regional artists.
In late March we witnessed Julie Barratt’s situation as a participation in an artist’s residency in regional Finland. At that time the viral pandemic was closing the world down and cutting off homeward travel with airlines grounded. Though Julie seemed unphased we thought our shared isolation experiences could be an important commentary on these times. So we suggested to Julie our idea of a C.R.A.P. Artists Survey book about Covid-19 isolation and she agreed enthusiastically. Within a a short time Julie’s compatriot in isolation – Argentinian photographer Solange joined the project.
Screen snaps of Facebook group meetings
We formed a Facebook group and held online meetings to talk over the concepts, we shared work, discussed design ideas and quickly our isolation had a creative purpose. We are excited to share our stories with you …
ABOUT THE ARTISTS SURVEY #23
The Artists Survey project culminated in a book of 6 elements:
- An introduction booklet
- 2 works from Solange Baques (1) An image from her ‘Through the window project, and (2) a small piece of Finnish soap enclosed in a stitched holder accompanied by messages about anti COVID-19 hand washing techniques.
- An original Polaroid image made by Julie Barratt in a stitched folder made at the residency with red thread used by Julie in some of her performance work.
- A collaborative concertina book by Victoria Cooper and Doug Spowart.
- All the elements are enclosed in a special folder cover designed and handmade by Doug Spowart with the support of Victoria Cooper
COVER Open with INTRO Booklet
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A PDF COPY OF THE INTRO BOOKLET CAN BE DOWNLOADED HERE: ARTIST Survey 23 INTRO Book Aug 21
SOLANGE BAQUES: is an Argentinean photographer born in Buenos Aires city. In her work she explores identities through memories and family albums. Her images are intimate and subtle.
Solange Baques and her two works
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Solange arrived in Finland on March 2nd to participate in the program “Silence Awareness Existence” as an artist in residency with 13 fellow artists at the Arteles Creative Center, which is located in a rural area near Tampere. Her project was to include visiting Valmet Oy plant and doing some research on the pulp and paper industry but due to the lockdown, this was not possible.
Within a short time of the growing worldwide shutdown of entry to countries 10 of the 13 artists in residency left Finland to return to their home countries. However by March 16 three remained.
Through the Window images included in this collaborative artists’ book was born as a part of the self-isolation program at Arteles Creative Center.
Solange was not able to return home due to the Argentine borders being closed and the only planes allowed to bring back Argentineans being those of Aerolíneas Argentinas. Around the world there were more than 20,000 citizens trying to get home with only 400 people allowed to arrive every day. On May 9th she was finally able to leave Finland and made it back to Argentina on May 11 and out of quarantine to her family on May 25!
JULIE BARRATT: is an Australian visual artist and arts producer whose mixed media practice encompasses printmaking, photography, artist books, installation and performance.
Julie Barratt and her Polaroid print + folder
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Julie arrived at the Arteles Creative Center in the beginning of March for a 1-month residency. As the worldwide lockdowns were initiated she experienced difficulty in getting flights back to Australia and her residency became an extended period of creative production.
Having this extra period of time in rural Finland has kept Julie just about as far from the grips of Covid-19 as you can imagine. And being distant from family and friends having little access to the Internet or the outside world for that matter was quite surreal!
Although she arrived without a clear project in mind Julie’s work became a visual diary of this period of isolation rendered through the mediums of photography, stitching, mixed media and hand stamping. This work in this collaborative artists’ book made with unique state Polaroid photographs relates to her experience of spending the Covid-19 period of isolation far from home in rural Finland!
By the 4th May she was still there! Cancelled flights, border closures and local transport collapses meant that options for getting home are all but non-existent. Finally Julie was able to get a direct flight from Helsinki to Sydney on May 10. On her arrival in Sydney she was escorted by Federal Police and Army personnel to 2 weeks forced isolation in a Melbourne hotel. She arrived home in Rockhampton on May 24!
COOPER+SPOWART
Cooper+Spowart collaborative book
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VICTORIA COOPER:
Victoria’s early career in science and microbiology is influential in much of her arts practice. Engaged in experimental photographic processes from pinhole to digital photomontage, she creates visual narratives, in the physical form of the book, exploring the human-non-human relationships of Place.
I began with energy for our collaboration across the ISO CO-void… This seemed a good time to explore new work informed by my past experience with pathogenic microorganisms. But I was unsettled in this COVID space — challenged by the consequences of being in familiar places that now were significantly altered by unseen entities. Continuity of creative thought was becoming increasingly more difficult under the existential struggle as sharp highs and lows destabilized every aspect of daily life.
During this time I utilised the social space of Instagram to break away from the silence of isolation. I captured and collected moments as they presented themselves and then instantly shared their potential to evoke memories and dreams with others. Over the next few weeks, my Instagram archive of isolated and unconnected fragments grew into a poetic narrative.
In this collaborative book with Doug there is no intended theme, our Instagram images present the fractured moments of our shifting altered reality.
DOUG SPOWART: is an Australian visual artist with a multi-media practice.
About 5 years ago Victoria Cooper and I sold our home in Toowoomba and headed out onto the road in search of a new place to live, work opportunities and to connect with friends and our extensive professional networks.
In early March we were on the beach in northern NSW and were planning our next foray into the real estate scene in Victoria. We were just about to head south when we recognised that the expanding threat of Covid-19 was something that could not be taken lightly.
Considering our options we decided to head back to the familiar location of Toowoomba. Our doctor is there, we have family there and importantly we have storage sheds with our art, library and personal effects. We saw isolation as presenting an opportunity to review and downsize our stored possessions.
Within a week we were back in Toowoomba and had viewed possible rental units, made a selection and had paid the first rental instalment.
My contribution to this project is a collaborative concertina book made with Victoria which features photographs made our first isolation period – it is entitled Fractured moments and small glimpses.
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OTHER STORIES ABOUT C.R.A.P. ARTISTS SURVEYS can be found at the links below:
Artists Survey Flash Mob Grafton
https://wotwedid.com/2013/09/23/artists-book-flash-mob-create-collaborative-artists-survey-book/
Artists Survey #19
https://wotwedid.com/2018/08/09/a-book-a-collaboration-time-19-artist-survey-book/
WOTWEDID BLOG CELEBRATES 100,000 VIEWS
100K Header
Our www.wotwedid.com blog reached the milestone of 1000,000 views last week. It has had 56,000 visitors who have had the opportunity to view 380 posts and read around 250K words and see the hundreds of photographs that we have made to compliment the stories.
Our wotwedid Blog was started nine years ago as an opportunity to connect with our friends and creative communities via social media. The topic cloud for the wotwedid Blog includes ARTISTS’ BOOKS, PHOTBOOKS, CAMERA OBSCURA, EXHIBITIONS, MEETING PEOPLE, THE ART AND PRACTICE OF PHOTOGRAPHY, REGIONAL ARTS, CYANOTYPES, PLACE PROJECTS and POST-DOCTORAL RESEARCH.
Topic cloud wotwedid
Usually the content that we post is generated by us and includes the written commentaries, the photographs and illustrations – it can be quite a lengthy time consuming task to get a blog up.
While many posts relate to what we do, have done or will be doing, the Blog represents a chronology of activity in our art practice, our lives and issues that we are concerned about. Due to the contemporary space that the arts and artists occupy today much activity and many events go unnoticed and unrecorded. So a significant driver is to provide a space for commentary on what is happening outside of the popularist ‘art bubble’.
Early this year we were excited to learn that the State Library of Queensland had nominated wotwedid.com for inclusion in the Pandora Archive managed by the National Library of Australia, ‘to ensure the collection and long-term preservation of online publications relating to Australia and Australians. This objective contributes to the Library’s statutory function to comprehensively collect Australia’s documentary heritage.’
Over the years we have found that many views, screen dumps and downloads of resources we make available take place anonymously without comment or feedback. Then again, we understand that this is the same for most online resources. Despite this we find that as we travel and meet friends, fellow artists, academics and curators many say how much they appreciate and enjoy the content that we generate and post.
So, a BIG Thank You to all have visited … And we look forward to your return to help take www.wotwedid.com to the next milestone – 200,000K views.
D+V with masks
Vicky+Doug
PORTRAIT PHOTO: Susan Belperio
Here are some images of people met, events documented and our own art activities over recent years …
©2020 Doug Spowart+Victoria Cooper
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Our photographs and words are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.http://creativecommons.org/licenses/by-nc-sa/2.5/au/..
FOUND: A camera obscura in a storage shed box
An image is found in a packing box
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So today we were planning a day of shedding in our storage shed. We donned our dust masks and glasses, and cut through the five years of dust on many boxes and began to move our precious things into protective packing boxes.
Just as we were getting into the rhythm of this challenging chore we found something amazing in one of the empty boxes…
From that moment we stopped all work…
What follows is an impromptu document of performance we made in this remarkable image discovery. Found within an ordinary box – in a dusty storage shed – somewhere in the rows of storage sheds where we and others store our forgotten treasures…
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A video featuring the performance …
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Here are some images and a video on the refinement of the image by using other boxes and a pair of gloves to mask-out the light admitting aperture to around 3cm square.
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A video revealing the storage shed packing box set-up …
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OTHER COOPER+SPOWART CAMERA OBSCURA POSTS:
A collection of camera obscura works
https://wotwedid.com/2013/10/26/camera-obscura-2000-2020-in-hotels-and-other-places/
A porthole camera obscura on the Spirit of Tasmania
https://wotwedid.com/2019/01/11/2018-field-studies-camera-obscura-spirit-of-tasmania-porthole/
A gallery camera obscura
https://wotwedid.com/2016/11/14/maud-gallery-camera-obscura-for-one-day-only/
Our Tarago CarCamera Obscura
https://wotwedid.com/2016/05/13/ode-to-tarago-carcamera-obscura/
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Until the next obscura reveals itself …
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LYSSIOTIS+COOPER+SPOWART: WE ARE LIBRIS AWARD Finalists
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The LIBRIS AWARDS for Australian Artists Books is on again this year at Artspace Mackay – We are excited to announce that our works, including a Peter Lyssiotis book we collaborated on, have been selected in the 60 finalists. The exhibition is scheduled at Artspace Mackay between 27 June and 13 September 2020.
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A statement from the Artspace Director Tracey Heathwood
Since opening its doors in 2003, the gallery has been dedicated in its exploration and support of the artists’ book medium. The Libris Awards play a significant role in showcasing the very latest and best in contemporary artists’ book practice in Australia.
As extraordinary developments continue to unfold in response to Covid19, Artspace Mackay has faced and overcome many challenges presented throughout the year to now be in the final exciting stages of delivering another inspirational exhibition, 2020 Libris Awards: The Australian Artists’ Book Prize.
Despite restrictions beginning to ease across the country, lingering interstate travel constraints prevent our designated 2020 Libris Awards judges, Des Cowley and Robert Heather – who have already completed the challenging job of selecting finalists from an extensive range of artists’ books entries from across the nation – from travelling to Mackay for the final process of selecting winners in the three categories. In these exceptional circumstances, Artspace Mackay Director Tracey Heathwood will complete the final process of selecting this year’s prize winners.
Announcement of 2020 Winners: 4:30pm (AEST) Monday 13 July – Live streamed online via Artspace’s Facebook page.
HERE ARE THE BOOKS we were involved with :
PETER LYSSIOTIS: WHAT THE MOON LET ME SEE
A collaboration with Victoria Cooper + Doug Spowart who created and optimised pinhole images of Peter’s montage image to accompany his texts.
Peter Lyssiotis: What The Moon Let Me See
ARTIST’S STATEMENT
The narrative of What The Moon Let Me See is a journey. It is also about a father and son and how their lives, and their purposes in life interweave. The journey is to a mountain; it could be Thomas Mann’s ‘Magic Mountain’, it could be the Bible’s Mount Ararat or it might be that mountain you see on the horizon when you look out of your car window as you drive through the country. The father and the son may be Abraham and Isaac or Kafka and his father or the father and son who live next door, or you and your father … the journey they’re on involves making decisions; perhaps the son will release the father, maybe the father will free the son … how do these two people read and map their worlds, how do they refer to the world here and the world beyond them?
VICTORIA COOPER: BEING PRESENT
Victoria Cooper’s BEING PRESENT
ARTIST’S STATEMENT
Being Present has its physical origins from the Bundanon Trust and the Shoalhaven River.
The electron microscopic images come from unexplored work made during an earlier residence in 2007 of collected detritus from the river. The montages were constructed with these microscopic images as interventions into a riparian environment near the property.
The book is informed by the work of notable writers, thinkers and philosophers, Martin Heidegger and Rachel Carson.
DOUG SPOWART: HOME
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Doug Spowart’s book HOME
ARTIST’S STATEMENT
This book was conceptualised and created during an artist’s residency at Bundanon near Nowra in New South Wales in June 2018. The final design of the book took place in 2019.
For 5 years I have been homeless resulting from the need to travel, seeking work, looking for a place to settle, and maintaining connections with supporting friends and colleagues. The residency enabled inner thoughts to emerge that have been suppressed throughout this time.
Self-imaging is not something new to me. What is new however in this work is the frank reality of the expression, pose and perhaps vulnerability I present in these moments contemplating ‘home’ and what it means to me.
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Libris_Catalogue pic
Download a copy of the Catalogue:
LIBRIS_AWARDS-2020_Finalists_Catalogue
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SEE Other WOTWEDID.COM posts about the LIBRIS AWARDS:
Our FINALIST work from the 2018 Awards
https://wotwedid.com/2018/05/27/libris-artists-book-award-cooperspowart-finalists/
A COMMENT on the 2016 Awards
https://wotwedid.com/2016/10/22/covering-the-2016-libris-artists-book-award/
The JUDGE’S VIEW from Helen Cole of the 2013 Awards
https://wotwedid.com/2013/05/13/2013-libris-awards-the-judges-view/
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2020 WORLDWIDE PINHOLE DAY 26 April – Our images
WPPD2020 – LOGO
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Around the [w]hole world on Sunday April 26, 2020 pinholers were out having fun – Making their images for the 2020 Worldwide Pinhole Photography Day.
This year we are hunkered down during the Pandemic in Toowoomba, Queensland Australia. Once again, far away from the darkroom, we’ve fitted a piece of aluminium with a light admitting pin-prick to the body cap of our Olympus Pen camera and braved the parkland at the end of our street. The next day we uploaded our images with a detailed caption to the WPPD website to add to the contributions from Australian pinholers and many more from around the world.
This is the 15th year we have supported the WPD project!
WHAT IS WORLDWIDE PINHOLE DAY ALL ABOUT?
From the Worldwide Pinhole Photography Day website introduction
All the photographs in this extraordinary collection share two common characteristics: (1) they are lensless photographs (2) they were all made on April 26, 2020.
They also share an additional and less formal characteristic: the sincere enthusiasm of their creators who, by participating in this collective event, shared individual visions and techniques. Hence the amazing diversity of subjects, cameras, techniques and photographic materials combined in this exhibit!
Australian WWPD submission @ May3
VICTORIA’s PINHOLE IMAGE
Out walking the dog during COVID Isolation PHOTO: Victoria Cooper
ABOUT VICKY’S PINHOLE IMAGE:
“Walking in the park as it turns to Autumn … Many people are exercising: walking, running, cycling during our period of isolation for COVID-19. I am grateful that during this terrible time, we are able to slow down and reconnect with what is important in our lives.”
DOUG’s PINHOLE IMAGE
Doug Spowart’s Stay Home-WPPD-2020
ABOUT DOUG’S PINHOLE IMAGE:
“With the world-wide pandemic Covid-19 changing everything signs appear everywhere to remind us to stay vigilant in our resolve to limit community infection. Our local real estate agent has replaced photos of houses for sale with the letters S-T-A-Y H-O-M-E / S-T-A-Y W-E-L-L. Stay healthy everyone…”
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OUR Digi-PINHOLE CAMERA
The Cooper+Spowart digi OLYMPUS PEN with pinhole …
“This is a converted digital Olympus Pen, shared with my partner Doug Spowart. The pinhole is a pin pierced hole in aluminium which is inserted into a hole drilled into a body cap. It is a hand held exposure of 1/20th second at ISO 800.”
Our digi-pinhole camera is an OLYMPUS Pen digital. The body cover has been drilled-out and a aluminium foil sheet with pin prick acts as the light emitting ‘hole’. Hand-held exposure 1/20th of a second ISO 800″
The 2020 WPPD GALLERY DEDICATION:
to Eric Renner who passed away in the USA last month
Self Portrait: Sweatshirt pinhole camera, Arles, 1996, pinhole photograph, 14″x11″ SOURCE: https://ericrennerphoto.com
WPPD 2020 Eric Renner Dedication
VALE ERIC RENNER: Our connection with Eric and partner Nancy Spencer
Eric’s Pinhole Photography book
From early in 1990 Vicky had connected with Eric Renner, partner Nancy Spencer and their Pinhole Resource. We exchanged communications and images showing the work that we were doing in Australia. Eric and Nancy, through their inclusive and generous efforts created a world-wide movement in pinhole photography that continues to grow.
Eric published a body a colour pinhole and zoneplate images from the exhibition Natural Encounter by Vicky in the pinhole journal. Later a collection of Doug’s 4×5 Zoneplate images were also published in the journal.
Over the years we continued to connect and share ideas and some of our work was included in the Focal Press book Pinhole Photography rediscovering a historic technique. Our work was also included in the Pinhole Resource collection, Poetics of Light exhibition and the accompanying Poetics of Light book at the New Mexico Museum of History.
Pinhole photography is a vibrant and exciting world-wide pinhole community and we are grateful for this legacy that Eric, with Nancy nurtured.
There’s a Blog post about the Poetics of Light book and our work in it HERE
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Other images we made on the day…
Visit the WWPD Site for details of other submissions: http://pinholeday.org/
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Our Past WWPD images:
2019 Doug+Vicky https://wotwedid.com/2019/04/29/2019-worldwide-pinhole-day-28-april-our-images/
2018 Doug+Vicky https://wotwedid.com/2018/04/29/2018-worldwide-pinhole-day-29-april-our-images/
2016 Doug: http://www.pinholeday.org/index.php?id=1235
2016 Vicky: http://www.pinholeday.org/index.php?id=1540
2015 https://wotwedid.com/2015/05/04/april-26-worldwide-pinhole-day-our-contributions-for-2015/
2014 Vicky’s http://pinholeday.org/gallery/2014/index.php?id=1810&City=Toowoomba
2014 Doug’s http://pinholeday.org/gallery/2014/index.php?id=1811&City=Toowoomba
2013 https://wotwedid.com/2013/04/29/world-pinhole-photography-day-our-contribution/
2012 http://www.pinholeday.org/gallery/2012/index.php?id=1937&searchStr=spowart
2011 http://www.pinholeday.org/gallery/2011/index.php?id=924
HERE IS THE LINK to the 2011 pinhole video http://www.youtube.com/watch?v=Yk4vnbzTqOU
2010 http://www.pinholeday.org/gallery/2010/index.php?id=2464&Country=Australia&searchStr=spowart
2006 http://www.pinholeday.org/gallery/2006/index.php?id=1636&Country=Australia&searchStr=cooper
2004 Vicky http://www.pinholeday.org/gallery/2004/index.php?id=1553&Country=Australia&searchStr=cooper
2004 Doug http://www.pinholeday.org/gallery/2004/index.php?id=1552&Country=Australia&searchStr=spowart
2003 http://www.pinholeday.org/gallery/2003/index.php?id=615&Country=Australia&searchStr=spowart
2002 http://www.pinholeday.org/gallery/2002/index.php?id=826&Country=Australia&searchStr=spowart
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