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A BOOK, A COLLABORATION & TIME – #19 Artist Survey Book

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#19 Artists Survey Book

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The story of the Centre for Regional Arts Practice’s #19 Artist Survey Book

Between December 2013 until April 2015 Elysha Rei was working on a Masters of Business Administration project to develop an artist in residence program at Sam Rit in rural north-eastern Thailand. We had known Elysha for some time as an artist and director of Made Creative Space in Toowoomba. The Sam Rit project meant that she and son Kairo moved to Thailand for over 2 years and we followed Elysha’s activities on Facebook with interest on how her project was progressing.

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In August 2014 Elysha made a Facebook post in which the comments made seemed to indicate she was missing Toowoomba and her friends. We got in contact and suggested that we collaborate on a mail art project – something that connected her experiences in regional Thailand with the familiar space of Toowoomba, Queensland Australia.

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FB-Message 14 August 2014

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Elysha said “That would be amazing count me in!” And the project was underway…

Ideas were exchanged and the project began with making photographs of our different everyday surroundings and the thought that they would be presented as comparative pairs.

Since 2007 we had made little Artists Survey books as part of our activities in the entity we founded – Centre for Regional Arts Practice (acronym C.R.A.P.). So the project that we were undertaking would be published as edition #19.  A story on earlier C.R.A.P. editions and an event celebrating the Artist Surveys can be found HERE.

. Artists Flash Mob

2015

When Elysha returned briefly to Brisbane in January 2015 we worked through the progress to date in a meeting room at the State Library of Queensland. Images were ‘paired’ and other images, yet to be taken, were identified as well as other project discussions around other project details.

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Elysha, Victoria and Doug in a planning meeting January 2016

Discussing photographs January 2016

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2016-7

Our lives became busy with work and travel so continuing work the #19 Artist Survey book lapsed although a design was developed by Elysha for the extended cover of the book. Elysha also coordinated the Thai translations for the text. And Vicky and Doug developed the design of the book. Occasional connections were made to keep the project alive but at no time was there any thought that it would not reach its conclusion.

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World map cover illustration

World map cover (in development)

Colophon texts with Thai translation

 

2018

Not daunted by huge issues at the beginning of the year Elysha connected with us to finalise the project. Final text and colour corrections were made to the InDesign document and the file was sent off to MomentoPro in Sydney for the pages to be printed. The cover was printed separately in Brisbane by us.

On the 28th of July we met again in a meeting room at the State Library of Queensland to collate, fold, sew and sign the 30 copies of the book.

Making the 30 copies of the #19 Artist Survey book

#19 Artist Survey Book – The Thai/Toowoomba exchange

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Elysha, Victoria and Doug with the finished #19 Artist Survey book

 

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Some pages from the #19 Artist Survey book

Breakfast – Toowoomba/Thai exchange

Into the studio – Toowoomba/Thai exchange

View from my studio window – Toowoomba/Thai exchange

Local art gallery – Toowoomba/Thai exchange

Where I sleep – Toowoomba/Thai exchange

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A limited number of the books are available for purchase for $25+pack&post – contact us if you would like to order a copy.

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Written by Cooper+Spowart

August 9, 2018 at 10:39 pm

BUNDANON Residency 2018 – WHY ARE WE HERE?

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WHY ARE WE – documentation of a page from the Island Book

 

WHY ARE WE … Here at Bundanon?

In 2007 we were successful applicants for a Bundanon residency that enabled is to realize a major component of our individual PhD research. However we still needed to resolve many issues raised by this work and to return our finished works to be documented in the site that they were created. So in 2009 we were granted a second residency to complete this part of our studies.

While we were deep in our research other interesting and unanswered questions arose that have haunted us since this time. Although our itinerant life in the last few years has been exciting and constantly changing, we have missed the opportunity to be in a studio and a place devoted to just working on our practice.

Now this latest residency will give us time to work again at the boundaries of our practice and create the new work that has been gestating in our minds over these few years.

See our COOPER+SPOWART website for further info. (Please note the content of this page are Adobe Flash driven presentations)See relevant aspects of our past Bundanon residencies relating to our PhD research here Victoria COOPER ThesisDoug SPOWART – Thesis.

FOLLOW OUR WORK over the next 3 weeks on our FACEBOOK Page

 

A SELECTION OF IMAGES

From artists’ books, photobooks, experimental projects, artwork documentation and our collaboration made during our 2007 & 2009 residencies.

 

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SINGLE MEN’S QUARTERS CAMERA OBSCURA

 

Documentation of the Camera Obscura image in the Single Men’s Quarters

 

PROJECTIONS

‘CLICK’ to enlarge

 

SOME IMAGES FROM DOUG’S WORK

‘CLICK’ to enlarge

 

SOME IMAGES FROM VICKY’S WORK

‘CLICK’ to enlarge

 

 

TO FOLLOW OUR ACTIVITIES OVER THE NEXT 3 WEEKS “LIKE” our FACEBOOK PAGE and in “Follow” – click “SEE FIRST”

 

FB-Follow

 

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Please join with us in this exciting project…

 

 

 

DIGGING FOR GOLD: Nocturne Castlemaine+Chewton

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The memorial cairn celebrating the discovery of gold at this place in 1852

The memorial cairn celebrating the discovery of gold at this place in 1852

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For about a month now we have been house-sitting in Chewton in the midlands of Victoria – the locality includes Castlemaine and Bendigo with Daylesford and Ballarat just down the road.

The region is famous for gold that was discovered in 1851 – with three months 30,000 diggers were working the alluvial gold fields. While initially a tent city very quickly buildings for every purpose where built many of which still stand today – although, some could be considered barely standing… Just up the street is The Red Hill Hotel that was built in 1854, the Chewton Town Hall in 1858 and the local post office was first opened in 1857.

By the end of the 1800s underground mining and dredging became the preferred methods to extract the precious metal. Companies that could undertake the industrial, technical and financial backing required replaced the independent digger. Populations shrunk and the architectural legacy of the boom times remained.

We have been out doing some night photography work to extend our Nocturne project further. Our nocturne photographs follow our usual methodology although we have added in the Day/Night duo image concept explored in the recent Nocturne Armidale project.

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Castlemaine: Downes Road industrial scene

Castlemaine: Downes Road industrial scene

We have found that the Castlemaine and Chewton are thriving creative and cultural communities bolstered by artists, academics, writers and adventurers who have moved to this region. You can be surprised who lives around the corner…

 

Chewton Post Office

Chewton Post Office

The Chewton Community & Senior Citizens Centre. At the gate is an amazing life-sized sculpture of Alice Dennis by sculptor Richard Yates.

The Chewton Community & Senior Citizens Centre.
At the gate is an amazing life-sized sculpture of Alice Dennis by sculptor Richard Yates.

Pyrenees Highway and moon rise, Chewton

Pyrenees Highway and moon rise, Chewton

 

Elevation of the Old Castlemaine Jail...

Elevation of the Old Castlemaine Jail…

The 9.35pm to Melbourne leaves the Castlemaine Station...

The 9.35pm to Melbourne leaves the Castlemaine Station…

Castlemaine station detail... Poster says "When it's hot – Trains slow down". It was 41 degrees C max today - the train was running late. It was still 34 degrees when the train left the platform.

Castlemaine station detail… Poster says “When it’s hot – Trains slow down”. It was 41 degrees C max today – the train was running late. It was still 34 degrees when the train left the platform.

 

 

St Mary's Church with shadows

St Mary’s Church with shadows

TOTAL FIRE BAN TODAY - Chewton CFA, Mount Street.

TOTAL FIRE BAN TODAY – Chewton CFA, Mount Street.

You know when you hit the 50kph zone coming into Chewton when you pass the Shell servo ...

You know when you hit the 50kph zone coming into Chewton when you pass the Shell servo …

Just down the side of Mo's Antiques Chewton

Just down the side of Mo’s Antiques Chewton

Castlemaine Post Office – Telstra telephones... who uses them now...?

Castlemaine Post Office – Telstra telephones… who uses them now…?

The Old Castlemaine Jail...

The Old Castlemaine Jail…

Castlemaine Town Hall – lights all out 9.30pm.

Castlemaine Town Hall – lights all out 9.30pm.

Phone Box DUO at the Chewton Post Office

Phone Box DUO at the Chewton Post Office

You could almost write a novel about this Chewton scene...

You could almost write a novel about this Chewton scene…

PHOTO: Cooper+Spowart ©2017

Antique, antique shop Castlemaine

Castlemaine Midland Hotel just over the road from the station. The lights are out ---- Is anybody home...?

Castlemaine Midland Hotel just over the road from the station. The lights are out —- Is anybody home…?

The Chewton Town Hall...

The Chewton Town Hall…

Castlemaine Presbyterian Church

Castlemaine Presbyterian Church

Opposite the Red Hill Hotel DUO

Opposite the Red Hill Hotel DUO

Under the veranda of the Red Hill Hotel

Under the veranda of the Red Hill Hotel

 

Cooper+Spowart – on the nocturne street, Chewton

Cooper+Spowart – on the nocturne street, Chewton

 

 

 

Written by Cooper+Spowart

February 14, 2017 at 5:24 pm

OUR LATEST BOOK IS IN THE CCP SALON

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CCP Header

CCP Header

 

Australia’s largest open-entry exhibition and competition, CCP Salon, is now in its 24th year and our photobook “YOU ARE HERE…” is in the show.

Presented by Leica and Ilford, with support from Affinity, this annual event celebrates the latest developments in photomedia practice around the country, and provides an exciting opportunity to exhibit work in a professional, high-profile context. Supported by 21 national leaders in the photographic industry, CCP Salon awards up to $20,000 worth of prizes over 26 categories, and visitors are invited to vote for their favourite image in the Michaels People’s Choice Award.

 

JUDGES: Janina Green – Artist, Dylan Rainforth – Writer, Michelle Mountain CCP Program Manager, Naomi Cass, CCP Director – Non-voting Chair. Winners of the different categories will be announced at the opening on November 24th. The exhibition continues until December 17.

 

You are here...

You are here…

'You are here..." Cover and codex opening

‘You are here…” Cover and codex opening

 

“You are here” a collaborative artists’ book by Victoria Cooper and Doug Spowart

 

This book is inspired by many years of travelling through the Pilliga Scrub along the Newell Highway in central western NSW.

On this major highway there is another journey for the road traveller that can take them metaphorically into outer space. This tourist attraction is called the “Solar System Drive” and extends from Belatta to Dubbo. The planets placed on signs along the highway lead to the “sun” which is located in the centre of the array at Siding Springs Space Observatory in the Warrumbungle National Park.

You are here traverses the liminal space between these two journeys, playing with the philosophical questions of place, space and time.

 

Details of the book: Pigment inks on cotton rag inkjet paper, 14 x 20 x3cm – extends to 6.3metres.

 

'You are here..." detail

‘You are here…” detail

"You are here..." back detail

“You are here…” back detail

'You are here..." detail

‘You are here…” detail

 

 

Planning the narrative of “You are here…” earlier this year.

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MAUD GALLERY CAMERA OBSCURA – for one day only

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The Maud Gallery window to become a Camera Obscura

The Maud Gallery window to become a Camera Obscura

 

festival-of-the-darkroom-header

 

As a final event for Maud’s Festival of the Darkroom on November 26 between 12.00 Noon and 4.00pm we worked with Louis Lim to convert the Maud Gallery front room into a public Camera Obscura. We invited members of the Brisbane photo community to join with us for a look back to the origins of photography.

 

What follows are photos from the event…

Set-up day with Louis Lim, Ana Paula Estrada and Gillian Jones

The Maud camera obscura team – Louis Lim, Doug+Vicky PHOTO: Louis Lim

The Maud camera obscura team – Louis Lim, Doug+Vicky PHOTO: Louis Lim

The Maud camera obscura team – Louis Lim, Doug+Vicky with Maud Director Irena Prikryl. PHOTO: Louis Lim

The Maud camera obscura team – Louis Lim, Doug+Vicky with Maud Director Irena Prikryl. PHOTO: Louis Lim

 

Outside looking in ––– The Maud Gallery Camera Obscura

Outside looking in ––– The Maud Gallery Camera Obscura

Camera obscura viewers sitting on the couch - note two holes... PHOTO: Louis Lim

Camera obscura viewers sitting on the couch – note two holes… PHOTO: Louis Lim

Inside the Maud Gallery Camera Obscura

Inside the Maud Gallery Camera Obscura

Inside the Maud Gallery Camera Obscura

Inside the Maud Gallery Camera Obscura

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The Maud Gallery toilet was also converted into a camera obscura

The camera obscura in the Maud toilet PHOTO: Louis Lim

The camera obscura in the Maud toilet PHOTO: Louis Lim

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Vicky standing before the two pinhole projection – someone came in and let the light in…

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Photographer Neil while making a photograph becomes a camera obscura imaging surface…

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Gallery Director Irena takes a tea break…

 

 

Cooper+Spowart: 16 years of Camera Obscura Collaborations

In our collaborative work, we are interested in both the physical construct and cultural conventions that inform and shape us. This includes the common rituals and structures that surround, support and transport us in our everyday lives. In this work we have extended the context of documentary photographic methodology to include the narrative potential of the camera obscura and architectural projections.

 

Bedroom Camera Obscura 2000 (Y2K)

Bedroom Camera Obscura 2000 (Y2K)

 

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Avochie Bathroom Camera Obscura

Avochie Bathroom Camera Obscura

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In the camera obscura work the viewer’s perception of the everyday is spatially challenged. The structures that can form camera obscura are everywhere, but some spaces present themselves as clearly suitable for the making. This could be a city office, a motel room, a country bathroom or even a car. Our work attempts to contextualize the experience of the camera obscura within a concept, space or site. Upon entering the darkened space, the viewer is initially displaced, as the familiar image of the everyday is dim and unrecognizable. Then after time spent in the camera obscura, the image becomes clearer and the familiar is re-established ultimately resulting in a relocation of the observer’s awareness of place.

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City of Dreams – Ibis Hotel sunrise over Sydney

City of Dreams – Ibis Hotel sunrise over Sydney

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The Travelodge camera obscura 2008

The Travelodge camera obscura 2008

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Some background on the set-up for the Travelodge camera obscura:

Simple black garbage bags and some black electrical tape from the local 711 store. An aperture cut from a ‘found’ piece of aluminium – size around 8mm … we don’t use sophisticated glass lenses – these are direct light projections. A digital camera bares witness to our experience by capturing the image of the camera obscura projection.

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Setting up the room

Blacking out the room

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We were watching TV ...

We were watching TV …

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OUR MOST RECENT CAMERA OBSCURA: ORPHEUS ISLAND BEACH TENT

(A collaborative event with John de Rooy, Spyder Displays and the Orpheus Is Photo Workshop)

Our Spyder Camera Obscura

Our Spyder Camera Obscura

A DUO View of the scene and the Camera Obscura image

A DUO View of the scene and the Camera Obscura image

TO VIEW OTHER CAMERA OBSCURA WORK BY COOPER AND SPOWART SEE THE LINKS

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Our Website:

http://www.cooperandspowart.com.au/4_PROJECTS/RoomCameraObscura-Project.html

Our car converted into a camera obscura and driven across Australia:

http://www.cooperandspowart.com.au/4_PROJECTS/CarCamera-Project.html

Two New Zealand Camera Obscuras in the the Queenstown Rydges Hotel:

https://wotwedid.wordpress.com/2012/05/07/two-new-zealand-camera-obscuras/

A public Camera Obscura performance and live video:

https://wotwedid.wordpress.com/2013/04/22/camera-obscura-pinhole-event-foto-frenzy-a-report/

YouTube videos:

http://www.youtube.com/watch?v=lyA5QP-mX-E

A camera obscura at the Queenstown Centre for Creative Photography:

https://wotwedid.wordpress.com/2012/05/07/camera-obscura-qccp/

A World Pinhole Day Camera Obscura at Mt Barney:

https://wotwedid.wordpress.com/2013/04/29/world-pinhole-photography-day-our-contribution/

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Closing off the hole

Closing off the hole in the Travelodge Hotel camera obscura

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© 2013 Victoria Cooper and Doug Spowart for 16 Years of Camera Obscuras Project

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Creative Commons-by-nc-nd.eu

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

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ARTLANDS: Our missing presentation

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Artlands Dubbo Webpage

 

ARTLANDS DUBBO CONFERENCE: Regional voices missing

 

Today we were to present a paper at the ARTLAND DUBBO REGIONAL ARTS AUSTRALIA CONFERENCE. Earlier this year we made a submission based on one of the conference themes and were excited to learn that our submission was accepted and that we were going to be able to add our story and project activities in regional arts in Australia to the conference.

However, then we found that the conference fees, despite ‘early bird’ and presenter discounts, combined with the costs to get to Dubbo and be accommodated were enormous. We had to look at support options for grants in Arts Queensland and the Regional Arts Fund and we found that none either ‘fitted’ with our needs or could be responded to in time to register. We therefore withdrew our presentation.

As regional artists, although we’ve been in Brisbane of late, and also independent researchers we have noticed many opportunities at conferences and seminars now require presenters to fund their place in the program. Now that might be affordable to academics, those employed in arts management or facilitation or those who have taxable incomes where such can be an allowable income tax deduction, but others just cannot afford to bear such costs.

It seems to us that many voices in the field of art in Australia are being kept out of the conversation by the cost of participation and the lack of grant support.

There is no doubt that ARTLANDS DUBBO will be a success and all who attend will benefit greatly from the shared experience and networking possible but for us, on this occasion, we stayed at home and worked on our art.

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For those interested what follows is our proposal that related to the conference theme – REGENERATION: Exploring arts and cultural development using creativity that positively impacts on community vitality and well being.

ABSTRACT 

Artists in residence programs provide unique opportunities for artists to explore their practice while contributing to the community’s cultural development. We will discuss ‘3 tiers’ of community engagement in our Nocturne AIR Projects: artist as creator, community as creator, and social media as a creative flux for interactive engagement.

OUR PRESENTATION

We will present a background on the Centre for Regional Arts Practice (Centre) that we formed in 2007 as a response to the circumstances and challenges of artists living in regional Australia. From the beginning the ‘Centre’ has engaged in advocacy, representation, commentary and the development of projects for regional artists and the communication of regional art perspectives.

Nocturne Projects

The ‘Centre’ engages in artist in residency programmes that enable the development of community based Nocturne Projects. These projects have been sponsored through the regional galleries of Muswellbrook, Grafton, Bundaberg, Miles and Armidale. We have also self-funded Nocturne documentary projects across eastern Australia and Tasmania.

3 Tiers of Engagement

In developing the methodology for our AIR Nocturne Projects we identified 3 tiers of community engagement, these are:

  • artist as creator;
  • community as creator: artist as facilitator; and
  • social media as creative flux for interactive engagement.

Artist as creator:

We will talk about how our AIR work allows us to explore themes, both personal and collaborative, in the investigation and representation of “site” and “place” in the Australian landscape. We work to connect contemporary social issues with historical, scientific and mythological insights intrinsic to each site. Critical to, and inherent in, this work is these visual narratives that are deeply rooted in the recording and interaction with each place.

Community as creator – artist as facilitator:

Beyond our own work Nocturne AIR Projects we develop, in conjunction with the local gallery education officers programmes that provide creative development to suit each community’s needs. Included in these programmes may be workshops, practical digital photography shoot-outs and assignment work, image enhancement and file optimisation, one-on-one mentoring, developing social media skills as well as photobook and zine making.

Participants, whether they use hi-tech DSLR cameras, point-n-shoot cameras, tablets or smart phones, connect through meetings and workshop sessions. To provide a continuous stream of inspiration, feedback, instruction and support we establish closed Facebook groups for participants.

Social Media as a creative flux for interactive engagement:

All of the major Nocturne AIR Projects are connected to the broader community by a Facebook page. It enables an online space for sharing and presenting the project work. In the more recent projects, where there was an issue of distance for the regional community members to participate in the project, we managed two FB pages: one for those closely involved in the creative development of the Nocturne Project and another for the gathering and sharing stories through the broader community.

Using the methodology of the three tiers of engagement we believe we explore arts and cultural development using creativity that positively impacts on community vitality and well-being.

Western Downs Regional Council’s Community Development Officer Carollee Murphy stated the following about our Nocturne Miles Project:

Thank you for empowering our community with practical photography and book-making skills. Nocturne Miles installed a greater sense of shared space and community pride. The multi-modal outcomes of this project have been far-reaching, especially through social media and have painted Miles and district in a new light.

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A LINK TO OUR NOCTURNE PROJECTS CAN BE FOUND HERE

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ORPHEUS PHOTO WORKSHOP WRAP-UP

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An Orpheus sunset

An Orpheus sunset

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We came to Orpheus to share our knowledge, skills and experience of photography and the book. We were ready to assist and encourage – motivate and create with the participants… We had plotted and planned for months – but nothing could have prepared us for the Orpheus experience we were to have!

 

We were amazed with the boundless energy and enthusiasm for all things photography. In particular:
• Everyone’s participation in the lecture presentations
• The amazing camera obscura that John de Rooy & Spyder Displays had made
• The fun everyone had with pinhole imaging, lumen printing and other ‘photo play’ projects
• The playful and the deeply considered work made by everyone
• The individual creative development towards making books
• The joy that everyone expressed from making and crafting fine images and books

 

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With Les in the lecture room

Our Spyder Camera Obscura

Our Spyder Camera Obscura

A DUO View of the scene and the Camera Obscura image

A DUO View of the scene and the Camera Obscura image

We appreciated the special access to the incredible equipment from Kayell, Hasselblad, Nikon, Epson and ProPhoto.
The support workers and organisers were photo experts, construction workers and logistical whizzes while always with a smile and good humour. So much happens behind the scenes of the great Orpheus Drama. But there was another endless creative space – the kitchen. And it was those that worked from dawn to well after we all had dined that we owe our sustained creative energy, fed our bodies and delighted our taste buds.

The lecturing team – D+V and Les

The lecture team – D+V and Les

All this made the working environment possible as we, with the amazing Les Walkling, worked together to share our knowledge, passion and inspiration for photography. It was inspiring for us working with Les – his dedication to sharing his great knowledge and experience. He is truly unique in Australian photography. Thank you also for your words about our contribution to the Orpheus Photo Workshop …

… I loved every minute of the ‘Doug & Vicky Roadshow’, and I even ‘re-named’ the main lecture theatre the ‘Doug and Vicky Studio’. What memorable times were had in and around that space. Every aspect of Doug and Vicky’s presentations were informative and entertaining, and I don’t think I have ever loved photo books so much, nor ‘played’ so joyfully with my photography. What a difference it makes working with skilled presenters who are at the top of their field and not afraid to share their love and devotion to what we all adore; our photography. I can’t thank them enough for their contribution to Orpheus 2016, their generosity and tireless expansiveness, and the difference they have made to our photographic lives.

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Our photobook workarea

The Doug and Vicky studio

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WHAT FOLLOWS IS AN ALBUM OF PHOTOS FROM THE WORKSHOP

Light painted “Orpheus” on Orpheus Island

Light painted ‘Orpheus’ on Orpheus Island

A 'millpond crossing' they said...!

A ‘millpond crossing’ they said…!

Heading towards Orpheus Island

But it did smooth out – heading towards Orpheus Island

The arrival --- unloading the boat

The arrival — unloading the boat

A Photoshop power session with Les

A Photoshop power session with Les

The Doug and Vicky 'White Gloves Event' showing a range of our artists' books and photobooks

The Doug and Vicky ‘White Gloves Event’ showing a range of our artists’ books and photobooks

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The order of the day

A photobook narrative development exercise

A photobook narrative development exercise

The D+V Roadshow....

The D+V Roadshow….

An early evening conversation

An early evening conversation

'I made a photobook!!!' Sarah show her bookwork

‘I made a photobook!!!’ Sarah shows her bookwork

An exhibition of student work at the end of the workshop

An exhibition of student work at the end of the workshop

Orpheus Group Shot_2016

Orpheus Group Shot 2016

Saying goodbye to the participants...

Saying goodbye to the participants…

The ‘staff’ take a break in a pinhole time-lapse movie made by Ross Eason…

Les takes a last look as we leave the island behind...

Les takes a last look as we leave the island behind…

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Special thank you to:

John and Pam de Rooy our hosts and organisers – the rocks that underpin Orpheus
Tutors Murray, Ross and Rod for their ever-present support
Brenda, Dave and Nikolaj – an amazing Chef team
Marta and Jimmy from the JCU Research Facility – where would we be without their support?
Libby and Geoff from MomentoPro for their enthusiasm and collaboration in the book projects
Epson, Kayell and Canson for the fabulous papers and printers
William from Hasselblad and John from Kayell for the exceptional access to the gear
Nikon and the wonderful range of quality professional camera equipment.

AND… A very special thank you to all the photographers, now new friends, with whom we shared the experience of Orpheus 2016 …

Cheers

 

Doug+Vicky

 

Cyanotype in rice paper, Broadsheet artists book

Cyanotype in rice paper, Broadsheet artists book

We are now getting ready for our next island workshop: on the Greek island of SKOPELOS

May 2017 for 2 weeks of art photography about ‘place’ making cyanotypes and photobooks + Greek culture, wine and food.   SEE HERE FOR MORE INFO

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