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ARTISTS SURVEY #23: Artists in Pandemic Isolation

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Artists Survey #23 Composite

 

ARTISTS HAVE ALWAYS ADAPTED TO AND EMBRACED CHANGE IN CHALLENGING TIMES OFTEN WORKING IN ISOLATION. Nearing the end of their artists in residence in Finland, Australian artist Julie Barratt and Argentinian photographer Solange Baques found themselves stranded on the other side of a pandemic stricken world. Concerned for their friend and colleague, Cooper and Spowart  connected with Barratt and proposed the concept of a collaborative Artists Survey book project to present the artists’ experiences during the COVID-19 enforced isolation.

This small book compilation is published by the Centre for Regional Arts Practice is the result of the collaboration. It is a small gesture to bridge the vast physical and psychological distance that this pandemic has engendered.

Here is the story of Artists Survey #23: Artists in Pandemic Isolation project.

 

THE BACKSTORY TO THIS SPECIAL EDITION OF THE ARTISTS SURVEY

The Centre for Regional Arts Practice (acronym C.R.A.P.) was founded in 2007 during an artist in residence at Arthur Boyd’s Bundanon property near Nowra on the NSW south coast. As artists’ bookmakers, we saw the opportunity to produce a democratic multiple publication to present our perspective on regional artist experience and to develop C.R.A.P. manifestoes.

All of our C.R.A.P. Artists Survey books draw upon humour and irony of the prosaic routines and events encountered in life of a regional artist. These publications are usually produced in editions of 25 with 5 artist’s proofs. They are humble handmade books which are sold to collectors and institutions – most are given away to friends and peers.

Some early C.R.A.P. Artists Survey books

The C.R.A.P. and its Artists Surveys have become a vehicle for highlighting, critiquing and questioning many issues both local and global affecting regional artists. The 23 editions to date have included topics such as Swine Flu, The Global Financial Crisis and Global warming. On seven occasions collaborative Artists Survey books have been created with a regional artists.

In late March we witnessed Julie Barratt’s situation as a participation in an artist’s residency in regional Finland. At that time the viral pandemic was closing the world down and cutting off homeward travel with airlines grounded. Though Julie seemed unphased we thought our shared isolation experiences could be an important commentary on these times. So we suggested to Julie our idea of a C.R.A.P. Artists Survey book about Covid-19 isolation and she agreed enthusiastically. Within a a short time Julie’s compatriot in isolation – Argentinian photographer Solange joined the project.

Screen snaps of Facebook group meetings

We formed a Facebook group and held online meetings to talk over the concepts, we shared work, discussed design ideas and quickly our isolation had a creative purpose. We are excited to share our stories with you …

 

ABOUT THE ARTISTS SURVEY #23

The Artists Survey project culminated in a book of 6 elements:

  • An introduction booklet
  • 2 works from Solange Baques (1) An image from her ‘Through the window project, and (2) a small piece of Finnish soap enclosed in a stitched holder accompanied by messages about anti COVID-19 hand washing techniques.
  • An original Polaroid image made by Julie Barratt in a stitched folder made at the residency with red thread used by Julie in some of her performance work.
  • A collaborative concertina book by Victoria Cooper and Doug Spowart.
  • All the elements are enclosed in a special folder cover designed and handmade by Doug Spowart with the support of Victoria Cooper

 

Size of the book: 15 x 10.5 x 2cm
Media: Various art papers, inkjet on photo paper, a Polaroid photograph, a soap shard, a plastic enclosure, various threads and cords
Design and printing: Doug Spowart of cover, intro booklet and other elements
Fabrication: The artists
Edition: 40
Published by: The Centre for Regional Arts Practice
PRICE: $100 + $25 Delivery in Australia (p&p)
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COVER Open with INTRO Booklet

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A PDF COPY OF THE INTRO BOOKLET CAN BE DOWNLOADED HERE: ARTIST Survey 23 INTRO Book Aug 21

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The video link is:
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SOLANGE BAQUES: is an Argentinean photographer born in Buenos Aires city. In her work she explores identities through memories and family albums. Her images are intimate and subtle.

Solange Baques and her two works

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Solange arrived in Finland on March 2nd to participate in the program “Silence Awareness Existence” as an artist in residency with 13 fellow artists at the Arteles Creative Center, which is located in a rural area near Tampere. Her project was to include visiting Valmet Oy plant and doing some research on the pulp and paper industry but due to the lockdown, this was not possible.

Within a short time of the growing worldwide shutdown of entry to countries 10 of the 13 artists in residency left Finland to return to their home countries. However by March 16 three remained.

Through the Window images included in this collaborative artists’ book was born as a part of the self-isolation program at Arteles Creative Center.

Solange was not able to return home due to the Argentine borders being closed and the only planes allowed to bring back Argentineans being those of Aerolíneas Argentinas. Around the world there were more than 20,000 citizens trying to get home with only 400 people allowed to arrive every day. On May 9th she was finally able to leave Finland and made it back to Argentina on May 11 and out of quarantine to her family on May 25!

 

 

JULIE BARRATT: is an Australian visual artist and arts producer whose mixed media practice encompasses printmaking, photography, artist books, installation and performance.

Julie Barratt and her Polaroid print + folder

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Julie arrived at the Arteles Creative Center in the beginning of March for a 1-month residency. As the worldwide lockdowns were initiated she experienced difficulty in getting flights back to Australia and her residency became an extended period of creative production.

Having this extra period of time in rural Finland has kept Julie just about as far from the grips of Covid-19 as you can imagine. And being distant from family and friends having little access to the Internet or the outside world for that matter was quite surreal!

Although she arrived without a clear project in mind Julie’s work became a visual diary of this period of isolation rendered through the mediums of photography, stitching, mixed media and hand stamping. This work in this collaborative artists’ book made with unique state Polaroid photographs relates to her experience of spending the Covid-19 period of isolation far from home in rural Finland!

By the 4th May she was still there! Cancelled flights, border closures and local transport collapses meant that options for getting home are all but non-existent. Finally Julie was able to get a direct flight from Helsinki to Sydney on May 10. On her arrival in Sydney she was escorted by Federal Police and Army personnel to 2 weeks forced isolation in a Melbourne hotel. She arrived home in Rockhampton on May 24!

 

COOPER+SPOWART

Cooper+Spowart collaborative book

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VICTORIA COOPER:

Victoria’s early career in science and microbiology is influential in much of her arts practice. Engaged in experimental photographic processes from pinhole to digital photomontage, she creates visual narratives, in the physical form of the book, exploring the human-non-human relationships of Place.

I began with energy for our collaboration across the ISO CO-void… This seemed a good time to explore new work informed by my past experience with pathogenic microorganisms. But I was unsettled in this COVID space — challenged by the consequences of being in familiar places that now were significantly altered by unseen entities. Continuity of creative thought was becoming increasingly more difficult under the existential struggle as sharp highs and lows destabilized every aspect of daily life.

During this time I utilised the social space of Instagram to break away from the silence of isolation. I captured and collected moments as they presented themselves and then instantly shared their potential to evoke memories and dreams with others. Over the next few weeks, my Instagram archive of isolated and unconnected fragments grew into a poetic narrative.

In this collaborative book with Doug there is no intended theme, our Instagram images present the fractured moments of our shifting altered reality.

 

DOUG SPOWART: is an Australian visual artist with a multi-media practice.

About 5 years ago Victoria Cooper and I sold our home in Toowoomba and headed out onto the road in search of a new place to live, work opportunities and to connect with friends and our extensive professional networks.

In early March we were on the beach in northern NSW and were planning our next foray into the real estate scene in Victoria. We were just about to head south when we recognised that the expanding threat of Covid-19 was something that could not be taken lightly.

Considering our options we decided to head back to the familiar location of Toowoomba. Our doctor is there, we have family there and importantly we have storage sheds with our art, library and personal effects. We saw isolation as presenting an opportunity to review and downsize our stored possessions.

Within a week we were back in Toowoomba and had viewed possible rental units, made a selection and had paid the first rental instalment.

My contribution to this project is a collaborative concertina book made with Victoria which features photographs made our first isolation period – it is entitled Fractured moments and small glimpses.

 

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OTHER STORIES ABOUT C.R.A.P. ARTISTS SURVEYS can be found at the links below:

Artists Survey Flash Mob Grafton

https://wotwedid.com/2013/09/23/artists-book-flash-mob-create-collaborative-artists-survey-book/

 

Artists Survey #19

https://wotwedid.com/2018/08/09/a-book-a-collaboration-time-19-artist-survey-book/

 

 

 

WOTWEDID BLOG CELEBRATES 100,000 VIEWS

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100K Header

 

Our www.wotwedid.com blog reached the milestone of 1000,000 views last week. It has had 56,000 visitors who have had the opportunity to view 380 posts and read around 250K words and see the hundreds of photographs that we have made to compliment the stories.

 

Our wotwedid Blog was started nine years ago as an opportunity to connect with our friends and creative communities via social media. The topic cloud for the wotwedid Blog includes ARTISTS’ BOOKS, PHOTBOOKS, CAMERA OBSCURA, EXHIBITIONS, MEETING PEOPLE, THE ART AND PRACTICE OF PHOTOGRAPHY, REGIONAL ARTS, CYANOTYPES, PLACE PROJECTS and POST-DOCTORAL RESEARCH.

 

Topic cloud wotwedid

 

Usually the content that we post is generated by us and includes the written commentaries, the photographs and illustrations – it can be quite a lengthy time consuming task to get a blog up.

While many posts relate to what we do, have done or will be doing, the Blog represents a chronology of activity in our art practice, our lives and issues that we are concerned about. Due to the contemporary space that the arts and artists occupy today much activity and many events go unnoticed and unrecorded. So a significant driver is to provide a space for commentary on what is happening outside of the popularist ‘art bubble’.

Early this year we were excited to learn that the State Library of Queensland had nominated wotwedid.com for inclusion in the Pandora Archive managed by the National Library of Australia, ‘to ensure the collection and long-term preservation of online publications relating to Australia and Australians. This objective contributes to the Library’s statutory function to comprehensively collect Australia’s documentary heritage.’

Over the years we have found that many views, screen dumps and downloads of resources we make available take place anonymously without comment or feedback. Then again, we understand that this is the same for most online resources. Despite this we find that as we travel and meet friends, fellow artists, academics and curators many say how much they appreciate and enjoy the content that we generate and post.

So, a BIG Thank You to all have visited … And we look forward to your return to help take www.wotwedid.com to the next milestone – 200,000K views.

 

D+V with masks

Vicky+Doug

PORTRAIT PHOTO: Susan Belperio

Here are some images of people met, events documented and our own art activities over recent years …

©2020 Doug Spowart+Victoria Cooper
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Creative Commons-by-nc-nd.eu
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Our photographs and words are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.http://creativecommons.org/licenses/by-nc-sa/2.5/au/..

 

 

 

The photobook event that THE VIRUS TOOK AWAY

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Some Antipodean Photobooks from the Tate project PHOTOCOLLAGE: Doug Spowart

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On the weekend of May 2-3 2020 there was a weekend of major photobook activities planned for the PHOTO 2020 International Photo Festival in Melbourne.

 

A significant component of the event: A seminal selection of 52 Australian and New Zealand Photobooks* from the State Library of Victoria’s collection was to be made available for public viewing.

On Sunday May 3 international photobook guru Martin Parr was to team up with local photobook aficionado Doug Spowart in a public Q&A session. Of particular interest were their methodologies and considerations for reviewing photobooks. Among other questions it was proposed that they respond to the contentious issues of ‘What validates a book for it to be considered eligible to be included in a canon of photobooks?’ and ‘How such curated selections can energise the recognition for photobooks?’

It was planned that the panel interviewers and contributors to the discussion would be renown writer and Photojournalism Now publisher Alison Stieven-Taylor and would also include the celebrated New Zealand photobook maker and Massey University lecturer David Cook.

An additional event to add to the PHOTO 2020 Photobook Weekend was a major Photobook Fair that would include major publishers, significant photobook makers, a showing of the ANZ Photobook Awards, photobook manufacturers and POD suppliers, workshops and info sessions.

 

However the COVID-19 pandemic was to change all that …

 

 

March 15, 2020 post on the PHOTO 2020 Facebook page

March 15, 2020 post on the PHOTO 2020 Facebook page

 

The PHOTO2020 event, retitled as PHOTO2021 is being rescheduled with the new dates of 18 February – 7 March 2021.

Thank you to founder and Artistic Director Elias Redstone and Producer Rachel Ciesla from the PHOTO 2020 team and Des Cowley from the State Library of Victoria for their efforts to bring this project into fruition. And we look forward to being part of the programme on the rescheduled dates…

 

Keep up to date with PHOTO 2021

FACEBOOK: https://www.facebook.com/photofestivalau/

WEBSITE: https://photo.org.au/

 The PHOTO 2021 team have been posting video interviews with a diverse group of international photographers and artists – Check them out…

 

FACEBOOK: Photo 2021-Photo Live

 

 

 

*52 Antipodean Photobooks: A beginning for a canon of the ANZ photobook

In 2019 the Tate Library received a selection of 52 photographically illustrated books from the Australian and New Zealand region. The books were curated by Australian photobook aficionado Dr Doug Spowart and were specially chosen to extend the Antipodean photobook presence within Martin Parr’s 12.5K photobook donation to the Tate in 2017.

Doug Spowart’s Tate commission came as a result of his meeting with Martin Parr at the 2017 Vienna Photobook Festival. Parr attended Spowart’s lecture on the Antipodean photobook at the Festival and saw examples of the 2016 ANZ Photobook of the Year Awards.

Martin Parr and Doug Spowart reviewing ANZ photobooks at the SLV for consideration to be included in the Tate submission. January 2018. ….. PHOTO: Victoria Cooper

 

In early 2018 Spowart met with Parr at the State Library of Victoria and shared with him a selection of the photobooks that had been curated for proposed Tate purchase.

While interest in the photobook has resulted in publications and scholarship from every major country in the world the same has not been the case for the Antipodean photobooks. Spowart sees the PHOTO 2020/2021 event as being an opportunity to celebrate ANZ photobooks and bring recognition to the local contemporary and historical publications. To this end Doug Spowart has published a blog entitled The Antipodean Photobook and a FACEBOOK page The Photobook in Australia and New Zealand (under construction @ May 2020).

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Looking forward to PHOTO2021: 18 February – 7 March 2021

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LOOKING AT PHOTOs IN THE GALLERY: a talk by Doug Spowart

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Doug Spowart in The Museum Project exhibition at Lismore Regional Gallery .…..PHOTO: Victoria Cooper

 

I’ve a lifetime of connection with art galleries from exhibitor to director and curator to reviewer. I’ve often pondered on how the gallery space connects with those who visit it and what insights they may take-away from that interaction.

Viewing an exhibition can be a very superficial activity or it can be one that can create the opportunity for a meaningful and personal experience.

I have often been interested in observing people in the gallery space and wondered whether they were: (1) an interested and attentive participant, (2) using the space for social interaction – with friends/partners/children, (3) there as a flâneur to be seen in the gallery or possibly (4) a person accompanying 1, 2 or 3.

Floor talks are a necessary part of the educative process carried out in an art gallery. It can transform the way art is introduced to a new audience and enlighten those wanting to know more.

 

At the end of last year I was invited to present a floor talk about an exhibition of photography at the Lismore Regional Gallery in northern NSW. The talk was to coincide with the gallery’s showing of The Museum Project a collection of American photography work from the 1970-2010. The project represents a selection of works from 7 photographers that cover a diverse range of approaches to photography. The photographers, and genre of their works are:

 

The Museum Project at the Lismore Regional Gallery

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I considered the invitation and proposed that the talk would be based upon the idea of ‘Looking at photos in the gallery’. Rather than a direct translation of curator’s didactics I decided that I would use my gallery and photography experiences to suggest a number of steps and questions for the visitor in their engagement in the gallery space so they may derive more from the experience. I also acknowledged that attendees would be interested in a commentary about interesting aspects of the works including the conceptual and technical approaches taken by the photographers. The works presented an excellent opportunity to also talk about different approaches to photography as a visual art form.

In my preparation for the talk I visited the gallery and made notes on the works as well as carried out online research about the photographer’s backgrounds, manifestos and techniques.

I thought further about the proposition of looking at photographs in the gallery and prepared a script for the talk. To make the talk more interactive and personal, I decided to hand make a little booklet for each attendee to refer to during the talk and as take-home information source. In the 2015 Artists’ Book Brisbane Event, I did a similar process where I made a booklet of my talk for each of the 60 attendees of the conference and rather than an electronic presentation, I performed the book …

The gallery staff member assisting me for the day, Claudie Frock, had printed up 25 A3 sheets of my 8-page fold booklet the evening before so that Joanna Kambourian, Vicky and I could make up the books.

 

The Looking at Photos in the Gallery booklet

The Looking at Photos in the Gallery booklet

 

Overnight before the talk Lismore, and South-East Queensland and North-East New South Wales were drenched with flash-flooding rains so I was pleasantly surprised in the morning when 25 people came along to the talk. There was also a small group of deaf people attending the talk and I was supported in my presentation by AUSLAN interpreter Bronwyn. After the acknowledgement of country and an introduction by Claudie we began the talk.

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Participant involvement is a necessary part of my presentation style and the question/answer format gave ample opportunities for attendees to interact in the talk. One of the gallery’s curators that attended, Fiona, added special insights about gallery installation, copyright and image conservation. The booklet process worked well and we managed to cover a diverse range of topics within the 1-hour time allotted.

 

You can download a PDF of the little A5 booklet LRG-Booklet

 

Vicky and I stayed on after the talk to connect with attendees who wanted to chat further and also to re-connect with two local photographers Jacklyn Wagner and Peter Derrett OAM who were associated with workshops that we had presented in Lismore at the Gasworks Art Centre and the Southern Cross University in the early 1990s. They presented us with a copy of the catalogue for a documentary project called Heart & Soul that featured people from around the region.

On leaving the gallery the rain had cleared to a sunny day…

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Vicky + Doug with the catalogue for the Heart&Soul exhibition by Jacklyn and Peter PHOTO: Peter Derret

Vicky + Doug with the catalogue for the Heart&Soul exhibition by Jacklyn and Peter PHOTO: Peter Derrett OAM

 

Doug with Jacklyn Wagner + Peter Derrett PHOTO: Dr Ros Derrett OAM

 

 

 

Please note the Booklet and the lecture are a work in progress to be added to in future versions – and it’s ©2020 Doug Spowart.

 

 

A PHOTOBOOK BIRTHDAY PARTY – BIFB Photobook Weekend

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WPD Birthday Candles

 

A Birthday PartyCelebrating 176 years of photobooks..!  

On World Photobook Day – Monday October 14, 2019

World Photobook Weekend Hub, Mitchell Harris Wines, 38 Doveton Street North

 

Each year World Photobook Day is celebrated by members of the international network of Photobook Clubs around the world. Since it’s inception 7 years ago it has been organized by The Photobook Club Madrid and Matt Johnston. October 14th has been selected as it was on this date in 1843 that Anna Atkins’ Photographs of British Algae: Cyanotype Impressions was accepted into and catalogued by the British Library.

This year a small group celebrated the 176th birthday at the Ballarat International Foto Biennalé…

 

The BIFB World Photobook Day Birthday Cake

 

.The cake was cut…

Doug cuts the World Photobook Day cake

Doug cuts the World Photobook Day Birthday cake

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.And then we all sang HAPPY BIRTHDAY…

 

As the Australian and New Zealand Photobook Award travelling exhibition concluded over the weekend we were able to announce the winner of the PEOPLE’S CHOICE AWARD

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Congratulations Tammy Law for your book Permission to belong

Tammy Law and her book AANZPA People's Choice award winning book Permission to Belong

Tammy Law and her book ANZPA People’s Choice award winning book Permission to Belong

 

Videos and photographs by Victoria Cooper.

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Return to the BIFB Photobook Weekend Blog Homepage.

 

 

HARVEY BENGE: An appreciation from a fellow traveller

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Harvey Benge’s portrait from his Blog header

 

VALE: HARVEY BENGE

With the recent passing of Harvey Benge many whose lives have been touched by the man have told stories of their connection with Harvey. In many ways my story is no different – Harvey gave so much to those he met. He enriched lives as well as nurtured and encouraged networks to form, information to be shared and contributed to the critique and philosophy of photobooks to a worldwide audience. In December 2017 his Blog recorded its 1,000,000th view…

Recently I have been thinking and reflecting about Harvey a great deal and how for a moment we shared a friendship through our interest for the photobook in it many forms. At this time I feel a need to share some my reflections of Harvey…

 

it’s not hard to find erudite statements from photobook commentators and critics from all over the world about Harvey and his work – But I wanted to find his manifesto for life, photography and books … and I found it in his description for the book The Traveller

The Traveller is a personal reflection of the world where strange connections occur. The photographs never offer answers, only questions to tempt the curious. This democratic view is an acerbic, wry response to the world in free-fall where nothing is certain. Yet I hope that readers can find humour, affection, and unexpected beauty.

 

Harvey Benge photobook: The Traveller PHOTOs: Courtesy MomentoPro

 

About 15 years ago I came across a book that seemed to be a compilation of photographs by the world’s doyens of photography – Adams, Araki, Baltz, Eggleston, Felman, Frank Friedlander et al. The book was entitled seductively A short history of photography and was authored by Harvey Benge and Gerry Badger. So I bought a copy. It wasn’t until after the package arrived and I turned the pages that I found that Benge in fact created all of images. Many purchasers of the book may have felt ripped off but I laughed and laughed. This book also resonated with personal projects of mine 10 to 15 years earlier where I too had created and presented work under pseudonyms to an unsuspecting audience.

 

A History of Photography book

Whilst the name Harvey Benge kept on cropping up in my academic research in photobooks I felt that his work did not fit with my project at that time. This changed when I attended one of the most significant forums at that time on the topic of the photobook at the Museum of Contemporary Art Sydney on Saturday, June 7 2014. Coordinated by Daniel Boetker-Smith from the Asia Pacific Photobook Archive, the event featured a Photobook Fair and a Forum at which key identities of the emerging photobook community were panelists. This included Professor Christopher Stewart (UTS), Dan Rule (Perimeter Books), Harvey Benge, Helen Frajman (M33), Benjamin Chadbond (Try Hard Magazine), Ying Ang and Daniel Boetker-Smith.

At the MCA Photobook Forum June 2014 PHOTO: Doug Spowart

The Forum discussion, responses and questions from the audience seemed to located in addressing the desires that attendees had in wanting to find their way in creating, marketing, selling books and being successful photobook makers.

I asked a couple of questions to broaden the discussion, which related to a key interest of mine that emerged as part of my PHD research. My questioning referred to the way that the freedoms that are well established in the artists’ book discipline in design, structure and narrative could inform future directions for the photobook. Harvey was the only one on the panel that understood the rationale of my question and at the end of the Forum we connected and spoke more about the ideas behind my question and he commented that he had appreciated my input. A few days later I sent some photos to him of the Forum including photos of him in action and he incorporated them in a piece he wrote about the Forum on his blog.

Channeling Harvey Benge photobook

In 2015 I was invited to make a presentation about photobooks at the Auckland Festival of Photography’s Talking Culture Symposium – Photobook Stories at the Auckland Art Gallery. I was looking forward to meeting up with Harvey but alas he was in Europe at the time attending the yearly string of photography events that happen between May-July. Even though I was unable to connect with him at that time, and inspired by his Short history of photography, I set about making a body of photographs that would emulate his style. These images were formed into a little book I called “Channeling Harvey Benge”. I had MomentoPro print out a copy and I sent it to him. When he returned Harvey enthusiastically got back to me saying “Thank you so much for … the wonderful Channelling Me! I’m flattered and honoured that you have made such a tribute… so thoughtful…”

A Preview copy of Channeling Harvey Benge can be downloaded here PREVIEW PROOF of Channelling Harvey Benge-book
(Note this is a printer-ready PDF and due to page setup for double-pages some images may not match across the gutter)

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On Reading Photobooks WPD Project

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Another remembrance of our connection was from an event I coordinated for World Photobook Day (WPD). The WPD has it origins with the date, October 14 1843, when Anna Atkins’ book Algae of the British Isles: Cyanotype impressions was catalogued by the British Library. The WPD was formed by a worldwide movement of Photobook Clubs to celebrate Anna Atkins and her book on this day. Since 2014, as part of my role as the coordinator of the Photobook Club Brisbane, I have created events to celebrate WPD. In 2015 my partner Victoria Cooper and I curated a project in which we asked significant contributors to the photobook discipline to nominate their favourite photobook, tell us why they like the book and to make a photo (a selfie) of them reading the book.

Harvey reading Collier Schorr’s Blumen – for the On Reading Photobooks WPD exhibition

A PDF of Harvey’s page and project information can be downloaded HERE: ON READING: Harvey Benge submission

 

Harvey enthusiastically responded to our request and was one of the first submissions. His favourite book, at the time was Collier Schorr’s Blumen. Other contributors to the project included Martin Parr, Larissa Leclair, Polixeni Papapetrou, Michael Coyne, Daniel Boetker-Smith, Stephen Dupont, Jack Picone et al. The exhibition was entitled “On Reading Photobooks” and was shown in Maud Gallery Brisbane, The Photography Room in Canberra, and a PDF catalogue was produced.

Harvey+Doug at Photobook New Zealand 2016

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Over the years we connected via email but I did finally meet up with Harvey at the first Photobook New Zealand conference in Wellington in March 2016. We shared some conversations and I gave him a copy of a little book that I’d made entitled “I’m about to read a photobook”. I attended the Photobook Fair, book displays and a lecture that included David Cook, Anita Totha, Bruce Connew and Harvey discussing “Getting your photobook into the world”.

 

Harvey and his list

Harvey was animated and delivered a salient talk outlining an 8 point plan assisted by a handwritten text on an envelope received from his friend and colleague Antoine D’Agata. He said:

1. 90% of life is showing up (Woody Allen)
2. Take the long view – 30 to 50 years
3. Make your work authentic
4. Don’t try and be famous
5. Don’t show dodgy work to everybody who has ever drawn breath
6. People work with people they like
7. Luck has a lot to do with it
8. Get naked, make porn

 

In 2017 I was preparing a lecture on the Antipodean Photobook that I had been invited to present at the Vienna Photobook Festival. To bring a range of voices into the lecture I approached Harvey and asked him about what photobook makers in Australia and New Zealand could do to get their photobooks onto the world stage. He responded quickly again and came back with 3 points:

  1. Take the long view, in my case I made my first book 24 years ago.
  2. Show up in the world, don’t just sit at home in Aust or NZ looking at the wall.
  3. Do it for yourself, that way there is a chance the work will be authentic.

 

Harvey Benge pages in the New Zealand Photobook Compendium

As part of the continual update of my ANZ Photobook Compendium for the second PBNZ I approached Harvey for some of the back story behind two book projects: 1. ‘The Auckland Project’ that he had coordinated with John Gossage and Alec Soth and, 2. his visiting photographer series that had included Roger Ballen. Interestingly at this time Harvey had just donated one of every book that he’d made to the Auckland Art Gallery. Harvey sent through what I’d requested and it was incorporated into the Compendium that was launched at PBNZ in the Te Papa Photobook Fair by Ann Shelton.

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Harvey Benge Auckland Art Gallery vitrine for Nothing Is As It Seems Photo: Supplied by Harvey

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During much of 2018 Victoria and I worked on a commission from the Tate on Martin Parr’s recommendation to curate a collection of Australian and New Zealand photobooks. In a conversation Harvey’s name came up and Parr said he had been collecting Harvey’s work over the years and had visited him in Auckland. Parr recounted mentioning to Harvey that he was interested in getting a copy of Gary Baigent’s 1967 classic Unseen city. To his surprise Harvey and he had walked down the street to a little book shop and picked one up for a modest fee.

 

Over recent times I had not seen much from Harvey only the occasional post on his Blog and I had heard something from New Zealand friends about him not being in good health. Then very early one morning about a month ago Harvey rang me and told me of his illness and its prognosis. We spoke about many things – about unfinished books, how he felt about the work that I’d been doing on the ANZ photobook and how much he appreciated what I was doing. He mentioned my little book ‘Channeling Harvey Benge’ and how chuffed he was that I’d made it and presented it to him. He asked me if I could let my network of friends know of his circumstances. There were difficult moments of unfinished work but there was joy in the recognition of the continuing legacy that his books, his love of books and the love he had for people who made them. During the conversation he became tired and emotional – he said “I must go my friend….”

Vicky and I sat dazed – it was 6.00am local time…

I think of the times that Harvey would sign-off an email with the message ‘would be good to catch up for a talk sometime and perhaps chat about a collaboration…’ And I would have loved walking down the street with him to that little book shop to pick up Unseen city.

Although I will now miss the opportunity for those and many other things with Harvey’s passing, I know that in my future, and perhaps also for many of Harvey’s friends, he will still be an important part of the community he loved and supported. I know I will continue ‘channelling the spirit’ of Harvey Benge.

 

Doug Spowart

Written on World Photobok Day 2019

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ADELAIDE HERE WE COME – BEST PHOTOBOOKS & WORKSHOP

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Adelaide Road Trip

 

The Australian and New Zealand Photobook Awards have been to Hobart, Canberra and Brisbane and now we are taking them to Adelaide.

The presentation of the books, a talk about the photobooks by Doug Spowart and a one-day workshop will be hosted by us at Adelaide’s Centre for Creative Photography.

 

ANZ Photobook Awards Finalists

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COME AND SEE THE BEST AUSTRALIAN & NEW ZEALAND PHOTOBOOKS

On Saturday September 28 the books will be on show from 10am–4.00pm. The Official Launch, the announcement of the People’s Choice Award and a talk about photobooks by Doug Spowart will take place at 2.00pm.

There is no charge to view the books and attending the talk however we do request that you book via this Eventbrite link: https://tinyurl.com/y225btkx

 

 

 

Arranging photos

ATTEND A ONE-DAY PHOTOBOOK WORKSHOP

On Sunday September 29 photobook road trip co-ordinators Victoria Cooper and Doug Spowart will present concepts and hands on practical exercises for working on photobook projects. These are designed to assist the photographer in distilling images from their archives and then structure them into an engaging narrative flow. The workshop includes practical work in hand-making photobook formats and preparing book ideas for Print-on-Demand output.

There is a charge to attend the workshop – Details of the workshop and booking information can be found on this Eventbrite Link: https://tinyurl.com/y2pnpbhu

 

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Victoria Cooper & Doug Spowart acknowledge the support of MomentPro Photobooks and the Centre for Creative Photography in making this event possible.

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The man who photographed every house in Australia

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BACK STORY on the FRANK & EUNICE CORLEY HOUSE PHOTOGRAPH COLLECTION

in the State Library of Queensland and the exhibition HOME: a suburban obsession

 

Imagery Gallery – with my mother and business partner Ruby Spowart

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From 1980 to 1995 I was co-director, with my mother Ruby, of Imagery (photography) Gallery (1). The gallery operated in 3 locations in South Brisbane two of them being on the corner of Grey and Melbourne Streets. Although our main business activity was a photographic gallery and workshop we were also suppliers for specialised equipment for photographers – one of them was the famous Leica 35mm camera. As a Leica user myself since the early 1970s my special knowledge of this equipment was not so much from the point of view of a salesperson but rather as a user of the full range of Leica cameras, projectors, enlargers, binoculars and accessories in my documentary and art photography practice.

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In the late 1980s or early 1990s an elderly man visited the gallery and exhibited an interest in Leicas. He mentioned that has had been a professional photographer and that he used the older screw mount Leica gear. Initially I saw him as a potential purchaser, though in time and after many visits I realised that this was not to be the case. His name was Frank Corley and I found him to be a storyteller. With each visit came my understanding that he enjoyed the opportunity to talk with someone interested in his life.

Frank lived in Annerley and dined every evening at Sizzlers – he called it “Zizzlers”. He was a dapper man with a hat and very well dressed. His visits to the gallery were easily accomplished by train as the gallery was situated just over the road from the South Brisbane Railway Station.

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Frank’s camera

At one stage in 1994 Frank indicated that he had some Leica equipment he wanted to sell and invited me to his home. I went with my partner Victoria Cooper to his Annerley home. On entering the house one came in contact with the enormity of Frank and his wife’s life as in every room there was ‘stuff’. His partner in his business his wife Eunice had passed away by this time. Everything had a story – a watercolour painting of Central Australia by Ewald Namatjira (if I remember correctly), Frank recounted was purchased by him when he was photographing homes in Alice Springs. He bought the painting from the artist who presented work for sale at the front gate of the caravan park from which Frank was operating his business. We went from room to room looking for the items he wanted to sell which finally amounted to some very out-dated photographic paper, an enlarging easel and an old Leica Focomat enlarger.

We did a tour of the back yard in which were parked several vehicles. One was the now famous Cadillac (though not pink in colour as often described), another was a little like a Bedford delivery van. We went inside and in the back of the vehicle was a compact darkroom, enlargers, trays, and rolls of processed film in special cardboard gridded boxes. It was cramped but functional – later I was to discover that Eunice was the darkroom operator. I had a lot of respect for that lady and her workspace.

In a lean-to shed at the back of the property Frank reached into a large cardboard box and pulled out a handful of black and white prints of houses. He had already told me of his Pan American Home Photographic Company business of photographing houses from the Cadillac (and other vehicles) as he drove down the street steering the car with his knees taking photos. These photographs were subsequently processed and printed and salesmen, sometime Frank himself, would then call back at the houses and sell prints that could be mounted on cards or calendars. The company brand phrase was From Our Home to Your Home.

I looked around and saw maybe 8-10 boxes the size of which would have been 80cmx60cmx60cm and each box was crammed full of prints. I asked how did he end up with so many photographs? His answer was that at the time the sales tax on photographic materials was 27.5% and as he did not have a sales tax exemption number for his business he paid tax when he bought film and photo paper. At the end of each financial year the value of the tax on the unsold photographs could be claimed as a sales tax credit. The volume of work he was doing that was unsold amounted to a reasonable credit but the prints needed to be retained along with other taxation documents for many years. These photographs came from a time 20-25 years earlier and had not been disposed.

 

Some Corley house photographs    Source: State Library of Queensland

I reached into one of the boxes and pulled out a bundle of photos. What I saw were very ‘straight’ photos of houses all with very similar framing, usually recorded almost as plan elevations. The houses look dated to perhaps 20-30 earlier and I sensed that I was holding in my hands a documentary photography history record. I asked Frank what would happen to these photographs when he moved on… his answer was that they’d probably be sent to a silver recovery plant or dumped. Ohhh! I thought. Before leaving Frank that day he posed for a couple of portrait photos with his trusty Leica IIIg.

Frank Corley circa 1994

At this time in my photodocumentary practice I had undertaken re-photography projects where early photographer’s pictures were relocated and re-imaged as a way of showing the passing of time. My own history making photographs and also from building my own collection of photographs from the beginnings of the invention of photography 150 years earlier meant that to me these images were special and needed preserving. I couldn’t let them be lost, not only because they represented Frank’s life work, but also for their historical value.

On leaving Frank’s home I worked through some ideas with Vicky as to what could happen with Frank’s photographs. At the time I was a valuer for the Australian Government’s Taxation Incentives for the Arts a program where the value of donations to cultural institutions could be used as a tax credit for the donor. I had been involved in valuations for the State Library of Queensland so I made contact with some of the people I knew there. I must have sounded convincing, as there was interest in the work from SLQ Field Officer Niles Elvery. I contacted Frank who said that he would be happy to donate the photographs to the Library and in due course I travelled in a Library station wagon driven by Niles back to Frank’s place.

I’m not sure how we fitted the boxes into the station wagon but I remember it being a tight fit. Frank signed a document that Niles had brought with him and we travelled back to the Library. We reckoned that there were around 12,000 photographs.

A few months later I heard via Frank’s solicitor that he had died and that any items that Imagery Gallery was holding of his pending sale needed to be returned. I was somewhat taken by Frank’s passing and as he seemed to be without friends or family around I thought it appropriate that I write an obituary which I published in a journal I edited called PHOTO.Graphy, ISSN 1038-4332 – The Christmas edition, v. 6, 1995. It reads:

FRANK CORLEY: Obituary

Unknown to most of us Frank Corley, a travelling photographer passed away on October 19, 1995. I suppose we all die eventually and our life’s work, the photographs we make are left to the destinies of those who possess them. In a life full of entrepreneurial activities Frank owned and managed a transport business, caravan parks and a lolly shop. A fascination for photography led to the formation of Pan American Studios. Street photography and in particular photographing houses was his big passion.

I call him the man who photographed every house in Australia because if you ever spoke with him about it he made you believe that he did. Frank Corley won’t be missed by many but his legacy ~ his photographs, will live on in private family archives but most significantly through the donation of around 12,000 prints of Queensland homes presented to the John Oxley Library, Brisbane in June this year. This fragment of Frank’s work would have been lost except for a fluke of meeting with me and his generosity.

I just wish there could have been more time to record the experiences that he so happily shared with me.

Doug Spowart   6/11/95

 

The years went by and memory of Frank and his donation were for me a faded memory. In 2015 I was granted a Siganto Foundation Artists’ Book Research Fellowship at the SLQ. One day I met a volunteer called John Wilson at the library and I found out that he had been working for years in trying to unlock the Corley code for the photographs, what town – what street? We spoke about his method of working which was hindered by limited information available in the bundles of prints and scant markings on the prints. John had street directories from Queensland towns which he had identified street names and had himself been out on the road looking to confirm hunches.

Soon after this meeting I met Denis Peel and became aware of the work that the Annerley-Stephens History Group had done in identifying many of Corley’s home photographs from the Fairfield, Annerley, Yeronga, Yeerongpilly, Tennyson and Moorooka areas. As a volunteer group they held meetings, provided teams and individuals with Corley photos who then went out looking to identify houses. A significant Phase One report was generated by the group in 2015. Additional research was subsequently prepared. By June 2016 they reported that they had located over 3000 matching houses. I visited one of their meetings and was impressed by the energy of the volunteers. In 2017 The Annerley-Stephens History Group were awarded the John Oxley Library Community History Award for their continued and highly successful community project. The activities of the group were supported by the State Library through access to the photographs and later aided by the digitisation of the collection that has only recently been completed.

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SLQ Home Website Banner

With the growing interest in the Corley Collection and the recognition of its value as an extensive and unique record of Queensland houses and suburbs the SLQ scheduled the planning and preparation of the exhibition which they have entitled – Home: a suburban obsession. As the facilitator of the donation and my knowledge of Frank and his work I have assisted Chenoa Pettrup and Adam Jefford from the Asia Pacific Design Library wherever possible in the preparations for this show. As an artist/photographer and researcher I appreciate the efforts by the exhibition coordinators to involve appropriately talented and skilled personnel to give this event the opportunity to capture community interest. Special commissions for inclusion in the show include Ian Strange‘s large-scale charcoal rendition of a Queensland home, an  installation by Queensland artist/designer Jennifer Marchant and an immersive Brisbane virtual reality streetscape by [f]FLAT. Assembled in the exhibition space were artists’ books, books, catalogues and photographs from the SLQ collections that highlighted the idea of ‘home’ and included Ed Ruscha, Bernd and Hilla Becher and Australian photographer John Gollings and his Gold Coast works. Alan Scurr, a Leica camera collector collector from Toowoomba loaned camera items for a display of the camera equipment that Frank used.

 

Entry to the exhibition Home: a suburban obsession

Entry to the exhibition Home: a suburban obsession

 

The Home: a suburban obsession offers many significant opportunities:

(1) It reveals how suburban architecture looked 40 or so years ago,

(2) It provides an opportunity for contemporary Queenslanders to connect with their homes of the era,

(3) The historical nature of the photographs will be a provocative agent for nostalgia and, for some solastaligia,

(4) It enables us to appreciate unusual photographic business activities and the partnership that exists in many small photographic enterprises, and

(5) It celebrates the value of the physical photograph as a time capsule.

 

The Internet may have given us the modern invention the Google Street View but in a way the Corleys were doing it 40 years ago – the evidence is in the nearly 62,000 photographs in the collection. Though it is interesting to consider how the digital age and the Corley Explorer Webpage will provide the key to unlocking the code to enable every one of the Corley’s houses to be located and revisited anew.  The process has started and according to SLQ sources the Corley Explorer in the first few weeks has enabled a further 14% of the collection to be identified. SEE the Stories webpage HERE.

Back in Frank Corley’s shed nearly 25 years ago I could never had imagined how those boxes of house photos could provide the amazing opportunities that we are just now encountering with this exhibition and other uses yet to be discovered. But I did know one thing and that is I could not allow them to be lost. I’m sure that Frank would feel quite chuffed that his unsuccessful unsold photographs have finally found success and have made the journey from his home to a their rightful home in the history of Queensland.

 

Dr Doug Spowart

(1) LINK TO: The Imagery Gallery Archive is held in the State Library of Queensland

In the exhibition – I muse that this man was Frank looking at the interest his work has now received…

 

Various links and associated reports and reviews of the Corley Collection follow:

 

The SLQ website for the exhibition:   http://home.slq.qld.gov.au/

SLQ Home Website Banner

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Photographs of the exhibition’s opening event on December 6, 2018

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My video of the exhibition opening


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2 Special commission video projects produced, directed and edited by Shih-Yin Judy Yeh. These videos present the story of Frank and Eunice Corley and the SLQ work with the Corley Collection.

 

SLQ The Corley story Video

 

 

A video describing the SLQ’s  story about the Corley collection, includes information about the donation, conservation and investigation

 

 

A link to the Annerley-Stephens History Group’s Corley project HERE

 

An SLQ event with Denis Peel and Kate Dyson talking about the Annerley-Stephens History Group project HERE

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Frank Corley Wikipedia HERE

 

ArchitectureAu article HERE

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Brisbane News / Sydney Morning Herald Article HERE

 

 

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All photographs © Doug Spowart unless othervise credited. The copyrights in other material and website resides with their relevant copyright owners.

 

WIM de VOS – Artist, teacher, musician, mentor, brother & friend

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A portrait of Wim de Vos with his work at Studio West End

 

For Wim, by Vicky Cooper

 

In your last days we visited you….

Like the artist thinking about your next artwork…

You described your final work…

How, where, when…

You would be buried….

An acrylic case made by friends

In the bush

Up a hilly rocky track

To a hidden mountain

A stand of trees that had black bark

A particular view across a Valley

A golden sunset

A rock with the Red Fox coat of arms

Also created by a friend

 

50 years I have known you

Sometimes distant

Sometimes close

 

I danced with your groupies

In Cloudland where

You played a red Fender

Those favourite songs

Neil Young, Focus, George Harrison

Beach Boys and so may more…

 

I danced with Opa

At the Dutch Club

I loved Oma’s apple pie

The paper flowers and the needle work

The smell of pipe tobacco

The Dutch jokes

Stories of WW2

 

I remember your first exhibition

Michael Milburn

Your time in Maastricht

My sister with the two boys and soon a girl

My sister is now another beautiful story

The boys are also creating new stories

And the girl is strong and confident

The world has not limited them

 

At seminal moments

I needed inspiration and support

You were there

With Doug…

Fellow teacher, artist and family

I for 50 years

Doug for 30….

You could be at times testing…

But you were also investing

Your energy, creativity, ingenuity and knowledge

 

There are so many years of art

Toowoomba, Flying Arts, McGregor…

Then West End and Adele

A collaboration that built a strong community

 

Each of us all has personal stories

Each will be different

But all of it rich

 

Just like your studio and apartment

The walls and corners of your life

Are jam packed with collections

Of moments

Sad or cantankerous

Solitary or social

Dedicated and creative

 

But your parting words to me now echo in my everyday

That I never stop making my art…

And I now reflect that if it were not for his support

I – and perhaps many others – would not have started…..

 

It is in this legacy that you will always remain

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Wim de Vos

VALE Wim de Vos 27/5/1947-8/12/2018.

 

Christene Drewe has written a post in the State Library of Queensland’ John Oxley Library Blog about Wim and the works that they have in their collection.

http://blogs.slq.qld.gov.au/jol/2019/01/24/remembering-brisbane-artist-wim-de-vos/

SLQ-JOL Blog post by Christene Drewe

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Some images of Wim from events over the last few years…

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Wim presenting a long book at the Artists Book Brisbane Event – Griffith University Brisbane

Wim & Adele at ABBE Artists Book Conference July 2015

Wim showing the State Librarian Janette Wright his tunnel books at the Siganto Seminar 2015

 

Wim & Adele at the State Library of Qld’s Artists’ Book Fair 2015

The launch of the 'Bookplates Unbound' project with Helen Cole and Gael Phillips and others

The launch of the Bookplate collection with Anne Jolly, Helen Cole and Gael Phillips and others

A return to the ‘Band’ days at Studio West End

Farewell to ABSOE party, 23rd April 2016

A blog post about the ABSOE Studio and the NEW Studio can be found HERE

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At the NEW West End Studio – November 2016

The NEW West End Studio

Adele in the New West End Studio

Lunch is prepared at the New West End Studio

Lunch at the New West End Studio

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Wim will be back in the studio soon…

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The studio

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©Texts by Vicky Cooper . . . © All photographs by Doug Spowart

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In remembrance….

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THE QLD PHOTOBOOK CONSORTIA – SUCCESSFUL SUBMISSION National Gallery of Victoria ART BOOK FAIR 2019

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The Queensland Photobook Consortia

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Over the last few weeks we’ve put together a submission from Queensland photobook authors and self-publishers for next year’s National Gallery of Victoria ART BOOK FAIR. The Fair is a huge event attendances of 12-16,000 over the three days of the event have been recorded. The who’s who from collecting institutions, private collectors and fellow exhibitors all view, read – and sometimes purchase books…!  Apart from networking and selling or trading books the Fair has associated with it a program from the Melbourne Design Week.

To celebrate photobooks and to bring together Queensland authors, designers and self-publishers we have formed a group called THE QUEENSLAND PHOTOBOOK CONSORTIA.  Over the next week or so we will find out if our submission has been successful – In the meantime we are interested in hearing from any Queensland photobook maker that we can add to our list of contacts.

HERE IS SOME MORE INFO about the Fair and the Consortia’s submission…

WE WERE SUCCESSFUL….!   Got the news 21st of December

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BLURB FROM THE NGV

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About the Melbourne Art Book Fair

Melbourne Art Book Fair returns for its fifth year in 2019. Since the event began, the publishing and broader creative landscape has undergone many shifts. MABF 2019 asks: what is publishing now? What is encompassed by the term and how can publishing bring about positive change on multiple fronts?

Featuring diverse emerging and established local and international publishers, artists and writers, Melbourne Art Book Fair 2019 presents a four-day program of ideas, discussions and book launches at the National Gallery of Victoria. The 2019 program explores ideas around experimental and discursive publishing, challenging how we think about the publishing field. Guests ask the question: what can books do? How might the form change? How might publishing provoke and influence other creative and social phenomena such as fashion diffusion lines, capsule collections, event spaces, activist movements and community development?

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The submission is only the first stage of the process. If successful we will seek some extra participants – HERE ARE THE MAIN ANSWERS IN OUR SUBMISSION….

 

 

QUESTION: Please tell us what you do, and why:

The Queensland Photobook Consortia is a group of photobook and artists’ book makers and self-publishers from Queensland who, through their publishing projects, provide comment on contemporary issues relating to life and times, not only of their home state Queensland but also Australia and the rest of the world.

The opportunity to present Queensland photobooks within the premier event of the NGV Art Book Fair will enable this substantial group of artists to share their creativity and visual stories. It is our proposal to showcase this group of contemporary emerging and established Queensland practitioners and their latest works.

Their backgrounds are many and varied and include the following:

 

Ana Paula Estrada

ANA PAULA ESTRADA is a Mexican–Australian artist based in Brisbane. For the last seven years her art practice has focused mainly on the documentation of life stories of older Australians by combining photography, oral history, and the artist book. She is currently completing a Master of Visual Arts by research degree at the Queensland College of Art. In 2016, she self-published an artist book called Memorandum in an edition of 200, which has been recognized and exhibited broadly nationally and internationally.

http://www.anapaulaestrada.com

 

Tammy Law

TAMMY LAW documents stories that are reflective of her experiences of being a child of Chinese migrants, and the bubble of Asian/Australianness within which she lives. Her travels through Asia—mostly in Japan, China, Malaysia, Thailand and Burma—and the differences between Asia and the West propel her to focus on concepts of migration, home and belonging. This book’s development and production has been supported by the celebrated Tokyo based Reminders Photography Stronghold.

http://www.tammylaw.com/

 

David Symons

DAVID SYMONS is a Brisbane based artist. The idea that the photograph sits precariously on the edge of the real and imagined is the great appeal of the medium to David. Born in Scotland, he studied photography in Western Australia in the 1980s. David has exhibited locally and nationally and has been a finalist prizes including The Olive Cotton Award and the IRIS Award. His photographic work is held in The Art Gallery of Western Australia Collection.

http://www.davidsymons.com.au/about-2/

 

Louis Lim

LOUIS LIM is a Brisbane-based photographer and photobook-maker whose work explores the diversity in human conditions, specifically those that are under-represented in mainstream media. His work has been exhibited in several Australian galleries and presented internationality.

Lim has exhibited his photobook with live bookbinding demonstration in Central Embassy Open House as part of Photo Bangkok Festival. Lim has attended the highly regarded Reminders Photography Stronghold Masterclass and is currently developing his personal photobook project in a collaboration with Beth Jackson.

http://louislzm.com/contact/

 

 

Dane Beesley

DANE BEESLEY is an Australian photographer who has created photography books, exhibited widely, and his photographs are held in public and private collections. Beesley has been described as a “leading Australian rock photojournalist” by Melbourne street press Beat Magazine. Marei Bischarn, photo editor at Rolling Stone Australia, described his work as “honesty in photos; nothing planned or fabricated – just pure energy and great times”.

http://danebeesley.com/

 

 

Victoria Reid

VICTORIA REID is a freelance photographer based in South East Queensland. She is interested in documenting the human condition and provides a voice for injustices in society. Reid is about to graduate from the Queensland College of Art, Griffith University, with a Bachelor of Photography (Honours) with a major in Photojournalism and Social Documentary.

https://www.victoriareidphotography.com.au/

 

Victoria Cooper

VICTORIA COOPER’s work traverses both personal and political territories in the investigation and representation of an Australian “site” and “place”. She creates visual narratives in response to, and informed by, contemporary social and environmental issues intertwined with historical, scientific and mythological insights intrinsic to each site. Her books are held in major artists’ book collections including the National Library of Australia, the State Libraries of Queensland and Victoria and Artspace Mackay.

http://www.cooperandspowart.com.au/

 

Doug Spowart

DOUG SPOWART has an extensive involvement in Australian creative industries as an artist, educator, curator, commentator and reviewer. For over 25 years he has made photobooks and artists’ books. Many of these books are held in private, regional and state public galleries, national and international photography and artists’ book collections.

http://www.cooperandspowart.com.au/

 

What are some of your recent titles?

 

SOME RECENT TITLES FROM MEMBERS OF THE QLD PHOTOBOOK CONSORTIA

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I was there V.I by Ana Paula Estrada

I WAS THERE V. I & II by Ana Paula Estrada consists of a two-volume artist book that tells the life stories of Kevin and Esta, two participants aged over eighty, with whom she has been collaborating. Merging the fields of documentary practice, oral history and fine arts, and influenced by visual poetry, her books explore the combination of text, image and the blank space of the page.

http://www.anapaulaestrada.com/book-preview/

 

The shadow inside by David Symonds

THE SHADOW INSIDE by David Symons is a noir photobook.  The book stylistically revisits the visual languages of the pulp noir genre and police evidence photograph of the mid 20th Century.  A low-voltage current of psychoanalytical and surrealist themes run through the pages weaving the narrative in and out the real and imagined. This is a game constantly played out in the viewers mind. For the author the mystery is where the door is between the two states.

https://tinyurl.com/ycx9tdws

 

Permission to belong by Tammy Law

PERMISSION TO BELONG by Tammy Law explores themes of migration, home and belonging through the everyday lives of refugee families from Myanmar. Living against the backdrop of decades of repressive rule and civil war, countless families live between a place of home and homelessness, belonging and unbelonging. The negotiation and renegotiation of identities is as complex as the history and future of Myanmar.

http://reminders-project.org/rps/permissiontobelongsaleen/

 

Yelseeb Enad by Dane Beesley

YELSEEB ENAD by Dane Beesley deals with the mythic place that the road occupies in the American west. It is a romanticised Kerouac/Dylanesque view of the road captured in small moments and big cars invested with meaning. There’s an honesty, a quest for truth, perhaps a naiveté in the images reminiscent of cinéma vérité that captures the adolescent wanderlust it seeks to document.

http://danebeesley.com/book/

 

… There is no end by Louis Lim and Beth Jackson

… THERE IS NO END a collaboration between Louis Lim and Beth Jackson deals with grief, loss and upheaval from two separate encounters that intertwine through the process of photobook making. The book was shortlisted in the Singapore International Photography Festival Photo Book Showcase 2018, and the 2018 Libris Award with acquisition by Artspace Mackay.

The final version of the book is in current production for release in early 2019.

http://sipf.sg/photobook/there-is-no-end/

 

liberté by Victoria Reid

LIBERTÉ by Victoria Reid is her first self-published book. This book of photographic work examines the search for sexual freedom in a society in which tightly prescriptive sexual norms prevail. This project focuses on people who create meaning in their worlds outside of what is considered ‘normative’ behaviour. Exchange of power, consent, trust, role-playing and gender identity are explored. The intention of this project is to promote dialogue around existing sexual stereotypes and stigmas.

https://tinyurl.com/y8puyzho

 

 

We’ll keep in touch to let you know how our submission got on….

AND, If you are from Queensland and have a book do get in contact with us….

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The Queensland Photobook Consortia.

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