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Posts Tagged ‘Renata Buziak

AUSTRALIAN CYANOTYPES on exhibition at home & in the USA

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INVITE: The Maud Street Photo Gallery Under the Southern Sun exhibition

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For over a year we have been coordinating with Gail Neumann the Facebook group THE CYANOTYPE IN AUSTRALIA. In June of this year we circulated through our networks an Invitation for Australian cyanotypers to submit work for a travelling exhibition to be shown in Brisbane, Australia and then Texas, USA to link with World Cyanotype Day celebrations on September 28, 2019. This work will be first shown at The Maud Street Photo Gallery, Brisbane in August and will then travel to the USA to be part of two international exhibitions, one at the A Smith Gallery, Texas in September, and then at PhotoNola, New Orleans in December.

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THE BRIEF FROM THE INTERNATIONAL WORLD CYANOTYPE EXHIBITION COORDINATORS:

The exhibition theme Land/Sea/Sky with the exhibition abstract being: Most ancient peoples had no word for the color blue. They could not explain the sky nor the ocean. Poetry and love letters suffered. Once “blue” entered the world the earth rattled and chimed, sending forth “turquoise” and “sapphire.” The Navajo and the Jewelers rejoiced. Poets wept. Picasso danced and Policemen beamed. Mary smiled.

It was hoped that everyone in the world making cyanotypes that could be connected with was invited to create the cyanotypes on white cloth, each 12×12 inches (30×30cm) and that they will be strung together, the flags symbolize the beautiful planet we all inhabit.

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Install day at the A Smith Gallery 24 September

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CYANOTYPERS FROM OVER AUSTRALIA RESPONDED TO THE CALL-OUT

Here are their images:

 

THE EXHIBITION AT THE MAUD STREET PHOTO GALLERY

The installation at The Maud Street Photo Gallery PHOTO: Gail Neumann

The installation at The Maud Street Photo Gallery PHOTOs: Gail Neumann

THE CATALOGUE

A catalogue about the Under the southern sun project featuring each submission, artist’s statements and exhibition documents has been collated, the cyanotypes copied and designed by Doug Spowart. The catalogue forward states:

The Cyanotype in Australia is a photographic medium that continues to be enthusiastically utilised by a growing group of creative practitioners ranging from analogue photographers to fine art printmakers.

While the process and the chemical formulas may be the same the resulting images vary depending on the subject chosen and the creative input of the cyanotypist. This is proven by this body of work and the plethora of potential outcomes presented. And sometimes, as with the vagaries of the process, many results may be a surprise to the author at the time the image is washed-out. Such is the nature and the promise of things hand-made.

We are excited to contribute this collection of cyanotype flags to the 2019 World Cyanotype Day Celebrations at the A Smith Gallery in Texas and PhotoNola in New Orleans in the U.S.A.

The catalogue

FREE TO DOWNLOAD HERE: AUSTRALIAN_WCD_CATALOGUE-Final

 

THE BEHIND THE SCENES

THE CYANOTYPE IN AUSTRALIA Team coordinated:

  • A gallery exhibition at The Maud Street Photo Gallery in early August that will include an opening event
  • The packaging and shipment of the ‘Flags’ to the USA by the due date
  • The creation and distribution of social media content promoting the Australian artworks and their makers
  • A PDF catalogue of all contributor’s works
  • And later the return of the works to their makers on conclusion of the project.

A fee of $40 was charged to all participants

This project, by The Cyanotype in Australia team, was curated by Gail Neumann, Victoria Cooper + Doug Spowart with assistance from David Symons.

 

 

The gallery installation team: Gail Neumann, Victoria Cooper, Irena Prikryl, David Symons and Doug Spowart

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THE OPENING RENATA BUZIAK’S ‘Medicinal Plant Cycles’ by Dr Victoria Cooper

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Image: Centella asiatica… anti-inflammatory… 2015, archival print on paper, 66.7 x 95cm. Courtesy of the artist.

Renata Buziak: Centella asiatica anti-inflammatory 2015, archival print on paper, 66.7 x 95cm.

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MEDICINAL PLANT CYCLES: RENATA BUZIAK

 

'Medicinal Plant Cycles' installation

Medicinal Plant Cycles installation

 

@ Redland Art Gallery: 24 APRIL – SUNDAY 5 JUNE 2016

Medicinal Plant Cycles by Renata Buziak is an exhibition of medical plant images was opened by Dr Victoria Cooper on April 22nd. Buziak’s work is based on the fusion of organic and photographic materials in a process of decomposition that Buziak names the ‘biochrome’. They are generated by arranging plant samples on photographic emulsions and allowing them to transform through the bacterial micro-organic activities that are part of cyclic decay and regeneration.

Through this exhibition Buziak hopes to reveal a beauty in decomposition and raise notions of transformative cycles. This focus on Minjerribah medicinal plants aims to promote the recognition, appreciation, and value of local medicinal plants in the context of Aboriginal knowledge and natural science.   (From the gallery and Renata Buziak’s website)

 

Victoria Cooper opening address

Dr Victoria Cooper opening address

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An extract from Victoria’s opening address:

 

Renata Buziak’s art presents a synergy with the natural environment rather than the considered reconfiguration of natural objects seen in the work of many contemporary artists that follow in the land art tradition of Andy Goldsworthy and Richard Long­. As such Buziak’s work and methodology invests in collaboration and empathy in all aspects of her research.

Through her Biochrome process Buziak visually explores the complexity–sometimes messy and chaotic–within the lifecycle of plants and the ecological systems that sustains them. Within the process, and evident in the final works, is the agency of borders, boundaries and edges. It is at the edges of the plants from the leaves and stems down to the cellular level that vital exchanges occur between life, death and decay. Buziak also works in the generative but slippery space that traverses the boundaries of art and science, culture and knowledge.

At first sight, these images are an aesthetic experience: of colour, shape, form and texture. But as I spend time to look into the microscopic worlds made visible within each image, I am drawn into other aspects of the work. I am engaged by the evolving story of her investigation with this process that is underpinned by a respect for the lived experience and knowledge of Aboriginal culture.

As I continue to linger–taking time for reverie–questions emerge along with a sense of wonder. These images are a visual thesis for the Deep Ecology of these medicinal plants and the natural environment that forms the unseen and unknown of our everyday existence.

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Renata and Victoia

Renata and Victoria

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