Archive for October 2012
Are you undertaking a PhD? Does the stress of it all affect your health and well being?
Here are 5 Antidotes in the form of food snacks that may help.
ANTIDOTE #1: A LUNCH of ANTIPASTO DOWN THE BEACH
Two slices of prosciutto, mixed unsalted nuts, a slug each of double brie and blue cheese, black olives, pickled onion, seeded biscuits and packham pear. We drove there so Bundaberg Ginger Beer was the accompanying beverage.
SEE OUR ‘ALONG THE TRACK BLOG’ POST on the location Diggers Beach near Grafton
ANTIDOTE #2: An AFTERNOON TEA of home-made LEMON CAKES and EXPRESSO COFFEE
ANTIDOTE #3: A LUNCH of OYSTERS – Kilpatrick, with capers and mayo and au naturel with sourdough bread and fried prosciutto accompanied by a small glass of Verdelho white wine.
ANTIDOTE #4: A SEAGULL’S BREAKFAST the coastal version of the ‘Dingoes Breakfast’ – A poop and a look around…
ANTIDOTE #5: DINNER – FISH ‘n’ CHIPS out of the paper with lemon slices, mayo, flaked salt from the Murray River and a New Zealand Chardonay from Marlborough Sound.
NOTE: Don’t forget to have a great view to look out over when dining…
We trust these antidotes may work for you … They did for us
Cheers Dr Victoria and Dr Doug
Like all regional communities in the middle of the resources boom Toowoomba is a town growing rapidly. The Toowoomba Regional Council (TRC) has initiated studies to develop the necessary planning strategies considering the region’s expansion into the foreseeable future. The project is entitled the City Centre Master Plan (CCMP) and is intended to provide, ‘a co-ordinated set of design frameworks that will build on the strategic vision outlined in the CCMP by providing more detailed design concepts and guidelines.’
Community consultations are a necessary part of the inclusive methodology employed by the TRC to ensure that their consultants and advisors ‘get it right’. On Wednesday the 17th of October members of the public and other interested parties were invited to ‘Help design public spaces within the Toowoomba City Centre’. We responded to an invitation for artists to contribute to the plan that came via the Arts Council of Toowoomba’s electronic mail-out.
At the meeting we were given an overview of the project and introduced to a plan for the workshop that divided the city into ‘places’ for review and discussion including the following: Open Spaces, Laneways and Streetscapes, Public Art projects and the landscape.
Vicky joined the table discussing the laneways and Public Art projects, which was directed by Brisbane art consultancy and project management group, Urban Art Projects (UAP). The discussion identified important Toowoomba Spaces: The Chronicle Arcade, Bell Street Mall, Duggan Street and general laneways and pathways commonly used to flow through the city. All agreed that the West Creek needed to be acknowledged as an important feature of the city.
The discussion of public art projects was highlighted with a question regarding the current lack of an art policy in the TRC planning agenda. The attendees were then reassured that the policy very close to being approved.
Many creative ideas, some new and some proven such as the Melbourne laneway projects were mentioned in the round table discussion. The need for safe public laneways and actively utilised, peopled public spaces were key points for the new development. In-situ and ephemeral art projects were high on the agenda to resolve some of these issues. The time passed and seemed productive for the team running the workshop. Some new networks were developed as people interacted in the discussion.
Even though there was a genuine attempt to be inclusive and respectful for the potential of existing structures both physical and cultural, there was no guarantee that any or all of the ideas would be realised. This was a plan for the possibilities, rather like a suggestion box. How they were to be funded and managed was not on the agenda.
On another table the topic of Open Spaces was discussed with Peter Richards, Director of Deike Richards, a Brisbane based multi-disciplinary design practice. The members of the discussion group included many urban planners, architects, councilors and artists. Topics discussed looked at traffic flow, tree-lined boulevards, redevelopment of large blocks including the City Hall precinct, ideas for the Toowoomba Foundry site, bikeways and the repurposing of car parks into greenspaces. Suggestions for the Foundry site included a market like Melbourne’s Victoria Markets, as well as an artist’s studio precinct and a GOMA/MONA-like gallery—could it be called “TOGA–TOowomba Gallery of Art?.
Ever present on maps of the Toowoomba City Centre at this meeting is a mega shopping centre development by QIC Global, creators of Robina on the Gold Coast and other major shopping centres. Their plan is to link the existing structures of Grand Central and Garden Town shopping centres with an overhead walkway. This will necessitate the demolition of the Council Library and the bridging of West Creek. It’s interesting to consider that shoppers will now only need to drive to either shopping centre, cross the walk way to the other and back into their cars. They perhaps will no longer need to engage with the older town shopping precinct.
What then is in store (a pun) for this historic town? What we are concerned about the following:
- Will art initiatives be managed, controlled and undertaken by outsiders in a kind of cultural fly-in fly-out fashion or will the art be nurtured and generated within?;
- Could the city centre end up as an experiment in urban(e) design?;
- Toowoomba has great historical value and memory, both Indigenous and colonial that needs to be considered;
- This city also has an important place in the landscape, on the divide between the great water system of inland Australia and the larger urban regions and fertile valleys of the coast; and
- As the community also is home to a rich arts scene, with many notable local, national and international creative individuals and groups that where ever possible could be involved as active participants.
We hope that commercial and political agendas will continue, as shown through this consultation process, to be influenced by community input, needs and values. And that this collaboration will create an ‘art-full’, exciting and functional city centre to support Toowoomba’s future as the commercial and public hub for this rapidly changing region.
Victoria Cooper & Dr Doug Spowart
 From the invitation ‘Help design public spaces within the Toowoomba City Centre’
The State Library of Queensland has just posted commentaries that Vicky and I have prepared on the artists’ book ‘Monologues’, a book of mezzotints by Graeme Peebles and a text by Gottfried Benn. The texts and images of the book are available online – SEE …
In 2012 the Australian Photographic Society celebrated the 50th Anniversary of its formation. One of the three remaining foundation members from 1962 is Toowoomba’s own Graham Burstow. Graham and other local photographic luminaries Barry Whisson, Alwyn Kucks and Gerry Saide attended an exhibition of 100 prints from the 2012 APS Travelling Exhibition at Atelier Gallery on October 10, 2012.
The APS has come a long way in its 50 years and while I wasn’t around in the beginning I’ve been there since first joining the organisation in 1967. There’s something comfortable about the style of pictorialism that amateur photographers have refined and mastered that is evident in this show. And while some curators and academics may argue that pictorialism is a style of photography that died out a long time ago it’s alive a well an continuing to contribute amazing images of the world we inhabit — a few are selected here.
What for me is exciting is how everyone now can make their own high quality prints.15 years ago in the pre-digital era the projected colour slide was king as everyone could put a roll of Kodachrome in the 35mm camera and make photographs. Those who worked in the specialist technology trap of the darkroom were few and far between. What’s more the predominant genre was black and white as colour papers and processes were not really designed for home processing. Digital photography, computers and inkjet printing has given everyone the equivalent of a darkroom!
Congratulations to APS on its celebration of 50 years and to the members whose work was included in this exhibition.
The cows came back to Toowoomba to form a herd of 800+ artworks expressing the support of the 2012 Year of the Farmer. Organised by Paul Blinco and Debbie Nawrotzky from Pacific Seeds the corflute cows were decorated by artists, school kids and interested contributors to the project.
On Friday we took our artwork, the CondaMINE Cow, Variety: Thylacine (SEE previous post) out to the paddock to join up with the herd. Here are some images of the setup underway…