wotwedid

Victoria Cooper+Doug Spowart Blog

Archive for the ‘Photobooks’ Category

2019 PHOTOBOOK ROAD TRIP BEGINS – HOBART

leave a comment »

The 2019 Photobook Road Trip

PHOTOBOOKS @ TOPSPACE STUDIO/GALLERY IN HOBART

.

Ilona Schneider and Doug Spowart

.

The 2019 Photobook Road Trip began last night at the TopSpace StudioGallery in Hobart. The Australia & New Zealand Photobook Awards (ANZPA) exhibition was installed by Victoria Cooper and Doug Spowart. Visitors to the Gallery were welcomed by the gallery Director Ilona Schneider.

.
.

Vicky setting up the dispaly

.
On show were the 12 Finalists and Award winners of the 2018 Australia and New Zealand Photobook Awards sponsored by MomentoPro Photobooks. The books were:

.

Winners 2018

Finalists 2018 from 117 entries:

SEE More about the ANZPA HERE
.
.
The event as attended by around 30 participants including representatives from the Tasmanian Museum and Art Gallery, the Allport Library, members of the AIPP and representatives from the Hobart Camera Club.
.
.
To cover costs associated with the gallery hire a raffle was conducted with books by Cooper+Spowart and ANZPA catalogues and MomentoPro’s ‘Publish Your “Bloody” Photobook‘ booklets.
.

Looking at the Cooper+Spowart books

.
COOPER+SPOWART presented a small selection of the concertina photobooks including  YOU ARE HERE and QUESTIONING+KNOWING.
.
Around 6.00pm Doug made a presentation about the awards and the current state of the Antipodean photobook. A lengthy Q&A session followed and private conversations and continued book viewing took place well after the intended finish time.
.

Doug presenting his talk

.
.

THANK YOU!

Thanks to Ilona Schneider and the AIPP coordinator Matt Palmer for their assistance with the presentation and Momento Pro for making the books available.
.
CANBERRA is the next stop in the PHOTOBOOK ROAD TRIP on July 20 at PhotoAccess where the books will be displayed, Doug will present a talk about photobooks and Doug+Vicky will present a workshop on photobook forms and the photobook narrative.
.

D+V Coming to Canberra

.

.

#MomentoProBooks #ANZPhotobookAwards #PhotobookRoadTrip #Photobookjousting
.
.
.
.
.
.
.

ANTIPODEAN Photobooks acquired by Tate

with 2 comments

.

We are delighted that this collection is entering Tate’s library collection as a rich resource for our public and for academics of photobooks in these regional areas.

.Sarah Allen
Assistant Curator, International Art, Tate

.

.

Some ANZ Tate Photobooks

 

We’ve just completed a commissioned project where a collection of 52 Australian and New Zealand photobooks were acquired by the United Kingdom’s national collection in the Tate. Two years ago the project began as a result of our participation in the 2017 Vienna Photobook Festival and a connection with Martin Parr.

.

.

THE BACK STORY

In 2017 we presented a cyanotype/photobook workshop on the Greek Island of Skopelos. At the end to the workshop we coordinated a visit to our friends Lachlan Blair and Anna Pritz who live near Vienna in Austria. Just after we booked our flights Lachlan excitedly advised us that we would be in Vienna at the time of the Vienna Photobook Festival.

I contacted co-ordinator of the Festival Regina Anzenberger and offered to make a presentation about my research on Australian and New Zealand (ANZ) photobooks. After some conversations between Lachlan and Regina she enthusiastically accepted my lecture offer. Through some further negotiations with Regina and Libby Jeffery from MomentoPro we were able to present the ANZ Photobook of the Year finalists on a table at the Fair.

The 2017 Vienna Photobook Festival exhibition

The 2017 Vienna Photobook Festival exhibition

.

The Vienna Photobook Festival was an event of an unimaginable scale – 100+ tables of photobooks new and old, a photobook award, key identities of the photobook community and attendees from western European countries far and wide.

40-50 people including photobook aficionado Martin Parr and photo historian Hans-Michael Koetzle attended my lecture. There was quite a bit of interest about my topic and many of the lecture attendees came by the ANZ Photobook Awards table to view the books and talk more with us about our local photobooks.

.

 Martin Parr looking at ANZ photobooks at the 2017 Vienna Photobook Festival

Parr looking at ANZ photobooks at the FestivalPHOTO: Lachlan Blair

.

Further to an earlier private meeting in the Anzenberger Gallery and his attendance at my lecture, Parr caught up with us again for a chat on the afternoon of the first day of the Festival. He mentioned that soon there would be a public announcement about his donation of over 12,000 photobooks from his collection to Tate.

Parr felt that although his collection had pretty well covered the world the one area that was under represented was the ANZ region. He had many of the big Australian names but acknowledged that there were gaps. After hearing my lecture he felt that I would be well positioned to fill that gap. He said that he would be recommending me to his Tate contacts to assist with this issue. At first I was a little daunted, but he insisted that I would be the right person for the project. I accepted the role as it would not only be an honour to work with him on the project but also a great opportunity for the ANZ photobook community.

Vicky and I came back to Brisbane in July and both began sessional work with the Queensland College of Art. A couple of months later an email came through from a Tate representative inviting my involvement in the project. I then prepared a list of ANZ books that I thought would be suitable additions to the collection. I also reviewed Parr’s collection to ensure that I had not duplicated books on his list.

Initially I suggested that I would source the books from bookshops, collectors and the photographers and that I would receive a fee for the list development and the management of the process. I mentioned that some books were quite rare and that they would be sourced from my own library as I could replace them as they became available in the future. My Tate contact came back saying that rather than what I suggested they preferred to purchase the books from a single collection and asked, ‘were my books available?’ After some consideration I agreed to take books from my library.

.

Part of my ANZ photobook collection c2015

Part of my ANZ photobook collection c2015

.

THE PREMISE FOR THE COLLECTION

My curation premise for the 52 books was:

  • That these books should resonate with the Australia/New Zealand social, political, environmental and cultural space of post-Second World War to early 21st century.
  • Where possible, I have selected works that have been referenced or identified by curators and researchers for their prominence within the photographically illustrated and photobook publishing genres in ANZ.

 

In the storage shed opening boxes looking for books

In the storage shed opening boxes looking for books PHOTO: Victoria Cooper

.

At this time and still today, my photobook collection is boxed and in storage. So for over a year on my intermittent visits back to our storage sheds in Toowoomba we would seek out the missing books. As we began to assemble the proposed books I became concerned about particular issues that were arising. As my collection has been built up over 50 years some of the books were not necessarily the best condition – some exhibited signs of use including shelf-wear, bumped corners and occasionally missing covers.

I wanted to be able to offer Tate the best possible condition books. Additionally, I could not find some key books that I knew I had in my collection including Carol Jerrems’ book Story about Australian women. What followed was an 18-month process of curation and research to bring together the books.

I sought out and purchased better copies of the chosen books either by online booksellers or by visiting bookshops in Australia. I contacted some of the photographers that I knew to see if ‘as new’ condition copies of the books were available. If they were what would the cost be and if possible, would they consider a donation to extend the potential of the collection. The response was very supportive with many of the photographers prepared to provide pristine condition copies of their books free of charge.

.

Meeting with Martin Parr at the SLVPHOTO: Victoria Cooper

.

MEETING WITH MARTIN PARR

In January 2018 Martin Parr came to Melbourne to photograph the Australian Open tennis tournament. We flew down from Brisbane and arranged to meet him at the State Library of Victoria where we had about 30 of the proposed books assembled for him to review. As only a couple of books did not fit into his collection approach for the Tate I felt buoyed by the progress. Over the next 6 months I prepared a detailed bibliographic submission and significantly documented the books. We finally found the Jerrems book in a box marked ‘Photobook library extras’ in January this year.

.

Finding Carol …PHOTO: Victoria Cooper

 

.

Packing up the books PHOTO: Victoria Cooper

.

SHIPPING THE PACKAGE

The books were protectively packaged and we arranged their shipment and it took only a few days for the consignment to travel from Brisbane to the UK. After nearly 2 years in the making Tate received the books on April 12, 2019. Once catalogued they will form part of the Martin Parr Photobook Collection with the provenance being recorded that the books came from ‘The Doug Spowart and Victoria Cooper Photobook Research Library’. The books will be publicly accessible in London in Spring 2020.

Pack and Send - DHL Delivery Proof

Pack and Send – DHL Proof of delivery

.

ON REFLECTION

What is important to us is that books from our region are now placed within the context of the worldwide history and practice of the photobook in a significant institution. Although not a complete history of the Photobook in Australia and New Zealand it is an embryonic beginning for a broader recognition of the unique voices and stories from our part of the world and those that make them.

 

Doug Spowart + Victoria Cooper

ACKNOWLEDGEMENTS
We are indebted to those who supported us during this process. In particular Sarah Allen (Tate) for her coordination of the project. Martin Parr for his interest and continued support in providing a place for Antipodean photobooks in his Tate collection. We also wish to thank Lachlan Blair and Anna Pritz for making the initial connection with Regina Anzenberger, Gael Newton for her support, Helen and Donald Cole for their advice and storage of the books and the coordination of the final shipment, Des Cowley at the State Library of Victoria for the preparation of books to show Martin, Pack and Send Milton (DHL) for their assistance and coordination of the shipment to the UK.

 

 

THE LIST OF PHOTOGRAPHERS

Where the photographer has more than one book in the collection the multiple is shown in (brackets).

It should be noted that a book is the culmination of a creative process that may include the contributions of writers, poets, designers, printers and binders. In this list only the photographers are listed.

The photographer’s names are:

 

AUSTRALIA

 

Michael Amendolia

Douglass Baglin

David Beal

Jeff Carter

Beverley Clifford

Paul Cox

Michael Coyne (2)

Max Dupain (2)

Sandy Edwards

Rennie Ellis (2)

Joyce Evans

Juno Gemes

Robert B. Goodman

Marion Hardman

Alan Hirons

Douglas Holleley

Frank Hurley

Carol Jerrems

Georg Lindström

Peter Lyssiotis

Olive McInerney nee Olive Cotton

David Mist

David Moore

Charles P. Mountford

Robert Rosen

Wesley Stacey

Mark Strizic (2)

Richard Tipping

William Yang

PARR’s Australian book donation already included:

Bill Henson

J. Hurley

Frank Hurley

Max Pam

Trent Parke

 

NEW ZEALAND

Laurence Aberhart

Peter Black

Brian Brake

Jocelyn Carlin

Les Cleveland

Bruce Connew

David Cook

Marti Friedlander

Lloyd Godman

Glenn Jowitt

Mary Macpherson

Robin Morrison (2)

Anne Noble

Haruhiko Sameshima

Grant Sheehan

Ann Shelton

John B. Turner

Ans Westra

PARR’s New Zealand book donation already included:

Gary Baigent

Harvey Benge (a significant collection)

Ans Westra

 

FOR  MORE INFORMATION ABOUT THE BOOKS and other ANTIPODEAN PHOTOBOOK activities and events follow the BLOG HERE

The Antipodean Photobook BLOG

 

 

READ MORE ABOUT THE TATE DONATION

Tate Media post about Parr doantion

Tate Media post about Parr donation

A LINK TO THE Tate URL

A PDF download of the Tate post can be downloaded by ‘clicking’ this link Tate website post on Parr donation

 

.

READ MORE IN THE INSIDE IMAGING STORY

https://www.insideimaging.com.au/2019/tate-commission-for-photo-book-keeper/

Inside Imaging story

Inside Imaging story

A PDF download of the Inside Imaging post can be downloaded by ‘clicking’ this link. Inside Imaging story-R

.

.

.

.

.

 

4 PHOTOBOOK EVENTS – Brisbane August 2, 3 & 4 2019

leave a comment »

PoP-uP logo

 

4 PHOTOBOOK EVENTS OVER 3 DAYS – Check out the individual program

.

.

Event 1 – FREE TO ATTEND

VIEW THE BEST PHOTOBOOKS

from the Australia & New Zealand Photobook Awards                  

From Friday evening August 2, Saturday 3 & Sunday 4, 2019

.

.

  • It’s a FREE EVENT
  • Attend the ANZ Photobooks Awards Launch on Saturday at 12.30pm
  • You can view the books from 5.30–8.00pm on Friday and also Saturday & Sunday 10.30–3.30pm
  • Location: THE MAUD STREET PHOTO GALLERY – 6 Maud Street, Newstead, Brisbane
  • The Sponsor of the ANZ Photobook Awards is MomentoPro Books.

BOOK THIS EVENT THROUGH EVENTBRITE using this ink:

To Register to ATTEND THE ANZ PHOTOBOOK LAUNCH & VIEWINGS

..

.

PoP-uP logo

.

Event 2 – FREE TO ATTEND 

THE ALL PHOTOBOOK POP-UP

SATURDAY August 3, 2019 ALL DAY

.

.

THIS EVENT WILL FEATURE:

  • The BEST Australian & New Zealand Photobooks
  • Talks by Libby Jeffery from MomentoPro
  • The latest T&G PUBLISHING BOOKS from PHOTO IRELAND
  • Queensland Photobooks from the 2019 Melbourne Art Book Fair
  • Buy Second-Hand and new photobooks
  • A display of historical and rare photobooks

 

TO BOOK THE TALKS AND THE ANZ PHOTOBOOK AWARDS LAUNCH use these links:

 

LAUNCH The Australian & New Zealand Photobook Awards Brisbane Launch at 12.30pm

“CLICK THIS LINK”

DEMO by Libby Jeffery from MomentoPro about ‘How to make a photobook with MomentoPro software’

“CLICK THIS LINK”

TALK by Libby Jeffery from MomentoPro about ‘How to launch and market your photobook’

“CLICK THIS LINK”

.

TO BOOK A $25 TABLE SPACE “CLICK” This LINK

.

.

 

Event 3 – For a Fee

HAVE A PHOTOBOOK REVIEW

with the Doctors – Doug Spowart +Victoria Cooper

By Appointment

.

We will work, one-on-one, with you to review book ideas, dummy photobooks and photos from projects being considered for a book and provide comments, critique and supportive feedback.

We can discuss relevant aspects of your photobook process including:

  • idea development
  • image sequencing and narrative
  • issues of texts and photos
  • aspects of contemporary and traditional book design
  • production options – DIY, Print-on-demand and trade
  • pricing > sales > promotion > distribution

BOOK THIS EVENT THROUGH EVENTBRITE using this ink:

https://www.eventbrite.com.au/e/photobook-review-with-the-doctors-tickets-62800959360..

 

.

Event 4 – For a Fee

..NARRATIVE:

   Sequencing photos for photobooks

A full day workshop with Doug+Vicky

SUNDAY August 4, 2019

.

 

One of the biggest challenges in making photobooks is the initial task of selecting images from the 100’s that you have captured to form sequences that carry strong communicative potential in a book.

This workshop is designed to engage the photographer with different processes of distilling images and structuring narrative flow in their photobook projects.

These ideas will be developed concurrently with the hands-on making of 3 photobook forms as ‘dummy’ books. A dummy is a tester, a sample book – it’s a physical object that you can you can hold and turn pages to review the changes that may be required to make a better book. Book designers may make many dummies as a key part of developing a great photobook.

The participant armed with these skills and knowledge will be better prepared to publish their photobook through print-on-demand options.

 

BOOK THIS EVENT THROUGH EVENTBRITE using this ink:

https://www.eventbrite.com.au/e/narrative-sequencing-photos-for-photobooks-tickets-62800120852

.

.

ANZ Photobook Awards at Maud Gallery

 

 

 

Thank You The Maud Street Photo Gallery for supporting this Photobook Club Brisbane event.

 

These events are coordinated by Doug Spowart and Victoria Cooper

 

.

 

.

.

  .

.

 

THE QLD PHOTOBOOK CONSORTIA – SUCCESSFUL SUBMISSION National Gallery of Victoria ART BOOK FAIR 2019

with 2 comments

The Queensland Photobook Consortia

.

Over the last few weeks we’ve put together a submission from Queensland photobook authors and self-publishers for next year’s National Gallery of Victoria ART BOOK FAIR. The Fair is a huge event attendances of 12-16,000 over the three days of the event have been recorded. The who’s who from collecting institutions, private collectors and fellow exhibitors all view, read – and sometimes purchase books…!  Apart from networking and selling or trading books the Fair has associated with it a program from the Melbourne Design Week.

To celebrate photobooks and to bring together Queensland authors, designers and self-publishers we have formed a group called THE QUEENSLAND PHOTOBOOK CONSORTIA.  Over the next week or so we will find out if our submission has been successful – In the meantime we are interested in hearing from any Queensland photobook maker that we can add to our list of contacts.

HERE IS SOME MORE INFO about the Fair and the Consortia’s submission…

WE WERE SUCCESSFUL….!   Got the news 21st of December

.

.

BLURB FROM THE NGV

.

About the Melbourne Art Book Fair

Melbourne Art Book Fair returns for its fifth year in 2019. Since the event began, the publishing and broader creative landscape has undergone many shifts. MABF 2019 asks: what is publishing now? What is encompassed by the term and how can publishing bring about positive change on multiple fronts?

Featuring diverse emerging and established local and international publishers, artists and writers, Melbourne Art Book Fair 2019 presents a four-day program of ideas, discussions and book launches at the National Gallery of Victoria. The 2019 program explores ideas around experimental and discursive publishing, challenging how we think about the publishing field. Guests ask the question: what can books do? How might the form change? How might publishing provoke and influence other creative and social phenomena such as fashion diffusion lines, capsule collections, event spaces, activist movements and community development?

.

The submission is only the first stage of the process. If successful we will seek some extra participants – HERE ARE THE MAIN ANSWERS IN OUR SUBMISSION….

 

 

QUESTION: Please tell us what you do, and why:

The Queensland Photobook Consortia is a group of photobook and artists’ book makers and self-publishers from Queensland who, through their publishing projects, provide comment on contemporary issues relating to life and times, not only of their home state Queensland but also Australia and the rest of the world.

The opportunity to present Queensland photobooks within the premier event of the NGV Art Book Fair will enable this substantial group of artists to share their creativity and visual stories. It is our proposal to showcase this group of contemporary emerging and established Queensland practitioners and their latest works.

Their backgrounds are many and varied and include the following:

 

Ana Paula Estrada

ANA PAULA ESTRADA is a Mexican–Australian artist based in Brisbane. For the last seven years her art practice has focused mainly on the documentation of life stories of older Australians by combining photography, oral history, and the artist book. She is currently completing a Master of Visual Arts by research degree at the Queensland College of Art. In 2016, she self-published an artist book called Memorandum in an edition of 200, which has been recognized and exhibited broadly nationally and internationally.

http://www.anapaulaestrada.com

 

Tammy Law

TAMMY LAW documents stories that are reflective of her experiences of being a child of Chinese migrants, and the bubble of Asian/Australianness within which she lives. Her travels through Asia—mostly in Japan, China, Malaysia, Thailand and Burma—and the differences between Asia and the West propel her to focus on concepts of migration, home and belonging. This book’s development and production has been supported by the celebrated Tokyo based Reminders Photography Stronghold.

http://www.tammylaw.com/

 

David Symons

DAVID SYMONS is a Brisbane based artist. The idea that the photograph sits precariously on the edge of the real and imagined is the great appeal of the medium to David. Born in Scotland, he studied photography in Western Australia in the 1980s. David has exhibited locally and nationally and has been a finalist prizes including The Olive Cotton Award and the IRIS Award. His photographic work is held in The Art Gallery of Western Australia Collection.

http://www.davidsymons.com.au/about-2/

 

Louis Lim

LOUIS LIM is a Brisbane-based photographer and photobook-maker whose work explores the diversity in human conditions, specifically those that are under-represented in mainstream media. His work has been exhibited in several Australian galleries and presented internationality.

Lim has exhibited his photobook with live bookbinding demonstration in Central Embassy Open House as part of Photo Bangkok Festival. Lim has attended the highly regarded Reminders Photography Stronghold Masterclass and is currently developing his personal photobook project in a collaboration with Beth Jackson.

http://louislzm.com/contact/

 

 

Dane Beesley

DANE BEESLEY is an Australian photographer who has created photography books, exhibited widely, and his photographs are held in public and private collections. Beesley has been described as a “leading Australian rock photojournalist” by Melbourne street press Beat Magazine. Marei Bischarn, photo editor at Rolling Stone Australia, described his work as “honesty in photos; nothing planned or fabricated – just pure energy and great times”.

http://danebeesley.com/

 

 

Victoria Reid

VICTORIA REID is a freelance photographer based in South East Queensland. She is interested in documenting the human condition and provides a voice for injustices in society. Reid is about to graduate from the Queensland College of Art, Griffith University, with a Bachelor of Photography (Honours) with a major in Photojournalism and Social Documentary.

https://www.victoriareidphotography.com.au/

 

Victoria Cooper

VICTORIA COOPER’s work traverses both personal and political territories in the investigation and representation of an Australian “site” and “place”. She creates visual narratives in response to, and informed by, contemporary social and environmental issues intertwined with historical, scientific and mythological insights intrinsic to each site. Her books are held in major artists’ book collections including the National Library of Australia, the State Libraries of Queensland and Victoria and Artspace Mackay.

http://www.cooperandspowart.com.au/

 

Doug Spowart

DOUG SPOWART has an extensive involvement in Australian creative industries as an artist, educator, curator, commentator and reviewer. For over 25 years he has made photobooks and artists’ books. Many of these books are held in private, regional and state public galleries, national and international photography and artists’ book collections.

http://www.cooperandspowart.com.au/

 

What are some of your recent titles?

 

SOME RECENT TITLES FROM MEMBERS OF THE QLD PHOTOBOOK CONSORTIA

.

I was there V.I by Ana Paula Estrada

I WAS THERE V. I & II by Ana Paula Estrada consists of a two-volume artist book that tells the life stories of Kevin and Esta, two participants aged over eighty, with whom she has been collaborating. Merging the fields of documentary practice, oral history and fine arts, and influenced by visual poetry, her books explore the combination of text, image and the blank space of the page.

http://www.anapaulaestrada.com/book-preview/

 

The shadow inside by David Symonds

THE SHADOW INSIDE by David Symons is a noir photobook.  The book stylistically revisits the visual languages of the pulp noir genre and police evidence photograph of the mid 20th Century.  A low-voltage current of psychoanalytical and surrealist themes run through the pages weaving the narrative in and out the real and imagined. This is a game constantly played out in the viewers mind. For the author the mystery is where the door is between the two states.

https://tinyurl.com/ycx9tdws

 

Permission to belong by Tammy Law

PERMISSION TO BELONG by Tammy Law explores themes of migration, home and belonging through the everyday lives of refugee families from Myanmar. Living against the backdrop of decades of repressive rule and civil war, countless families live between a place of home and homelessness, belonging and unbelonging. The negotiation and renegotiation of identities is as complex as the history and future of Myanmar.

http://reminders-project.org/rps/permissiontobelongsaleen/

 

Yelseeb Enad by Dane Beesley

YELSEEB ENAD by Dane Beesley deals with the mythic place that the road occupies in the American west. It is a romanticised Kerouac/Dylanesque view of the road captured in small moments and big cars invested with meaning. There’s an honesty, a quest for truth, perhaps a naiveté in the images reminiscent of cinéma vérité that captures the adolescent wanderlust it seeks to document.

http://danebeesley.com/book/

 

… There is no end by Louis Lim and Beth Jackson

… THERE IS NO END a collaboration between Louis Lim and Beth Jackson deals with grief, loss and upheaval from two separate encounters that intertwine through the process of photobook making. The book was shortlisted in the Singapore International Photography Festival Photo Book Showcase 2018, and the 2018 Libris Award with acquisition by Artspace Mackay.

The final version of the book is in current production for release in early 2019.

http://sipf.sg/photobook/there-is-no-end/

 

liberté by Victoria Reid

LIBERTÉ by Victoria Reid is her first self-published book. This book of photographic work examines the search for sexual freedom in a society in which tightly prescriptive sexual norms prevail. This project focuses on people who create meaning in their worlds outside of what is considered ‘normative’ behaviour. Exchange of power, consent, trust, role-playing and gender identity are explored. The intention of this project is to promote dialogue around existing sexual stereotypes and stigmas.

https://tinyurl.com/y8puyzho

 

 

We’ll keep in touch to let you know how our submission got on….

AND, If you are from Queensland and have a book do get in contact with us….

.

.

The Queensland Photobook Consortia.

.

.

.

 

 

 

 

.

.

.

 

 

.

.

.

.

.

 

 

IMPRINT JOURNAL: Article on regional arts awards

with 2 comments

IMPRINT COVER Vol53 #2

 

In March this year we were approached by the Editor of IMPRINT MAGAZINE, the journal of the Print Council of Australia to write a piece about regional galleries and the national awards that they coordinate. Of particular interest to Editor Andrew Stephens was Artspace Mackay’s Libris Awards: National Artists’ Book Award, and Mornington Peninsula Regional Gallery’s National Works on Paper Awards.

We were familiar with both awards events and in particular we’ve had a long connection with the Libris Awards as entrants and reviewers. In 2017 we visited the Mornington Peninsula Regional Gallery as viewed and exhibition of works from their awards. Many of you will also be aware of our interest in, and support of regional art so we were excited by the opportunity that the commission provided.

We set about to prepare the commentary and to add extra voices to the piece we contacted some artists who have significant participation in regional arts awards. What follows is the article with the 4 page layout and photographs followed by the text, references and acknowledgements.

.

Imprint: Page 22+23

Imprint: Page 24+25

 

BEYOND THE CITY LIMITS:

Two regional art awards for artists’ books and works on paper

 

The art gallery is a place for presentation, display and the sharing of art. It is a space that orchestrates the development of cultural discourse by connecting the world of the artist with an art-interested audience including members of the public, art students, the artist’s peers, curators, critics and collectors. Big city art galleries can mount blockbuster national and international shows and also cover a diverse range of disciplines that regional galleries cannot ever hope to match. The regional gallery can however specialise in key areas of activity and collection by including in their programs discipline based national awards. These galleries also aren’t so constrained by orthodoxy and can open up the dialogue leading to more widespread changes. Through the awards they can push boundaries and help to define what is contemporary in various disciplines.

.

Two noteworthy regional galleries and their specialisations are Artspace Mackay (AM) has the Libris Awards: National Artists’ Book Award (Libris) and Mornington Peninsula Regional Gallery (MPRG) has National Works on Paper Awards (NWOP). To ensure the currency of the entries both awards are offered biennially with a requirement that the works entered must have been completed within the preceding two years. Each gallery has a particular focus for their award.

The Libris Awards provide Artspace Mackay with: ‘an opportunity to become known as a centre for artists’ books; we develop/build meaningful relationships over many years with artists; the award attracts the latest and best works from artists in the field and introduces us to new artists; and provides us with a wonderful opportunity to acquire new artists’ books for our Art Collection by leading artists in the field’.[1]

At the Mornington Peninsula Regional Gallery the NWOP’s role ‘is to support and promote contemporary Australian artists working on or with paper. Works may be executed in any medium on or with paper… The paper must act as the main two or three-dimensional support of the work’.[2]

These Awards provide a testing ground for the new ideas, current aspects of technique and new/contemporary themes as well as many other art practice related opportunities. Sasha Grishin, in his ‘Judges Notes’ the 2016 Libris Awards commented that: ‘The contemporary artists book is characterised by boundless freedom’, and adds that: ‘… it has absorbed many conceptual frameworks, many art mediums and technologies and goes across the spectrum of the senses’.[3] Entries in the NWOP Awards also exhibit Grishin’s ‘boundless freedom’ as MPRG Director Jane Alexander states in the 2016 catalogue: ‘Through printing, drawing, folding, sculpting and collage, paper is at the forefront of artistic experimentation… increasingly we are seeing this practice pushed to new and exciting dimensions’.[4]

Much of an artist’s life can be isolated making it difficult to connect with a broader community of practice, which can also be fractured by physical distance and conceptual difference. Therefore artists see these awards as an opportunity to present their most recent work. They seek the recognition that comes from selection and being shown in the awards’ survey exhibitions. This acknowledgement also locates them in a review of contemporary practice specific to their discipline. Nationally respected printmaker and artist bookmaker Dianne Fogwell generously shared with us the three main reasons she entered awards: ‘1. To stay abreast of who is professionally working in my field and 2; so that my contemporaries know I am still working professionally in my field and 3; I can enter work that does not suit the gallery exhibition either through content or scale’.[5]

There is also the potential benefit of exposure, critical review and for some the financial reward of purchase or winning a major award. It should be noted that both the Libris and NWOP receive significant sponsorship and support from range of sources to make possible their awards[6]. Deanna Hitti won the 2008 Libris Award and the 2009 Books Beyond Words Award held by the East Gippsland Art Gallery. She comments that, ‘I am quite fortunate to have been the recipient of two major Australian artist book awards in consecutive years… My whole arts practice gained exposure and in a way it validated my work and presented a path to promote my work through’.[7]

The choice of appropriate judges for these awards is critical as through their decisions a continual review of the nation-wide practice of the award’s associated disciplines is carried out. The selected judges for the Libris and NWOP come from major collecting and exhibiting institutional backgrounds and are widely respected within their specific disciplines.[8] Other awards may have judges who are also acclaimed artists, art critics and teaching academics.

Before entering any awards the artist needs to consider their work in relation to the competition criteria and the judging process. In this evaluation some gritty questions tend to surface regarding how their work is to be considered by the selection committee and the awards audience. For example: How much is my art worth? Will the winner’s work need to appear comparable to the amount of prize money associated with the award? Will awards that favour the spectacular and immediately accessible works marginalise those that require time and focus? As the practice of book arts is very broad and varied, from book sculpture to fine press to zines—in rewarding a particular art form/s this could promote one form over many other worthy and incomparable works. If so this could narrow the potential for a variety of work to be accepted within the broader practice?

To address questions of diversity, the two awards discussed in this article attempt to provide opportunities to recognise different mediums and the stages of the artist’s career. Libris has in the past offered a separate award for Zines, and have always included a local artists award. This year they are featuring the altered book. Both the Libris and NWOP also include emerging artists’ awards along with a budget to acquire a variety of other works selected for the exhibition.

Another salient question for the artist to consider relates to the handling of the work and its display, particularly for unusual work, such as sculptural and installation works that are unframed. Many galleries may not have the capacity to appropriately display these works and still allow for quality public engagement. The Libris awards require that entrants include a document on how they would like work would be shown. This way the artist has to consider whether the work should be handled and how it will be placed in the gallery space.

Although an important part of an artists career awards should not define them and their creative work potential. Dianne Fogwell presents a grounded perspective on how the award should influence the artmaking process: ‘Being selected as a finalist or to be the people’s choice or winning the award or prize gives you heart as making art is a lonely thing and more so the longer you do it. Does it make a difference to the way I make my work, no, has it made a difference to who buys my work, I hope not, as it is the work that’s important in the end’.[9]

To build an archive and history of these important survey events both Libris and NWOP create records of their awards in the form of catalogues and online in accessible PDF versions.[10] Libris posted 2016 judge Sasha Grishin’s award notes[11] and an illustrated list of works.[12] NWOP has over the last two events, 2014 & 2016 published a physical catalogue and online versions as well.[13] Additionally AM and MPRG can be contacted for further information on historical records.

These archives add to the history of the award as well as a snapshot of the adjudicated contemporary practice in the disciplines at the time of the award and the value that collectors and the art market place on artworks. What may be interesting as an enhancement to any art award could be consideration for the creation of a democratic record of entry where all entries are listed in an online format to show the complete story of all artists who entered the award and their works.

CONCLUSION:

After the judgements have been made, the winners received recognition, the acquisitions completed and the remaining works returned, the exhibition may be over but the legacy of the awards lingers on. Through the initiative of the regional gallery, sponsor support and the contribution of artists, these awards create a fertile space where ongoing discourse can both challenge and shape the development of the art.

 

Prepared by Dr Victoria Cooper and Dr Doug Spowart

With thanks to: Tracey Heathwood Director Artspace Mackay and Narelle Russo MPRG Curator-Collections / Registrar.

Dr Lyn Ashby, Dianne Fogwell, Deanna Hitti, Johanna Kambourian, Dr Clyde McGill, Dr Felicity Rea.

 

[1] Correspondence received from Artspace Director Tracey Heathwood
[2] https://mprg.mornpen.vic.gov.au/Exhibitions/National-Works-on-Paper Viewed 10 April, 2018.
[3] http://www.artspacemackay.com.au/__data/assets/pdf_file/0009/205398/2016_Libris_Awards_Artspace_Mackay.pdf   Viewed 4 April, 2018
[4] Jane Alexander, 2016 NWOP Catalogue, p 3.
[5] Correspondence from Dianne Fogwell
[6] The Libris and NWOP offer significant monetary prizes: Libris—4 awards, 2 acquisitive) totalling $15,000, and the NWOP offers a major acquisitive award of $15,000. Both awards have acquisitive awards budgets – NWOP allocates a further $35,000.
[7] Correspondence from Dianna Hitti
[8] Judges for 2018 Libris: Roger Butler AM, Senior Curator Prints and Drawings, National Gallery of Australia Helen Cole, former Coordinator Australian Library of Art
and the 2018 NWOP, Jane Alexander, MPRG Director;
Victoria Lynn, Director, TarraWarra Museum of Art;
Dr Kyla McFarlane, Curator of Academic Programs (Research) Ian Potter Museum of Art.
[9] Correspondence from Dianne Fogwell
[10] http://www.artspacemackay.com.au/__data/assets/pdf_file/0007/204955/2016LibrisAwards_IllustratedListofWorks.pdf  Viewed 7 April, 2018
[11] http://www.artspacemackay.com.au/__data/assets/pdf_file/0009/205398/2016_Libris_Awards_Artspace_Mackay.pdf  Viewed 7 April, 2018
[12] http://www.artspacemackay.com.au/__data/assets/pdf_file/0007/204955/2016LibrisAwards_IllustratedListofWorks.pdf  Viewed 7 April, 2018
[13] https://mprg.mornpen.vic.gov.au/Exhibitions/National-Works-on-Paper Viewed 7 April, 2018

 

 

SOME OTHER AUSTRALIAN – PRINTMAKING + ARTISTS’ BOOK AWARDS @ March 2018

Manly Artists Book Award—Bi-yearly, next 2019

https://www.northernbeaches.nsw.gov.au/things-to-do/arts-and-culture/manly-artists-book-award

Hazelhurst Art on Paper Award—Bi-yearly, next 2019

http://www.sutherlandshire.nsw.gov.au/Community/Hazelhurst/Exhibitions/Previous-Exhibitions/2017/Hazelhurst-Art-on-Paper-Award-2017

Gippsland Print Award—Bi-yearly, next 2019

http://www.gippslandartgallery.com/prizes/gippsland-print-award/

Swan Hill Print & Drawing Acquisitive Awards—Bi-yearly, current 2018

https://gallery.swanhill.vic.gov.au/2018/03/print-drawing-finalists/

2017 Geelong Aquisitive Print Awards

http://www.geelonggallery.org.au/cms_uploads/docs/2017-geelong-acquisitive-print-awards_online.pdf

Banyule Award for Works on Paper—Hatch Contemporary Arts Space

https://www.banyule.vic.gov.au/Arts-and-Events/Banyule-Award-for-Works-on-Paper

.

.

.

.

.

ADVANCE NOTICE: WORLD PHOTOBOOK DAY Brisbane Event

with one comment

WPBD Header

 

To mark the 175th anniversary of what is recognised as the first photobook – Anna Atkins’ Photographs of British Algae: Cyanotype Impressions‘ we invite photobook lovers/collectors/makers to a Brisbane celebration of World Photobook Day 2018.

.

Green Anna Logo

.

.

This year the theme of the WPBD is ‘Anna goes green’ and is intended to focus on the concerns of:

       – Global warming

       – Environmental change and destruction

       – Books about natural history topics including plants and nature

       – Books with links to planet earth

The theme originates from Atkins’ activities as a scientific illustrator of flora and other specimens.

.

.

.

.

At this year’s event you will have the opportunity to:

  • HEAR: Special guest speaker: Dr Paolo Magagnoli from the UQ School of Communications and Arts
  • VIEW: Photobooks from the Fryer Library collection
  • DISCUSS: “My favourite photobook”
  • BRING: Along your favourite photobook to share.

VENUE: Fryer Library University of Queensland, St Lucia Campus from 11.00 am Saturday the 13th of October.

.

David Symons

.

This event is being coordinated by David Symons – we thank David for taking on this task while we are away in Tasmania.

We also wish to acknowledge that the World Photobook Day has been set up as a collaboration between the organizers of Photobook Club Madrid and Matt Johnston the founder of the Photobook Club network.

PLEASE NOTE: World Photobook Day is October 14 – This event is scheduled on the 13th due to the availability of the venue.

.

FOR MORE DETAILS & TO REGISTER>>>    https://www.facebook.com/events/247464655970747/

.

.

Photobook Club Logo

4 PHOTOBOOK EVENTS – Brisbane August 3, 4 &5 2018

leave a comment »

Australian + New Zealand Photobook of the Year Finalists

.

PLEASE NOTE THESE EVENTS HAVE NOW COMPLETED

FRIDAY August 3, 2018 evening

Event 1 – VIEW THE BEST PHOTOBOOKS from Australia & New Zealand

.

SATURDAY August 4, 2018 ALL DAY

Event 2 – HEAR CONTEMPORARY PHOTOBOOK people talking about the medium

Both events are FREE though registration/booking is essential

.

SUNDAY August 5 – Two NEW Sessions

(See Eventbrite links for session details, fees and booking details)

.

Event 3 – HAVE A PHOTOBOOK REVIEW with the Doctors – Doug+Vicky

Event 4 – DESIGNING & MAKING CONCERTINA FOLD BOOKS – with Doug+Vicky

.

 

EVENT 1: FRIDAY – August 3

An evening presentation the very best of contemporary photobooks from Australia and New Zealand from the recent Photobook of the Year Awards.

  • Meet Libby Jeffery from the Award’s Patron MOMENTO PRO.
  • Come in and look at the books from 5.30–8.00pm and Saturday 10.30–3.30pm.
  • Location: MAUD GALLERY – 6 Maud Street, Newstead, Brisbane.

TO BOOK this event do so on this Facebook page: PHOTOBOOK FRIDAY FACEBOOK EVENT

 

ANZ Photobook Awards at Maud Gallery

 

 

Event 2: TALKING BOOKS SYMPOSIUM  (free)

  • SATURDAY August 4 – 10.30am – 4.00pm
  • 6 speakers on the contemporary photobook
  • Location: MAUD GALLERY – 6 Maud Street, Newstead, Brisbane.

.

Eventbrite Logo

AS SEATING IS LIMITED – ….“CLICK” THE EVENTBRITE LINK BELOW.

https://www.eventbrite.com.au/e/talking-books-photobook-club-brisbane-event-tickets-37573180394

.

Libby Jeffery – MomentoPro

 

At 11.00am

KEYNOTE SPEAKER: Libby Jeffery from MomentoPro

Libby will talk about the Antipodean experience of self publishing a photo book – from purpose through to publicity

including:

  • Purpose
  • Budget/Funding
  • Self/Publish
  • Edit/Design
  • Format/Print
  • Sell/Distribute
  • Launch/Publicise

 

From 1.00-4.00pm

MEET SOME LOCAL PHOTOBOOK MAKERS & THEIR BOOKS

Tammy Law and her book Permission to Belong being developed in conjunction with Yumi Goto and the Reminders Photography Stronghold workshop

TAMMY LAW documents stories that are reflective of her experiences of being a child of Chinese migrants, and the bubble of Asian/Australianness within which she lives. Her travels through Asia—mostly in Japan, China, Malaysia, Thailand and Burma—and the differences between Asia and the West propel her to focus on concepts of migration, home and belonging.

Tammy’s book ‘Permission to Belong’, explores themes of migration, home and belonging through the everyday lives of refugee families from Myanmar. Living against the backdrop of decades of repressive rule and civil war, countless families live between a place of home and homelessness, belonging and unbelonging. The negotiation and renegotiation of identities is as complex as the history and future of Myanmar.

Ana Paula Estrada and 2 spreads from her book Memorandum

 

ANA PAULA ESTRADA: I am a Mexican–Australian artist based in Brisbane. For the last seven years my art practice has focused mainly on the documentation of life stories of older Australians by combining photography, oral history, and the artist book. I am currently undertaking my Master of Visual Arts by research degree at the Queensland College of Art.

In 2016, I self-published an artist book called Memorandum in an edition of 200, which was recognized and exhibited broadly nationally and internationally. My current project consists of publishing a two-volume artist book that tells the life stories of Kevin and Esta, two participants aged over eighty, with whom I have been collaborating. Merging the fields of documentary practice, oral history and fine arts, and influenced by visual poetry, my books explore the combination of text, image and the blank space of the page.

 

Jan Ramsay and her book Toaster, and another book showing her fine binding skills

JAN RAMSAY: Being inspired by creative parents and grandparents, After a few career changes including dental nurse/radiographer, fashion design and working with special needs people using braille & sign language Jan started a professional photography business, Eye on Photography in 1996. In photography Jan found expression for her creative spirit.

Jan’s books are mix of creative play and exploration of ideas where the form of the book becomes an important opportunity to push boundaries, making mistakes and having fun. Her books are hand bound featuring artists’ book techniques and are usually published in singular editions.

 

Raphaela Rosella and her book We met a little early, but I get to love you longer

Raphaela Rosella is an Australian based artist working in the tradition of long-form documentary storytelling. She has spent the past decade highlighting the lived experience of women in her life as they grapple with the complexities and cyclical nature of social disadvantage in Australia.  Her artistic practice draws heavily on relational exchanges and a collaborative ethos to challenge tropes of victimhood and poverty. 

When my teenage twin sister told me she was pregnant, I was angry. I called her a ‘slut’ and told her to get an abortion. I thought she could have a ‘better life’. But what is a better life? It was a path we were all expected to take. For many of my friends, becoming a parent young was not a ‘failure of planning’, but a tacit response to the choices and opportunities available to us. My book ‘We met a little early, but I get to love you longer‘ documents women in my life; my twin, my-step sister, and new and old friends as they grapple with the complexities of motherhood and the turbulent and uncertain environments around them.

 

 

HEAR ABOUT RECENT PHOTOBOOK EVENTS ACTIVITIES IN New Zealand & Bangkok

 

Tammy Law will talk about her experiences at the PHOTO BANGKOK event.

 

Libby Jeffery will talk about her experiences as an observer of the PBNZ Masterclass in Wellington last August..

 

Doug Spowart’s A Compendium of AuNz Photobooks

Doug Spowart will talk about his latest edition of A Compendium of Australian and New Zealand Photobooks.

 

The Symposium will conclude at 4.00pm

 

.

 

Maud Gallery sign

Thank You Maud Gallery for supporting this Photobook Club Brisbane event.

 

These events are coordinated by Doug Spowart and Victoria Cooper

.

.

.

.

.

 

 

%d bloggers like this: