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4 PHOTOBOOK EVENTS – Brisbane August 2, 3 & 4 2019

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4 PHOTOBOOK EVENTS OVER 3 DAYS – Check out the individual program

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Event 1 – FREE TO ATTEND

VIEW THE BEST PHOTOBOOKS

from the Australia & New Zealand Photobook Awards                  

From Friday evening August 2, Saturday 3 & Sunday 4, 2019

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  • It’s a FREE EVENT
  • Attend the ANZ Photobooks Awards Launch on Saturday at 12.30pm
  • You can view the books from 5.30–8.00pm on Friday and also Saturday & Sunday 10.30–3.30pm
  • Location: THE MAUD STREET PHOTO GALLERY – 6 Maud Street, Newstead, Brisbane
  • The Sponsor of the ANZ Photobook Awards is MomentoPro Books.

BOOK THIS EVENT THROUGH EVENTBRITE using this ink:

To Register to ATTEND THE ANZ PHOTOBOOK LAUNCH & VIEWINGS

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Event 2 – FREE TO ATTEND 

THE ALL PHOTOBOOK POP-UP SHOP

SATURDAY August 3, 2019 ALL DAY

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THIS EVENT WILL FEATURE:

  • The BEST Australian & New Zealand Photobooks
  • Talks by Libby Jeffery from MomentoPro
  • The latest Queensland Photobooks from the 2019 Melbourne Art Book Fair
  • Buy Second-Hand and new photobooks
  • A display of historical and rare photobooks
  • Photobook performances
  • Photobook table-talks

 

TO BOOK THE TALKS AND THE ANZ PHOTOBOOK AWARDS LAUNCH use these links:

 

LAUNCH The Australian & New Zealand Photobook Awards Brisbane Launch at 12.30pm

“CLICK THIS LINK”

DEMO by Libby Jeffery from MomentoPro about ‘How to make a photobook with MomentoPro software’

“CLICK THIS LINK”

TALK by Libby Jeffery from MomentoPro about ‘How to launch and market your photobook’

“CLICK THIS LINK”

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TO BOOK A $25 TABLE SPACE “CLICK” This LINK

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Event 3 – For a Fee

HAVE A PHOTOBOOK REVIEW

with the Doctors – Doug Spowart +Victoria Cooper

By Appointment

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We will work, one-on-one, with you to review book ideas, dummy photobooks and photos from projects being considered for a book and provide comments, critique and supportive feedback.

We can discuss relevant aspects of your photobook process including:

  • idea development
  • image sequencing and narrative
  • issues of texts and photos
  • aspects of contemporary and traditional book design
  • production options – DIY, Print-on-demand and trade
  • pricing > sales > promotion > distribution

BOOK THIS EVENT THROUGH EVENTBRITE using this ink:

https://www.eventbrite.com.au/e/photobook-review-with-the-doctors-tickets-62800959360..

 

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Event 4 – For a Fee

..NARRATIVE:

   Sequencing photos for photobooks

A full day workshop with Doug+Vicky

SUNDAY August 4, 2019

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One of the biggest challenges in making photobooks is the initial task of selecting images from the 100’s that you have captured to form sequences that carry strong communicative potential in a book.

This workshop is designed to engage the photographer with different processes of distilling images and structuring narrative flow in their photobook projects.

These ideas will be developed concurrently with the hands-on making of 3 photobook forms as ‘dummy’ books. A dummy is a tester, a sample book – it’s a physical object that you can you can hold and turn pages to review the changes that may be required to make a better book. Book designers may make many dummies as a key part of developing a great photobook.

The participant armed with these skills and knowledge will be better prepared to publish their photobook through print-on-demand options.

 

BOOK THIS EVENT THROUGH EVENTBRITE using this ink:

https://www.eventbrite.com.au/e/narrative-sequencing-photos-for-photobooks-tickets-62800120852

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ANZ Photobook Awards at Maud Gallery

 

 

 

Thank You The Maud Street Photo Gallery for supporting this Photobook Club Brisbane event.

 

These events are coordinated by Doug Spowart and Victoria Cooper

 

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4 PHOTOBOOK EVENTS – Brisbane August 3, 4 &5 2018

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Australian + New Zealand Photobook of the Year Finalists

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PLEASE NOTE THESE EVENTS HAVE NOW COMPLETED

FRIDAY August 3, 2018 evening

Event 1 – VIEW THE BEST PHOTOBOOKS from Australia & New Zealand

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SATURDAY August 4, 2018 ALL DAY

Event 2 – HEAR CONTEMPORARY PHOTOBOOK people talking about the medium

Both events are FREE though registration/booking is essential

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SUNDAY August 5 – Two NEW Sessions

(See Eventbrite links for session details, fees and booking details)

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Event 3 – HAVE A PHOTOBOOK REVIEW with the Doctors – Doug+Vicky

Event 4 – DESIGNING & MAKING CONCERTINA FOLD BOOKS – with Doug+Vicky

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EVENT 1: FRIDAY – August 3

An evening presentation the very best of contemporary photobooks from Australia and New Zealand from the recent Photobook of the Year Awards.

  • Meet Libby Jeffery from the Award’s Patron MOMENTO PRO.
  • Come in and look at the books from 5.30–8.00pm and Saturday 10.30–3.30pm.
  • Location: MAUD GALLERY – 6 Maud Street, Newstead, Brisbane.

TO BOOK this event do so on this Facebook page: PHOTOBOOK FRIDAY FACEBOOK EVENT

 

ANZ Photobook Awards at Maud Gallery

 

 

Event 2: TALKING BOOKS SYMPOSIUM  (free)

  • SATURDAY August 4 – 10.30am – 4.00pm
  • 6 speakers on the contemporary photobook
  • Location: MAUD GALLERY – 6 Maud Street, Newstead, Brisbane.

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Eventbrite Logo

AS SEATING IS LIMITED – ….“CLICK” THE EVENTBRITE LINK BELOW.

https://www.eventbrite.com.au/e/talking-books-photobook-club-brisbane-event-tickets-37573180394

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Libby Jeffery – MomentoPro

 

At 11.00am

KEYNOTE SPEAKER: Libby Jeffery from MomentoPro

Libby will talk about the Antipodean experience of self publishing a photo book – from purpose through to publicity

including:

  • Purpose
  • Budget/Funding
  • Self/Publish
  • Edit/Design
  • Format/Print
  • Sell/Distribute
  • Launch/Publicise

 

From 1.00-4.00pm

MEET SOME LOCAL PHOTOBOOK MAKERS & THEIR BOOKS

Tammy Law and her book Permission to Belong being developed in conjunction with Yumi Goto and the Reminders Photography Stronghold workshop

TAMMY LAW documents stories that are reflective of her experiences of being a child of Chinese migrants, and the bubble of Asian/Australianness within which she lives. Her travels through Asia—mostly in Japan, China, Malaysia, Thailand and Burma—and the differences between Asia and the West propel her to focus on concepts of migration, home and belonging.

Tammy’s book ‘Permission to Belong’, explores themes of migration, home and belonging through the everyday lives of refugee families from Myanmar. Living against the backdrop of decades of repressive rule and civil war, countless families live between a place of home and homelessness, belonging and unbelonging. The negotiation and renegotiation of identities is as complex as the history and future of Myanmar.

Ana Paula Estrada and 2 spreads from her book Memorandum

 

ANA PAULA ESTRADA: I am a Mexican–Australian artist based in Brisbane. For the last seven years my art practice has focused mainly on the documentation of life stories of older Australians by combining photography, oral history, and the artist book. I am currently undertaking my Master of Visual Arts by research degree at the Queensland College of Art.

In 2016, I self-published an artist book called Memorandum in an edition of 200, which was recognized and exhibited broadly nationally and internationally. My current project consists of publishing a two-volume artist book that tells the life stories of Kevin and Esta, two participants aged over eighty, with whom I have been collaborating. Merging the fields of documentary practice, oral history and fine arts, and influenced by visual poetry, my books explore the combination of text, image and the blank space of the page.

 

Jan Ramsay and her book Toaster, and another book showing her fine binding skills

JAN RAMSAY: Being inspired by creative parents and grandparents, After a few career changes including dental nurse/radiographer, fashion design and working with special needs people using braille & sign language Jan started a professional photography business, Eye on Photography in 1996. In photography Jan found expression for her creative spirit.

Jan’s books are mix of creative play and exploration of ideas where the form of the book becomes an important opportunity to push boundaries, making mistakes and having fun. Her books are hand bound featuring artists’ book techniques and are usually published in singular editions.

 

Raphaela Rosella and her book We met a little early, but I get to love you longer

Raphaela Rosella is an Australian based artist working in the tradition of long-form documentary storytelling. She has spent the past decade highlighting the lived experience of women in her life as they grapple with the complexities and cyclical nature of social disadvantage in Australia.  Her artistic practice draws heavily on relational exchanges and a collaborative ethos to challenge tropes of victimhood and poverty. 

When my teenage twin sister told me she was pregnant, I was angry. I called her a ‘slut’ and told her to get an abortion. I thought she could have a ‘better life’. But what is a better life? It was a path we were all expected to take. For many of my friends, becoming a parent young was not a ‘failure of planning’, but a tacit response to the choices and opportunities available to us. My book ‘We met a little early, but I get to love you longer‘ documents women in my life; my twin, my-step sister, and new and old friends as they grapple with the complexities of motherhood and the turbulent and uncertain environments around them.

 

 

HEAR ABOUT RECENT PHOTOBOOK EVENTS ACTIVITIES IN New Zealand & Bangkok

 

Tammy Law will talk about her experiences at the PHOTO BANGKOK event.

 

Libby Jeffery will talk about her experiences as an observer of the PBNZ Masterclass in Wellington last August..

 

Doug Spowart’s A Compendium of AuNz Photobooks

Doug Spowart will talk about his latest edition of A Compendium of Australian and New Zealand Photobooks.

 

The Symposium will conclude at 4.00pm

 

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Maud Gallery sign

Thank You Maud Gallery for supporting this Photobook Club Brisbane event.

 

These events are coordinated by Doug Spowart and Victoria Cooper

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VICTORIA COOPER: Loud & Luminous – Women’s Day Exhibition

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Loud & Luminous invite

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VICTORIA COOPER IN A NATIONAL EXHIBITION OF WOMEN PHOTOGRAPHERS

LOUD AND LUMINOUS the exhibition, a celebration of Australian Women photographers, has been on show at Brunswick Street Gallery in Melbourne from 28th February – 13th March 2018 linking with International Women’s Day.


The Loud and Luminous mission concieved by Mel Anderson and Hilary Wardhaugh was to recognise and celebrate the contribution of contemporary women in the photographic arts in Australia. The exhibition has 56 emerging and influential Australian women photographers, referencing a women’s symbol in their finished work. Australian women from 9 years to 90 years contributed, with the goal to empower women of today and tomorrow.


The brief was completely open to interpretation. Artists used the figure of a woman literally or referenced it by shape or to make a statement. Each artists’ interpretation is quite unique and as a collective there is a strong message revealed.


This is a timely project and will educate and inspire women of all ages, backgrounds and disciplines by recognising the extensive cultural contribution women photographic artists make. It aims to empower the girls and women of today and tomorrow to chase in their dreams.

 

Victoria Cooper portrait

 

Artists Statement: Dreaming a River by Victoria Cooper

 

Influenced by Gerhard Richter’s enigmatic painting ‘Betty’, I was drawn to this photograph I made of a friend while travelling along the Danube River in Austria. It is an everyday moment but yet I find myself drawn into the reverie.

At first I struggled with the intervention of the exhibition symbolic motif, but as I contemplated my time walking beside this iconic river it was transformed through the thinking process. The motif multiplied: a thought pattern; a metaphorical weaving into a psychological fabric; or the confluence of symbolic women becoming a river.

Rather than a message or a memory of time and place, this work is embedded in the story of everyday life– of being in the world, and moments of dreaming …

 

Digital photomontage created for the Loud and Luminous Project World Women’s Day 2018 exhibition

 

Victoria Cooper talks about her work

 

 

Who is in the show…?

SEE THE LOUD AND LUMINOUS SITE FOR BIOGs   Click HERE

The opening event

The Loud+Luminous opening PHOTO: Hilary Wardhaugh

The conference

SEE THE LOUD AND LUMINOUS SITE FOR DETAILS   Click HERE

 

A book about the exhibition made by sponsor MomentoPro

 

 

 

Thank you Melissa Anderson and Hilary Wardhaugh for coming up with the idea and coordinating the project through to its conclusion.

Thanks also to the Sponsors…

 

Sponsors

 

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Written by Cooper+Spowart

March 14, 2018 at 11:27 pm

MONTAGE+THE ARTISTS’ BOOK: a paper by Victoria Cooper

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Victoria and the ARTISTS’ BOOK YEARBOOK 2018-9

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 I’ve recently had a major paper on my research into the montage and artists’ books published in the ARTISTS’ BOOK YEARBOOK 2017-8 edited by Sarah Bodman from the Centre for Fine Print Research (CFPR) at the University of the West of England. The paper covers ongoing research which was undertaken as part of my Siganto Foundation Research Fellowship at the State Library of Queensland.

 

 

Here are the first 2 paragraphs from the paper

 

LIMINAL MOMENTS AT THE EDGES: READING MONTAGE NARRATIVES IN ARTISTS BOOKS        

 

Each time I am drawn into the montage image as a reader, I experience a liminal moment – I am at a threshold where I will enter into an unknown space. Although I may recognise familiar characteristics in each fragment I am disorientated by their juxtaposition in these hybrid images. My focus for the Siganto Research Fellowship in the Australian Library of Art (ALA) collection, at the State Library of Queensland (SLQ) is to review and study this liminal reading of the montage through the edges and joins of the fragments. In this research I am guided by the writing of Pierre Bourdieu, Roland Barthes and Sergei Eisenstein to orient myself in the reading and articulate my findings from the perspective of the reader. Also underpinning this research is the extensive history of combining, gluing, montaging, and collaging of image work in many mediums including film, photography and book making.

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During my fellowship, I have reviewed over 100 artists’ books and many artists’ statements held in the ALA. The scope of this research was limited to particular works of Australian artists including Peter Lyssiotis, Gracia Haby and Louise Jennison. However selected works by British artist Helen Douglas and other international artists from the ALA collection were also considered in my research to include an international perspective. As I am a montage maker and thinker, I have decided to include some artists’ books that–although by the artist’s definition are collage– I ‘read’ as montage. My focus is on the visual ‘reading’ of the combined fragments through their edges and the spaces between. There are also considerations for the combination with mixed media including sound, photography and drawing.

This investigation does not set out to define a lexicon for montage or collage for the makeri and as such, in the writing, I will refer to the image works I am researching as montage/collage.

[i] See my blog post for the Australian Library of Art, State Library of Queensland, http://blogs.slq.qld.gov.au/ala/2016/05/27/reading-montages-perceptions-dilemmas-edges-and-resolution/

 

Key books that I discuss in the paper are from the following artists:

Peter Lyssiotis, Feather and Prey, (1997), Masterthief Enterprises, Melbourne

Peter Lyssiotis, Products of Wealth, (1997), Masterthief Enterprises, Melbourne

Lorelei Clark, Brisbane: River City, (2010), Lagoongrass Press, Brisbane

Jack Oudyn, The very first book of fish, (199?), Micro Press, Ormiston, Queensland

Gracia Haby and Louise Jennison, And we stood alone in the silent night, (2008), Melbourne

Gracia Haby and Louise Jennison, Salvaged Relatives, Melbourne

Lyn Ashby, 20 minutes, , (2011), ThisTooPress, Victoria

Helen Douglas & Zoe Irvine, Illiers Combray. (2004), Weproductions, Scotland

Dianne Fogwell, Gene Pool, (2000), Edition & Artist Book Studio, Canberra School of Art, Canberra

 

You can download a copy of my paper HERE

PLEASE NOTE: This download version contains colour photographs of the books discussed – the Yearbook is published in monochrome.

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Thank you to all the artists who gave permission for their works to be photographed and presented in the publication.

Enjoy — and I would appreciate any comments you may have about the paper…

 

You can buy your own hard copy of the Yearbook from UWE HERE

UWE Publications website

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BOOKS & ANZ PHOTOBOOK AWARDS – 22&23 September 2018

with 2 comments

Australian 2016 Photobooks of the Year Finalists

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TWO SPECIAL PHOTOBOOK EVENTS IN BRISBANE ORGANISED BY THE PHOTOBOOK CLUB BRISBANE

Photobook Club Logo

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Event 1 – VIEW PHOTOBOOKS FRIDAY (FREE)

22nd September evening presents the very best of contemporary photobooks from Australia and New Zealand from the recent Photobook of the Year Awards.

Meet Libby Jeffery from the Award’s Patron MOMENTO PRO.

Come in and look at the books from 5.30pm — The viewing will close at 8.00pm.

Location: MAUD GALLERY – 6 Maud Street, Newstead, Brisbane.

 

ANZ Photobook Awards at Maud Gallery

 

TO BOOK this event do so on this Facebook page: PHOTOBOOK FRIDAY FACEBOOK EVENT

 

Event 2 – TALKING BOOKS SATURDAY (FREE)

23 September – a free day of presentations about making photobooks and talking about the latest local and international photobooks.

Saturday September 23 10.30am – 4.00pm

Location: MAUD GALLERY – 6 Maud Street, Newstead, Brisbane.

 

Libby Jeffery – MomentoPro

 

At 11.00am

KEYNOTE SPEAKER: Libby Jeffery from MomentoPro

Libby will talk about all things that make a difference for self publishers including:

  • Crowdfunding for projects

  • Working with editors, designers, reviewers, printers, distributors, publicists

  • The value of awards like Australian Photoboook of the Year Awards

  • Art book fairs

  • Print-on-demand services

 

From 1.00-4.00pm

HEAR FROM SOME LOCAL PHOTOBOOK MAKERS & THEIR BOOKS

 

Dane Beesley and his books

The images in Dane’s book The Road trace an unknown timeline to an unknown destination, where he appears only as a tall shadow. There’s an honesty, a quest for truth, perhaps a naiveté in the images reminiscent of cinéma vérité that captures the adolescent wanderlust it seeks to document.

 

David Symons and his book

David will show the ‘ins and outs’ of the work that he produced at the Siganto Foundation artists’ book workshops and a masterclass held at the State Library of Queensland earlier this year with UK artist Helen Douglas.

 

Neil Degney and his book You are here

The images in Neil’s book have been taken on the streets of inner city Brisbane over the years 2014 to 2017. The title references the ubiquitous wayfinding signs often found in unfamiliar environments that enable us to determine our geographical position and plan a course towards our intended destination. It is also my Instagram user name all the images have at some time been posted to Instagram. The photographs are taken with a camera phone and processed using an app called Snapseed. (Neil is scheduled in October to have the next exhibition at Maud Gallery).

 

Isaac Brown and his book This Rock Between Us

This Rock Between Us investigates the difficult relationship between my father and me. Hard, floating, and an unsubstantiated substance, the rock appears and vanishes from moment to moment. This handmade photobook attempts to represent the relationship as a physicality, as an object that exists ‘in-between’, and built, by my father and me.

 

HEAR ABOUT RECENT PHOTOBOOK EVENTS ACTIVITIES IN ATHENS, MALAYSIA & VIENNA

 

Louis at the Obscura Festival

Louis will be presenting some photobooks he had the pleasure of reading from his recent visit to the Obscura Festival 2017, as well as his recent work-in-progress photobook An Opened Letter.

 

Justin Ma

In March 2017 Justin Ma was invited to do a photography workshop with Antoine D’agata in Athens, Greece. The workshop was hosted by VOID, a new organisation in Athens focussed on alternative publishing, exhibitions and workshops mainly based around photography as well as other visual arts. During the event at Maud Justin will be showing a few examples of publications from VOID including their collaboration with Antoine D’agata’s latest book “Cidade de Pedra”.

 

Martin Parr talking photobooks with Vicky and Doug in Vienna

Doug and Vicky will talk about their experiences at the Vienna Photo Book Festival, meeting Martin Parr and Gerry Badger and show some of the books they bought home from the Festival.

 

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SEE BOOKS FROM AROUND THE WORLD

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TO BOOK SATURDAY PLEASE REGISTER ON THE EVENTBRITE SITE LISTED BELOW.

https://www.eventbrite.com.au/e/talking-books-photobook-club-brisbane-event-tickets-37573180394

 

Maud Gallery sign

Thank You Maud Gallery for supporting this Photobook Club Brisbane event.

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DARK LOVE: Stories of the darkroom @ Maud Gallery

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dark-love-logo-stre-1000

 

It seems that in the digital age many photographers still pine for the days past when the darkroom was familiar territory. While older photographers may have fond memories, today they share their darkroom love with new-comers, mainly younger and digitally native photographers. To honour the past and to celebrate the future of the darkroom we worked with the Director of Maud Creative Gallery Irena Prikryl recently to host a series of events and workshops to recognise analogue photography in contemporary photographic practice.

 

On November 8 a group of photographers responded to the call to attend an event at the gallery called DARK LOVE: Stories of the Darkroom. They were asked to come along with something special about the darkroom and tell a story associated with it. On arrival at the gallery their photographs were prepared and then hung on the wall.  The presentations were timed at around 5 minutes and were quite fascinating.

 

Part of the Dark Love exhibition at Maud Gallery

Part of the Dark Love exhibition at Maud Gallery

What follows is a photo of the attendee, their print and a brief comment about their stories …

 

Alex Buckingham

Alex Buckingham

Alex spoke about working with Liquid Light emulsions

 

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Victoria Cooper

Victoria Cooper discussed the making of this pinhole biscuit tin photo and the challenges of printing the 6x18cm negative

 

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Thomas Oliver

Thomas spoke about his current academic research in the multiple printing of a single negative.

 

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Tammy Forward

Tammy discussed the making of a studio portrait.

 

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Sandy Barrie

Sandy spoke of the dangers of shooting large format in busy Sydney traffic.

 

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Robyn Hills

Robyn told the story of the making of this award winning print – from its origins from a point-n-shoot camera to darkroom high contrast printing ‘Tipp-ex” and a little bit of marker pen…  A great animated performance….

 

OLYMPUS DIGITAL CAMERA

Rob Crapnell

Rob discussed his interest in the darkroom and work with a 6×7 Pentax documenting how old heritage buildings in Brisbane are being cramped by the skyscraper…

 

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Peter Pescell

Peter discussed his use of an ‘ancient’ bellows camera and reloaded 120 aerial film on spools to make this image… the old and the outdated still have currency in analogue…

 

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Michael Stephenson

Michael discussed his modern printing of a series of lantern slides that represented a panorama of Brisbane made in the 1870s(?) by the photographer a Mr Wilson(?).

 

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Louis Lim

Louis spoke of a camera obscura that he made in a children’s hospital as part of an artist in residence. He described the view of Vulture Street in Brisbane on the ceiling of the room and how children visiting the space were enthralled by the images on the ceiling and walls…

 

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Jeff Ryan

Jeff discussed the taking of this photograph and its connection personal connection with he and his brother’s lives. The photo was made relatively recently at a place where Jeff and his brother played as kids 40 years earlier.

 

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Irena Prikryl

Irena’s story related to buying her first serious camera – a Hasselblad and then taking some photos in Grand Central Station in New York. The camera was balanced on a railing and the shutter speed was long…  The photo was recently printed in a Fine Art Print workshop at Maud with Doug+Vicky.

 

 

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Chris Bowes

Chris Bowes was unable to attend but had come by earlier to install his personal investigation of self and sweat by placing un-exposed B&W photopaper against his body. The prints are then process yield a ‘Chemigram’.  Chris will present a floortalk at the gallery. Check the Dark Love page for details…

 

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David Symons

David discussed that the origins of his 1980s photographic series was a response to the work and photobooks of David Hamilton. Hamilton was well known for his ‘soft-porn’ photos of young girls. Symons spoke about how he appropriated Hamilton’s photos by double printing copy negatives through a cracked mud image. Texts from Hamilton’s book were adapted by Symons using a redactive process to reveal an alternative story….

 

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Doug Spowart

I commented about how a recent re-connection with pinhole photography during the Pinhole workshop last weekend had helped to resolve a need for a new project that Vicky and I will be working on next year. I passed around an 8″x10″ film pinhole negative that had revived my interest and love of the darkroom.  PHOTO: Victoria Cooper.

 

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Edwin Wecker

Edwin discussed his experiences with film photography whilst on tour to India with his friend Russell Shakespeare.

 

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Gail Hoger-Neuman

Gail showed some photographs from her early 1990s exhibition ‘Hollywood Stills’ that was shown at Imagery Gallery.

 

Sandy Barrie demonstrates ancient portable daylight enlargers – the oldest was made before 1859.

Sandy Barrie demonstrates ancient portable daylight enlargers – the oldest was made before 1859.

 

Conversations continued after the presentations

Conversations continued after the presentations

The DARK LOVE works were enjoyed and discussed

The DARK LOVE works were enjoyed and discussed

 

CHRIS BOWES FLOORTALK  – 26 November – details to be confirmed

A FINE ART PRINTING WORKSHOP WILL TAKE PLACE ON – Postponed to 2017

A CYANOTYPE WORKSHOP – Details HERE

AND THE FRONT GALLERY WILL BE CONVERTED INTO A CAMERA OBSCURA on November 26 (to be confirmed)

 

 

 

Festival of the Darkroom logo

Festival of the Darkroom logo

 

All portrait photographs and gallery documentations unless credited otherwise ©2016 Doug Spowart

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1993 THE BRISBANE PHOTOGRAPHY SCENE: Ian Poole Guest Editor

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Cover-PHOTO.Graphy Vol4 #5

Cover-PHOTO.Graphy Vol4 #5

 

From 1990 to 2001 I edited and published a journal called PHOTO.Graphy (ISSN 1038-4332 and earlier called ‘News Sheet’). This journal was created to fill a gap in the discussion, critique and commentary about a segment of the photography discipline within Australia. Occasionally I would engage guest editors to add their voice to the conversation. Ian Poole was the Guest Editor for Volume 4 #5 – Here is my Editorial introducing to Ian’s view of the art photography scene in Queensland in 1993.

 

Ian’s survey of the Queensland art photography scene makes for interesting reading nearly 25 years on… Mentioned in the survey are; Rod Buchholtz, Andrew Campbell, Ray Cook, Victoria Cooper, Marion Drew, John Elliott, Peter Fischman, Craig Holmes, Andrew Hurst, Chris Houghton, Susan Leway, Kerry James, Gail Newmann, Glen O’Malley, Charles Page, Graeme Parkes, Ray Peek, Howard Plowman, Rhonda Rosenthal, Maris Rusis, Doug Spowart, Ruby Spowart, Richard Stringer, Carl Warner, Jay and Younger. Charles A. von Jobin is also featured in the issue.

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A PDF of the full issue is available HERE: PHOTO.G-Vol4n5r.

 

 

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PHOTO.G-Vol4n5r

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