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UPDATE-SKOPELOS WORKSHOP: Join us on a Greek Island

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PHOTO: Steph Bolt Cyanotype: Cooper+Spowart

Skopelos jetty …….PHOTO: Steph Bolt Cyanotype: Cooper+Spowart

 

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IMAGINE – the inspiration for PHOTOGRAPHY on an Aegean Island

CONSIDER – exploring photodocumentary, cyanotypes and books

AND ENJOY –  Greek food and wine, experience the blue of the Aegean Sea, Greek lifestyle and its mythical landscapes – All shared with fellow workshop participants with similar interests.

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Skopelos landscapes PHOTO: Steph Bolt

Skopelos landscapes ……..PHOTOs: Steph Bolt

Greek women and men talking PHOTO: Steph Bolt

Greek women and men talking ……..PHOTOs: Steph Bolt

 

In May 2017 we will be presenting a 12 day workshop on the Greek island of Skopelos with Australian artist and printmaker Steph Bolt.

 

We plan to work with participants to capture the experience of ‘being there’ and to tell stories about ‘place’ in books and photographs.

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The workshop topics will include:

  • The cyanotype process to produce prints on paper and cloth to reference the Aegean blue
  • Working with found objects and inkjet negatives from photos made on excursions
  • Making bespoke photobooks that you will handcraft during the workshop
  • Aspects of documentary ‘placemaking’
  • Using online photobook making services to design books
  • A sharing of our techniques to optimise and enhance digital photographs.

What is included in the fee:

  • Tuition for 12 days
  • 12 breakfasts
  • Opening & closing dinners
  • 2 lunches
  • Morning tea – on the days we are in the studio
  • Excursion days – transport included
  • The odd drink on the terrace overlooking the Aegean

Workshop specific materials included:

  • Cyanotype chemistry
  • Some printing papers and cloth
  • An allocation of inkjet negative material for photographic images
  • Basic book-making materials: threads, needles, glue
  • Air conditioned studio access

 

Vicky+Doug presenting workshops

Vicky+Doug presenting workshops

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A detailed website:  SKOPELOS WORKS ON PAPER

Contact Steph Bolt at skopelosworksonpaper@gmail.com

 

Vicky and Doug

ABOUT THE TUTORS

We have been involved in the arts as practitioners, teachers, critics, commentators and allied professional activities for many years: Doug Spowart, from the 1980s and Victoria Cooper, from 1990.

Our individual and collaborative book works have been acquired for the artists’ books, rare book and manuscript collections in Artspace Mackay, State Libraries of Queensland and Victoria, Mitchell Library (Doug), the National Library of Australia. Our wall based artworks are held in numerous public collections.

Our artists’ books have also been exhibited in New Zealand, the United Kingdom and the United States of America and are held by private and public collections in these countries.

We have both completed individual PhD studies based on philosophical and theoretical considerations in our practice. Since completing these studies we have continued our research activities and have each received separate Siganto Foundation Artists Book Research Fellowships in the Australian Library of Art at the State Library of Queensland: Doug in 2014 and Victoria in 2015.

Victoria Cooper  PhD and has holds the following AIPP  credentials –APP.L, M.Photog, Hon.FAIPP.

Doug Spowart  PhD and has holds the following AIPP  credentials – APP.L, M.Photog, Hon.FAIPP, FAIPP.

 

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AIPP APP Log

 

This workshop is recommended by the AIPP for its members for their Continuing Professional Development as a Third Party CPD Event.

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Some hand-made photobooks/artists books we have made

Some hand-made photobooks/artists books we have made

Super Nova a cyanotype by Victoria Cooper

Super Nova a cyanotype by Victoria Cooper

Wooli Beach Junk a cyanotype by Doug Spowart

Wooli Beach Junk a cyanotype by Doug Spowart

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NOCTURNE ARMIDALE: a community photo project

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Sam Walkom's Imperial Hotel through the Post Office's arche

Sam Walkom’s Imperial Hotel rephotography DUO taken through the Post Office’s arches

 

NOCTURNE ARMIDALE: Capturing Armidale in a new light          

In our latest Nocturne project we worked with a group of photographers from the Armidale region to document the change of light from day to night. The special theme we developed for the Nocturne: Armidale project was to capture the town in both the early evening’s nocturnal light with a second photograph of the subject during daylight. This ‘re-photography’ approach resulted in a comparative pairs of images revealing the evocative nature of nocturne light and how it transforms everyday places.

 

The project began in mid-September when we conducted a workshop at the New England Region Art Museum (NERAM) in re-photography and nocturne light capture. This included practical shoots around Armidale from which images were then optimized and uploaded to Nocturne: Armidale project Facebook page to share with the wider community. Another aspect of the project was the digital processing and optimising of nocturne photographs. This was accomplished in a mentored section of the workshop with the participant’s images.

 

Doug presenting his workshop on file optimisation

Doug presenting his workshop on file optimisation

A group shot of some of the Nocturne Armidale participants

A group shot of some of the Nocturne Armidale participants PHOTO: Neil Burton

 

Les Davis from the National Trust Home Saumarez, provided project participants with a unique opportunity to photograph this magnificent historical homestead. Over two separate nights images were made to highlight the home’s colonial architecture.

It was suggested in our original proposal that the work produced could be at some later stage be exhibited. And during the workshop Greg from the New England Art Society Armidale Art Gallery came forward with the offer of an exhibition space in their gallery.

In the two months following the workshop we finalised the optimisation of 25 pieces from the workshop – most of them re-photography Duos, and printed them for the participants. Other print coordination took place with workshop participant Neil Burton who provided access to his wide-format printer for large images to be made. At the end of November we returned to Armidale with Neil and his partner Lindy Osbourne to hang the shows.

 

Hanging the Nocturne Armidale exhibition

Hanging the Nocturne Armidale exhibition

Part of the Nocturne Armidale exhibition at the Armidale Art Gallery

Part of the Nocturne Armidale exhibition at the Armidale Art Gallery

The project’s main exhibition was shown at the Armidale Art Gallery in Beardy Street and we presented a floortalk on December 3rd that was attended by around 25 visitors as well as most of the project’s participants. The exhibition of images from the Saumarez shoot-outs was officially opened by photographer and publisher Terry Cooke on December 2 and will remain on display at Saumarez until January 29th, 2017. A third exhibition of photographs included our images and works by Neil Burton will be on show in the Armidale Council Chambers until March 5, 2017.

 

With Terry Cooke, Les Davis and Neil Burton at the opening of the Saumarez show

With Terry Cooke, Les Davis and Neil Burton at the opening of the Saumarez show PHOTO: Lindy Osbourne

Vicky presenting a floortalk about the Nocturne show

Vicky presenting a floortalk about the Nocturne show

 

The Nocturne: Armidale exhibitions include photographs by Paul Bayne, Sue Burgess, Neil Burton, Victoria Cooper, Les Davis, Ross Jenkins, Jeni Mackenzie, Doug Spowart, Sam Walkom and Jim Walmsley.

Here is a selection of the Nocturne Armidale project images…

Click on image to open a gallery viewer for author and subject details.

 

 

Robert Heather, the Director of NERAM described us as a ‘nomadic photographic duo’ and acknowledged that we had, with our group of local photographers, had ‘braved cold, wet and windy conditions to create some beautiful and dramatic images of places which we all know well such as the old Courthouse, Saumarez Homestead, the cathedrals, hotels and railway station.”

 

The New England FOCUS Magazine published a story on our work and background to the Nocturne Armidale project – Download a PDF focus-nocturnearmidale-red (20Mb)

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The Nocturne: Armidale project was coordinated by the New England Regional Art Museum in partnership with the New England Art Society and supported by Saumarez Homestead and Armidale Regional Council.

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Regtta Hotel, Brisbane - rephotography DUO

Regatta Hotel, Brisbane – Rephotography DUO

ABOUT NOCTURNE PHOTOGRAPHY

Nocturne photography captures a time of day where the afterglow of sunset and the glow of streetlights can transform the everyday experience of place. In these photographs, street scenes and buildings that may be familiar in normal daylight take on the dramatic appearance of movie sets. Some photographs created at this time can require long camera exposures and therefore produce images that can capture blurred movement of people and car headlight trails. These images offer to the community a different perspective to their daily experience of place.

 

Nocturne Armidale Logo

Nocturne Armidale Logo

MORE ABOUT COOPER and SPOWART NOCTURNE PROJECTS

NOCTURNE: ARMIDALE, the project is part of continuing series, conducted by Victoria Cooper and Doug Spowart, across Eastern Australia including past events in Muswellbrook, Grafton, Bundaberg and Miles.

Through our Nocturne documentary photography and Facebook social media projects, we have explored connections with Place in urban and regional communities throughout Queensland, New South Wales and Victoria. For us the phenomenon of nocturnal light transforms these everyday spaces. Buildings, busy street corners, quiet alleyways all become filled with the dramatic light of a movie scene. In 2013 and 2014 we were given the opportunity, through funded Artists-in-Residence (AIR) programmes, to undertake Nocturne projects in the regional communities of Muswellbrook, Grafton and Bundaberg.

 

The photographs in themselves have no intrinsic meaning – it is the viewer, with their experience and memory that brings life to the image. In this moment of connection they may recount a personal narrative or connect with the historical significance of the place. This collaboration between photograph and viewer is exciting and vibrant – expanding the potential for the documentary image to go beyond the vision of the photographer.

 

Examples of other Nocturne Projects and Facebook responses can be found at: <www.nocturnelink.com>

 

 

Cooper+Spowart shooting Nocturne

Cooper+Spowart shooting Nocturne

 

ABOUT  COOPER+SPOWART
Our arts practice is informed by our ongoing and evolving connection with Place. Our Place-Projects are influenced by the context and the consequences of living within a constantly changing landscape. We work with a range of photographic concepts, from the camera obscura, through analogue processes to the digital forms of the medium. Our work is presented as visual narratives in artists’ books, photobooks, exhibition images and and on blogs and social media.

 

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Copyright in all Nocturne Armidale project images is retained by the author – any use of these photographs must be approved by the copyright owner.

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DARK LOVE: Stories of the darkroom @ Maud Gallery

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It seems that in the digital age many photographers still pine for the days past when the darkroom was familiar territory. While older photographers may have fond memories, today they share their darkroom love with new-comers, mainly younger and digitally native photographers. To honour the past and to celebrate the future of the darkroom we worked with the Director of Maud Creative Gallery Irena Prikryl recently to host a series of events and workshops to recognise analogue photography in contemporary photographic practice.

 

On November 8 a group of photographers responded to the call to attend an event at the gallery called DARK LOVE: Stories of the Darkroom. They were asked to come along with something special about the darkroom and tell a story associated with it. On arrival at the gallery their photographs were prepared and then hung on the wall.  The presentations were timed at around 5 minutes and were quite fascinating.

 

Part of the Dark Love exhibition at Maud Gallery

Part of the Dark Love exhibition at Maud Gallery

What follows is a photo of the attendee, their print and a brief comment about their stories …

 

Alex Buckingham

Alex Buckingham

Alex spoke about working with Liquid Light emulsions

 

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Victoria Cooper

Victoria Cooper discussed the making of this pinhole biscuit tin photo and the challenges of printing the 6x18cm negative

 

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Thomas Oliver

Thomas spoke about his current academic research in the multiple printing of a single negative.

 

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Tammy Forward

Tammy discussed the making of a studio portrait.

 

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Sandy Barrie

Sandy spoke of the dangers of shooting large format in busy Sydney traffic.

 

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Robyn Hills

Robyn told the story of the making of this award winning print – from its origins from a point-n-shoot camera to darkroom high contrast printing ‘Tipp-ex” and a little bit of marker pen…  A great animated performance….

 

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Rob Crapnell

Rob discussed his interest in the darkroom and work with a 6×7 Pentax documenting how old heritage buildings in Brisbane are being cramped by the skyscraper…

 

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Peter Pescell

Peter discussed his use of an ‘ancient’ bellows camera and reloaded 120 aerial film on spools to make this image… the old and the outdated still have currency in analogue…

 

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Michael Stephenson

Michael discussed his modern printing of a series of lantern slides that represented a panorama of Brisbane made in the 1870s(?) by the photographer a Mr Wilson(?).

 

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Louis Lim

Louis spoke of a camera obscura that he made in a children’s hospital as part of an artist in residence. He described the view of Vulture Street in Brisbane on the ceiling of the room and how children visiting the space were enthralled by the images on the ceiling and walls…

 

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Jeff Ryan

Jeff discussed the taking of this photograph and its connection personal connection with he and his brother’s lives. The photo was made relatively recently at a place where Jeff and his brother played as kids 40 years earlier.

 

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Irena Prikryl

Irena’s story related to buying her first serious camera – a Hasselblad and then taking some photos in Grand Central Station in New York. The camera was balanced on a railing and the shutter speed was long…  The photo was recently printed in a Fine Art Print workshop at Maud with Doug+Vicky.

 

 

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Chris Bowes

Chris Bowes was unable to attend but had come by earlier to install his personal investigation of self and sweat by placing un-exposed B&W photopaper against his body. The prints are then process yield a ‘Chemigram’.  Chris will present a floortalk at the gallery. Check the Dark Love page for details…

 

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David Symons

David discussed that the origins of his 1980s photographic series was a response to the work and photobooks of David Hamilton. Hamilton was well known for his ‘soft-porn’ photos of young girls. Symons spoke about how he appropriated Hamilton’s photos by double printing copy negatives through a cracked mud image. Texts from Hamilton’s book were adapted by Symons using a redactive process to reveal an alternative story….

 

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Doug Spowart

I commented about how a recent re-connection with pinhole photography during the Pinhole workshop last weekend had helped to resolve a need for a new project that Vicky and I will be working on next year. I passed around an 8″x10″ film pinhole negative that had revived my interest and love of the darkroom.  PHOTO: Victoria Cooper.

 

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Edwin Wecker

Edwin discussed his experiences with film photography whilst on tour to India with his friend Russell Shakespeare.

 

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Gail Hoger-Neuman

Gail showed some photographs from her early 1990s exhibition ‘Hollywood Stills’ that was shown at Imagery Gallery.

 

Sandy Barrie demonstrates ancient portable daylight enlargers – the oldest was made before 1859.

Sandy Barrie demonstrates ancient portable daylight enlargers – the oldest was made before 1859.

 

Conversations continued after the presentations

Conversations continued after the presentations

The DARK LOVE works were enjoyed and discussed

The DARK LOVE works were enjoyed and discussed

 

CHRIS BOWES FLOORTALK  – 26 November – details to be confirmed

A FINE ART PRINTING WORKSHOP WILL TAKE PLACE ON – Postponed to 2017

A CYANOTYPE WORKSHOP – Details HERE

AND THE FRONT GALLERY WILL BE CONVERTED INTO A CAMERA OBSCURA on November 26 (to be confirmed)

 

 

 

Festival of the Darkroom logo

Festival of the Darkroom logo

 

All portrait photographs and gallery documentations unless credited otherwise ©2016 Doug Spowart

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ORPHEUS PHOTO WORKSHOP WRAP-UP

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An Orpheus sunset

An Orpheus sunset

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We came to Orpheus to share our knowledge, skills and experience of photography and the book. We were ready to assist and encourage – motivate and create with the participants… We had plotted and planned for months – but nothing could have prepared us for the Orpheus experience we were to have!

 

We were amazed with the boundless energy and enthusiasm for all things photography. In particular:
• Everyone’s participation in the lecture presentations
• The amazing camera obscura that John de Rooy & Spyder Displays had made
• The fun everyone had with pinhole imaging, lumen printing and other ‘photo play’ projects
• The playful and the deeply considered work made by everyone
• The individual creative development towards making books
• The joy that everyone expressed from making and crafting fine images and books

 

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With Les in the lecture room

Our Spyder Camera Obscura

Our Spyder Camera Obscura

A DUO View of the scene and the Camera Obscura image

A DUO View of the scene and the Camera Obscura image

We appreciated the special access to the incredible equipment from Kayell, Hasselblad, Nikon, Epson and ProPhoto.
The support workers and organisers were photo experts, construction workers and logistical whizzes while always with a smile and good humour. So much happens behind the scenes of the great Orpheus Drama. But there was another endless creative space – the kitchen. And it was those that worked from dawn to well after we all had dined that we owe our sustained creative energy, fed our bodies and delighted our taste buds.

The lecturing team – D+V and Les

The lecture team – D+V and Les

All this made the working environment possible as we, with the amazing Les Walkling, worked together to share our knowledge, passion and inspiration for photography. It was inspiring for us working with Les – his dedication to sharing his great knowledge and experience. He is truly unique in Australian photography. Thank you also for your words about our contribution to the Orpheus Photo Workshop …

… I loved every minute of the ‘Doug & Vicky Roadshow’, and I even ‘re-named’ the main lecture theatre the ‘Doug and Vicky Studio’. What memorable times were had in and around that space. Every aspect of Doug and Vicky’s presentations were informative and entertaining, and I don’t think I have ever loved photo books so much, nor ‘played’ so joyfully with my photography. What a difference it makes working with skilled presenters who are at the top of their field and not afraid to share their love and devotion to what we all adore; our photography. I can’t thank them enough for their contribution to Orpheus 2016, their generosity and tireless expansiveness, and the difference they have made to our photographic lives.

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Our photobook workarea

The Doug and Vicky studio

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WHAT FOLLOWS IS AN ALBUM OF PHOTOS FROM THE WORKSHOP

Light painted “Orpheus” on Orpheus Island

Light painted ‘Orpheus’ on Orpheus Island

A 'millpond crossing' they said...!

A ‘millpond crossing’ they said…!

Heading towards Orpheus Island

But it did smooth out – heading towards Orpheus Island

The arrival --- unloading the boat

The arrival — unloading the boat

A Photoshop power session with Les

A Photoshop power session with Les

The Doug and Vicky 'White Gloves Event' showing a range of our artists' books and photobooks

The Doug and Vicky ‘White Gloves Event’ showing a range of our artists’ books and photobooks

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The order of the day

A photobook narrative development exercise

A photobook narrative development exercise

The D+V Roadshow....

The D+V Roadshow….

An early evening conversation

An early evening conversation

'I made a photobook!!!' Sarah show her bookwork

‘I made a photobook!!!’ Sarah shows her bookwork

An exhibition of student work at the end of the workshop

An exhibition of student work at the end of the workshop

Orpheus Group Shot_2016

Orpheus Group Shot 2016

Saying goodbye to the participants...

Saying goodbye to the participants…

The ‘staff’ take a break in a pinhole time-lapse movie made by Ross Eason…

Les takes a last look as we leave the island behind...

Les takes a last look as we leave the island behind…

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Special thank you to:

John and Pam de Rooy our hosts and organisers – the rocks that underpin Orpheus
Tutors Murray, Ross and Rod for their ever-present support
Brenda, Dave and Nikolaj – an amazing Chef team
Marta and Jimmy from the JCU Research Facility – where would we be without their support?
Libby and Geoff from MomentoPro for their enthusiasm and collaboration in the book projects
Epson, Kayell and Canson for the fabulous papers and printers
William from Hasselblad and John from Kayell for the exceptional access to the gear
Nikon and the wonderful range of quality professional camera equipment.

AND… A very special thank you to all the photographers, now new friends, with whom we shared the experience of Orpheus 2016 …

Cheers

 

Doug+Vicky

 

Cyanotype in rice paper, Broadsheet artists book

Cyanotype in rice paper, Broadsheet artists book

We are now getting ready for our next island workshop: on the Greek island of SKOPELOS

May 2017 for 2 weeks of art photography about ‘place’ making cyanotypes and photobooks + Greek culture, wine and food.   SEE HERE FOR MORE INFO

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ADVANCE NOTICE: SKOPELOS-A Greek Island Workshop

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Wooli Beach Junk a cyanotype by Doug Spowart

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IMAGINE COMBINING ARTMAKING – PHOTOGRAPHY + BOOKS, eating Greek food and drinking wine, watching the blue of the Aegean Sea, experiencing Greek lifestyle and the mythical landscape?

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In May 2017 we will be presenting a 12 day workshop on the Greek island of Skopelos with Australian artist and printmaker Steph Bolt.

Vicky and Doug

Vicky and Doug

We plan to work with participants to capture the experience of ‘being there’ and to tell stories about the place in books and photographs.

The workshop topics will include:

  • The cyanotype process to produce prints on paper and cloth to reference the Aegean blue
  • Working with found objects and inkjet negatives from photos made on excursions
  • Making bespoke photobooks that you will handcraft during the workshop
  • Aspects of documentary ‘placemaking’
  • Using online photobook making services to design books
  • A sharing of our techniques to optimise and enhance digital photographs.

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A detailed website has been prepared by Steph Bolt and SKOPELOS WORKS ON PAPER

http://www.skopelosworksonpaper.com/spowartcooper-workshop.html

Googled images of Skopelos

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Super Nova a cyanotype book by Victoria Cooper

Supernova a cyanotype book by Victoria Cooper

 

FESTIVAL OF THE DARKROOM WORKSHOPS: MAUD D/Art – November

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Pinhole image: Victoria Cooper – Byron lighthouse pinhole

Pinhole image: Victoria Cooper – Byron lighthouse pinhole

.PINHOLE PHOTOGRAPHY

(This workshop has been completed)

Session 1 of 2  (November 1, Tues – Melbourne Cup day)  6.00-830pm

Session 2 of 2 (November 6, Sun) 9.30am – 4.00pm

KEY THINGS YOU WILL DO IN THIS WORKSHOP:

  • Make a pinhole camera
  • Make a pinhole
  • Take, process and print black and white film and paper pinhole photographs
  • Introductory B&W darkroom
  • Experience the aesthetic of retro-photography, photo history & hands-on image making

NOTE: THE PROGRAM HAS 2 SESSIONS

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Irena processes film…

FILM PROCESSING WORKSHOP

(This workshop has been completed)

(November 2, Wed)  5.30-830pm

This session will provide you with an opportunity to experience the dark art of B&W FILM PROCESSING. Importantly this session is intended as a ‘see how it’s done’ as well as a ‘do it yourself’ activity. You will be invited to bring along a 35mm-24 exposure or 120 black and white film that will be processed by you as part of the workshop.

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The Maud D/Art Darkroom space

INTRO B+W PRINTING WORKSHOP 

(November 9, Wed)  5.30-830pm

(This workshop has been completed)

In this session you will encounter and experience the Dark Art of PRINTING B&W NEGATIVES. The topics will cover all of the key information required to setup and work in a darkroom making your own prints. If you processed negatives in series 1 you will have a contact sheet made.

This session is a ‘show and tell’ of the following topics. Handouts and URL links to useful sites are included in the session notes provided.

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Making prints in the darkroom

Making prints in the darkroom

PRINTING SUPERVISED WORKSHOP

(November 12, Sat)  1.00-6.00pm

(This workshop has been completed)

A supervised printmaking session using your negatives. After being introduced to an enlarger for the session you will make test prints, select the appropriate contrast grade and use basic print enhancement techniques to produce your own prints.

  • You will work with a specialist darkroom practitioner to direct and support the printing session enabling you to make the most of this special opportunity.
  • This session will include a critique of the work created.
  • After completion of this series participants will be able to hire the Maud Gallery darkroom either as an individual or with mentored support.

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CYANOTYPE WORKSHOP

(November 20, Sun) 9.30am – 4.00pm

(This workshop has been completed)

The Cyanotype Workshop will provide for participants an introduction to the creative potential of the process.

Topics will include:

  • Sourcing and mixing your own chemicals
  • Selecting suitable subjects to image
  • Selecting the best materials to print on
  • Handcoating paper and cloth
  • Sunlight exposures as well as using UVexposure units
  • Processinng and drying

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FINE ART PRINTING WORKSHOP 

(This workshop has been postponed to 2017)

In the FINE ART Print workshop you will learn from the experience of working alongside Doug Spowart & Victoria Cooper hand-making a Fine Art print.

  • In this fine art printing session we will work with one of your negatives so you can learn how to select the best image to work with, print and finish a photograph to the highest FINE ART standard.
  • Working in a small group of 2-3 participants, advanced darkroom techniques, equipment and processes as well as creative printing controls will be demonstrated and performed.
  • At the end of this workshop you will have a finished FINE ART print ready for framing.

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Photobook workshops planned for November 14+15

 

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PHOTOBOOK CONCEPT, DESIGN & PHOTOSHOP

(These workshops have been completed)

 

'You are here..." a photobook by Cooper+Spowart

‘You are here…” a photobook by Cooper+Spowart

HANDMAKING PHOTOBOOKS

 

 

COOPER+SPOWART – JOURNEY NORTH

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Travelling along highways north….

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We are travelling up to north Queensland at the end of September for a month of artists’ book and photography projects, workshops and lectures.

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The artists in tropical garb with palm trees...

The artists in tropical garb with palm trees…

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Our Journey …

 

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Capricornia Printmakers logo

Capricornia Printmakers logo

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September 27 ROCKHAMPTON: CAPRICORNIA PRINTMAKERS

We will present an evening talk about our artists books/photobooks and the Siganto Foundation Research Fellowships work we have been doing in the Australian Library of Art at the State Library of Queensland.

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September 29 MACKAY: ARTSPACE MACKAY as part of the LIBRIS AWARDS PROGRAM

Here are the details…

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October 2-8 ORPHEUS ISLAND

Here are the details…

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October 16-22 WINTON: NOCTURNE WINTON – To be confirmed

See our other Nocturne Projects …  HERE

A few images like those we could be making at Winton follow…

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Walker's Hotel, Grafton

Walker’s Hotel, Grafton

Trucks through town...

Trucks through town…

A group of Nocturne photographers

A group of Nocturne photographers

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Nocturne Winton Facebook Logo

Nocturne Winton FB Logo

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CONTACT US FOR DETAILS OF ANY OF OUR JOURNEYS NORTH ACTIVITIES

<Greatdivide@a1.com.au>

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