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ADVANCE NOTICE: TALKING BOOKS & ANZ PHOTOBOOK AWARDS

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Australian 2016 Photobooks of the Year Finalists

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TWO SPECIAL PHOTOBOOK EVENTS IN BRISBANE ORGANISED BY THE PHOTOBOOK CLUB BRISBANE

Photobook Club Logo

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Event 1 – VIEW PHOTOBOOKS FRIDAY (FREE)

22nd September evening presents the very best of contemporary photobooks from Australia and New Zealand from the recent Photobook of the Year Awards.

Meet Libby Jeffery from the Award’s Patron MOMENTO PRO.

Come in and look at the books from 5.30pm — The viewing will close at 8.00pm.

Location: MAUD GALLERY – 6 Maud Street, Newstead, Brisbane.

 

ANZ Photobook Awards at Maud Gallery

 

TO BOOK this event do so on this Facebook page: PHOTOBOOK FRIDAY FACEBOOK EVENT

 

Event 2 – TALKING BOOKS SATURDAY (FREE)

23 September – a free day of presentations about making photobooks and talking about the latest local and international photobooks.

Saturday September 23 10.30am – 4.00pm

Location: MAUD GALLERY – 6 Maud Street, Newstead, Brisbane.

 

Libby Jeffery – MomentoPro

 

At 11.00am

KEYNOTE SPEAKER: Libby Jeffery from MomentoPro

Libby will talk about all things that make a difference for self publishers including:

  • Crowdfunding for projects

  • Working with editors, designers, reviewers, printers, distributors, publicists

  • The value of awards like Australian Photoboook of the Year Awards

  • Art book fairs

  • Print-on-demand services

 

From 1.00-4.00pm

HEAR FROM SOME LOCAL PHOTOBOOK MAKERS & THEIR BOOKS

 

Dane Beesley and his books

The images in Dane’s book The Road trace an unknown timeline to an unknown destination, where he appears only as a tall shadow. There’s an honesty, a quest for truth, perhaps a naiveté in the images reminiscent of cinéma vérité that captures the adolescent wanderlust it seeks to document.

 

David Symons and his book

David will show the ‘ins and outs’ of the work that he produced at the Siganto Foundation artists’ book workshops and a masterclass held at the State Library of Queensland earlier this year with UK artist Helen Douglas.

 

Neil Degney and his book You are here

The images in Neil’s book have been taken on the streets of inner city Brisbane over the years 2014 to 2017. The title references the ubiquitous wayfinding signs often found in unfamiliar environments that enable us to determine our geographical position and plan a course towards our intended destination. It is also my Instagram user name all the images have at some time been posted to Instagram. The photographs are taken with a camera phone and processed using an app called Snapseed. (Neil is scheduled in October to have the next exhibition at Maud Gallery).

 

Isaac Brown and his book This Rock Between Us

This Rock Between Us investigates the difficult relationship between my father and me. Hard, floating, and an unsubstantiated substance, the rock appears and vanishes from moment to moment. This handmade photobook attempts to represent the relationship as a physicality, as an object that exists ‘in-between’, and built, by my father and me.

 

HEAR ABOUT RECENT PHOTOBOOK EVENTS ACTIVITIES IN ATHENS, MALAYSIA & VIENNA

 

Louis at the Obscura Festival

Louis will be presenting some photobooks he had the pleasure of reading from his recent visit to the Obscura Festival 2017, as well as his recent work-in-progress photobook An Opened Letter.

 

Justin Ma

In March 2017 Justin Ma was invited to do a photography workshop with Antoine D’agata in Athens, Greece. The workshop was hosted by VOID, a new organisation in Athens focussed on alternative publishing, exhibitions and workshops mainly based around photography as well as other visual arts. During the event at Maud Justin will be showing a few examples of publications from VOID including their collaboration with Antoine D’agata’s latest book “Cidade de Pedra”.

 

Martin Parr talking photobooks with Vicky and Doug in Vienna

Doug and Vicky will talk about their experiences at the Vienna Photo Book Festival, meeting Martin Parr and Gerry Badger and show some of the books they bought home from the Festival.

 

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SEE BOOKS FROM AROUND THE WORLD

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TO BOOK SATURDAY PLEASE REGISTER ON THE EVENTBRITE SITE LISTED BELOW.

https://www.eventbrite.com.au/e/talking-books-photobook-club-brisbane-event-tickets-37573180394

 

Maud Gallery sign

Thank You Maud Gallery for supporting this Photobook Club Brisbane event.

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THE ANTIPODEAN PHOTOBOOK – a lecture at the Vienna Photo Book Festival

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Doug Spowart presenting The Antipodean Photobook at Vienna Photo Book Festival

 

THE LECTURE: THE ANTIPODEAN PHOTOBOOK

My lecture brief was to make an hour-long presentation about the Australian and New Zealand photobook scene. After some thought I organised my lecture content around 4 distinct areas.

 

1. The supporting structures

The contemporary scene was to be included covering both practitioners and the major events in AuNZ that have shaped and contributed to the development of strong network and community of practice. The key events, movers and shakers such as:

  • Photobook Melbourne
  • Photobook New Zealand
  • Unless you will 2017 event and book reviews
  • Melbourne Artbook Fair
  • Sydney’s Volume Another Artbook Fair
  • Zinefairs
  • The Photobook of the Year Awards
  • Bookshops
  • Perimeter Editions
  • m.33
  • T&G
  • Rim Books
  • Remote Photobooks
  • Perimeter
  • Photobook Clubs
  • Asia Pacific Photobook Archive
  • Photobook collections

I commented also on the sources of critical discourse on photobooks in AuNZ.

The role of Libby Jeffery and Geoff Hunt of MomentoPro as patrons and supporters of all things photobook in Australia and New Zealand was acknowledged.

2. Photobook histories of Australia and New Zealand from first examples to 2000

Here are a few slides from the presentation…

 

I was able also to present a discussion on the challenge of commercial book production as against personal work using Wes Stacey as an exemplar.

I also spoke about the informal links that exist between the photobook and artists’ book disciplines.

3. The contemporary scene and a selection of interesting books and makers

Here are a few slides from the presentation…

 

4. Voices from the Antipodean scene

It was important for me that contributors to the photobook discipline in Australia and New Zealand be given an opportunity to provide their personal insights to my presentation.

I sought comments from a range of key contributors and received responses from Libby Jeffery, Daniel Boetker-Smith, Helen Frajman, Harvey Benge, Bruce Connew, Garry Trinh, Sam Harris, Ying Ang, Anith Totha, The 2018 Photo Book Wellington Committee.

Here are a few slides from the presentation…

 

My concluding comment was that AuNZ and the Asia-Pacific regions offer new and refreshing ideas of what a photobook could be and the stories of peoples outside of the usual Euro/Americano scene.

I invited all attendees to visit our table and view the Photobook of the Year finalists and winners and offered, as an additional incentive a copy of the Awards booklet.

My lecture was well attended by festival participants from different parts of Europe including Martin Parr, Photo historian Hans-Michael Koetzle and collectors with an interest in the AuNZ books.

After the lecture Martin Parr and I discussed AuNZ photobooks that he was aware of and commented that in my lecture he had seen many new books. Our conversation continued later that day and he, Gerry Badger, and probably most of those who attended the lecture came to our table to look at the books.

 

Martin Parr at the AuNZ photobook table PHOTO: Lachlan Blair

 

 

SEE ALSO

The EVENT

https://wotwedid.com/2017/06/18/aunz-photobooks-the-vienna-photo-book-festival/

 

The REVIEW SESSIONS 

https://wotwedid.com/2017/06/18/review-panels-at-the-vienna-photo-book-festival/

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AuNZ PHOTOBOOKS @ The Vienna Photo Book Festival

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The exhibition at Brotfabrik Wien

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THE FESTIVAL: LECTURES, ACTIVITIES, OLD+NEW BOOKS & PRINT SALES

(from the ViennaPhotoBookFestival website)

The Artistic Directors, Regina Maria Anzenberger of Anzenberger Gallery and Michael Kollmann of OstLicht Gallery state that:

The ViennaPhotoBookFestival is celebrating its 5th anniversary on the 10th and 11th of June 2017 and to celebrate the medium of the photobook accordingly we have set up an exciting program. In addition to prominent guests like the Magnum legend Bruce Davidson and the creator of The Photobook: A History and Magnum photographer Martin Parr, we are expecting the photo critics Gerry Badger and Hans-Michael Koetzle, the Russian photographer Nikolay Bakharev, archipelago founder Magali Avezou, the chief curator of the Italian center for photography Camera Francesco Zanot, the Danish photographer Krass Clement and the Swiss photographer Rene Groebli, who is celebrating his 90th birthday this year.

Also in 2017 we are following the vision of a modern platform that helps to create networks between publishers, rare photobook dealers, independent publishers, artists and students. In addition, the festival’s international lectures will attract photobook aficionados from all over the world making Vienna a photobook metropolis once again.

 

The AuNZ Photobook of the Year set of books

Early Saturday morning along with 100 other table holders we unpacked and set-up our display. Around us other table holders offered everything from prints to booksellers of new and antiquarian books, student groups and educational institutions from all over Europe. There were special activities including a 10×8 Polaroid portrait and wet plate photography studios.

Our ANZ PBOTY display was positioned next to our Austrian/expat Australian friend Lachlan Blair’s table. Although he had paid for his table to show his beautiful photogram works and prints, Lachlan also shared the table minding duties with us. With his support we all were able to attend lecture events and also checkout other VPBF tables.

The exhibition space with the AuNZ table in the foreground

Lachlan Blair’s photogram print display

The history of the photobook was represented by significant collections and booksellers – I held a copy of Roy DeCarava’s Sweet flypaper of life… Lazlo Moholy-Nagy’s essay in Telehor from 1936 – books by Blossfeldt, Brandt, Van Elsen, Klaus Clement. I held back – a limited budget, though my new friend from Russia Natalia had an amazing handmade book by Julia Borissova that I had to buy, other books were bought and some were swapped – one of these was Surveillance by Valentyn Odnoviun which featured the circular observation peep-holes from Gestapo, STASI and KGB prisons – a most chilling yet remarkable book, this work was inspired by his father’s incarceration for 3 years on false charges.

Classic photobooks

Valentyn Odnoviun with his book ‘Surveillance’

Martin Parr was interviewed by Verena Kaspar-Eisert at the opening event – the room was full. Parr was the complete mischievous interviewee as Verena teased out some interesting facts and comments from this ‘Photobook Rock Star’.

Martin Parr being interviewed by Verena Kaspar-Eisert

Sunday continued the frantic pace – lectures, including one by Bruce Davidson, another by Nikolay Bakharev and Klaus Clement interviewed by Gerry Badger.

Krass Clement being interviewed by Gerry Badger

As the hours wore down there was a frantic activity to see other tables and catch up with as much as one could handle. MomentoPro had also sent along with the books around 30 of the little catalogues and these became gifts to selected viewers of our books… these included collectors, teachers serious photobook makers and others from the photo press and of course Anzenberger, Badger and Parr.

We received many statements from viewers complimenting the quality of our books some even saying that the work was better than the general European scene. In response to people wanting to buy ANZ books we suggested direct connection with the photographers websites, bookshops and online stores in ANZ. One collector came to us on Sunday and excitedly exclaimed that he had been in contact with a NZ photographer and had bought the book…! Katrin Koenning+ Sarker Protick’s Astres Noirs APOTY winner could have been sold many time over as it’s 1st edition is ‘sold out’ and is now a rarity – luckily the Anzenberger Bookshop had copies of the 2nd edition.

Gerry Badger with Sonia Lenzi at the AuNZ table

Martin Parr at the AuNZ table

In the final minutes of the 2016 VPBF all table holders packed up their displays of books and prints leaving behind a vacant space that had once held so many books, their stories and those who make or care for them. We left the building, said our goodbyes, repacked suitcases with new books and a couple of hours later Lachlan took us to Vienna airport to catch our flight home.

Regina Maria Anzenberger and Doug Spowart

It’s now the middle of the plane flight somewhere over the Black Sea – about 1.35am. I’m still pumped and excited to have been able to have made this foray into the European photobook scene. I also want to acknowledge the support of Regina Marie Anzenberger and Michael Kollmann from Vienna Photobook Festival, Libby Jeffery and Rony Wilson of MomentoPro, Lachlan Blair and my partner Victoria Cooper,

For many people in the northern hemisphere Australia and New Zealand will be known not just as an interesting travel destination but rather a place where a dynamic photobook network of practitioners exists making great books….

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What follows is a selection of images from the event…

 

SEE ALSO:

 

The LECTURE

https://wotwedid.com/2017/06/18/the-antipodean-photobook-a-lecture-at-the-vienna-photo-book-festival/

 

The REVIEW SESSIONS 

https://wotwedid.com/2017/06/18/review-panels-at-the-vienna-photo-book-festival/

 

ORPHEUS PHOTO WORKSHOP WRAP-UP

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An Orpheus sunset

An Orpheus sunset

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We came to Orpheus to share our knowledge, skills and experience of photography and the book. We were ready to assist and encourage – motivate and create with the participants… We had plotted and planned for months – but nothing could have prepared us for the Orpheus experience we were to have!

 

We were amazed with the boundless energy and enthusiasm for all things photography. In particular:
• Everyone’s participation in the lecture presentations
• The amazing camera obscura that John de Rooy & Spyder Displays had made
• The fun everyone had with pinhole imaging, lumen printing and other ‘photo play’ projects
• The playful and the deeply considered work made by everyone
• The individual creative development towards making books
• The joy that everyone expressed from making and crafting fine images and books

 

OLYMPUS DIGITAL CAMERA

With Les in the lecture room

Our Spyder Camera Obscura

Our Spyder Camera Obscura

A DUO View of the scene and the Camera Obscura image

A DUO View of the scene and the Camera Obscura image

We appreciated the special access to the incredible equipment from Kayell, Hasselblad, Nikon, Epson and ProPhoto.
The support workers and organisers were photo experts, construction workers and logistical whizzes while always with a smile and good humour. So much happens behind the scenes of the great Orpheus Drama. But there was another endless creative space – the kitchen. And it was those that worked from dawn to well after we all had dined that we owe our sustained creative energy, fed our bodies and delighted our taste buds.

The lecturing team – D+V and Les

The lecture team – D+V and Les

All this made the working environment possible as we, with the amazing Les Walkling, worked together to share our knowledge, passion and inspiration for photography. It was inspiring for us working with Les – his dedication to sharing his great knowledge and experience. He is truly unique in Australian photography. Thank you also for your words about our contribution to the Orpheus Photo Workshop …

… I loved every minute of the ‘Doug & Vicky Roadshow’, and I even ‘re-named’ the main lecture theatre the ‘Doug and Vicky Studio’. What memorable times were had in and around that space. Every aspect of Doug and Vicky’s presentations were informative and entertaining, and I don’t think I have ever loved photo books so much, nor ‘played’ so joyfully with my photography. What a difference it makes working with skilled presenters who are at the top of their field and not afraid to share their love and devotion to what we all adore; our photography. I can’t thank them enough for their contribution to Orpheus 2016, their generosity and tireless expansiveness, and the difference they have made to our photographic lives.

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Our photobook workarea

The Doug and Vicky studio

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WHAT FOLLOWS IS AN ALBUM OF PHOTOS FROM THE WORKSHOP

Light painted “Orpheus” on Orpheus Island

Light painted ‘Orpheus’ on Orpheus Island

A 'millpond crossing' they said...!

A ‘millpond crossing’ they said…!

Heading towards Orpheus Island

But it did smooth out – heading towards Orpheus Island

The arrival --- unloading the boat

The arrival — unloading the boat

A Photoshop power session with Les

A Photoshop power session with Les

The Doug and Vicky 'White Gloves Event' showing a range of our artists' books and photobooks

The Doug and Vicky ‘White Gloves Event’ showing a range of our artists’ books and photobooks

OLYMPUS DIGITAL CAMERA

The order of the day

A photobook narrative development exercise

A photobook narrative development exercise

The D+V Roadshow....

The D+V Roadshow….

An early evening conversation

An early evening conversation

'I made a photobook!!!' Sarah show her bookwork

‘I made a photobook!!!’ Sarah shows her bookwork

An exhibition of student work at the end of the workshop

An exhibition of student work at the end of the workshop

Orpheus Group Shot_2016

Orpheus Group Shot 2016

Saying goodbye to the participants...

Saying goodbye to the participants…

The ‘staff’ take a break in a pinhole time-lapse movie made by Ross Eason…

Les takes a last look as we leave the island behind...

Les takes a last look as we leave the island behind…

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Special thank you to:

John and Pam de Rooy our hosts and organisers – the rocks that underpin Orpheus
Tutors Murray, Ross and Rod for their ever-present support
Brenda, Dave and Nikolaj – an amazing Chef team
Marta and Jimmy from the JCU Research Facility – where would we be without their support?
Libby and Geoff from MomentoPro for their enthusiasm and collaboration in the book projects
Epson, Kayell and Canson for the fabulous papers and printers
William from Hasselblad and John from Kayell for the exceptional access to the gear
Nikon and the wonderful range of quality professional camera equipment.

AND… A very special thank you to all the photographers, now new friends, with whom we shared the experience of Orpheus 2016 …

Cheers

 

Doug+Vicky

 

Cyanotype in rice paper, Broadsheet artists book

Cyanotype in rice paper, Broadsheet artists book

We are now getting ready for our next island workshop: on the Greek island of SKOPELOS

May 2017 for 2 weeks of art photography about ‘place’ making cyanotypes and photobooks + Greek culture, wine and food.   SEE HERE FOR MORE INFO

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ADVANCE NOTICE: COOPER+SPOWART @ AIPP Brisbane ‘Hair of the Dog’ Conference

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Hair of the Dog header

Hair of the Dog header

 

On the 6th of February we will be presenting a breakout session at the annual AIPP Hair of the Dog Conference in Brisbane. Our presentation, entitled OPENING-UP THE PHOTOBOOK will provide a commentary on the contemporary photobook/artists book. Our spiel from the HOTD website states:

 

The photobook has emerged as a ubiquitous form of story telling. Now everyone makes these books to varying levels of expertise. Photobooks and albums have always been the domain of photographers. To maintain their leadership and innovation in this discipline, professional photographers need to be aware of the options available and emergent trends in the photobook. This Breakout session will present a contemporary view of the photobook in all its forms from simple photo-zines to print-on-demand productions and handmade artisan books.

 

We will be giving attendees a digital presentation to introduce the topic and a major show ‘n’ tell session will follow that will unpack the contemporary photobook/artists’ book. The books presented will come from our collection including some of our own works. A special part of this session will be inclusion of books from Australia’s best print on demand service providers ASUKABOOK, BLURB, MOMENTOPRO and PICPRESS who have given us examples of their most innovative books.

As a result of this session participants will be able to consider innovative and new commercial publishing products that will provide them with a point of difference from competitors and the general public.

 

Doug Spowart and Victoria Cooper and their C.R.A.P. display

Doug Spowart and Victoria Cooper at the State Library of Qld’s 2015 Art Book Fair

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Victoria Cooper and Doug Spowart are leaders in the fields of photobooks and artists’ books. Their books are held in major rare books and manuscript collections of the National Library of Australia, State Libraries and other significant public and private collections. In the last 10 years both have completed PhDs that related to the book and visual storytelling. They have both been awarded Research Fellowships at the State Library of Queensland. In the last 12 months Doug has presented lectures on photobooks at Photobook Melbourne, the Ballarat International Foto Biennale and the Auckland Festival of Photography.

 

FOR MORE INFORMATION VISIT:

http://www.hotd.aippblog.com/index.php/speakers-2016/doug-spowart-victoria-cooper/

PRICING INFORMATION:

Earlybird Rates (End January 15th, 2016)

AIPP Member 2 Days plus the Business Masterclass on Monday – Early Bird $420 After Early Bird $520
AIPP Member 2 Days Only (Sat & Sun) – Early Bird $290 After Early Bird $390
AIPP Member 1 Day (either the Sat or Sun) – Early Bird $200 After Early Bird $280

Student 2 Days plus the Business Masterclass Monday – $150
Student 2 Days (Sat & Sun) – $120
Student 1 Day (either the Sat or Sun) – $90

Non-Member 2 Days (Sat & Sun) – Early Bird $435 After Early Bird $585
Non-Member 1 Day (either the Sat or Sun) – Early Bird $300 After Early Bird $420

 

Hair of the Dog header

Hair of the Dog header

PUMPING-UP the VOLUME on PHOTOBOOKS

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Screen dump on Volume site

Screen dump on Volume site

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I attended Volume: Another Art Book Fair in Sydney on the weekend of September 11+13, 2015. The event was a collaboration between Artspace, Perimeter Books and the American artists’ book not-for-profit book shop Printed Matter. Packed into the Artspace building in Woolloomooloo were around 100 ‘Art Book’ makers, publishers and sellers all vying for the attention of potential purchasers. The table holders had spread before them all things book – let’s not try and get into discussions around what an ‘art book’ is, but rather celebrate the range of published products from thin stapled zines and comics, to self-pub photobooks, artists’ books and gallery catalogues, and further to trade-styled ‘fine art’ books and livre d’artiste productions.

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Some of the Volume Art Book Fair table participants included:

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Shannon Michael Cane from Printed Matter

Shannon Michael Cane from Printed Matter

Printed Matter

 

Cameron Cope

Cameron Cope

Cameron Cope

 

The Perimeter Books table

The Perimeter Books table

Perimeter Books

 

Bloom Publishing Lloyd Stubbers + Jay Dymock

Bloom Publishing Lloyd Stubbers + Jay Dymock

Bloom Publishing: Lloyd Stubbers + Jay Dymock

 

Richard Tipping and Max Ernst (David Dellafiora)

Richard Tipping and Max Ernst (David Dellafiora)

Thorny Devil Press: Richard Tipping

 

George Voulgaropoulos

George Voulgaropoulos

Pneuma Publishing: George Voulgaropoulos

 

Deanna Hitti

Deanna Hitti

Deanna Hitti

 

Libby Jefferies MomentoPro after a long day on Sunday

Libby Jefferies MomentoPro after a long day on Sunday

MomentoPro: Libby Jefferies

 

Anita Totha Remote Photobooks NZ

Anita Totha Remote Photobooks NZ

Anita Totha: Remote Books

 

Kate Golding

Kate Golding

Kate Golding

 

Stephen Dupont

 

John Ogden Cyclops Press

John Ogden Cyclops Press

John Ogden Cyclops Press

 

Helen Frajman - m.33

Helen Frajman – m.33

M.33: Helen Frajman

 

Chloe Ferres

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Selling books to interested collectors and lovers of books is one thing but as is the case with the emergent trend in self-pub everyone wants to have their own book. To cater to this growing group of keen makers the program included many free forums, workshops and lectures by a variety of key makers and commentators on various aspects of the disciplines of writing and self-publishing (self-pub).

 

Why Publish panel

Why Publish panel

 

As my interest is in topics related to photobooks I attended two sessions: Why Publish and Designing Photobooks. The why-pub panel consisted of Helen Frajman (m.33), Daniel Boetker-Smith (Asia-Pacific Photobook Library), Brad Haylock, Jack Harries and Geordie Cargill and Shannon Michael Cane from Printed Matter. Attendees, of which there were around 30, heard discussions relating to the usual issues of publishing, getting a designer, edition numbers, marketing, selling and getting your work into the right hands including the international market. Brad Haylock suggested the key themes for photobooks were:

  • Technologies and organizational forms
  • Social relations
  • Institutional and administrative arrangements
  • Production and labor processes
  • Relations to nature
  • The reproduction of daily life and the species
  • Mental conceptions of the world

Ultimately the overall message seemed to be ‘Give it a go’!

 

Designing for Photo Books panel

The Designing for Photo Books panel

 

Associate Professor Christopher Stewart from University of Technology Sydney chaired the Designing for Photobook panel. Each speaker showed examples of their work and discussed design concerns associated with their books. Heidi Romano from Unlessyouwill spoke of her history in design, her passion for the photobook and her experience of the international world of book design. She cited her interest in advancing Australian photobook design as being a driver for her establishment of Photobook Melbourne. Esther Teichmann, and artist from the UK discussed her exhibition work and the challenge of bringing wall-work into the space of the book as well as her experiences, not always pleasant ones, with book designers. Tom Evangeledis, Black Eye Gallery  described his interest in encouraging exhibitors at his gallery to consider a book to support the exhibition but also to enhance the opportunity for the artist’s work to be extended beyond the exhibition dates. Chloe Ferres, probably kept the most on track with the topic of book design by presenting a range of works that in some ways subvert the idea of the book being a vessel to hold photographs that express a narrative – she considers the book structure as also important to the narrative and uses a range of design interventions to disrupt the preciousness that many photographers seem to consider important when they make books.

Christopher Stewart posed questions to the panelists to draw out aspects of the topic but when asked if there were questions from the floor Daniel Boetker-Smith asked about how we can make photobooks that are more about the ‘fetish’ of the book – ‘some books all look the same – I’m interested in all kinds of books. A young photographer in Myanmar stapling a bunch of photographs together to make a book is just as important to me as some “coffee table tome”!’ An attendee agreed and responded that books often look the same as they as designed from a dummy where all decisions about the book are considered at the beginning and immutable – whereas another less formal method is the development of a book in a process where opportunities for review and discovery are made along the way allowing the book to be like a collaborator with the artist…

 

Bella Capezio making Insta Photobooks for APPA

Bella Capezio making Insta Photobooks for APPA

Make your own Photobook with Garry Trinh

Make your own Photobook with Garry Trinh

 

While some attendees attended these lecture sessions others were busy making books. The print-on-demand company BLURB offered bookmaking workshops over the weekend led by photobook self-publisher Garry Trinh. Asia-Pacific Photobook Archive presented a selection of their books at the event and founder Daniel Boetker-Smith and Bella Capezio led photobook-making sessions as well.

 

Victoria Cooper and Ruyin Yang

Victoria Cooper and Ruyin Yang

 

The biggest book-making venture over the weekend was a special project coordinated by Onestar Press who, with Artspace and other supporters including Surry Hills Print & Design Konica-Minolta, design students from University of New South Wales – Art &Design. The project, entitled ‘Book Machine’, brought together a designer with a ‘content provider’ (artist or photographer), and over the course of 3.5 hours the two work together to design a book. Overnight the book was printed and made available to its collaborative participants.

 

Alexie Glass-Kantor – introduces the Book Machine commentators

Alexie Glass-Kantor – introduces the Book Machine commentators

 

Late on Sunday afternoon the Artspace coordinators drew together a distinguished panel of erudite book critics and commentators including Brianna Munting – NAVA, Simon Barney Artist, Alexie Glass-Kantor – Executive Director Artspace, Maddalena Quarta – One Star Press, Bella Capezio – Asia-Pacific Photobook Archive, Philip Keir – publisher and artists’ book collector and Nicholas Tsoutas – Curator and Art management executive. A crowd gathered to hear this discussion and celebrate this unusual project.

 

Book Machine

Book Machine

 

Towards the end of the day on Sunday I rushed around to catch up with people that I still hadn’t spoken with and books not yet seen. I felt something of the heightened energy levels with which these table holders had been operating in the preceding days. Did they sell enough books…? Did they make contacts with people who will do future business with them or provide content for future books…? Did they get a chance to check out what everyone else was doing…? Did they get to do a Book Machine project…? Buy a pie at Harry’s Cafe de Wheels or take-in the harbor, the Finger Wharf and the view of naval ships at Garden Island.

 

Harry's Cafe de Wheels

Harry’s Cafe de Wheels

 

Volume: Another Art Book Fair was a major undertaking for the visionaries who conceived it and then brought it into fruition. There were so many activities, add-on events, presentations and booksellers and books available for artbookophiles in which to luxuriate. There was a real sense of community created in this art book fair that can only advance the disciplines associated with it. One thing is for certain, at least for me, is that I know I have just attended one of the most significant art book fairs to be held in this country to date. When, and where the next one will be is something we’ll await with much anticipation…

 

Doug Spowart

14 September 2015

hEAdoN/Sydney: Doug to moderate panel on Photobooks

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FUTURE-Publishing-NEW-invite.

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THE FUTURE OF PHOTO BOOK PUBLISHING FORUM

Presented by Momento Pro   http://www.momentopro.com.au/events/publishingpanel

A Head On Photo Festival Event

Wed, 29 May, 6.00 – 9.00pm

@ The Museum of Sydney

Admission is free but please RSVP to events@momento.com.au by 25 May

 

Join panelists and guests from the photography, publishing, print, book retail and creative industries to discuss local and international trends in photographic book publishing, and contribute to shaping its future.  The panel discussion will conclude with open questions from the audience, followed by refreshments and networking.

Should you wish to submit questions for consideration please email events@momento.com.au.

 

THE PANEL

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DOugHead

Doug Spowart     …..Moderator

Photographer & Academic

www.cooperandspowart.com.au

Dr Doug Spowart has been extensively involved in creative media areas for over 40 years — his practice includes: artists books, photobooks, artist, critic, judge, writer and teacher. He has completed a Doctorate of Philosophy at James Cook University researching issues of the contemporary photobook. Spowart’s work, as well as collaborative work with Victoria Cooper has found its way into many private, regional and state public galleries, national and international photography and artists’ book collections. Spowart’s photobooks have won the AIPP Queensland Photographic Book of the year on two occasions and he has twice been Runner-up to the national AIPP photobook award.

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HarrisHead

Sam Harris / Photographer

samharrisphoto.com

Sam Harris has been a passionate photographer and educator for more than 20 years. He started freelancing in the London music industry making album sleeve art then went on to shoot editorial portraits and documentary features for leading publications including The Sunday Times Magazine, Esquire, GQ and Ray Gun (USA).

In 2002 he re-evaluated his lifestyle to travel the globe with his family, until he settled in the forests of South Western Australia in 2008 where he shoots his on-going family diary, lectures photography, runs workshops and creates photographic books.  His book Postcards from Home has received multiple awards including the publishing industry’s Galley Club Book of the Year and Australian Book of the Year Award 2012.

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KimHead

Kim Hungerford

Kinokuniya / Art & Design Department Manager

www.kinokuniya.com.au

Kinokuniya stocks an extensive collection of graphic novels, art, design and travel books and also features an instore Art Gallery which exhibits works from creative artists to help them develop their careers.  As Art & Design Manager, Kim is versed in the distribution, sales, marketing and financials of art and photographic book publishing, the different publishing options available and the differences in reception from book consumers, critics and collectors.

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Paulina de Laveaux

Paulina DeLaveaux

Thames & Hudson / Publishing Manager

www.thaust.com.au

Paulina de Laveaux is Publishing Manager of Thames & Hudson Australia specialising in illustrated books on art, architecture, design, photography, fashion and other creative fields.

Paulina is passionate about books, and familiar with what makes a photographic book artistically and commercially successful, what is popular with the mainstream consumer verse the cultural consumer, and has also been a judge for the Head On Momento Photobook Awards 2013 and the Most Beautiful Books Awards

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DanHead

Dan Rule

Perimeter Editions / Director

www.perimeterbooks.com

Dan Rule is a writer, critic, editor and publisher from Melbourne, Australia. He is the co-director of Perimeter Books, Perimeter Editions and Perimeter Distribution, the co-publisher of Erm Books and an editor of Composite Journal.

He is also a weekly art critic and columnist for The Saturday Age, contributing editor and senior writer at Broadsheet Media and has written on art, photography, music and culture for The Sydney Morning Herald, Dazed & Confused, Oyster, Vault, Art Guide, Australian Art Collector and countless others.

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Libby Jeffery_Profile

Libby Jeffery

Co-founder and Communications Manager @ Momento

www.momentopro.com.au


Libby has enjoyed studying and working in communications and media production since undertaking a B.A. Communications at UTS and volunteering with interactive CD-ROM producer Pacific Advanced Media Studios in 1994. Since then her career has revolved around communications, events coordination and media production for creative industry pioneers including OzEmail, the Australian Interactive Media Industry Association (AIMIA), IPR Systems and most recently the Chippendale Creative Precinct.

Following her role in 1999 as Project Manager for the Australian Society of Authors’ e-publishing and digital rights management experiment, OzAuthors, she, partner Geoff Hunt, and colleague James Whitwell founded Momento in 2004.  Momento was Australia’s first print-on-demand photo book service and the proprietary Momento layout software, lets anyone design their own coffee-table photo book easily,  ready for printing.  Momento remains the ‘finest’ service provider in Australia today, celebrating photography and photographers in all forms

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Headon-MomentoPro-logos

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