wotwedid

Victoria Cooper+Doug Spowart Blog

Posts Tagged ‘Raphaela Rosella

4 PHOTOBOOK EVENTS – Brisbane August 3, 4 &5 2018

leave a comment »

Australian + New Zealand Photobook of the Year Finalists

.

PLEASE NOTE THESE EVENTS HAVE NOW COMPLETED

FRIDAY August 3, 2018 evening

Event 1 – VIEW THE BEST PHOTOBOOKS from Australia & New Zealand

.

SATURDAY August 4, 2018 ALL DAY

Event 2 – HEAR CONTEMPORARY PHOTOBOOK people talking about the medium

Both events are FREE though registration/booking is essential

.

SUNDAY August 5 – Two NEW Sessions

(See Eventbrite links for session details, fees and booking details)

.

Event 3 – HAVE A PHOTOBOOK REVIEW with the Doctors – Doug+Vicky

Event 4 – DESIGNING & MAKING CONCERTINA FOLD BOOKS – with Doug+Vicky

.

 

EVENT 1: FRIDAY – August 3

An evening presentation the very best of contemporary photobooks from Australia and New Zealand from the recent Photobook of the Year Awards.

  • Meet Libby Jeffery from the Award’s Patron MOMENTO PRO.
  • Come in and look at the books from 5.30–8.00pm and Saturday 10.30–3.30pm.
  • Location: MAUD GALLERY – 6 Maud Street, Newstead, Brisbane.

TO BOOK this event do so on this Facebook page: PHOTOBOOK FRIDAY FACEBOOK EVENT

 

ANZ Photobook Awards at Maud Gallery

 

 

Event 2: TALKING BOOKS SYMPOSIUM  (free)

  • SATURDAY August 4 – 10.30am – 4.00pm
  • 6 speakers on the contemporary photobook
  • Location: MAUD GALLERY – 6 Maud Street, Newstead, Brisbane.

.

Eventbrite Logo

AS SEATING IS LIMITED – ….“CLICK” THE EVENTBRITE LINK BELOW.

https://www.eventbrite.com.au/e/talking-books-photobook-club-brisbane-event-tickets-37573180394

.

Libby Jeffery – MomentoPro

 

At 11.00am

KEYNOTE SPEAKER: Libby Jeffery from MomentoPro

Libby will talk about the Antipodean experience of self publishing a photo book – from purpose through to publicity

including:

  • Purpose
  • Budget/Funding
  • Self/Publish
  • Edit/Design
  • Format/Print
  • Sell/Distribute
  • Launch/Publicise

 

From 1.00-4.00pm

MEET SOME LOCAL PHOTOBOOK MAKERS & THEIR BOOKS

Tammy Law and her book Permission to Belong being developed in conjunction with Yumi Goto and the Reminders Photography Stronghold workshop

TAMMY LAW documents stories that are reflective of her experiences of being a child of Chinese migrants, and the bubble of Asian/Australianness within which she lives. Her travels through Asia—mostly in Japan, China, Malaysia, Thailand and Burma—and the differences between Asia and the West propel her to focus on concepts of migration, home and belonging.

Tammy’s book ‘Permission to Belong’, explores themes of migration, home and belonging through the everyday lives of refugee families from Myanmar. Living against the backdrop of decades of repressive rule and civil war, countless families live between a place of home and homelessness, belonging and unbelonging. The negotiation and renegotiation of identities is as complex as the history and future of Myanmar.

Ana Paula Estrada and 2 spreads from her book Memorandum

 

ANA PAULA ESTRADA: I am a Mexican–Australian artist based in Brisbane. For the last seven years my art practice has focused mainly on the documentation of life stories of older Australians by combining photography, oral history, and the artist book. I am currently undertaking my Master of Visual Arts by research degree at the Queensland College of Art.

In 2016, I self-published an artist book called Memorandum in an edition of 200, which was recognized and exhibited broadly nationally and internationally. My current project consists of publishing a two-volume artist book that tells the life stories of Kevin and Esta, two participants aged over eighty, with whom I have been collaborating. Merging the fields of documentary practice, oral history and fine arts, and influenced by visual poetry, my books explore the combination of text, image and the blank space of the page.

 

Jan Ramsay and her book Toaster, and another book showing her fine binding skills

JAN RAMSAY: Being inspired by creative parents and grandparents, After a few career changes including dental nurse/radiographer, fashion design and working with special needs people using braille & sign language Jan started a professional photography business, Eye on Photography in 1996. In photography Jan found expression for her creative spirit.

Jan’s books are mix of creative play and exploration of ideas where the form of the book becomes an important opportunity to push boundaries, making mistakes and having fun. Her books are hand bound featuring artists’ book techniques and are usually published in singular editions.

 

Raphaela Rosella and her book We met a little early, but I get to love you longer

Raphaela Rosella is an Australian based artist working in the tradition of long-form documentary storytelling. She has spent the past decade highlighting the lived experience of women in her life as they grapple with the complexities and cyclical nature of social disadvantage in Australia.  Her artistic practice draws heavily on relational exchanges and a collaborative ethos to challenge tropes of victimhood and poverty. 

When my teenage twin sister told me she was pregnant, I was angry. I called her a ‘slut’ and told her to get an abortion. I thought she could have a ‘better life’. But what is a better life? It was a path we were all expected to take. For many of my friends, becoming a parent young was not a ‘failure of planning’, but a tacit response to the choices and opportunities available to us. My book ‘We met a little early, but I get to love you longer‘ documents women in my life; my twin, my-step sister, and new and old friends as they grapple with the complexities of motherhood and the turbulent and uncertain environments around them.

 

 

HEAR ABOUT RECENT PHOTOBOOK EVENTS ACTIVITIES IN New Zealand & Bangkok

 

Tammy Law will talk about her experiences at the PHOTO BANGKOK event.

 

Libby Jeffery will talk about her experiences as an observer of the PBNZ Masterclass in Wellington last August..

 

Doug Spowart’s A Compendium of AuNz Photobooks

Doug Spowart will talk about his latest edition of A Compendium of Australian and New Zealand Photobooks.

 

The Symposium will conclude at 4.00pm

 

.

 

Maud Gallery sign

Thank You Maud Gallery for supporting this Photobook Club Brisbane event.

 

These events are coordinated by Doug Spowart and Victoria Cooper

.

.

.

.

.

 

 

Advertisements

DOING IT BY THE BOOK: Judging the 2015 Momento Pro Australian Photo Book Awards

with one comment

OLYMPUS DIGITAL CAMERA

The finalists stack

 

 

On the 30th of January six identities from the Australian publishing and photography scene gathered in Sydney to review a selection of the best photo books from Australian authors and to select a recipient for the title Momento Pro Australian Photo Book of the Year. Prior to this event 100 books had been submitted in the award by Australian photographers working in a wide range of book forms that employ photography.

 

The judges for the award were: Shaune Lakin (Curator of Photography @ National Gallery Of Australia), Diana Hill [Publisher @ Murdoch Books), Sonya Jeffery (Books at Manic), Kim Hungerford (Art and Design Consultant and Buyer @ Kinokuniya), Michael Howard (Joint Art Director @ Sydney Morning Herald) and Doug Spowart (Research Fellow – Australian Library of Art, State Library of Queensland).

 

OLYMPUS DIGITAL CAMERA

The judges deliberating    PHOTO: Doug Spowart

 

The process started 10 days earlier when the judges were sent a USB drive containing the 100 PDF files. Within a few days the judges were to review the files and select their top 12 books. These results where then collated by the Momento Pro team to give 15 finalists. They were:

  • Gold Coast                                          Ying Ang
  • Nonna to Nana                                  Jessie + Jacqueline DiBlasi
  • Typhoon                                             Stephen Dupont
  • Better Half                                         Jackson Eaton
  • Lover of Home                                   Odette England
  • The Beginning                                    Brendan Esposito
  • The Kings of KKH                              Andrea Francolini
  • Bedrooms of the Fallen                     Ashley Gilbertson
  • Tribal PNG                                         David Kirkland
  • In the Folds of Hills                           Kristian Laemmle-Ruff
  • Don’t Just Tell Them, Show Them    Jesse Marlow
  • SALT                                                  Emma Phillips
  • Nauru: What was taken and what was given   Kelvin Skewes
  • We Met a Little Early But I Get to Love You Longer Raphaela Rosella.
  • Fibro Dreams                                    Glenn Sloggett

Of these finalists, one book was published by an academic institution, three were published through an independent publisher and two were unpublished – the remaining books were self-published. The diversity of subject matter covered by the books included a portraiture and documentary cookbook, ethnographic documentary, social documentary, conceptual projects about human relationships of place and memory, books about irony and humour or glimpsed juxtapositions of subjects seen and photographed in the street. The books mainly fitted the conventional codex model and were trade printed and bound. One ‘photo book’ was a newspaper styled publication, and another was a deluxe artists’ book laparello of an exceptionally large size.

 

OLYMPUS DIGITAL CAMERA

More debating … PHOTOS: Doug Spowart

 

As the judges came together at the Momento Pro facility in Chippendale they introduced themselves and participated in briefings conducted by Chairman of Jurors Heidi Romano, Director of Photo Book Melbourne and Libby Jeffery from the award sponsor Momento Pro. Then each judge engaged with the books – turning pages, cracking spines, smelling paper and inks, looking, reading, touching and connecting with the narrative and the experience that each book may contain. As all books were originally seen as digital images on screen there were some surprises as the digital version presented quite different experience to the physical printed book.

At this time individual conversations took place, ideas and responses to books shared. Opinions about photo books expressed and probed. Some of the key discussion points related to questions like ‘What is a photo book?’, and the validity of certain book topics and forms like cookbooks, newspapers, grand artists’ book productions – were they able to be considered as photo books? This part of the process was useful as it enabled a range of ideas to emerge from the broad views and experience of the judging panel.

The six judges then gathered around a large table – each book was presented for discussion at the end of which a vote was made as to whether it would be held-over in a ‘for further consideration’ stack or not. The discussions enabled each judge to express their experience of the book, opinions about narrative, sequencing, design and typography, production values as well as how the books ‘fitted’ with the idea of the photo book. One interesting consideration was the suitability of the book’s format, design and structure as a container to hold and present the narrative.

Some of the other discussion points that emerged included:

  • A trend which is emerging where the cover of the book has no photograph on it or minimal text to identify it;
  • The absence of the author’s name on the cover of the book;
  • The length of the book – many books the judges felt were just too long;
  • The editing and sequencing of images – many judges felt that they’d like to have done a review of the book to give an opportunity for the great photos and story to be more effectively told;
  • Texts within books need quality editing as well;
  • Aspects of book size and binding – a concern was ‘whether the physical nature of the book gets in the way of its storytelling potential’;
  • Design features that do not support the narrative; and
  • Ethics in documentary photography in relation to what level of personal information about the subject is OK to disclose in a book.

As a result of this judging segment the 15 finalists were reduced to six books. These books were interrogated further with particular attention being paid to the expectation that a great photo book should create, as it is activated by the viewer/reader, a moment where the book’s design, photographs, texts, layout, sequencing all combine to express a powerful statement, narrative or emotional response.

Of these six books selected Heidi Romano was to comment that ‘they were equal to any of the world’s current great photo books’. One final review and discussion needed to follow to select the ultimate title winner. This was preceded with discussion regarding the message that awards like these make to the photo book community about what constitutes exemplary work. The participating judges recognized the importance of this aspect of the final award selection. Ultimately all of the books were given highly commended awards with Kelvin Skewes’ Nauru: What was taken and what was given being awarded the title of Runner Up. First prize was awarded to Raphaela Rosella’s We Met a Little Early But I Get to Love You Longer book. Although unpublished the book had been printed and bound by the Momento Pro team to the author’s specifications. It featured personal narratives written by young mothers, the design and page-turning/text sequencing, powerful imagery and the inclusion of personal notes and letters extended the story and loaded the emotional response potential for the viewer.

 

Rossellas book

We Met a Little Early But I Get to Love You Longer Raphaela Rosella

Images and words from this book are available HERE

 

Screen Shot 2015-02-12 at 12.32.04 pm

Nauru: What was taken and what was given Kelvin Skewes

The details of this book are available HERE

MORE DETAILS ABOUT THE BOOKS AND JUDGES COMMENTS ARE AVAILABLE HERE

The award winners receive:

Winner – $1,500 cash + $8,000 Momento Pro credit

Runner Up – $1,500 Momento Pro credit

People’s Choice – $500 Momento Pro credit

An additional award will be the ‘peoples choice’ from votes received during the exhibition of the books at the Asia Pacific Photobook Archive at the Photo Book Melbourne event.

This award helps to define what great Australian photobooks can be is and has rewarded great Australian photobooks. Additionally it will continue to fuel commentary and debate around the nature of the practice in Australia and serve to extend interest in and recognition of the discipline and the practitioners of the discipline in Australia.

 

Doug Spowart

February 12, 2015

 

 

%d bloggers like this: