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Posts Tagged ‘New Zealand photobooks

HARVEY BENGE: An appreciation from a fellow traveller

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Harvey Benge’s portrait from his Blog header

 

VALE: HARVEY BENGE

With the recent passing of Harvey Benge many whose lives have been touched by the man have told stories of their connection with Harvey. In many ways my story is no different – Harvey gave so much to those he met. He enriched lives as well as nurtured and encouraged networks to form, information to be shared and contributed to the critique and philosophy of photobooks to a worldwide audience. In December 2017 his Blog recorded its 1,000,000th view…

Recently I have been thinking and reflecting about Harvey a great deal and how for a moment we shared a friendship through our interest for the photobook in it many forms. At this time I feel a need to share some my reflections of Harvey…

 

it’s not hard to find erudite statements from photobook commentators and critics from all over the world about Harvey and his work – But I wanted to find his manifesto for life, photography and books … and I found it in his description for the book The Traveller

The Traveller is a personal reflection of the world where strange connections occur. The photographs never offer answers, only questions to tempt the curious. This democratic view is an acerbic, wry response to the world in free-fall where nothing is certain. Yet I hope that readers can find humour, affection, and unexpected beauty.

 

Harvey Benge photobook: The Traveller PHOTOs: Courtesy MomentoPro

 

About 15 years ago I came across a book that seemed to be a compilation of photographs by the world’s doyens of photography – Adams, Araki, Baltz, Eggleston, Felman, Frank Friedlander et al. The book was entitled seductively A short history of photography and was authored by Harvey Benge and Gerry Badger. So I bought a copy. It wasn’t until after the package arrived and I turned the pages that I found that Benge in fact created all of images. Many purchasers of the book may have felt ripped off but I laughed and laughed. This book also resonated with personal projects of mine 10 to 15 years earlier where I too had created and presented work under pseudonyms to an unsuspecting audience.

 

A History of Photography book

Whilst the name Harvey Benge kept on cropping up in my academic research in photobooks I felt that his work did not fit with my project at that time. This changed when I attended one of the most significant forums at that time on the topic of the photobook at the Museum of Contemporary Art Sydney on Saturday, June 7 2014. Coordinated by Daniel Boetker-Smith from the Asia Pacific Photobook Archive, the event featured a Photobook Fair and a Forum at which key identities of the emerging photobook community were panelists. This included Professor Christopher Stewart (UTS), Dan Rule (Perimeter Books), Harvey Benge, Helen Frajman (M33), Benjamin Chadbond (Try Hard Magazine), Ying Ang and Daniel Boetker-Smith.

At the MCA Photobook Forum June 2014 PHOTO: Doug Spowart

The Forum discussion, responses and questions from the audience seemed to located in addressing the desires that attendees had in wanting to find their way in creating, marketing, selling books and being successful photobook makers.

I asked a couple of questions to broaden the discussion, which related to a key interest of mine that emerged as part of my PHD research. My questioning referred to the way that the freedoms that are well established in the artists’ book discipline in design, structure and narrative could inform future directions for the photobook. Harvey was the only one on the panel that understood the rationale of my question and at the end of the Forum we connected and spoke more about the ideas behind my question and he commented that he had appreciated my input. A few days later I sent some photos to him of the Forum including photos of him in action and he incorporated them in a piece he wrote about the Forum on his blog.

Channeling Harvey Benge photobook

In 2015 I was invited to make a presentation about photobooks at the Auckland Festival of Photography’s Talking Culture Symposium – Photobook Stories at the Auckland Art Gallery. I was looking forward to meeting up with Harvey but alas he was in Europe at the time attending the yearly string of photography events that happen between May-July. Even though I was unable to connect with him at that time, and inspired by his Short history of photography, I set about making a body of photographs that would emulate his style. These images were formed into a little book I called “Channeling Harvey Benge”. I had MomentoPro print out a copy and I sent it to him. When he returned Harvey enthusiastically got back to me saying “Thank you so much for … the wonderful Channelling Me! I’m flattered and honoured that you have made such a tribute… so thoughtful…”

A Preview copy of Channeling Harvey Benge can be downloaded here PREVIEW PROOF of Channelling Harvey Benge-book
(Note this is a printer-ready PDF and due to page setup for double-pages some images may not match across the gutter)

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On Reading Photobooks WPD Project

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Another remembrance of our connection was from an event I coordinated for World Photobook Day (WPD). The WPD has it origins with the date, October 14 1843, when Anna Atkins’ book Algae of the British Isles: Cyanotype impressions was catalogued by the British Library. The WPD was formed by a worldwide movement of Photobook Clubs to celebrate Anna Atkins and her book on this day. Since 2014, as part of my role as the coordinator of the Photobook Club Brisbane, I have created events to celebrate WPD. In 2015 my partner Victoria Cooper and I curated a project in which we asked significant contributors to the photobook discipline to nominate their favourite photobook, tell us why they like the book and to make a photo (a selfie) of them reading the book.

Harvey reading Collier Schorr’s Blumen – for the On Reading Photobooks WPD exhibition

A PDF of Harvey’s page and project information can be downloaded HERE: ON READING: Harvey Benge submission

 

Harvey enthusiastically responded to our request and was one of the first submissions. His favourite book, at the time was Collier Schorr’s Blumen. Other contributors to the project included Martin Parr, Larissa Leclair, Polixeni Papapetrou, Michael Coyne, Daniel Boetker-Smith, Stephen Dupont, Jack Picone et al. The exhibition was entitled “On Reading Photobooks” and was shown in Maud Gallery Brisbane, The Photography Room in Canberra, and a PDF catalogue was produced.

Harvey+Doug at Photobook New Zealand 2016

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Over the years we connected via email but I did finally meet up with Harvey at the first Photobook New Zealand conference in Wellington in March 2016. We shared some conversations and I gave him a copy of a little book that I’d made entitled “I’m about to read a photobook”. I attended the Photobook Fair, book displays and a lecture that included David Cook, Anita Totha, Bruce Connew and Harvey discussing “Getting your photobook into the world”.

 

Harvey and his list

Harvey was animated and delivered a salient talk outlining an 8 point plan assisted by a handwritten text on an envelope received from his friend and colleague Antoine D’Agata. He said:

1. 90% of life is showing up (Woody Allen)
2. Take the long view – 30 to 50 years
3. Make your work authentic
4. Don’t try and be famous
5. Don’t show dodgy work to everybody who has ever drawn breath
6. People work with people they like
7. Luck has a lot to do with it
8. Get naked, make porn

 

In 2017 I was preparing a lecture on the Antipodean Photobook that I had been invited to present at the Vienna Photobook Festival. To bring a range of voices into the lecture I approached Harvey and asked him about what photobook makers in Australia and New Zealand could do to get their photobooks onto the world stage. He responded quickly again and came back with 3 points:

  1. Take the long view, in my case I made my first book 24 years ago.
  2. Show up in the world, don’t just sit at home in Aust or NZ looking at the wall.
  3. Do it for yourself, that way there is a chance the work will be authentic.

 

Harvey Benge pages in the New Zealand Photobook Compendium

As part of the continual update of my ANZ Photobook Compendium for the second PBNZ I approached Harvey for some of the back story behind two book projects: 1. ‘The Auckland Project’ that he had coordinated with John Gossage and Alec Soth and, 2. his visiting photographer series that had included Roger Ballen. Interestingly at this time Harvey had just donated one of every book that he’d made to the Auckland Art Gallery. Harvey sent through what I’d requested and it was incorporated into the Compendium that was launched at PBNZ in the Te Papa Photobook Fair by Ann Shelton.

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Harvey Benge Auckland Art Gallery vitrine for Nothing Is As It Seems Photo: Supplied by Harvey

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During much of 2018 Victoria and I worked on a commission from the Tate on Martin Parr’s recommendation to curate a collection of Australian and New Zealand photobooks. In a conversation Harvey’s name came up and Parr said he had been collecting Harvey’s work over the years and had visited him in Auckland. Parr recounted mentioning to Harvey that he was interested in getting a copy of Gary Baigent’s 1967 classic Unseen city. To his surprise Harvey and he had walked down the street to a little book shop and picked one up for a modest fee.

 

Over recent times I had not seen much from Harvey only the occasional post on his Blog and I had heard something from New Zealand friends about him not being in good health. Then very early one morning about a month ago Harvey rang me and told me of his illness and its prognosis. We spoke about many things – about unfinished books, how he felt about the work that I’d been doing on the ANZ photobook and how much he appreciated what I was doing. He mentioned my little book ‘Channeling Harvey Benge’ and how chuffed he was that I’d made it and presented it to him. He asked me if I could let my network of friends know of his circumstances. There were difficult moments of unfinished work but there was joy in the recognition of the continuing legacy that his books, his love of books and the love he had for people who made them. During the conversation he became tired and emotional – he said “I must go my friend….”

Vicky and I sat dazed – it was 6.00am local time…

I think of the times that Harvey would sign-off an email with the message ‘would be good to catch up for a talk sometime and perhaps chat about a collaboration…’ And I would have loved walking down the street with him to that little book shop to pick up Unseen city.

Although I will now miss the opportunity for those and many other things with Harvey’s passing, I know that in my future, and perhaps also for many of Harvey’s friends, he will still be an important part of the community he loved and supported. I know I will continue ‘channelling the spirit’ of Harvey Benge.

 

Doug Spowart

Written on World Photobok Day 2019

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ADELAIDE HERE WE COME – BEST PHOTOBOOKS & WORKSHOP

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Adelaide Road Trip

 

The Australian and New Zealand Photobook Awards have been to Hobart, Canberra and Brisbane and now we are taking them to Adelaide.

The presentation of the books, a talk about the photobooks by Doug Spowart and a one-day workshop will be hosted by us at Adelaide’s Centre for Creative Photography.

 

ANZ Photobook Awards Finalists

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COME AND SEE THE BEST AUSTRALIAN & NEW ZEALAND PHOTOBOOKS

On Saturday September 28 the books will be on show from 10am–4.00pm. The Official Launch, the announcement of the People’s Choice Award and a talk about photobooks by Doug Spowart will take place at 2.00pm.

There is no charge to view the books and attending the talk however we do request that you book via this Eventbrite link: https://tinyurl.com/y225btkx

 

 

 

Arranging photos

ATTEND A ONE-DAY PHOTOBOOK WORKSHOP

On Sunday September 29 photobook road trip co-ordinators Victoria Cooper and Doug Spowart will present concepts and hands on practical exercises for working on photobook projects. These are designed to assist the photographer in distilling images from their archives and then structure them into an engaging narrative flow. The workshop includes practical work in hand-making photobook formats and preparing book ideas for Print-on-Demand output.

There is a charge to attend the workshop – Details of the workshop and booking information can be found on this Eventbrite Link: https://tinyurl.com/y2pnpbhu

 

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Victoria Cooper & Doug Spowart acknowledge the support of MomentPro Photobooks and the Centre for Creative Photography in making this event possible.

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2019 PHOTOBOOK ROAD TRIP BEGINS – HOBART

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The 2019 Photobook Road Trip

PHOTOBOOKS @ TOPSPACE STUDIO/GALLERY IN HOBART

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Ilona Schneider and Doug Spowart

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The 2019 Photobook Road Trip began last night at the TopSpace StudioGallery in Hobart. The Australia & New Zealand Photobook Awards (ANZPA) exhibition was installed by Victoria Cooper and Doug Spowart. Visitors to the Gallery were welcomed by the gallery Director Ilona Schneider.

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Vicky setting up the dispaly

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On show were the 12 Finalists and Award winners of the 2018 Australia and New Zealand Photobook Awards sponsored by MomentoPro Photobooks. The books were:

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Winners 2018

Finalists 2018 from 117 entries:

SEE More about the ANZPA HERE
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The event as attended by around 30 participants including representatives from the Tasmanian Museum and Art Gallery, the Allport Library, members of the AIPP and representatives from the Hobart Camera Club.
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To cover costs associated with the gallery hire a raffle was conducted with books by Cooper+Spowart and ANZPA catalogues and MomentoPro’s ‘Publish Your “Bloody” Photobook‘ booklets.
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Looking at the Cooper+Spowart books

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COOPER+SPOWART presented a small selection of the concertina photobooks including  YOU ARE HERE and QUESTIONING+KNOWING.
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Around 6.00pm Doug made a presentation about the awards and the current state of the Antipodean photobook. A lengthy Q&A session followed and private conversations and continued book viewing took place well after the intended finish time.
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Doug presenting his talk

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THANK YOU!

Thanks to Ilona Schneider and the AIPP coordinator Matt Palmer for their assistance with the presentation and Momento Pro for making the books available.
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CANBERRA is the next stop in the PHOTOBOOK ROAD TRIP on July 20 at PhotoAccess where the books will be displayed, Doug will present a talk about photobooks and Doug+Vicky will present a workshop on photobook forms and the photobook narrative.
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D+V Coming to Canberra

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#MomentoProBooks #ANZPhotobookAwards #PhotobookRoadTrip #Photobookjousting
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ANTIPODEAN Photobooks acquired by Tate

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We are delighted that this collection is entering Tate’s library collection as a rich resource for our public and for academics of photobooks in these regional areas.

.Sarah Allen
Assistant Curator, International Art, Tate

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Some ANZ Tate Photobooks

 

We’ve just completed a commissioned project where a collection of 52 Australian and New Zealand photobooks were acquired by the United Kingdom’s national collection in the Tate. Two years ago the project began as a result of our participation in the 2017 Vienna Photobook Festival and a connection with Martin Parr.

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THE BACK STORY

In 2017 we presented a cyanotype/photobook workshop on the Greek Island of Skopelos. At the end to the workshop we coordinated a visit to our friends Lachlan Blair and Anna Pritz who live near Vienna in Austria. Just after we booked our flights Lachlan excitedly advised us that we would be in Vienna at the time of the Vienna Photobook Festival.

I contacted co-ordinator of the Festival Regina Anzenberger and offered to make a presentation about my research on Australian and New Zealand (ANZ) photobooks. After some conversations between Lachlan and Regina she enthusiastically accepted my lecture offer. Through some further negotiations with Regina and Libby Jeffery from MomentoPro we were able to present the ANZ Photobook of the Year finalists on a table at the Fair.

The 2017 Vienna Photobook Festival exhibition

The 2017 Vienna Photobook Festival exhibition

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The Vienna Photobook Festival was an event of an unimaginable scale – 100+ tables of photobooks new and old, a photobook award, key identities of the photobook community and attendees from western European countries far and wide.

40-50 people including photobook aficionado Martin Parr and photo historian Hans-Michael Koetzle attended my lecture. There was quite a bit of interest about my topic and many of the lecture attendees came by the ANZ Photobook Awards table to view the books and talk more with us about our local photobooks.

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 Martin Parr looking at ANZ photobooks at the 2017 Vienna Photobook Festival

Parr looking at ANZ photobooks at the FestivalPHOTO: Lachlan Blair

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Further to an earlier private meeting in the Anzenberger Gallery and his attendance at my lecture, Parr caught up with us again for a chat on the afternoon of the first day of the Festival. He mentioned that soon there would be a public announcement about his donation of over 12,000 photobooks from his collection to Tate.

Parr felt that although his collection had pretty well covered the world the one area that was under represented was the ANZ region. He had many of the big Australian names but acknowledged that there were gaps. After hearing my lecture he felt that I would be well positioned to fill that gap. He said that he would be recommending me to his Tate contacts to assist with this issue. At first I was a little daunted, but he insisted that I would be the right person for the project. I accepted the role as it would not only be an honour to work with him on the project but also a great opportunity for the ANZ photobook community.

Vicky and I came back to Brisbane in July and both began sessional work with the Queensland College of Art. A couple of months later an email came through from a Tate representative inviting my involvement in the project. I then prepared a list of ANZ books that I thought would be suitable additions to the collection. I also reviewed Parr’s collection to ensure that I had not duplicated books on his list.

Initially I suggested that I would source the books from bookshops, collectors and the photographers and that I would receive a fee for the list development and the management of the process. I mentioned that some books were quite rare and that they would be sourced from my own library as I could replace them as they became available in the future. My Tate contact came back saying that rather than what I suggested they preferred to purchase the books from a single collection and asked, ‘were my books available?’ After some consideration I agreed to take books from my library.

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Part of my ANZ photobook collection c2015

Part of my ANZ photobook collection c2015

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THE PREMISE FOR THE COLLECTION

My curation premise for the 52 books was:

  • That these books should resonate with the Australia/New Zealand social, political, environmental and cultural space of post-Second World War to early 21st century.
  • Where possible, I have selected works that have been referenced or identified by curators and researchers for their prominence within the photographically illustrated and photobook publishing genres in ANZ.

 

In the storage shed opening boxes looking for books

In the storage shed opening boxes looking for books PHOTO: Victoria Cooper

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At this time and still today, my photobook collection is boxed and in storage. So for over a year on my intermittent visits back to our storage sheds in Toowoomba we would seek out the missing books. As we began to assemble the proposed books I became concerned about particular issues that were arising. As my collection has been built up over 50 years some of the books were not necessarily the best condition – some exhibited signs of use including shelf-wear, bumped corners and occasionally missing covers.

I wanted to be able to offer Tate the best possible condition books. Additionally, I could not find some key books that I knew I had in my collection including Carol Jerrems’ book Story about Australian women. What followed was an 18-month process of curation and research to bring together the books.

I sought out and purchased better copies of the chosen books either by online booksellers or by visiting bookshops in Australia. I contacted some of the photographers that I knew to see if ‘as new’ condition copies of the books were available. If they were what would the cost be and if possible, would they consider a donation to extend the potential of the collection. The response was very supportive with many of the photographers prepared to provide pristine condition copies of their books free of charge.

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Meeting with Martin Parr at the SLVPHOTO: Victoria Cooper

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MEETING WITH MARTIN PARR

In January 2018 Martin Parr came to Melbourne to photograph the Australian Open tennis tournament. We flew down from Brisbane and arranged to meet him at the State Library of Victoria where we had about 30 of the proposed books assembled for him to review. As only a couple of books did not fit into his collection approach for the Tate I felt buoyed by the progress. Over the next 6 months I prepared a detailed bibliographic submission and significantly documented the books. We finally found the Jerrems book in a box marked ‘Photobook library extras’ in January this year.

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Finding Carol …PHOTO: Victoria Cooper

 

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Packing up the books PHOTO: Victoria Cooper

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SHIPPING THE PACKAGE

The books were protectively packaged and we arranged their shipment and it took only a few days for the consignment to travel from Brisbane to the UK. After nearly 2 years in the making Tate received the books on April 12, 2019. Once catalogued they will form part of the Martin Parr Photobook Collection with the provenance being recorded that the books came from ‘The Doug Spowart and Victoria Cooper Photobook Research Library’. The books will be publicly accessible in London in Spring 2020.

Pack and Send - DHL Delivery Proof

Pack and Send – DHL Proof of delivery

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ON REFLECTION

What is important to us is that books from our region are now placed within the context of the worldwide history and practice of the photobook in a significant institution. Although not a complete history of the Photobook in Australia and New Zealand it is an embryonic beginning for a broader recognition of the unique voices and stories from our part of the world and those that make them.

 

Doug Spowart + Victoria Cooper

ACKNOWLEDGEMENTS
We are indebted to those who supported us during this process. In particular Sarah Allen (Tate) for her coordination of the project. Martin Parr for his interest and continued support in providing a place for Antipodean photobooks in his Tate collection. We also wish to thank Lachlan Blair and Anna Pritz for making the initial connection with Regina Anzenberger, Gael Newton for her support, Helen and Donald Cole for their advice and storage of the books and the coordination of the final shipment, Des Cowley at the State Library of Victoria for the preparation of books to show Martin, Pack and Send Milton (DHL) for their assistance and coordination of the shipment to the UK.

 

 

THE LIST OF PHOTOGRAPHERS

Where the photographer has more than one book in the collection the multiple is shown in (brackets).

It should be noted that a book is the culmination of a creative process that may include the contributions of writers, poets, designers, printers and binders. In this list only the photographers are listed.

The photographer’s names are:

 

AUSTRALIA

 

Michael Amendolia

Douglass Baglin

David Beal

Jeff Carter

Beverley Clifford

Paul Cox

Michael Coyne (2)

Max Dupain (2)

Sandy Edwards

Rennie Ellis (2)

Joyce Evans

Juno Gemes

Robert B. Goodman

Marion Hardman

Alan Hirons

Douglas Holleley

Frank Hurley

Carol Jerrems

Georg Lindström

Peter Lyssiotis

Olive McInerney nee Olive Cotton

David Mist

David Moore

Charles P. Mountford

Robert Rosen

Wesley Stacey

Mark Strizic (2)

Richard Tipping

William Yang

PARR’s Australian book donation already included:

Bill Henson

J. Hurley

Frank Hurley

Max Pam

Trent Parke

 

NEW ZEALAND

Laurence Aberhart

Peter Black

Brian Brake

Jocelyn Carlin

Les Cleveland

Bruce Connew

David Cook

Marti Friedlander

Lloyd Godman

Glenn Jowitt

Mary Macpherson

Robin Morrison (2)

Anne Noble

Haruhiko Sameshima

Grant Sheehan

Ann Shelton

John B. Turner

Ans Westra

PARR’s New Zealand book donation already included:

Gary Baigent

Harvey Benge (a significant collection)

Ans Westra

 

FOR  MORE INFORMATION ABOUT THE BOOKS and other ANTIPODEAN PHOTOBOOK activities and events follow the BLOG HERE

The Antipodean Photobook BLOG

 

 

READ MORE ABOUT THE TATE DONATION

Tate Media post about Parr doantion

Tate Media post about Parr donation

A LINK TO THE Tate URL

A PDF download of the Tate post can be downloaded by ‘clicking’ this link Tate website post on Parr donation

 

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READ MORE IN THE INSIDE IMAGING STORY

https://www.insideimaging.com.au/2019/tate-commission-for-photo-book-keeper/

Inside Imaging story

Inside Imaging story

A PDF download of the Inside Imaging post can be downloaded by ‘clicking’ this link. Inside Imaging story-R

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OFFICIAL LAUNCH OF A PHOTOBOOK COMPENDIUM FOR AUSTRALIA & NEW ZEALAND

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Cover: A Compendium of Australian & New Zealand Photobooks vPBNZ

Cover: A Compendium of Australian & New Zealand Photobooks v.PBNZ

To celebrate PHOTOBOOK NEW ZEALAND in Wellington over March 9-11 2018, I have published an updated version of my Photobook Compendium that was first issued in October 2017 at the VOLUME ART BOOK FAIR in Sydney.

 

Associate Professor Ann Shelton launches the Compendium @ Te Papa PHOTO: Libby Jeffery

Ann Shelton launches the Photobook Compendium PHOTO: Libby Jeffery

 

The Compendium is a soft cover 40 page A5 booklet that lists key contributors, both contemporary and historical, to the Australian and New Zealand photobook discipline. Apart from photographer’s names and many portraits I’ve included publishers, designers and book shops.

To extend the coverage of key aspects of the genre I have included visual coverage of significant photobook events and activities as well as portraits of many practitioners. Most of the photographs come from personal documents made in Australia, New Zealand and Vienna of these events.

The book is designed with two covers so both countries have prominence. The Compendium is printed by MomentPro and is a Numbered LIMITED EDITION of 40.

The book was launched at The Museum of New Zealand Te Papa Tongarewa in Wellington by artist and photobook maker Associate Professor Ann Shelton on Saturday 10 at 2.00pm. At the event books will be available through Remote Photobooks.

WHAT’s IN THE COMPENDIUM…?

  • Over 400 listings relating to the photobook
  • 26 portraits of photobook people
  • 50 photobook covers – exemplars of the discipline
  • 60 photographs of events
  • Australian and New Zealand Photobook of the Year winners list

 

The book is now SOLD OUT!  Although REMOTE PHOTOBOOKS may still have some copies

Some of the pages

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The Compendium preface by Doug Spowart

The Compendium preface

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FOREWORD TO THE BOOK

 

This Compendium does not attempt a definition of the ‘photobook’ – therefore to reflect the breadth and depth of this evolving medium I have considered a range of photo-based products that may include photographically illustrated books, albums, catalogues, photobooks, zines, artists books, text-only references to photography and photo ephemera.

 

This data and images has been compiled over many years as a result of my interest in the photobook from the historical viewpoint as well as its contemporary phenomenon. I am particularly interested in books where the photograph acts as the principal narrative agent. Additionally I am also drawn to the haptic experience and design of the book and how it operates as a vehicle for presenting ideas and telling stories.

Listed here are names of people and organisations who have contributed (both historically and recently), to the development of photobook discipline. Although most of the listings are from New Zealand or Australian residents and establishments there are some inclusions relating to itinerant or short-lived connections with this region. Some publishing houses listed may be based offshore and have a presence in this region.

I wish to acknowledge the energy and support for Antipodean photobooks provided by Libby Jeffery and the MomentoPro company. Through their patronage and sponsorship they have played a pivotal role in the building of a strong and active photobook community.

This current Compendium is published in a limited edition of 40 on the occasion of the 2nd Photo Book New Zealand Festival in March 2018. Subsequent revised versions will contain new information arising from my ongoing research.

As much of this knowledge lies hidden in personal archives and libraries, I am most interested to receive information about New Zealand and Australian photobooks and the discipline’s community of practice.

Doug Spowart

Email: Greatdivide@a1.com.au
Mail: PO Box 3063, South Brisbane, Queensland 4101, AUSTRALIA

 

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TAKING AuNZ PHOTOBOOKS TO THE WORLD – The Vienna Photo Book Festival

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The MomentoPro AuNZ Photobooks of the Year @ VPBF

 

In the Antipodes we think we are far away from the centre of activities in so many areas of human endeavour that we just get on with it – doing it our own way. The field of photobooks is one such area.

Recently I had an opportunity to take photobooks from our part of the world to Europe and present a ‘show ‘n’ tell’ at the Vienna Photo Book Festival in Austria. Before the event I was wondering how our books would be received – would they match the Euro photobook for production values, innovation and story-telling capability? I would soon have my answer…

I presented a lecture on Australian and New Zealand photobooks and spent two days with Victoria Cooper and Lachlan Blair on our book presentation table featuring the finalists and winners of the 2016 MomentoPro Australian and New Zealand Photobooks of the Year Awards (ANZPOTY).

The answer to the question I posed earlier would soon be answered.

In a series of 3 blog posts I will tell the story of three aspects of the Vienna Photo Book Festival (1) the lectures, book and print sales, (2) my lecture and (3) the Vienna Photo Book Reviews.

 

Read on: THERE ARE 3 BLOG POSTS WITH THE DETAILS … links below…

 

The LECTURE

https://wotwedid.com/2017/06/18/the-antipodean-photobook-a-lecture-at-the-vienna-photo-book-festival/

 

The EVENT

https://wotwedid.com/2017/06/18/aunz-photobooks-the-vienna-photo-book-festival/

 

The REVIEW SESSIONS 

https://wotwedid.com/2017/06/18/review-panels-at-the-vienna-photo-book-festival/

 

 

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