Posts Tagged ‘Louis Lim’
BOOKS & ANZ PHOTOBOOK AWARDS – 22&23 September 2018
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TWO SPECIAL PHOTOBOOK EVENTS IN BRISBANE ORGANISED BY THE PHOTOBOOK CLUB BRISBANE
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Event 1 – VIEW PHOTOBOOKS FRIDAY (FREE)
22nd September evening presents the very best of contemporary photobooks from Australia and New Zealand from the recent Photobook of the Year Awards.
Meet Libby Jeffery from the Award’s Patron MOMENTO PRO.
Come in and look at the books from 5.30pm — The viewing will close at 8.00pm.
Location: MAUD GALLERY – 6 Maud Street, Newstead, Brisbane.
TO BOOK this event do so on this Facebook page: PHOTOBOOK FRIDAY FACEBOOK EVENT
Event 2 – TALKING BOOKS SATURDAY (FREE)
23 September – a free day of presentations about making photobooks and talking about the latest local and international photobooks.
Saturday September 23 10.30am – 4.00pm
Location: MAUD GALLERY – 6 Maud Street, Newstead, Brisbane.
At 11.00am
KEYNOTE SPEAKER: Libby Jeffery from MomentoPro
Libby will talk about all things that make a difference for self publishers including:
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Crowdfunding for projects
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Working with editors, designers, reviewers, printers, distributors, publicists
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The value of awards like Australian Photoboook of the Year Awards
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Art book fairs
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Print-on-demand services
From 1.00-4.00pm
HEAR FROM SOME LOCAL PHOTOBOOK MAKERS & THEIR BOOKS
The images in Dane’s book The Road trace an unknown timeline to an unknown destination, where he appears only as a tall shadow. There’s an honesty, a quest for truth, perhaps a naiveté in the images reminiscent of cinéma vérité that captures the adolescent wanderlust it seeks to document.
David will show the ‘ins and outs’ of the work that he produced at the Siganto Foundation artists’ book workshops and a masterclass held at the State Library of Queensland earlier this year with UK artist Helen Douglas.
The images in Neil’s book have been taken on the streets of inner city Brisbane over the years 2014 to 2017. The title references the ubiquitous wayfinding signs often found in unfamiliar environments that enable us to determine our geographical position and plan a course towards our intended destination. It is also my Instagram user name all the images have at some time been posted to Instagram. The photographs are taken with a camera phone and processed using an app called Snapseed. (Neil is scheduled in October to have the next exhibition at Maud Gallery).
This Rock Between Us investigates the difficult relationship between my father and me. Hard, floating, and an unsubstantiated substance, the rock appears and vanishes from moment to moment. This handmade photobook attempts to represent the relationship as a physicality, as an object that exists ‘in-between’, and built, by my father and me.
HEAR ABOUT RECENT PHOTOBOOK EVENTS ACTIVITIES IN ATHENS, MALAYSIA & VIENNA
Louis will be presenting some photobooks he had the pleasure of reading from his recent visit to the Obscura Festival 2017, as well as his recent work-in-progress photobook An Opened Letter.
In March 2017 Justin Ma was invited to do a photography workshop with Antoine D’agata in Athens, Greece. The workshop was hosted by VOID, a new organisation in Athens focussed on alternative publishing, exhibitions and workshops mainly based around photography as well as other visual arts. During the event at Maud Justin will be showing a few examples of publications from VOID including their collaboration with Antoine D’agata’s latest book “Cidade de Pedra”.
Doug and Vicky will talk about their experiences at the Vienna Photo Book Festival, meeting Martin Parr and Gerry Badger and show some of the books they bought home from the Festival.
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SEE BOOKS FROM AROUND THE WORLD
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TO BOOK SATURDAY PLEASE REGISTER ON THE EVENTBRITE SITE LISTED BELOW.
https://www.eventbrite.com.au/e/talking-books-photobook-club-brisbane-event-tickets-37573180394
Thank You Maud Gallery for supporting this Photobook Club Brisbane event.
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NEW PHOTODOC SHOW Curated by Doug @ Maud Gallery
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IN SITU: New Photodocumentary Work
At the end of 2015 I was the external assessor for the Queensland College of Art Bachelor of Photography Documentary stream. The work that I encountered from their recently completed documentary photography projects was inspiring. The projects that they had engaged in employed an ‘embedded’ methodology. Each photographer created stories expressing concepts and ideas that I felt deserved a wider audience. As some of the projects crossed-over into the slippery areas of art and concept documentation I felt that presenting the work in this context would encourage comment and discourse.
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I sought support from Irena Prikryl, Director of Brisbane’s Maud Gallery, with my intention being to curate a show of selected works. Over a week I forwarded to Irena websites and links to the student’s works – each submission was met with a response – ‘these photos are awesome!’ Irena then offered an exhibition early in 2016. In discussions with students I found that one of them was interested in curating and gallery management – so an honorary internship was offered to Gillian Jones.
The rationale for exhibition is as follows:
Every photograph is a document. A photographic document may be about a friend’s smile, a family event, a dramatic storm cloud or a dent in a car door. But, what about those documentary images that tell us about the greater aspects of life in our times? These other photographs can encompass the tragedies of human suffering, of rituals and habits, of things that escape our casual view of the world and documents of hidden acts, a performances or a ‘happening’.
The documentary photographs in this exhibition are made by photographers not working as the casual iPhone snapshot ‘photographer’ of today, but rather individuals who embed themselves in human and natural environments to witness, to empathise and to document with a camera so a story can be shared.
The documentary photographers in this exhibition present their work as evidence of what they have seen, felt and been touched by. This work represents new photodocumentary practice and will place viewers in situ – surrounded by issues of contemporary life…
The exhibitors who accepted the invitation were:
Follow the links to the Maud Gallery website to see the projects (NOTE: Some links may now be inactive)
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Chris Bowes for the work ‘Sweat‘
Richard Fraser for the work ‘Pup play and beyond – exploring Brisbane’s BDSM subculture’
Gillian Jones for her work ‘Choice, Chance or Circumstance‘
Louis Lim for his work ‘Waiting for Sunshine‘
David Mines for the work ‘Beautiful one day perfect the next?
Thomas Oliver for his work ‘Disconnection‘
Marc Pricop for the work ‘Our Place in The Valley‘
Elise Searson for her work ‘Karen’ Lyme disease sufferer
Cale Searston for his work ‘BLU‘
The show was opened by arts writer Louise Martin-Chew on March 9 who was to comment at the beginning of her address that:
I am not an expert on photo documentary: my interest is in art and artist stories. I’m interested in the way in which we may tell and share these stories most effectively, and it is the many narratives, often those that are hidden unless you are part of that experience, or sub culture, that is at the heart of this exhibition of new photography.
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Well over 120 people attended the exhibition opening. A cash bar operated with the profits going to the Lyme Disease Association of Australia charity – associated with Elise Searson’s project’
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Some views of the exhibition:
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Over the course of the exhibition each of the photographers presented a floortalk at the gallery. One contributor was Thomas Oliver, who is currently studying overseas in Toronto, Canada presented a Skype session in the gallery before his work.
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The exhibition concluded on the 20th March with a dinner for the exhibitors and gallery members within the white walled empty space of the gallery.
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In my comments at the opening of the exhibition I stated that a documentary photograph does not exist until it is publically distributed. The exhibition, In Situ: New Photodocumentary Work, put this work and the stories it contains before an audience. Everyone seeing it may interpret this work differently; such is the nature of the photodocument. Perhaps the true value of photodocumentary work can be summed up in Louise martin-Chew’s closing statement:
The power of this collection of works by a very talented group is simply summed up I think: Art may not be able to save the world, but it has an unparalleled ability to help us understand the individuals that comprise a community, a country, a continent = the world. And that may be sufficient.
Thank you to Irena Prikryl and Maud Gallery, Gillian Jones, the contributing photographers and Louise Martin-Chew for a memorable and powerful photodocumentary exhibition of new works.
Dr Doug Spowart
Louise Martin-Chew’s opening address can be seen on her website: HERE
A catalogue of selected works from the show can be downloaded: NEW-DOC-CATALOGUE
Each of the photographer’s works can be seen on the Maud Gallery website under the participant’s names in the OUR ARTISTS menu – they can be purchased from the site as well.
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