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Posts Tagged ‘Noreen Grahame

ABBE: Artists books Brisbane Event 2015

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ABBE Logo

ABBE Logo

For many years Queensland had a diversity of artists book activities: the bi-ennial Artspace Mackay Artists Book Forums and Libris Awards, the once yearly Noosa Artists Book Events and the Southern Cross University Acquisitive Artists Book Awards. Also contributing to this fertile artists book environment the State Library of Queensland’s Australian Library of Art which included the SLQ’s Siganto Foundation fellowships, ‘white glove’ presentations and events.  Added to this were exhibitions and artists book fairs coordinated by Grahame Galleries and other shows at scattered venues. With the recent demise of the Mackay, Noosa and Southern Cross events their absence was felt by the artists book community.  Now a new event has emerged to add to the SLQ and Grahame Galleries support of the art – the Artists Book Brisbane Event (ABBE). Over July 16, 17 and 18 ABBE featured a triptych of activities; a conference, an exhibition of books, an artists book fair and allied exhibition events at the State Library of Queensland, Grahame Galleries, The Studio West End, the IMA and Impress Printmakers Gallery.

The conference sought to address 3 main themes relating to the artists book:

  • post literacy
  • materiality/the haptic
  • the nature of reading artists books.

Three keynote presenters lead the program:

Sarah Bodman presents her keynote lecture

Sarah Bodman presents her keynote lecture

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SARAH BODMAN (Abstract)– ARTISTS’ BOOKS AS A PHYSICAL SITE OF PRACTICE

If a post-Literate society might also encompass new ways of thinking about reading, we could think of contemporary artists’ books as a site of practice beyond that of McLuhan’s sign posting of the invention of moveable type as fundamentally responsible for how the Western world physically reads: “along the straight Lines of the printed page.”

We seem to have already moved from Linear to non-linear reading; we are used to flitting through digital screen-based texts, and losing our attention through a multitude of online multi-tasking. Physical engagement with artists’ books provides us with spaceto breathe, a slower rhythm of ingesting information and time to reflect, so what about the artists who are making them? How are artists engaging with the physical book now?

These examples focus on celebrating the book as a physical container used by artists to: re-present language, offer performative reading, view how reading is perceived, appropriate text from novels and instructional manuals into new works, or to transform information from the virtual into the physical.

BRAD FREEMAN presents his keynote lecture

Brad Freeman presents his keynote lecture

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BRAD FREEMAN (Abstract) – JOURNAL OF ARTISTS’ BOOKS

Brad Freeman’s Lecture focussed on JAB, the Journal of Artists’ Books, that supports critical inquiry into artists’ books. Since 1994 JAB has published interviews with contemporary artists whose primary medium is the artist book, reviews of artists’ books, and essays about historical issues and contemporary artists and their work. JAB has a two pronged approach to culture creation via publication arts; an educational approach with critical writing and documentation of current activity; and second, a creative approach with publication art-exploring the creative potential of print and the book by commissioning artists’ covers (letterpress and offset), artist designed pages, and artists’ books made especially for insertion into JAB.

Lyn Ashby presents his keynote lecture

Lyn Ashby presents his keynote lecture

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LYN ASHBY (Abstract) – POSTLITERACY AND ARTISTSBOOKS: Coming to our senses with a modern mythic form

This presentation is a speculation on the idea that contemporary artistsbooks may be the laboratory for a new literacy, and that in honor of the quietly evolutionary nature of this new literacy, we might call it “postliteracy”.

As background, it explores how our centuries of standard literacy and its attendant conventions of pictorial space and chronological, narrative time, have privileged a specific code in the representations of our language systems (both image and text) and their operations across the page and through the book. The prescriptions of these conventions and the domination of the line and the grid onto the look of language have come to minimise the participation (and uncertainty) of the senses in the direct process of apprehending meaning with language forms.

But the pages of artistsbooks are often filled with the explorations of other ways that language forms can activate a lively, sensory involvement with the page space, or how meaning can be formulated beyond the limitations of chronology.

Some of these experiments involve the invocation of pre literate, oral language structures that work more by the devices and grammars of music, song and myth than the usual strategies of standard literacy. in this way, the contemporary artistsbook may be the hardcopy home of a modern, mythic form.

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Doug Spowart performs his lecture 'I'm about to 'read' a book'

Doug Spowart performs his lecture ‘I’m about to ‘read’ a book’

Photo from ABBE Artists Book Conference July 16, 17 & 18 2015 at the Queensland College of Art

Victoria Cooper presents her lecture ‘The Grafted Image: The Montage’

Tim Mosely presents in the lecture room

Tim Mosely presents in the lecture room

Presenting/Participating at the conference

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  • Lyn Ashby
  • Sarah Bodman
  • Sara Bowen
  • Deidre Brollo
  • Helen Cole
  • Victoria Cooper
  • Marian Crawford
  • Daniel Della-Bosca
  • Fiona Dempster
  • Caren Florance
  • Jenny Fraser
  • Brad Freeman
  • Angela Gardner
  • Noreen Grahame
  • Bridget Hillebrand
  • Joel Lardner
  • Marian Macken
  • Tim Mosely
  • Adele Outteridge
  • Mikhail Pogarsky
  • Doug Spowart
  • Kym Tabulo
  • Wim de Vos
  • Gabriella Wilson
Invite – 'Books by Artists'

Invite – ‘books by artists’

OLYMPUS DIGITAL CAMERA
books by artists’ in the Webb Gallery, QCA

The ‘books by artists’ exhibitors

  • Isaac Brown
  • Blogger_dad
  • Penny Carey-Wells
  • Victoria Cooper
  • Caroline Craig
  • Fiona Dempster
  • Hesam Fetrati Angela Gardner
  • Annique Goldenberg
  • Alannah Gunter
  • Institute of Modern Art Cassandra Lehman-Schultz
  • Alison Mackay
  • Judy Macklin
  • Heather Matthew
  • Tess Mehonoshen
  • Christine Mellor
  • Tim Mosely
  • night ladder collective
  • Naomi O’Reilly
  • Adele Outteridge
  • Mona Ryder
  • Rose Rigley
  • Glen Skien
  • Doug Spowart
  • Wim de Vos

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THE ABBE ARTISTS BOOK FAIR

OLYMPUS DIGITAL CAMERA

Artists Book Fair

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Artists Book Fair stallholders

Sue Anderson + Gwen Harrison

Sue Anderson + Gwen Harrison

Lyn Ashby

Lyn Ashby

Sara Bowen (no image taken)

Photo from ABBE Artists Book Conference July 16, 17 & 18 2015 at the Queensland College of Art

Deidre Brollo with Christene Drewe and Helen Cole

Penny

Penny Carey-Wells

Centre for Regional Arts Practice (Cooper+Spowart) (no image taken)

Marian Crawford with Sarah Bodman

Marian Crawford with Sarah Bodman

Daniel Dell-Bosca with Victoria Cooper

Daniel Dell-Bosca with Victoria Cooper

Robyn Dempster + Fiona

Robyn Foster + Fiona Dempster

Caren Florance

Caren Florance

Robyn Foster (no image taken)

Brad Freeman  JAB

Brad Freeman JAB

Angela Gardner

Angela Gardner

Griffith Centre for Creative Arts Research (no image taken)

Impress Printmakers: Sue Poggioli + Jennifer Stuerzl

Impress Printmakers: Sue Poggioli + Jennifer Stuerzl

Institute of Modern Art

Institute of Modern Art

Sheree Kinlyside

Sheree Kinlyside

Clyde McGill

Clyde McGill

Heather Matthew

Heather Matthew

Anita Milroy book – 'Biography of a Physicist'

Anita Milroy book – ‘Biography of a Physicist’ (Image supplied by the artist)

Adele Outteridge + Wim de Vos

Adele Outteridge + Wim de Vos

QCA Gold Coast (no image taken)

silverwattle bookfoundry

silverwattle bookfoundry (Tim Mosely)

Peta Smith

Peta Smith

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ABBE participants also visited Grahame Galleries, The Studio West End and the State Library of Queensland

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The SLQ White Gloves team Christene, Helen and Jeanette

The SLQ White Gloves team Christene, Helen and Jeanette

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ABBE Logo

ABBE Logo

ABBE was an initiative of the Griffith Centre for Creative Arts Research and was coordinated by Dr Tim Mosely and Dr Lynden Stone.

All photographs  © 2015 Doug Spowart

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SLQ Siganto Seminar: The trouble with artists’ books

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AT THIS TIME THE BLOG WILL FEATURE IMAGES OF THE EVENT

We are happy to receive comments and dialogue arising from the seminar and will post selected feedback. Please leave a comment on this blog for consideration by us for posting.

The podcast is available at  http://www.slq.qld.gov.au/audio-video/webcasts/recent-webcasts/siganto-seminar

Cheers  Doug+Victoria

SQL-Trouble website

From the SLQ website – Promo for the evnt

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The State Librarian Jeanette Wright opens procedings

The State Librarian Jeanette Wright opens proceedings

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Helen Cole presents

Helen Cole presents the Librarian’s view

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Jan Davis presents

Jan Davis presents the Artist’s view

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Noreen Grahame presents

Noreen Grahame presents the Gallerist’s view

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The Question and Answer session

Helen Cole chairing the Question and Answer session

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Noreen Grahame answers

Noreen Grahame answers a question

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State Library of Queensland Event: The trouble with artists' boo

Jan Davis answers a question

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The Auditorium crowd

The Auditorium crowd

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The 'Hearsay' team members discuss the project

The Hearsay team members discuss the project

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Attendees viewing the 'Hearsay' book

Attendees viewing the Hearsay book

BLOGPOSTS ABOUT THE EVENT ARE AVAILABLE AT THE FOLLOWING:

Judy Barrass ‘Critical mass Blog’         http://www.criticalmassblog.net/2012/?p=2568

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All  photographs  © Doug Spowart 2013.

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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

CODEX 9: ARTISTS’ BOOK DISCUSSION MEETING

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Queensland, it seems, is the place to be if you are interested in artists’ books (ABs). Queenslanders have one of the countries most significant collection of artists’ books in the State Library of Queensland, another significant private collection held by Noreen Grahame, herself a major contributor to the AB in this country. Other collections and events coordinated by Artspace Mackay including the Focus on Artists’ Books Forum and Libris Awards. There are also major practitioners of the art living and working in Queensland including Katherine Nix, Adele Outteridge, Wim de Vos, Ron McBurnie, Stephen Spurrier, Helen Malone, Jack Oudyn, Judy Barrass, and many more.

CODEX Event graphic

CODEX Event graphic

In this fertile space for ABs a small band of interested practitioners recently met to discuss the idea of forming a special interest group dedicated to the discipline. The invitation came as an email under the auspices of a CODEX 9 event with the following statement:

books by artists / artists books

printmaking, letterpress, papermaking and more

artists interested in making books are invited to

join an Impress Printmakers discussion group

located in Brisbane to foster and promote

contemporary artists book practice

Meeting on level 4 of the State Library of Queensland the 10 attendees represented a broad range of artists many of whom have had significant activity within the AB discipline, some had experiences of working as teachers using the book as a learning tool, some had academic links to ABs apart from their practice of making books, all had a definite interest in the discipline and wanted to engage in the idea of the discussion group as proposed in the invitation.

CODEX Event + Impress Printmakers AB discussion meeting

CODEX Event + Impress Printmakers AB discussion meeting

During the meeting many topics were raised including:

  • The dogged question of ‘what is an artist’ book?
  • What is not an artists’ book?
  • Where does the apostrophe go in the term artists book and why does it move
  • The Duchampian view of the ‘found object’ as art and his often cited idea that ‘it’s art because I say it is, and I’m an artist’
  • If it has a colophon then it’s an AB(?)
  • Scrapbooks as AB and the silent ‘s’ in the term scrapbook
  • Ideas of sharing knowledge about the gamut of the discipline

One participant presented a polemic to the group, proposing that a freestanding 3D object on the table before us could be an AB – how would we know? The object was a folded “No food or drink allowed” SLQ sign. Discussion ended and reinforced the group’s interest in being challenged, as through such knowledge and understanding emerges.

a polemic for an artists book

a polemic for an artists book

Other structural matters relating to the group’s future activities, meeting schedule, email and communications methods were discussed. Some requested a degree of anonymity at this time. It was noted that the SLQ will be hosting the next Siganto seminar with the topic being the trouble with artists’ books. It was agreed that it will be a ‘must attend’ event.

The meeting concluded in a convivial mood with most attendees going for a coffee, and we guess, some more conversations about the idea of the artists book …

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Doug and Victoria

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OUR BOOK in the show ‘Lessons in History Vol. II – Democracy’ grahame galleries

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The Cooper+Spowart book Art is always the best policy, is included in the grahame galleries exhibition Lesson in History Vol. II – Democracy curated by Noreen Grahame. The book is a tounge-in-cheek commentary on democracy and the artist and is published as part of the Centre for Regional Arts Practice – Artists Survey books. The artist’s statement for the work is as follows …

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Cover: Art is always the best policy

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ART IS ALWAYS THE BEST POLICY

Recent democratic debate in Australian politics has been apprehended by special interest lobby groups. It is now time for artists to stand up and be vocal to capture their share of the political scene.

This policy booklet presents the Regional Artists for Government Election (R.A.G.E.) campaign and its political demands. The R.A.G.E. policies at first seem flippant and glib, however, as we have experienced in contemporary politics, the absurd can, with the right ‘spin’ and ‘media cycle’, become plausible – in fact, even highly appealing to the voters, leading to positive opinion polls and success at the ballot box.

SUPPORT R.A.G.E. – Join the Art Revolution Today.

The edition of the book is 25 with 5 artist’s proofs. Copies of the book can be purchased from grahame galleries for $25 + packaging and post.

A video performance of the book is available here …

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GRAHAME GALLERIES: Lessons in History Vol. II – Democracy

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In an otherwise drought of artists’ book activity in Brisbane the opening of the much awaited exhibition at grahame galleries Lessons in History Vol. II – Democracy provided a welcome spike in calendar. In one brief afternoon there was the opportunity to be swept up in a deluge of books and book people. This is a the democratic camera view of the event …

A catalogue is available for viewing at the gallery’s website HERE. A print catalogue featuring each book is available from the gallery as well.

grahame galleries panorama

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Noreen Grahame and the catalogue

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Jan Davis and her book Democracy Counts

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Monica Oppen and her book Dare to VOTE!

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Anne Kirker and Ron McBurnie discussing books

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Stephen Spurrier and his book Canaries for Democracy

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Looking @ Glen Skien’s Atlas 1

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Heather Matthew and her book Occupy

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Discussing Democracy books

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11 November: Visit to Noreen Grahame + Gallery

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 It has been a while since the flood but Noreen has reopened with a new show featuring a selection of the etchings of Euan Macleod from 2004~2009.*

Noreen in conversation with Vicky

Noreen spoke of how she responded to the early signs of the imminent flood and began packing her extensive collection of art on the Sunday, days before the reality of the inundation was to hit Brisbane. She spoke of people in her area not being aware of what may happen.

With help from family and others including Anne Kirker and Helen Cole she was able to clear the building of artworks, furniture and framing equipment. The contents were stored in the homes of friends and family until, months later and after refurbishment of the gallery, she was able to return.

She commented on the fantastic support she had received including the fundraising auction that was organised by friends.

Noreen engaged both of us in conversation and, as usual when the conversation turned to things artists’ books, she disappeared and came back with examples of the works we were discussing from her collection. It was just like old times …

Congratulations on your achievement Noreen – Welcome back.

Words+pic: Doug Spowart

*Euan Macleod’s show continues until 26 November. A companion exhibition of Macleod’s painting works is on show at the Victor Mace Fine Art Gallery in Milton.

Written by Cooper+Spowart

November 12, 2011 at 2:17 pm

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