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FAST FOODS LEAVE BAD TASTE IN TOOWOOMBA

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When a community challenges its elected representatives

On January 11th we attended a public meeting to join the protest against a Toowoomba Range development that would change the nature of a highly visible part of our town and diminish liveability values of an area close to where we live—the background of the protest and personal reflections on the meeting follow…

St Lukes Church - Toowoomba Range Public Meeting  Photo: Doug Spowart

St Lukes Church – Toowoomba Range Public Meeting ………Photo: Doug Spowart

At a special meeting of the Toowoomba Regional Council on December 21st approval was given to a major commercial development at the ‘Top of the Range’—the main road transport entry to Toowoomba. The development, it is claimed, is required to service the needs of the local community with a McDonalds, a KFC and a convenience store that will operate 24 hours per day. The development is conditional on the installation of traffic lights, by the developer, at the intersection of the Warrego Highway (Cohoe Street) and Herries Streets.

It is claimed that responses provided by the community against the development in the pre-approval stage were not adequately considered in the Council’s decision.

Concerned residents called the protest meeting at St Luke’s Church because the development was given the go ahead despite their objections and those from other stakeholders. As the area is currently mainly residential with adjoining motels and a service station their objections included the 24 hour presence of:

  • safety issues of the proximity of the traffic lights at the crest of the Range creating mayhem for trucks and busses—gearboxes, clutches, mechanical and loading problems that may require breakdown vehicles and Range holdup and delays;
  • traffic/car park noise;
  • overnight carpark lighting; and
  • cooking odours permeating the local environment.
I have a question ...    Photo: Doug Spowart

‘I have a question’ …   .. Photo: Doug Spowart

The meeting was chaired by East Toowoomba resident Kate Powell and those addressing the meeting included State Government members Trevor Watts & John McVeigh, TWU state secretary Peter Biagini and councillor Mike Williams. Questions and comments from the floor were clapped, hissed and booed depending on the feelings of those in attendance. Councillor Mike Williams was indeed a brave man to attend such a meeting however his answers provided understanding of council process and procedures—he refrained from answering questions relating to the specific council decision to approve the development. He did comment that he had voted against the development in the December Council meeting.

The Second Toowoomba Range crossing was a side issue, but one which stirred the crowd. They were advised that authorities felt that the current crossing would be satisfactory for traffic densities of up to 23,000 vehicles daily and that was expected to be by the year 2020—BUT that number of vehicles is using the crossing every day NOW!  And … 25% of those vehicles are heavy transport.

Traffic jam after truck breakdown - Toowoomba Range  Photo: Victoria Cooper

Traffic jam after truck breakdown, 10-01-2013 – Toowoomba Range ………Photo: Victoria Cooper

Members of the audience voiced their emotional outcries as well:

  • ‘What an ugly entry this will provide to the our Garden City’;
  • ‘What have you done to my beautiful city’; and
  • ‘How can you approve another ‘fast food’ outlet in this town … there are already 7 in Toowoomba?’

It was agreed that the Council’s decision would be challenged by the appeal process and to achieve that a committee of nine members were selected from the floor. One attendee quipped that: ‘For council to fight a legal battle derived from this meeting they will use the money of those ratepayers here tonight protesting!’ And a legal battle is where this protest is leading…

What we felt important is the recognition that government, council or administrative bodies need to consider that commercial ‘development’ should go hand-in-hand with community values.

Dr Doug Spowart

The protest group has established a website called FRIENDS OF THE TOOWOOMBA RANGE – To visit click HERE

For more information see the links to some Chronicle Newspaper reports:

http://www.thechronicle.com.au/news/eighth-maccas-planned-for-city-east-toowoomba/1545915/

http://www.thechronicle.com.au/news/fast-food-development-approval-sparks-anger/1694378/

FROGS HOLLOW NEW YEAR FIREWORKS—Toowoomba 2012-13

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The crowd @ Toowoomba New Years Eve fireworks display Photo: Doug Spowart

The crowd @ Toowoomba’s Frogs Hollow New Years Eve fireworks display Photo: Doug Spowart

It seemed like 10,000 people attended the Toowoomba “Frogs Hollow” 2012-13 fireworks display last night creating traffic jams, pedestrian crossing dramas and footpath parking mayhem. The crowd ‘ooooo—d’ and ‘aaaaaah—d’ and dotted throughout the audience were the lights from hundreds of digital camera, iPhone and iPad view screens recording the event. Starting at 7.40pm EST the show was over in ten or so minutes and much of the crowd dispersed.

I’ve photographed my share of fireworks—the tripod, remote release, being in a position with a clear view (up wind), careful focus and exposure correct. This year I just worked with my point-and-shoot Olympus Pen hand held—3200 ISO, auto (out-o) focus, auto exposure-around a ¼ second, and intuitively firing the shutter.

Toowoomba New Years Eve fireworks display Photo: Doug Spowart

Toowoomba New Years Eve fireworks display Photo: Doug Spowart

Toowoomba New Years Eve fireworks display Photo: Doug Spowart

Toowoomba New Years Eve fireworks display Photo: Doug Spowart

Toowoomba New Years Eve fireworks display Photo: Doug Spowart

Toowoomba New Years Eve fireworks display Photo: Doug Spowart

Toowoomba New Years Eve fireworks display Photo: Doug Spowart

Toowoomba New Years Eve fireworks display Photo: Doug Spowart

Being IN the moment for me has created a different kind of view, and maybe one that closer represents the feeling of being there—“BOOM” “BOOM” “CRACKLE” and “POP”. Oh! I forgot the sound missing from stills. You will need to imagine that until I get the video function going—next year . . .

Traffic-cars and people @ Toowoomba New Years Eve fireworks display

Traffic-cars and people @ Toowoomba New Years Eve fireworks display

SEE the Toowoomba Chronicle report for more information

http://www.thechronicle.com.au/news/new-years-eve-a-blast/1702476/

The WOTWEDID WordPress Blog 2012 in review

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The WordPress.com stats helper monkeys prepared a 2012 annual report for this blog. It contains some interesting data about WOTWEDID and the world of blogging.

As always we are interested in your feedback … And, HAPPY NEW YEAR.

From Vicky and Doug.

Here’s an excerpt:

600 people reached the top of Mt. Everest in 2012. This blog got about 9,900 views in 2012. If every person who reached the top of Mt. Everest viewed this blog, it would have taken 17 years to get that many views.

Click here to see the complete report.

Written by Cooper+Spowart

January 1, 2013 at 4:04 am

EX LIBRIS: WHO OWNS THIS BOOK? A Queensland artists’ bookplate project

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Zealous book collectors have always prominently placed inside the first few pages of a book their Ex Libris bookplate as a sign of ownership of books that they acquire. Over time these bookplates became a kind of specialised artwork created by artists and designers—not only for their own collected books but also for the libraries of serious book collectors. Bookplates then, are not just the carriers of the name of a book’s [one time] owner, but are also a thing of artistic integrity and beauty. Indeed there exist a large number of book-collecting dilettantes who are more interested in the bookplate and less in the book in which it is fixed.

The origins of the bookplate can be traced back to the 15th century and the artists who made them include Albrecht Durer and Hans Holbein. In Australia the most noteworthy bookplate designers include Norman Lindsay, Adrian Feint and G.D. Perrottet. Most significant state and national library collections include bookplate works. The Toowoomba Regional Art Gallery has a collection of bookplates as part of The Lionel Lindsay Gallery and Library Collection (Also known as the Bolton Collection) and in 2004 Patrick Corrigan AM gifted to the gallery a collection 318 bookplates, mostly by Australian artists, including John Shirlow, Lionel and Norman Lindsay, P. Neville Barnet, George Perrottet, Lloyd Rees, Pixie O Harris and Brett Whiteley.

"Bookplates Unbound" limited edition set (two views)  Photos: Doug Spowart

“Bookplates Unbound” limited edition set (two views) Photos: Doug Spowart

Into this bookplate space a new and ambitious project is set to provide a contemporary view of the bookplate by Queensland artists. The project, entitled Bookplates Unbound, was inspired by conversations between artists Gael Phillips and Wim de Vos around the role of printmakers in the creation of fine art bookplates. The details of the Bookplates Unbound are as follows (from the frontpiece):

As the project evolved we decided to invite 29 other Queensland artists to collaborate in a project to make a limited edition folio of fine art bookplates mounted on sheets of art paper, unbound, in a clam shell box. The artists were also requested to supply an Artist’s Statement to accompany the prints. Any hand printmaking technique was allowed as well as digital prints. The size was restricted to no more than 90mm by 130mm and the bookplates were to be printed on acid free paper of a weight up to 100gsm. Since we are now in the 21’t century, digital prints were also allowed and, if submitted, these were to be printed using archival inks on acid free paper.

Some of the 'Bookplates Unbound' printing plates   Photo:Doug Spowart

Some of the ‘Bookplates Unbound’ printing plates Photo:Doug Spowart

The Bookplates Unbound set of bookplates is a limited edition production with each artist receiving a copy. The remaining copies will be made available to collectors. The coordination of the project was undertaken by Gael Phillips and Wim de Vos at The Studio West End and was supported by Adele Outteridge.

'Bookplates Unbound' wall @ The Studio West End   Photo: Doug Spowart

‘Bookplates Unbound’ wall @ The Studio West End Photo: Doug Spowart

Anne Jolly, of Novel Lines Bookshop, launched the Bookplates Unbound set at a special event at The Studio West End on November 24. Accompanying the launch was an exhibition of artists books from friends of Studio West End that was opened by Helen Cole, Senior Librarian, State Library of Queensland. Wim de Vos also gave the audience a performance of two new tunnel books, one on Venice and the other referencng the Chrysler Building in New York that he has created [SEE the video in this post]. The openings concluded with a musical 6 song set by ‘Rock and Roll’ impresario Wim and fellow band members Neil Anderson and Robin Webb [SEE the video in this post].

Gael Phillips talks @ 'Bookplates Unbound' launch  Photo: Doug Spowart

Gael Phillips talks @ ‘Bookplates Unbound’ launch Photo: Doug Spowart

Wim and Gael thank Anne Jolly   Photo: Doug Spowart

Wim and Gael thank Anne Jolly Photo: Doug Spowart

Helen Cole opens the Studio West End artists book show   Photo: Doug Spowart

Helen Cole opens the Studio West End artists book show Photo: Doug Spowart

Helen Cole opens the Studio West End artists book show   Photo: Doug Spowart

Helen Cole opens the Studio West End artists book show Photo: Doug Spowart

Studio West End artists book show   Photo: Doug Spowart

Studio West End artists book show Photo: Doug Spowart

Studio West End artists book show   Photo: Doug Spowart

Studio West End artists book show Photo: Doug Spowart

The Band - Wim, Neil and Robin   Photo: Doug Spowart

The Band – Wim, Robin Webb and Neil Anderson Photo: Doug Spowart

The contributing artists to the Bookplates Unbound and their respective print media are:

Janette Bailey                     Line etching / aquatint

Graham Bligh                     Linocut

Susan E Bowers                 Sugarlift etching and embossing

Victoria Cooper                  Digital print

Geraldine Connolly           Soft ground etching

Philomena Drake               Etching / aquatint

Malcolm Enright                Digital print

Barbara Heath                    Digital print

Tabitha Ford                       Line etching

Lynne French                      Line etching and relief roll

Teresa Jordan                     Digitised linocut

Jeraldene Just                    Line etching

Sharon Lee                          Digital print

Chris Ling                            Line etching

James McDougall              Photo etching

Julanne McDougall           Photo etching

Fiona Medhurst                 Line etching and rubber stamp

Karla Meursing                  Linocut

Anita K Milroy                   Three hand pierced plates, line etching and embossing

Katharine Nix                    Lino etching

Adele Outteridge               Line etching

Gael Phillips                       Line and photo etching on three plates

Pip Reid                               Line aquatint etching

Anneke Silver                     Engraved lino print

Doug Spowart                    Digital print

Stephen Spurrier               Digital print

Madonna Staunton           Wood cut and rubber stamps

Jonathan Tse                      Screen print

Geoff Thompson                Line etching

Wim de Vos                         Line etching on four plates

Sheryl Whimp                     Open bite etching

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The Colophon for Bookplates Unbound

This Edition consists of forty copies, of which this is number 11

The bookplates were mounted on acid free cartridge paper and the cover titles embossed in “Times New Roman”. The font used for the Artists’ Statements was “Centaur”, designed by the late Bruce Rogers. The clam shell boxes were made by a craftsman bookbinder, Tony Gibaud at “Craftsmen Bookbinders”, Geebung, Queensland, who also made the blocks for the cover, spine and title page to a design by Gael Phillips and Wim de Vos. The text was printed by Drawing & Drafting Digital, Bowen Hills, Queensland.

The copyright of the bookplate images is retained by the individual artists.

ISBN: 978-0-646-59203-9

Published by Alumni Publishers

© 2012 Brisbane

SEE ALSO: http://www.theaustralian.com.au/business/wealth/telling-a-book-by-its-inside-cover/story-e6frgac6-1111113127290

PHOTO GRADUATION 2012 SQIT

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The 2012 SQIT Photoimaging Graduation event took place on November 26 in the college theatre. Around 80 family, friends and local photography identities attended the two-hour event. The Graduation is a student project overseen by teacher Rachel Susa and her first year students and is a mix of celebration, reflection and fun. Each year a guest speaker provides an insight into the photographic industry – this year David Seeto addressed the audience with his life experiences in photography. His early film-based work with complex sets, large format film and tricky lighting situations made the students thankful for the ability they have to use digital techniques and Adobe Photoshop to assemble images now – easily. David discussed his documentary work over many years  with outback legend R. M. Williams.

The SQIT Photoimaging Graduation 2012

David Seeto presents the keynote address

At the Graduation event the SQIT Photoimaging Awards are announced. This year’s Syd Owen Graduating Student of the Year is Abby Dennien. Her award recognises the significant contribution made by Syd Owen Senior in the formation of the Institute of Australian Photography (now the AIPP) in the 1960s and his support of professional photography in this country. As part of her award Abby has the opportunity to gain extra experience as a part-time employee of Owen Studios for the next 6 months The Photobook of the year was awarded to Christine Ivanov for a book about night travel along local highways.

Raymond Keyworth from Owens Studios with Abby Dennien and Doug   PHOTO: Alison Ahlhaus

The Graduating students take the stage at the end of the night and a celebration poster is unveiled which features a portrait of the students and teachers. Then it’s all over — until next year!

Certificate IV in Photoimaging Graduation Group  PHOTO: Alison Ahlhaus

The 2012 Student Board

The 2012 Student Board

Written by Cooper+Spowart

November 30, 2012 at 8:18 pm

JUDGEMENT DAY @ SQIT PHOTO

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The assessment team with teacher Alison (left) and student Aidan (seated)

As the end of the teaching/learning year draws to a close the annual assessment day for student folios draws near. This year 5 Brisbane photographers joined with local professional identity Syd Owen to provide this important industry connection with the Southern Queensland Institute of TAFE’s Photoimaging department’s students. The team was (left-right) Alison Ahlhaus, Syd Owen, Andy Cross, Mark Schoeman, AIPP Queensland President Jan Ramsay, Cam Attree and Ian Poole.

The assessment team looking @ work

This year assessment consisted mainly of final folios from the Certificate IV in Photoimaging (CUV40403) and a Diploma of Photoimaging folio. The folio submission consists of 16-20 high quality 20×30.5 images from work made throughout the year as course work. Students also present a photobook for assessment. The photobook represents a major component for holistic assessment of a broad range of professional practice from image-making, optimisation and online output through print-on-demand book service providers. Importantly the photobook project necessitates the development of a conceptual body of work which the student melds into a personal narrative.

Ian providing student Aidan with some feedback

These photographs of the event provide some representation of assessment day activities. The Photoimaging Team, Alison Ahlhaus, Rachel Susa and myself greatly appreciate the special connection that this industry liaison provides for the college, the students and the ability it provides for our student work to be moderated against contemporary industry standards in photoimaging.

Cam, Jan and Ian looking @ a student photobook

Jan and Doug towards the end of the busy day  PHOTO: Mark Schoeman

WHAT HAPPENS in a Brisbane storm black-out!!

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At a dinner attended by Queensland artists’ book people last Saturday in Brisbane a giant thunder storm caused a black-out. Now any self respecting ‘bookie’ would probably have a mini-book reading light or two on their person, but this was not the case. Out came the candles – and in their yellow light we were pushed closer together by the darkness …

As we chortled on about books, democracy, bureaucracy, and greater world issues the piercing shafts of lightning, the accompanying crash of thunder and the sound of driving rain on the roof brought us closer to a time before books, were human beings nestled-in around a flicking fire and told stories by animated gestures and spoken language.

Brisbane book arts dinner black-out

GRAHAME GALLERIES: Lessons in History Vol. II – Democracy

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In an otherwise drought of artists’ book activity in Brisbane the opening of the much awaited exhibition at grahame galleries Lessons in History Vol. II – Democracy provided a welcome spike in calendar. In one brief afternoon there was the opportunity to be swept up in a deluge of books and book people. This is a the democratic camera view of the event …

A catalogue is available for viewing at the gallery’s website HERE. A print catalogue featuring each book is available from the gallery as well.

grahame galleries panorama

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Noreen Grahame and the catalogue

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Jan Davis and her book Democracy Counts

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Monica Oppen and her book Dare to VOTE!

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Anne Kirker and Ron McBurnie discussing books

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Stephen Spurrier and his book Canaries for Democracy

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Looking @ Glen Skien’s Atlas 1

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Heather Matthew and her book Occupy

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Discussing Democracy books

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SIMON GLEESON’s ‘PERU EMBRACED’ Exhibition

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Simon Gleeson: ‘Peru Embraced’ Poster

Simon Gleeson studied photography with me a few years ago in Toowoomba. His world travels have taken him to some remarkable places but his current love affair is with Peru. An exhibition fund-raiser recently opened at the Metro Gallery in Toowoomba. Simon presented a selection of large colour and black & white images presented on canvas mounts.

Simon Gleeson portrait by Doug Spowart

Plaza De Armas by Simon Gleeson

Condor by Simon Gleeson

At the opening the works were auctioned generating around $4,000 for an amazing lady Lyndal Maxwell who cares for and adopts Peruvian children. Simon’s message is presented here …

A story in the Toowoomba Chronicle newspaper is available HERE

Congratulations Simon…
Doug

Written by Cooper+Spowart

November 22, 2012 at 7:09 pm

THE RANGE: USQ GraduArt Exhibition 2012

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Written by Cooper+Spowart

November 9, 2012 at 6:02 pm