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Victoria Cooper+Doug Spowart Blog

EX LIBRIS: WHO OWNS THIS BOOK? A Queensland artists’ bookplate project

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Zealous book collectors have always prominently placed inside the first few pages of a book their Ex Libris bookplate as a sign of ownership of books that they acquire. Over time these bookplates became a kind of specialised artwork created by artists and designers—not only for their own collected books but also for the libraries of serious book collectors. Bookplates then, are not just the carriers of the name of a book’s [one time] owner, but are also a thing of artistic integrity and beauty. Indeed there exist a large number of book-collecting dilettantes who are more interested in the bookplate and less in the book in which it is fixed.

The origins of the bookplate can be traced back to the 15th century and the artists who made them include Albrecht Durer and Hans Holbein. In Australia the most noteworthy bookplate designers include Norman Lindsay, Adrian Feint and G.D. Perrottet. Most significant state and national library collections include bookplate works. The Toowoomba Regional Art Gallery has a collection of bookplates as part of The Lionel Lindsay Gallery and Library Collection (Also known as the Bolton Collection) and in 2004 Patrick Corrigan AM gifted to the gallery a collection 318 bookplates, mostly by Australian artists, including John Shirlow, Lionel and Norman Lindsay, P. Neville Barnet, George Perrottet, Lloyd Rees, Pixie O Harris and Brett Whiteley.

"Bookplates Unbound" limited edition set (two views)  Photos: Doug Spowart

“Bookplates Unbound” limited edition set (two views) Photos: Doug Spowart

Into this bookplate space a new and ambitious project is set to provide a contemporary view of the bookplate by Queensland artists. The project, entitled Bookplates Unbound, was inspired by conversations between artists Gael Phillips and Wim de Vos around the role of printmakers in the creation of fine art bookplates. The details of the Bookplates Unbound are as follows (from the frontpiece):

As the project evolved we decided to invite 29 other Queensland artists to collaborate in a project to make a limited edition folio of fine art bookplates mounted on sheets of art paper, unbound, in a clam shell box. The artists were also requested to supply an Artist’s Statement to accompany the prints. Any hand printmaking technique was allowed as well as digital prints. The size was restricted to no more than 90mm by 130mm and the bookplates were to be printed on acid free paper of a weight up to 100gsm. Since we are now in the 21’t century, digital prints were also allowed and, if submitted, these were to be printed using archival inks on acid free paper.

Some of the 'Bookplates Unbound' printing plates   Photo:Doug Spowart

Some of the ‘Bookplates Unbound’ printing plates Photo:Doug Spowart

The Bookplates Unbound set of bookplates is a limited edition production with each artist receiving a copy. The remaining copies will be made available to collectors. The coordination of the project was undertaken by Gael Phillips and Wim de Vos at The Studio West End and was supported by Adele Outteridge.

'Bookplates Unbound' wall @ The Studio West End   Photo: Doug Spowart

‘Bookplates Unbound’ wall @ The Studio West End Photo: Doug Spowart

Anne Jolly, of Novel Lines Bookshop, launched the Bookplates Unbound set at a special event at The Studio West End on November 24. Accompanying the launch was an exhibition of artists books from friends of Studio West End that was opened by Helen Cole, Senior Librarian, State Library of Queensland. Wim de Vos also gave the audience a performance of two new tunnel books, one on Venice and the other referencng the Chrysler Building in New York that he has created [SEE the video in this post]. The openings concluded with a musical 6 song set by ‘Rock and Roll’ impresario Wim and fellow band members Neil Anderson and Robin Webb [SEE the video in this post].

Gael Phillips talks @ 'Bookplates Unbound' launch  Photo: Doug Spowart

Gael Phillips talks @ ‘Bookplates Unbound’ launch Photo: Doug Spowart

Wim and Gael thank Anne Jolly   Photo: Doug Spowart

Wim and Gael thank Anne Jolly Photo: Doug Spowart

Helen Cole opens the Studio West End artists book show   Photo: Doug Spowart

Helen Cole opens the Studio West End artists book show Photo: Doug Spowart

Helen Cole opens the Studio West End artists book show   Photo: Doug Spowart

Helen Cole opens the Studio West End artists book show Photo: Doug Spowart

Studio West End artists book show   Photo: Doug Spowart

Studio West End artists book show Photo: Doug Spowart

Studio West End artists book show   Photo: Doug Spowart

Studio West End artists book show Photo: Doug Spowart

The Band - Wim, Neil and Robin   Photo: Doug Spowart

The Band – Wim, Robin Webb and Neil Anderson Photo: Doug Spowart

The contributing artists to the Bookplates Unbound and their respective print media are:

Janette Bailey                     Line etching / aquatint

Graham Bligh                     Linocut

Susan E Bowers                 Sugarlift etching and embossing

Victoria Cooper                  Digital print

Geraldine Connolly           Soft ground etching

Philomena Drake               Etching / aquatint

Malcolm Enright                Digital print

Barbara Heath                    Digital print

Tabitha Ford                       Line etching

Lynne French                      Line etching and relief roll

Teresa Jordan                     Digitised linocut

Jeraldene Just                    Line etching

Sharon Lee                          Digital print

Chris Ling                            Line etching

James McDougall              Photo etching

Julanne McDougall           Photo etching

Fiona Medhurst                 Line etching and rubber stamp

Karla Meursing                  Linocut

Anita K Milroy                   Three hand pierced plates, line etching and embossing

Katharine Nix                    Lino etching

Adele Outteridge               Line etching

Gael Phillips                       Line and photo etching on three plates

Pip Reid                               Line aquatint etching

Anneke Silver                     Engraved lino print

Doug Spowart                    Digital print

Stephen Spurrier               Digital print

Madonna Staunton           Wood cut and rubber stamps

Jonathan Tse                      Screen print

Geoff Thompson                Line etching

Wim de Vos                         Line etching on four plates

Sheryl Whimp                     Open bite etching

.

.

The Colophon for Bookplates Unbound

This Edition consists of forty copies, of which this is number 11

The bookplates were mounted on acid free cartridge paper and the cover titles embossed in “Times New Roman”. The font used for the Artists’ Statements was “Centaur”, designed by the late Bruce Rogers. The clam shell boxes were made by a craftsman bookbinder, Tony Gibaud at “Craftsmen Bookbinders”, Geebung, Queensland, who also made the blocks for the cover, spine and title page to a design by Gael Phillips and Wim de Vos. The text was printed by Drawing & Drafting Digital, Bowen Hills, Queensland.

The copyright of the bookplate images is retained by the individual artists.

ISBN: 978-0-646-59203-9

Published by Alumni Publishers

© 2012 Brisbane

SEE ALSO: http://www.theaustralian.com.au/business/wealth/telling-a-book-by-its-inside-cover/story-e6frgac6-1111113127290

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4 Responses

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  1. Enjoyed this post

    greg

    Greg Johnson

    December 24, 2012 at 3:18 am

    • G’Day Greg – We’ve updated the post and added a couple of videos into the post. Also you will be interested in the latest post about our work in the show.

      Cheers Vicky+Doug

      Victoria Cooper Doug Spowart

      December 24, 2012 at 3:40 am

  2. […] Here are our contributions to the Bookplates Unbound project – SEE previous post for details […]

  3. […] Adele and Wim have for many years operated their business Studio West End in the suburb of West End in Brisbane in an old soft drink and later and ice-cream factory. They made these places little palaces of art, inspiration and creativity. The workshop was often converted into an exhibition space and example of which would be the project launch of EX LIBRIS: WHO OWNS THIS BOOK […]


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