CAMERA OBSCURA 2000–2020: In hotels and other places
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Our rhythms insert us into a vast and infinitely complex world, which imposes on us experience and the elements of this experience. Let us consider light, for example. We do not perceive it as a waveform carrying corpuscles but as a wonder that metamorphoses things, as an illumination of objects, as a dance on the surface of all that exists.…………
Henri Levebvre, Rhythmanalysis; Space, Time and Everday Life, page 82.
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Cooper+Spowart: 20 years of Camera Obscura Collaborations
In our collaborative work, we are interested in both the physical construct and cultural conventions that inform and shape us. This includes the common rituals and structures that surround, support and transport us in our everyday lives. In this work we have extended the context of documentary photographic methodology to include the narrative potential of the camera obscura and architectural projections.
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In the camera obscura work the viewer’s perception of the everyday is spatially challenged. The structures that can form camera obscura are everywhere, but some spaces present themselves as clearly suitable for the making. This could be a city office, a motel room, a country bathroom or even a car. Our work attempts to contextualize the experience of the camera obscura within a concept, space or site. Upon entering the darkened space, the viewer is initially displaced, as the familiar image of the everyday is dim and unrecognizable. Then after time spent in the camera obscura, the image becomes clearer and the familiar is re-established ultimately resulting in a relocation of the observer’s awareness of place.
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Some background on the set-up for the Travelodge camera obscura:
Simple black garbage bags and some black electrical tape from the local 711 store. An aperture cut from a ‘found’ piece of aluminium – size around 8mm … we don’t use sophisticated glass lenses – these are direct light projections. A digital camera bares witness to our experience by capturing the image of the camera obscura projection.
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OUR MOST RECENT CAMERA OBSCURA: ORPHEUS ISLAND BEACH TENT
(A collaborative event with John de Rooy, Spyder Displays and the Orpheus Is Photo Workshop)
TO VIEW OTHER CAMERA OBSCURA WORK BY COOPER AND SPOWART SEE THE LINKS
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Our Website:
http://www.cooperandspowart.com.au/4_PROJECTS/RoomCameraObscura-Project.html
The porthole on the Spirit of Tasmania Ferry
https://wotwedid.com/2019/01/11/2018-field-studies-camera-obscura-spirit-of-tasmania-porthole/
Our car converted into a camera obscura and driven across Australia:
http://www.cooperandspowart.com.au/4_PROJECTS/CarCamera-Project.html
Two New Zealand Camera Obscuras in the the Queenstown Rydges Hotel:
https://wotwedid.wordpress.com/2012/05/07/two-new-zealand-camera-obscuras/
A public Camera Obscura performance and live video:
https://wotwedid.wordpress.com/2013/04/22/camera-obscura-pinhole-event-foto-frenzy-a-report/
YouTube videos:
http://www.youtube.com/watch?v=lyA5QP-mX-E
A camera obscura at the Queenstown Centre fro Creative Photography:
https://wotwedid.wordpress.com/2012/05/07/camera-obscura-qccp/
A World Pinhole Day Camera Obscura at Mt Barney:
https://wotwedid.wordpress.com/2013/04/29/world-pinhole-photography-day-our-contribution/
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© 2019 Victoria Cooper and Doug Spowart for 20 Years of Camera Obscuras Projects
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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
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What a brilliant collection of work. Your work always amazes me. Thank you
janramsay1963
November 18, 2013 at 8:43 am
Thanks Jan, The camera obscura projects we do always inspire us. Each place is different and each camera alters how we see our place. Cheers Vicky and Doug
Victoria Cooper Doug Spowart
November 18, 2013 at 9:09 am