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MAUD GALLERY CAMERA OBSCURA – for one day only

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The Maud Gallery window to become a Camera Obscura

The Maud Gallery window to become a Camera Obscura

 

festival-of-the-darkroom-header

 

As a final event for Maud’s Festival of the Darkroom on November 26 between 12.00 Noon and 4.00pm we worked with Louis Lim to convert the Maud Gallery front room into a public Camera Obscura. We invited members of the Brisbane photo community to join with us for a look back to the origins of photography.

 

What follows are photos from the event…

Set-up day with Louis Lim, Ana Paula Estrada and Gillian Jones

The Maud camera obscura team – Louis Lim, Doug+Vicky PHOTO: Louis Lim

The Maud camera obscura team – Louis Lim, Doug+Vicky PHOTO: Louis Lim

The Maud camera obscura team – Louis Lim, Doug+Vicky with Maud Director Irena Prikryl. PHOTO: Louis Lim

The Maud camera obscura team – Louis Lim, Doug+Vicky with Maud Director Irena Prikryl. PHOTO: Louis Lim

 

Outside looking in ––– The Maud Gallery Camera Obscura

Outside looking in ––– The Maud Gallery Camera Obscura

Camera obscura viewers sitting on the couch - note two holes... PHOTO: Louis Lim

Camera obscura viewers sitting on the couch – note two holes… PHOTO: Louis Lim

Inside the Maud Gallery Camera Obscura

Inside the Maud Gallery Camera Obscura

Inside the Maud Gallery Camera Obscura

Inside the Maud Gallery Camera Obscura

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The Maud Gallery toilet was also converted into a camera obscura

The camera obscura in the Maud toilet PHOTO: Louis Lim

The camera obscura in the Maud toilet PHOTO: Louis Lim

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OLYMPUS DIGITAL CAMERA

Vicky standing before the two pinhole projection – someone came in and let the light in…

OLYMPUS DIGITAL CAMERA

Photographer Neil while making a photograph becomes a camera obscura imaging surface…

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Gallery Director Irena takes a tea break…

 

 

Cooper+Spowart: 16 years of Camera Obscura Collaborations

In our collaborative work, we are interested in both the physical construct and cultural conventions that inform and shape us. This includes the common rituals and structures that surround, support and transport us in our everyday lives. In this work we have extended the context of documentary photographic methodology to include the narrative potential of the camera obscura and architectural projections.

 

Bedroom Camera Obscura 2000 (Y2K)

Bedroom Camera Obscura 2000 (Y2K)

 

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Avochie Bathroom Camera Obscura

Avochie Bathroom Camera Obscura

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In the camera obscura work the viewer’s perception of the everyday is spatially challenged. The structures that can form camera obscura are everywhere, but some spaces present themselves as clearly suitable for the making. This could be a city office, a motel room, a country bathroom or even a car. Our work attempts to contextualize the experience of the camera obscura within a concept, space or site. Upon entering the darkened space, the viewer is initially displaced, as the familiar image of the everyday is dim and unrecognizable. Then after time spent in the camera obscura, the image becomes clearer and the familiar is re-established ultimately resulting in a relocation of the observer’s awareness of place.

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City of Dreams – Ibis Hotel sunrise over Sydney

City of Dreams – Ibis Hotel sunrise over Sydney

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The Travelodge camera obscura 2008

The Travelodge camera obscura 2008

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Some background on the set-up for the Travelodge camera obscura:

Simple black garbage bags and some black electrical tape from the local 711 store. An aperture cut from a ‘found’ piece of aluminium – size around 8mm … we don’t use sophisticated glass lenses – these are direct light projections. A digital camera bares witness to our experience by capturing the image of the camera obscura projection.

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Setting up the room

Blacking out the room

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We were watching TV ...

We were watching TV …

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OUR MOST RECENT CAMERA OBSCURA: ORPHEUS ISLAND BEACH TENT

(A collaborative event with John de Rooy, Spyder Displays and the Orpheus Is Photo Workshop)

Our Spyder Camera Obscura

Our Spyder Camera Obscura

A DUO View of the scene and the Camera Obscura image

A DUO View of the scene and the Camera Obscura image

TO VIEW OTHER CAMERA OBSCURA WORK BY COOPER AND SPOWART SEE THE LINKS

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Our Website:

http://www.cooperandspowart.com.au/4_PROJECTS/RoomCameraObscura-Project.html

Our car converted into a camera obscura and driven across Australia:

http://www.cooperandspowart.com.au/4_PROJECTS/CarCamera-Project.html

Two New Zealand Camera Obscuras in the the Queenstown Rydges Hotel:

https://wotwedid.wordpress.com/2012/05/07/two-new-zealand-camera-obscuras/

A public Camera Obscura performance and live video:

https://wotwedid.wordpress.com/2013/04/22/camera-obscura-pinhole-event-foto-frenzy-a-report/

YouTube videos:

http://www.youtube.com/watch?v=lyA5QP-mX-E

A camera obscura at the Queenstown Centre for Creative Photography:

https://wotwedid.wordpress.com/2012/05/07/camera-obscura-qccp/

A World Pinhole Day Camera Obscura at Mt Barney:

https://wotwedid.wordpress.com/2013/04/29/world-pinhole-photography-day-our-contribution/

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Closing off the hole

Closing off the hole in the Travelodge Hotel camera obscura

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© 2013 Victoria Cooper and Doug Spowart for 16 Years of Camera Obscuras Project

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Creative Commons-by-nc-nd.eu

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

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CAMERA OBSCURA 2000–2016: In hotels and other places

with 2 comments

Bedroom Camera Obscura 2000 (Y2K)

Bedroom Camera Obscura 2000 (Y2K)

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Our rhythms insert us into a vast and infinitely complex world, which imposes on us experience and the elements of this experience. Let us consider light, for example. We do not perceive it as a waveform carrying corpuscles but as a wonder that metamorphoses things, as an illumination of objects, as a dance on the surface of all that exists.…………

Henri Levebvre, Rhythmanalysis; Space, Time and Everday Life, page 82.

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Cooper+Spowart: 16 years of Camera Obscura Collaborations

In our collaborative work, we are interested in both the physical construct and cultural conventions that inform and shape us. This includes the common rituals and structures that surround, support and transport us in our everyday lives. In this work we have extended the context of documentary photographic methodology to include the narrative potential of the camera obscura and architectural projections.

.

Avochie Bathroom Camera Obscura

Avochie Bathroom Camera Obscura

.

In the camera obscura work the viewer’s perception of the everyday is spatially challenged. The structures that can form camera obscura are everywhere, but some spaces present themselves as clearly suitable for the making. This could be a city office, a motel room, a country bathroom or even a car. Our work attempts to contextualize the experience of the camera obscura within a concept, space or site. Upon entering the darkened space, the viewer is initially displaced, as the familiar image of the everyday is dim and unrecognizable. Then after time spent in the camera obscura, the image becomes clearer and the familiar is re-established ultimately resulting in a relocation of the observer’s awareness of place.

.

City of Dreams – Ibis Hotel sunrise over Sydney

City of Dreams – Ibis Hotel sunrise over Sydney

.

The Travelodge camera obscura 2008

The Travelodge camera obscura 2008

.

Some background on the set-up for the Travelodge camera obscura:

Simple black garbage bags and some black electrical tape from the local 711 store. An aperture cut from a ‘found’ piece of aluminium – size around 8mm … we don’t use sophisticated glass lenses – these are direct light projections. A digital camera bares witness to our experience by capturing the image of the camera obscura projection.

.

Setting up the room

Blacking out the room

.

We were watching TV ...

We were watching TV …

.

OUR MOST RECENT CAMERA OBSCURA: ORPHEUS ISLAND BEACH TENT

(A collaborative event with John de Rooy, Spyder Displays and the Orpheus Is Photo Workshop)

Our Spyder Camera Obscura

Our Spyder Camera Obscura

A DUO View of the scene and the Camera Obscura image

A DUO View of the scene and the Camera Obscura image

TO VIEW OTHER CAMERA OBSCURA WORK BY COOPER AND SPOWART SEE THE LINKS

.

Our Website:

http://www.cooperandspowart.com.au/4_PROJECTS/RoomCameraObscura-Project.html

Our car converted into a camera obscura and driven across Australia:

http://www.cooperandspowart.com.au/4_PROJECTS/CarCamera-Project.html

Two New Zealand Camera Obscuras in the the Queenstown Rydges Hotel:

https://wotwedid.wordpress.com/2012/05/07/two-new-zealand-camera-obscuras/

A public Camera Obscura performance and live video:

https://wotwedid.wordpress.com/2013/04/22/camera-obscura-pinhole-event-foto-frenzy-a-report/

YouTube videos:

http://www.youtube.com/watch?v=lyA5QP-mX-E

A camera obscura at the Queenstown Centre fro Creative Photography:

https://wotwedid.wordpress.com/2012/05/07/camera-obscura-qccp/

A World Pinhole Day Camera Obscura at Mt Barney:

https://wotwedid.wordpress.com/2013/04/29/world-pinhole-photography-day-our-contribution/

.

Closing off the hole

Closing off the hole in the Travelodge Hotel camera obscura

.

© 2013 Victoria Cooper and Doug Spowart for 16 Years of Camera Obscuras Project

..

.

Creative Commons-by-nc-nd.eu

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

.

.

 

26 November: Robyn Stacey “House to House” @ Jan Manton Art, Brisbane

with one comment

This afternoon we attended the opening and book launch of Robyn Stacey’s latest project “House to House” at Jan Manton Art in Brisbane.

http://www.stillsgallery.com.au/exhibitions/2011/index.php?obj_id=stacey

Jan Manton introduces Dr Amanda Bell who opened the exhibition

The work on show at Jan Manton Art is but a small selection of a larger body of work that was on show earlier this year at Stills Gallery in Sydney. This was a great selection from the larger show and included the book launch of a considerable volume on the historic house project. Working to extend the perception of the curatorial selection and exhibition, Stacey has embedded narrative and playful sense of discovery in the images she created of these objects.

Victoria Cooper

Stills Gallery show: Tall Tales and True

http://www.stillsgallery.com.au/exhibitions/2011/index.php?obj_id=2011_05&nav=4

Robyn Stacey discusses work

A comment by Doug Spowart

A veteran of museum and archive still life subject matter Robyn Stacey presents at this showing, 6 large-scale colour photographs. The photographs deserve and reward intense observation as each image is akin to peering through a magnifying glass where finite detail is revealed as the eye moves across the plane of view. Most photographs blend artefacts form the historical houses alongside the contemporary living subjects, usually of flora, fruit and nuts.

The images exist as tantalizing trompe-l’œil. The viewer is drawn through the photographic surface by the artist’s careful compositional placement of subject, the descriptive lighting employed, and the now uncommon experience of large format camera sharpness. Here the original visual experience of the texture, depth and space of what was carefully placed before the camera is reconstituted on the gallery wall.

Today, as growing response to the immediate digital snapshot, a movement called ‘slow photography’ is emerging taking its lead from the ‘slow’ food movement) These photographs, made as planned, considered, composed, placed, illuminated and imaged are perhaps the epitomy of the movement. David Hockney once proposed that the more time the artist takes making an artwork the more the viewer will get out of it. Robyn Stacey’s work is made with time and therefore will reward even the most intense, continued and considered observation.

Robyn and Vicky talk about the work

Photos: Doug

Written by Cooper+Spowart

November 26, 2011 at 10:15 pm

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