Posts Tagged ‘Photobooks’
hEAdoN/Sydney: Doug to moderate panel on Photobooks
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THE FUTURE OF PHOTO BOOK PUBLISHING FORUM
Presented by Momento Pro http://www.momentopro.com.au/events/publishingpanel
A Head On Photo Festival Event
Wed, 29 May, 6.00 – 9.00pm
@ The Museum of Sydney
Admission is free but please RSVP to events@momento.com.au by 25 May
Join panelists and guests from the photography, publishing, print, book retail and creative industries to discuss local and international trends in photographic book publishing, and contribute to shaping its future. The panel discussion will conclude with open questions from the audience, followed by refreshments and networking.
Should you wish to submit questions for consideration please email events@momento.com.au.
THE PANEL
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Doug Spowart …..Moderator
Photographer & Academic
Dr Doug Spowart has been extensively involved in creative media areas for over 40 years — his practice includes: artists books, photobooks, artist, critic, judge, writer and teacher. He has completed a Doctorate of Philosophy at James Cook University researching issues of the contemporary photobook. Spowart’s work, as well as collaborative work with Victoria Cooper has found its way into many private, regional and state public galleries, national and international photography and artists’ book collections. Spowart’s photobooks have won the AIPP Queensland Photographic Book of the year on two occasions and he has twice been Runner-up to the national AIPP photobook award.
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Sam Harris / Photographer
Sam Harris has been a passionate photographer and educator for more than 20 years. He started freelancing in the London music industry making album sleeve art then went on to shoot editorial portraits and documentary features for leading publications including The Sunday Times Magazine, Esquire, GQ and Ray Gun (USA).
In 2002 he re-evaluated his lifestyle to travel the globe with his family, until he settled in the forests of South Western Australia in 2008 where he shoots his on-going family diary, lectures photography, runs workshops and creates photographic books. His book Postcards from Home has received multiple awards including the publishing industry’s Galley Club Book of the Year and Australian Book of the Year Award 2012.
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Kim Hungerford
Kinokuniya / Art & Design Department Manager
Kinokuniya stocks an extensive collection of graphic novels, art, design and travel books and also features an instore Art Gallery which exhibits works from creative artists to help them develop their careers. As Art & Design Manager, Kim is versed in the distribution, sales, marketing and financials of art and photographic book publishing, the different publishing options available and the differences in reception from book consumers, critics and collectors.
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Paulina DeLaveaux
Thames & Hudson / Publishing Manager
Paulina de Laveaux is Publishing Manager of Thames & Hudson Australia specialising in illustrated books on art, architecture, design, photography, fashion and other creative fields.
Paulina is passionate about books, and familiar with what makes a photographic book artistically and commercially successful, what is popular with the mainstream consumer verse the cultural consumer, and has also been a judge for the Head On Momento Photobook Awards 2013 and the Most Beautiful Books Awards
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Dan Rule
Perimeter Editions / Director
Dan Rule is a writer, critic, editor and publisher from Melbourne, Australia. He is the co-director of Perimeter Books, Perimeter Editions and Perimeter Distribution, the co-publisher of Erm Books and an editor of Composite Journal.
He is also a weekly art critic and columnist for The Saturday Age, contributing editor and senior writer at Broadsheet Media and has written on art, photography, music and culture for The Sydney Morning Herald, Dazed & Confused, Oyster, Vault, Art Guide, Australian Art Collector and countless others.
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Libby Jeffery
Co-founder and Communications Manager @ Momento
Libby has enjoyed studying and working in communications and media production since undertaking a B.A. Communications at UTS and volunteering with interactive CD-ROM producer Pacific Advanced Media Studios in 1994. Since then her career has revolved around communications, events coordination and media production for creative industry pioneers including OzEmail, the Australian Interactive Media Industry Association (AIMIA), IPR Systems and most recently the Chippendale Creative Precinct.
Following her role in 1999 as Project Manager for the Australian Society of Authors’ e-publishing and digital rights management experiment, OzAuthors, she, partner Geoff Hunt, and colleague James Whitwell founded Momento in 2004. Momento was Australia’s first print-on-demand photo book service and the proprietary Momento layout software, lets anyone design their own coffee-table photo book easily, ready for printing. Momento remains the ‘finest’ service provider in Australia today, celebrating photography and photographers in all forms
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GETTING the BLURB on PHOTOBOOKS
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Daniel Milnor is Blurb’s Photographer-at-large and inspirational bookmaker. Last week we attended presentation by Daniel at the Edge (SLQ) in Brisbane. Attended by an audience of around 80 the presentation, of three hours duration, told the story of how to make photobooks. Not just a bunch of photos in a catalogue or folio form but something that told a story – expressing a narrative.
Milnor is the consummate presenter and storyteller – adding to each technical concept and thing to consider in book-making his own personal story. And there were some amazing insights into Daniel’s career as a photodocumentary photographer of exotic places like South America and Sicily, but also of his own life. In one book he discussed, which was made entirely in his own home, he showed a picture of his shower curtain!!
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In the presentation Milnor provided a step-by-step approach to the making of a book:
Step 1 Make/locate a body of work
Step 2 Give yourself time to edit
Step 3 Time to sequence
Step 4 Start the book using an online POD service – Like Blurb.
Step 5 Get the book
And – not really covered specifically although constantly part of his refinement of book ideas: Step 6 – Review it and re-do it better!!!
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His little phrases and comments that stuck in my memory (or notepad include):
Photobooks that are driven by the photographer –“don’t make any money” unless you have a big-name and are chosen by Steidl. However “subject driven books” can be successful
“Leopard lighting” portraits made under a tree – dappled light
Unless you “Think about your work, write about your work, talk about your work and show your work – You are never going to have a connection with your work!”
“Book builder”
Landscape “rocks and twig” photography
“The narrative arc”
“The perfect solution is YOUR solution”
“Don’t be afraid to play around…”
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What interested me was the excitement he expressed for his own books – their concepts and development. Towards the end of the presentation he showed examples of books created as collaborations with artists, books that were ‘added-to’ by creative intervention whereby the outcome became a unique state work of art. A seminal book for him in his challenge to the ‘normal’ photobook is the book On Approach which has won much acclaim for him. He commented that a curator he had met casually had described him as a ‘conceptual artist’ he seemed excited by the title and that his work, as art, could enter another space – the gallery.
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In the second last question of the day I asked him about the idea of the artists’ book and how artists can inform, as he had found, a new direction for photobooks – in his answer he spoke at length about the proposition — I think he agreed…
Thank you Daniel Milnor, and thank you Blurb for bringing some discussion on photobooks into this country. And the opportunity to engage with so many Australian photographers wanting to tell photo stories using the emancipating opportunities of print-on-demand indie publishing.
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Doug Spowart
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LINKS TO DANIEL MILNOR:
His Website: http://www.smogranch.com/
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All photographs © Doug Spowart 2013.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
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COOPER+SPOWART TALK ABOUT PHOTOBOOKS
On the evening of May 21 Victoria + Doug presented a talk and showing of their self-published photobooks and artists books. Entitled LOOKING GOOD IN PRINT: PHOTOBOOK, the talk connected participants with concepts and techniques on how to personalize and create photo-stories in the form of the bespoke self-published book.
Participants engaged in a lecture presentation that helped them to develop a broader understanding of what a photobook can be—extending them beyond just a collection of photos into a resolved personal narrative of high technical and aesthetic values.
The range of options for making photobooks was discussed and samples of hand-made, inkjet printed and hand-bound artists’ books, as well as print-on-demand books were available for viewing and handling.
The Intro Session included an overview of the following topics:
- Simple and advanced forms and structures of books
- The creative influence of artists books
- The image, sequence and the narrative flow
- Production and design issues for handmade/print-on-demand book
- Computer processing of the book
- Simple bindings for the handmade book
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Location:
Unit 3/429 Old Cleveland Road, Camp Hill, QLD 4152.
Time + Date: 6.00 – 8.30pm, Tuesday May 21, 2013.
THE FEE: $ 75.
Bookings were made through:
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All photographs + text © Doug Spowart 2013.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
PHOTOBOOK Workshop: Wanaka Autumn Art School
For the last 5 days we have been working with 13 participants in a Photobook workshop in Wanaka, New Zealand. The idea of the workshop was to enable the development of concepts and techniques for the presentation of personal photo-stories in the form of the self-published photobook. Two key aspects for the workshop were the photo-narrative and the form that a photobook can take beyond the traditional ‘pictures-in-a-book’ format.
The students were put through a steep learning curve engaging with the computer technology and software required, as many had never used Adobe Photoshop before. Sessions of intense computer activity were punctuated by practical book construction exercises.
Each student worked to develop a major personal book project during the workshop and, as tutors, we supported the conceptual and technical progress to make it happen.
They were an amazing bunch of people with varied interests and backgrounds. They all shared a great sense of humour and enthusiasm to get into the process of applying acquired knowledge—some doing ‘homework’ into the wee hours.
Coordinator of the Wanaka Autumn Art School is fabric artist (quilter), Robyn van Reenen who was supported by a motivated and energetic team including her husband Gilbert the photographer of Clean Green Images fame. Robyn and her team provided the tutors, many from Australia, with a great experience and opportunity to share their skills and knowledge with the participating students and artists.
We had a great learning experience as well and ended up probably as worn out as the students by the end of the workshop.
The group shot tells the story . . .
SEE a collaborative book that was made with contributions from the students;
http://www.cooperandspowart.com.au/2_PLACES/OtherBooks/WANAKA-Bk_PageFLIP/WANAKA_Flip.html
Cheers Doug + Vicky
AIPP ON THE LOUNGE: SQIT Toowoomba April 11, 2012
- AIPP – On the lounge SQIT, Website invite
On this evening the SQIT Photoimaging team hosted two events for visiting AIPP members and invited guests. The visit began with a ‘High Tea’ catered for by the SQIT Hospitality team – sumptuous treats were accompanied by tea and coffee. Those attending settled down to conversation with each other in the convivial atmosphere of the ‘Futures’ Restaurant. Coffee Shop
At 5.30 stage two of the visit began with the open of an exhibition of photobooks and artists’ books made by SQIT Photo students over the last 5 years. The show was opened by Queensland Division President Jan Ramsay, who as a past student of an art photography unit, and also part of the end-of-year professional assessment team at SQIT, had experienced the Toowoomba TAFE Photo team at work.
The books on show ranged from Shanea Rossiter’s ‘Inspiring Women’ book of portraits to Cathy Smith’s book ‘Junked’, a documentary comment on our disposable society and Lorraine Seipel’s political message in the book ‘Song for the future’. The exhibition was curated by Victoria Cooper and Doug Spowart for the Queensland Festival of Photography.
The third stage of the program included presentations by the three full-time staff of the photo team – Rachel Susa, Alison Ahlhaus and Doug Spowart. Each spoke of their connection with photography from both the personal and professional context. Doug spoke of the 20-year history of the photo Diploma and Certificate courses at SQIT and the Photoimaging teaching methodology.
The session concluded with a PowerPoint show presenting a selection of images and comments from past students. It was interesting to hear of the experiences of these past students about studying at SQT as well as their achievement in photography. The past students included: AIPP Chairman of the Board Alice Bennett, Nicola Poole, Katie Finn, Lisa Mattiazzi – National Gallery of Australia imaging specialist, Lydia Shaw who works in many areas including photography and teaching in Dubai, nationally acclaimed commercial photographer Damien Bredberg, Sue Lewis – APPA Team Manager and recent graduate Shanea Rossiter who is establishing a business in Warwick.
The Past Students PowerPoint show (PPS) can be downloaded from the www.cooperandspowart.com.au website – It’s a 30.9 mb download but presents an interesting overview of where SQIT students go to and the amazing achievements that they have. CLICK <http://www.cooperandspowart.com.au/2_PLACES/OtherBooks/index.html> Then select the PowerPoint AIPP OTL picture.
The evening concluded with the video fusion show “Dance-on’ by 2011 SQIT Diploma Student of the Year. “Lindsey’s video represents the future of photography” said Doug, and added, “that the stilled image is dead!” The point was not debated, but in the context of an industry that has gone from wet darkrooms to light rooms and digital output in the last ten years everyone left knowing that anything is possible.
Cheers Doug
30 November – Year 1 Photo Assessment @ SQIT
PROFESSIONALS CRITIQUE SQIT STUDENT WORK IN FINAL ASSESSMENT
Fourteen Southern Queensland Institute of TAFE (SQIT) PhotoImaging students had their skills assessed this week by a panel of industry professionals as part of their Certificate IV assessment. SQIT PhotoImaging lecturer Doug Spowart, was thrilled about having such a high calibre of industry professionals directly involved with students. “The industry professionals review and assess the students photographic folio, and give them guidance and direction for their future in professional photography” Mr Spowart said.
The seven industry professionals are significant players in professional PhotoImaging statewide, and include the State president of the Australian Institute of Professional Photography and long-standing supporter of SQIT students, Jan Ramsay from Eyeon Photography in Brisbane. Other Brisbane-based photographers included Mark Shoeman, Robert Cob-croft and Andy Cross. Local photographers participating in assessment included
Beverley Lacey from The Chronicle, John Elliott, and Syd Owen of Owen’s Camera House.The SQIT PhotoImaging team established an award 16 years ago to commemorate the Owen family’s impressive contribution to professional photography in Australia. The Syd H. Owen trophy is awarded each year to the Certificate IV in PhotoImaging student with the highest score, and also incorporates an internship with Owen’s Camera House for a period of 12 months. This year the award went to Jess Martin. The Diploma Graduating Student of the Year was awarded to Lindsey Collier with Shanea Rossiter as the Runner up. The Photobook of the Year went to Leicolhn McKellar.
“The feedback provided by industry representatives is highly regarded by students as it reflects the industry standards required for practitioners within the PhotoImaging industry.” Mr Spowart said. “Assessment is based around specific criteria including the ability of the student to create images to industry standard, as well as their readiness to enter the industry either as employees or a freelance photographer.”
The PhotoImaging student graduation took place on 30 November, with prize-winning graduates receiving membership to the Australian Institute of Professional Photography. Brisbane AIPP member Robert Cobcroft was guest speaker at the graduation event.
WORDS: TAFE Press Release
































