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100 AUSTRALIAN WOMEN PHOTOGRAPHERS: Loud+Luminous-2020

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LOUD & LUMINOUS – 100 Australian Women Photographers 

The backstory from the L&L Founders, Hilary Wardhaugh & Melissa Anderson

The Loud & Luminous mission is to recognise and celebrate the contribution of contemporary women in the photographic arts in Australia. We believe this project is unique and important in recognising the extensive cultural contribution women photographic artists and photographers have made in this country.

This project is designed to empower the girls and women of today and tomorrow to chase in their dreams. This will always be a timely project and one that hopes will help educate and inspire many women of all ages.

​The 2020 theme of ‘EQUALITY’ echoes the United Nations sustainable development goals of ‘gender equality’, and we very much look forward to seeing work that reflects that goal and our theme.

 

Late in 2019 a call went out to female photographers of any age throughout Australia to submit an image for consideration to be selected for the 3rd LOUD & LUMINOUS exhibition at Sydney’s CONTACT SHEET GALLERY and book. The photographers whose images were successful were:

L&L Selected photographers 2020

Loud & Luminous selected photographers 2020

 

Due to COVID-19 the exhibition at Contact Sheet Gallery has been postponed. However over the next 3 months they will post works on the gallery’s online blog. ‘CLICK’ HERE!

 

Once again we were excited that images by both Victoria and Ruby were successful…

 

 

VICTORIA COOPER

Victoria Cooper: Portrait…..PHOTO:Doug Spowart

Victoria’s Artist’s Statement: All things have significance

All things have significance … sentient or not … organic or inorganic… a rich environment of diversity, differentiation and divergence.

The inspiration, like a ray of light through dark clouds, to create this image arises from the women that have, at great personal cost through leadership in research, writing and sheer passion, fought discrimination, voicelessness and political power structures to make a difference in the ongoing quest to create a sustainable and healthy planet. Among these women are: American Rachel Carson, Australian Mary E. White and Swedish schoolgirl Greta Thunberg.

 

All things have significance ….. PHOTO: Victoria Cooper

 

 

 

RUBY SPOWART

Ruby Spowart …. Photographer unkown

Ruby’s Artist’s Statement …. EQUALITY: Beauty in Aging

Some may say that only in youth there is beauty – as I witness in the unfolding of a fresh new orchid flower. But as I watched the flower each day, its beautiful strong colourful presence began to loose its vigour and the colours began to slowly fade. In the last stages of its life it turned a deep reddish tan almost gold.

Its youthful form no longer evident but now wrinkled and withered it has a different kind of elegance – an equality of beauty…

 

Ruby’s EQUALITY: Beauty in Aging

 

 

 

Hilary Wardhaugh & Melissa Anderson wish to acknowledge.

Hilary Wardhaugh + Mel Anderson

Hilary Wardhough + Melissa Anderson

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In 2018 our wonderfully supportive sponsors included: Fujifilm Australia, Kayell Australia, Momento Pro, Victorian Women’s Trust, Creative Women’s Circle and Damian Caniglia Photography and Video. In 2019 we again secured Fujifilm Australia, Kayell Australia, Momento Pro, and Damian Caniglia Photography/Video. We also added Print2Metal and Amanda Summons (book designer) as sponsors.

In 2020 we added PPIB Photographers Insurance as a new sponsor. We were also very fortunate to have Paul McDonald at CONTACT SHEET Gallery as our Exhibition partner, too.

The 2019 and 2020 we held International Women’s Day Symposia in Canberra that were both sold out and received extremely well. We are also proud to say that the 2018 and 2019 Loud & Luminous books have been accepted into the National Library of Australia’s collection.

In 2020 we also saw the results of the stipend raised by the IWD 2019 ticket sales in a group exhibition with Suellen Cook, Tamara Whyte, Helga Salwe, Tricia King and Elise Searson at Photoaccess in Canberra.

 

 

The 2020 L&L book

BUY A COPY OF THE 2020 L&L book HERE

(Order before 30 June 2020)

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Both Victoria and Ruby have been selected in earlier LOUD & LUMINOUS exhibitions

Victoria Cooper (left) ………………………………………………………………………………Ruby Spowart (right)

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IN 2019  – ‘Click’ link to see the post

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Victoria Cooper  L&L entry 2018

In 2018  – ‘Click’ link to see the post

 

 

 

 

Looking forward to the next LOUD & LUMINOUS exhibition in 2021 …

 

 

Written by Cooper+Spowart

May 16, 2020 at 3:21 pm

Posted in Exhibitions, Speaking on Photography, Victoria Cooper

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SELECTING AN APPA PHOTOBOOK DISPLAY

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Doug in the APPA space working thru the books on a cold Melbourne winter's day   PHOTO: Victoria Cooper

Doug in the APPA space working thru the books on a cold Melbourne winter’s day PHOTO: Victoria Cooper

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Selecting photobooks @ APPA: A methodology and the list.

 

I was recently given the opportunity to select books from the Asia Pacific Photobook Archive for their wall display over the next month. While selecting a book to look at and buy in a bookshop can be a challenging enough, the task to review the archive and select around 30 books was daunting. I figured that I needed a methodology.

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After some thought I put my ideas to Victoria Cooper, photomonteur Peter Lyssiotis, and APPA Director Daniel Boetker-Smith – here’s what we came up with:

  • that I’d attempt to make a book array that mirrors the Asia Pacific geographical region
  • that I’d select work that was reasonably contemporary
  • that the names of the book makers would not unnecessarily bias my selection (interestingly the photographers of books from locations like China, Japan and south east Asia were quite unknown to me)
  • that where possible I would select photographers working on their subject matter relating to their own country (the books of some localities were made by visiting photographers).

 

I wasn’t just going to look at books. As I reached out for, and held each book, I’d consider it as an object, feel its presence and weight, the tactile and sensory experience of the thing. Then I’d engage with its mechanical properties of turning the pages and becoming acquainted with it as a communicative device. In this the following would be considered:

  • layout
  • typography
  • images and their sequencing
  • paper, production and binding methods
  • it as a narrative form.

 

In the final moments of engagement with the book I’d need to make a judgment call – was it successful? Whatever that may be? I am a firm believer in Roland Barthes’ proposition that the moment a written piece, I would say a book, is passed to others to read/view that the ‘author dies’ and that the ‘reader is born’. So, as the reader, I was to make the following decisions. I should note that towards the final stages of geographical assemblage I called upon Daniel and his extensive knowledge, to suggest books from, or about specific areas to be considered by me for inclusion.

 

The Doug Spowart APPA Selection

The Doug Spowart APPA Selection

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Here is selection of the geographic locations, their makers and the titles:

 

Dubai/Surfers Paradise – Sean Fennessy ‘Gold’

Iran/Australia – Katayoun Javan ‘Correspondences: A photographic journey between past/Iran & present/Australia’

India – Munem Wasif ‘Belonging’

India – Pablo Bartholomew ‘Outside In’

Bangladesh – Shahidul Alam ‘The Birth Pangs of a Nation’

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Screen Shot 2014-08-26 at 5.31.27 pm

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Burma – Bruce Connew ‘On the way to an ambush’

Cambodia – Isabella Capzio ‘Where the water once was: Boeung Kat Lake Phnom Penh

Thailand – Hiro Imai ‘Bangkok’

Thailand – Miti Ruangkritya ‘Thai Politics no.2’

Laos – Michael Greenlar ‘Remnants of a secret war’

Malaysia – Welan Chong ‘Please mind the gap: Singapore’

Hong Kong – Douglas Khoo ‘Be Still Hong Kong’

Sri Lanka – Nihal Fernando ‘Sri Lanka: A personal Journey’

China – Huang Qingjun & Ma Hongjie ‘Family Stuff’

 

Screen Shot 2014-08-26 at 5.29.55 pm

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China – Li Kejun ‘The Good Earth’

China – Zhang Xiao ‘Coastline’ (?)

China – ‘Lens on Wesi Lake’

China – Vincci Huang ‘Eyes in the air’

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Screen Shot 2014-08-26 at 5.27.38 pm

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China – Wu Chenghuan ‘Street Fighters’ Beijing

Taiwan – Paul Koolher ‘Political Chaos’

Japan – Bruno Quinquet ‘Salaryman Project: Business Schedule’

Japan – Chie Murakami ‘Japanese Girl’

Japan – Sun Yanchu ‘Obsessed’

Japan – Big book Japanese cities

Japan – Saori Ninomiya ‘Requiem’.

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Screen Shot 2014-08-26 at 5.28.26 pm

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Japan – Shuichiro Shibata ‘Bus Stop’

Japan – Zhao Renbui & Satoshi Katnoku ‘The whiteness of a whale: a project with The Institute of Critical Zoologists’

West Coast American book

Canadian book

Philippines – Dina Gadia ‘Buxxxom Grind’

South Pacific region – Monini Chandra ‘Album Pacifica’

Mexico – Isabella Capezio ‘Feathered Serpents & Visions of the Mother’

Australia – George Voulgaropoulos ‘Children of Auburn’

Australia – [n]

Australia – Emma Phillips ‘Volcán’ (Variant ?)

Australia – Lilli Waters ‘She Raw’

Australia – Ingvar Kenne ‘The Hedgehog and the Foxes’

Australia – Melissa Deerson (Coordinated) ‘Docklands Field Trip’ Melbourne

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Screen Shot 2014-08-26 at 6.09.44 pm

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Australia – Louis Porter ‘Bad Driving’

New Zealand – David Cook, Wiramu Puke and Jenty Valentine ‘River–Road: Journeys Through Ecology’

New Zealand – Solomon Mortimer ‘Solomon’s Travels: Volume One 2012’

New Zealand – Lucien Rizos ‘A man walks out of a bar: New Zealand photographs 1979-1982’

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Screen Shot 2014-08-26 at 5.21.05 pm

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Antarctica – Ann Noble ‘Ice Blink’

 

END OF LIST  (Some books are not listed here…)

 

 

Doug and APPA Director Daniel Boetker-Smith       PHOTO: Victoria Cooper

Doug and APPA Director Daniel Boetker-Smith PHOTO: Victoria Cooper

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Thanks must go to Daniel’s ongoing support of this project and making this resource available for us all — And also thanks to the photographers for contributing to the archive.

 

Cheers  Doug

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OLYMPUS DIGITAL CAMERA

APPA Sign

 

 

 

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