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ZINES IN MELBOURNE: Sticky Institute’s Festival of the Photocopier

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Town Hall foyer sign

Town Hall foyer sign

 

On Sunday 12 February the Melbourne Town Hall and was packed with sellers, lookers and buyers attending the Sticky Institute’s Festival of the Photocopier Zine Fair. At a guess, there could have been around 100 zine tables with a variety of zine-makers: both showing their own work, or representing other zinesters. For the visitor to the Fair there was an opportunity to see and handle almost any kind of communication that could put onto a sheet of paper, or into collated pages – folded, stapled, glued, stitched and sewn. Each ‘publication’ representing a personal approach to what the medium “zine” means to the author. And, as the ‘Zine’ is a slippery medium those within the discipline keep pushing the limits by integration of opportunistic technologies and ideas gleaned from contemporary media.

 

PHOTO: Doug Spowart - Stickies Festival of the photocopier zine fair 2017

PHOTO: Doug Spowart – Stickies Festival of the Photocopier Zine Fair 2017

 

The content of the zines presented to us were from a broad church of visual and written media including: text as prose, poetry or as visual typographic forms, and calligraphy. There was a rich diversity of illustration from photo-realism to comic flat field work, photographs and even, in one sighted example – the ancient art of marbling. The narrative forms in these publications ranged from concrete poetry, prose, comic stories and disjointed stream of consciousness curated visuals.

In keeping with the tradition some zine makers aired their political opinions while others shared a fascination of contemporary everyday life. There were groups that concentrated on gender issues, music and issues of the street, while others presented dreamy naive and whimsical scenarios, adventures in suburbia, the road and outer space, nonsensical ghoulish and vampire episodes.

Our specific interest were zines based on or utilising photos sometimes referred to as photozines, as well as others that use photomontage in their narrative or conceptual work. Examples seen dealt with topics like the destruction of traditional family homes in the Chinese city of Guangzhou, skateboard stories, and a faux streetscape made up of photos of distressed buildings.

The Fair was a place to network. Greetings were made with like-minded people across the display tables and discussions took place about zines, life and art. We caught up with a few people we knew – David Dellafiora, Gracia and Louise and Glen Smith – Queensland’s zine hero Jeremy Staples was in the building somewhere but we didn’t get to meet. Zine-makers, or sellers, were keen to engage with us to tell the story of the work and where it fits with their practice and their life.

But did anyone sell anything? Many visitors were seen toting quite a few brown envelopes and calico bags filled with new additions to their personal collections. Perhaps a personal experience might shed some light on how success for such an event could be measured. It was right at the end of our shop, we had spent our budget and were talking to two young zinesters who were actually making their little photo zines on demand at their table. Their selling price was $3 and we wanted one of each but could only scrape together $5 in coin. One of the zinesters said ‘that’s fine, I’ll take the $2’, and stated that, ‘it’s important to have my zine out there…’

Being out there with your work. That is what zines are all about … your message in print as a democratic multiple … telling your story, was always what zines were about. That tradition it seems, continues…

 

Doug Spowart

February 13, 2017

 

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SOME ZINES ADDED TO OUR COLLECTION

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Trudi Treble at the Fair

Trudi Treble at the Fair

Trudi Treble: united states of america – october 2017 – november 2017, my diary.

Trudi Treble: united states of america – october 2017 – november 2017, my diary. #6/25.

Trudi Treble  Instagram: trud.i

 

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Johanna Ng at the Fair

Johanna Ng at the Fair

 

Johanna Ng: carlingford twitter poetry

Johanna Ng: carlingford twitter poetry

 

 

 

Glen Smith at the Fair

Glen Smith at the Fair

 

Glen Smith: Constructed Landscape

Glen Smith: Constructed Landscape

Glen Smith: https://nofrillsart.net/

 

 

Gracia and Louise

Gracia and Louise

Gracia Haby: Under the water with a two-colour eye-glass, something similar (2014) #49/100

Gracia Haby: Under the water with a two-colour eye-glass, something similar (2014) #49/100

Gracia and Louise: www.gracialouise.com

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martinpf: At least we’re not your kids – a photozine. #81/100. Published by Russian Glue Press

martinpf: At least we’re not your kids – a photozine. #81/100. Published by Russian Glue Press

martinpf@hotmail.co.ukRussiangluepress@gmail.com

 

 

David Dellafiora Field Studies

David Dellafiora Field Studies

Field Study (David Dellafiora): Wipe No.88

Field Study (David Dellafiora): Wipe No.88

Field Study – https://daviddellafiora.blogspot.com.au/

 

 

Alice Fennessy at her table

Alice Fennessy at her table

Alice Fennessy: Blood Vessels – A collection of poems about me memories

Alice Fennessy: Blood Vessels – A collection of poems about me memories

Alice Fennessy Instagram: @alicefennessy

 

 

Claire Wakeford and her zine

Claire Wakeford and her zine

Claire Wakeford: Untitled

Claire Wakeford: Untitled

Claire Wakeford: www.clairewakeford.com

 

 

Ning Xue: An Urban Village

Ning Xue: An Urban Village

 

Ning Xue: http://www.xuening.me/me.html

 

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UNTIL NEXT YEAR …

 

PHOTO: Doug Spowart - Sticky Institute's Festival of the Photocopier Zine Fair 2017

PHOTO: Doug Spowart – Sticky Institute’s Festival of the Photocopier Zine Fair 2017

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Copyright in the zines is retained  by the authors. All photographs + text + video ©2017 Doug Spowart

 

 

 

 

 

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