An exhibition in which the local newspaper has been reinterpreted by 5 artists and reconstituted as a statement of a regional community in Australia.
‘ReNEWSing’ was opened by press photographer Bev Lacey. Bev has lived the life of a dedicated photographer commenting on her local community of Toowoomba for nearly 30 years. As an photographer and artists book maker Bev has participated in previous shows with SQIT. Her comments on the show provide an insight into the nature of the newspaper in a regional community as well as an interpretation of each artists books. Bev’s opening address follows after the images of the event.
The ‘ReNEWSing’ exhibition panorama @ Futures Gallery
Doug + the book ‘Have you got your Chronicle today’
.
BEV LACEY’S OPENING REMARKS
Interestingly, as I attempt to write something tangible about the works produced, I am finding it difficult to disassociate from the production of the newspaper.
Each day the focus of my time in the office is spent on production of images for the next edition.
Or as in recent times, the production of images and video, for immediate release online and also for the printed edition.
The process is more in keeping with what other people’s expectations are and what they envisage as the final product.
This attention to a set formula – i.e. go to job, get back, quickly download and move onto next job – often narrows the thinking.
In the past when I have browsed through the work produced by the art students taking The Chronicle and creating an artist book, and this is an exciting interpretive assignment, I have been amazed, inspired, envious and a little in awe of the works produced.
I am always in awe of “the artists mind” the ability to see, the ability to transform often unobscure pieces into works of art that I cannot draw away from.
So I thought, taking about the works would not be a challenge at all. But in an attempt to say something worth hearing I am at a loss.
No not really……….
THE BOOKS – an artist book for me needs to be a tactile experience……
As I looked through the books on YouTube I found myself longing to turn the pages and feel the textures.
Does that make your books successful?? that I want to touch them, and experience more than flipping through them on a computer screen – yes I think so.
Yseult Taylor:
Sadly I found the interpretation on what was published on May 10, similar to what a lot of people think that The Chronicle is about; depressing stories about loss of life, jobs and accidents. We, the media do have a tendency to focus on the negative and in creating a book about what was published in the paper on that day May 10 – yes ….you have successfully captured the essence of our storytelling in that edition.
In saying that though, a new perspective was put to the viewer – a rather blunt and interesting division between the headline and advertising.
Jess Martin:
The constant, barrage of text and information which we all have in our lives at the moment,
Information – some useful most not.
Entering though the door of the commercial world, being given light relief , in cartoons and then the barrage again.
The page that I found most fascinating is the blank one – it stopped me in my tracks and you can feel your whole body just breathe out that sigh of relief – time out from the information overload.
Angela Moar:
As a reader , certain words or phrases mean more to one person than another, I found your isolation of the phrases that affected you, an interesting concept.
It make me think of how even in conversation; each individual’s interpretation of even, what I am saying here tonight, can be perceived differently.
Each person hears on a different level of understanding, all totally dependent on our individual life experiences , personal circumstances, and what we think of the person retelling the story.
And the stick men, the little soldiers that represent whom we all are, representing a formula, a set idea of what is news and the storyteller.
Klyie Noakes:
Kylie has isolated happier moments; selecting from the social pages. The moment in time, often totally set up where a photographer captures a moment in a social event.
The quotation, the who am I really, the what is that person thinking at that precise moment is often lost on the viewer as the person is represented, flat – not whole in three dimensional perspective, but as a “happy snap” of people out and about enjoying a moment .
But their real lives are still there, their thoughts their own we just don’t see beyond the smile, a mistake we make even when meeting other people.
Doug Spowart:
The multi layering effect of what is “The Chronicle” is I am sure what Doug is telling us.
A more sceptical self – realises the focus on advertising of cheap deals could be the reality.
But no – I am convinced Doug’s layering, is about a more in depth view of how production of a newspaper happens. The many people, the many processes, the many facets of a life in the office that create a product.
Overall:
Each of the books has that wonderful inviting appeal.
that “what is the artist trying to say to me, what was the artist thinking at the time of creating” ,
and I believe the success of these books lies simply in that – the questions that it asks the viewer, the simple fact that the viewer will ponder the questions, and the answers they themselves come up with – long after they put the books down.
Through the Chronicle Lens Exhibition @ The Cobb & Co Museum, Toowoomba
When you’re a news photographer there’s a tendency to think of the types of subjects you want to photograph will be wars, celebrity, massive events and international sports. But what of the reality if you find yourself as a photographer on a regional newspaper on the other side of the Great divide? Do you wake up every morning wishing you were in the big city and the big time?
An exhibition of news images celebrating the 150th anniversary of Toowoomba’s Chronicle newspaper may provide some answers. Like where are the big stories – the ones that matter? What I would submit to you is that great photo opportunities exist everywhere and great photographers can find the amazing story in any situation. This exhibition bares testimony to this proposition. The Chronicle’s photographers, and there haven’t been too many of them over the last 30 years, toil in the daily grind of regional news. Their editor’s assignment briefs include the Chihuahua ‘Taco’ at the RSPCA, the buxom topless waitress at the Five Ways Hotel and Louise at the Crows Nest Op Shop – not the exotic stuff of the dailies. The exhibition shows the range of opportunities and how these lensmen and lenswoman Bev, carry out their duties.
I found the images on show spoke of the photographer not only doing their job for the newspaper, but also doing something for the community by receiving and recording their stories. It is perhaps in this that the true value of the regional news photographer.
Photographers - Kevin Farmer, Bev Lacey and Neville Madsen
Nev Madsen's Walkley Award image: Flash Flood Rescue
NEV WINS WALKLEY AWARD
Great images that the world will notice do come to the regional photographers. Nev Madsen we to work on Tuesday January 11 thanking it just another day – However by day’s end Toowoomba was inundated by flash flooding an lives were being jeopardized. Nev found himself as witness to the life and death drama of frantic attempts to save people caught up in the swirling waters. He made his pictures of the dreadful moment and they were published world-wide.
Recently he was awarded a Walkley Award for Best Community and Regional Photography – Congratulations Nev.
wotwedid 
ReNEWSing the Newspaper: A group exhibition @ Futures Gallery
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An exhibition in which the local newspaper has been reinterpreted by 5 artists and reconstituted as a statement of a regional community in Australia.
The ‘ReNEWSing’ exhibition panorama @ Futures Gallery
Bev Lacey discusses one of the books
Artists: Kylie Noakes, Bev Lacey, Jess Martin, Yseult Taylor, Angela Moar and Doug Spowart
Exhibition visitors: Tina Wilson and Sue Lostroh
Sandy Pottinger, Bev Lacey + Victoria Cooper
Doug + the book ‘Have you got your Chronicle today’
.
BEV LACEY’S OPENING REMARKS
Each day the focus of my time in the office is spent on production of images for the next edition.
Or as in recent times, the production of images and video, for immediate release online and also for the printed edition.
The process is more in keeping with what other people’s expectations are and what they envisage as the final product.
This attention to a set formula – i.e. go to job, get back, quickly download and move onto next job – often narrows the thinking.
In the past when I have browsed through the work produced by the art students taking The Chronicle and creating an artist book, and this is an exciting interpretive assignment, I have been amazed, inspired, envious and a little in awe of the works produced.
I am always in awe of “the artists mind” the ability to see, the ability to transform often unobscure pieces into works of art that I cannot draw away from.
So I thought, taking about the works would not be a challenge at all. But in an attempt to say something worth hearing I am at a loss.
No not really……….
THE BOOKS – an artist book for me needs to be a tactile experience……
As I looked through the books on YouTube I found myself longing to turn the pages and feel the textures.
Does that make your books successful?? that I want to touch them, and experience more than flipping through them on a computer screen – yes I think so.
Yseult Taylor:
Sadly I found the interpretation on what was published on May 10, similar to what a lot of people think that The Chronicle is about; depressing stories about loss of life, jobs and accidents. We, the media do have a tendency to focus on the negative and in creating a book about what was published in the paper on that day May 10 – yes ….you have successfully captured the essence of our storytelling in that edition.
In saying that though, a new perspective was put to the viewer – a rather blunt and interesting division between the headline and advertising.
Jess Martin:
The constant, barrage of text and information which we all have in our lives at the moment,
Information – some useful most not.
Entering though the door of the commercial world, being given light relief , in cartoons and then the barrage again.
The page that I found most fascinating is the blank one – it stopped me in my tracks and you can feel your whole body just breathe out that sigh of relief – time out from the information overload.
Angela Moar:
As a reader , certain words or phrases mean more to one person than another, I found your isolation of the phrases that affected you, an interesting concept.
It make me think of how even in conversation; each individual’s interpretation of even, what I am saying here tonight, can be perceived differently.
Each person hears on a different level of understanding, all totally dependent on our individual life experiences , personal circumstances, and what we think of the person retelling the story.
And the stick men, the little soldiers that represent whom we all are, representing a formula, a set idea of what is news and the storyteller.
Klyie Noakes:
Kylie has isolated happier moments; selecting from the social pages. The moment in time, often totally set up where a photographer captures a moment in a social event.
The quotation, the who am I really, the what is that person thinking at that precise moment is often lost on the viewer as the person is represented, flat – not whole in three dimensional perspective, but as a “happy snap” of people out and about enjoying a moment .
But their real lives are still there, their thoughts their own we just don’t see beyond the smile, a mistake we make even when meeting other people.
Doug Spowart:
The multi layering effect of what is “The Chronicle” is I am sure what Doug is telling us.
A more sceptical self – realises the focus on advertising of cheap deals could be the reality.
But no – I am convinced Doug’s layering, is about a more in depth view of how production of a newspaper happens. The many people, the many processes, the many facets of a life in the office that create a product.
Overall:
Each of the books has that wonderful inviting appeal.
that “what is the artist trying to say to me, what was the artist thinking at the time of creating” ,
and I believe the success of these books lies simply in that – the questions that it asks the viewer, the simple fact that the viewer will ponder the questions, and the answers they themselves come up with – long after they put the books down.
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Written by Cooper+Spowart
September 5, 2012 at 7:09 pm
Posted in Artists Books, Doug Spowart, Exhibitions, Meeting People
Tagged with Artists Books, Bev Lacey, social commentary, The Chronicle, Toowoomba