Archive for the ‘Artists Books’ Category
May 23 – Re-New[s]ing the news Exhibition
Chronicle Zine: Re-new[s]ing the news
An exhibition of artists’ zines based on the Toowoomba Chronicle newspaper
http://www.thechronicle.com.au/story/2011/05/25/chronicle-artists-toowoomba-tafe-students
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On Saturday 5 March 2011, nine artists all bought a copy of the Chronicle newspaper. Their challenge was to read, interpret and make an artists’ statement by reading between the lines.
In doing so they find a place where their artistic view collides with the truth of the newspaper. Now these re-used newspapers are presented to the public for viewing at an exhibition in the Flexilearn Centre (library) at the Southern Queensland Institute of TAFE (SQIT).
The publication form chosen by the artists to present their statements is the informal pamphlet format commonly known as the ‘Zine’. This ubiquitous newspaper form has its origins in the ‘free’ press and personal expression.
The contributing artists are all art photography students from SQIT and Teacher Doug Spowart set the project as part of course work.
“The zine task has resulted in some insightful commentary about Toowoomba. Interestingly, whilst each artist made their own statement about news items, in many ways they have retold the news with their own spin on it,” Mr Spowart said.
Curator of the exhibition, SQIT Artist in Residence Lorelei Clark describes the works as almost anything you can imagine.
“The Chronicle newspaper has been cut-up, ripped and torn, spray painted, words cut out and reassembled, with some works having a ransom note look about them,” Ms Clark said,
The exhibition was opened by local arts identity Beverley Bloxham who said
As the name implies, the brief for this project was to take back copies of Toowoomba’s Chronicle as the source material to creatively refashion it with new geometries and to invest it with new meaning as artist’s zines.
According to Wikipedia, “a zine (an abbreviation of fanzine, or magazine) is most commonly a small circulation publication of original or appropriated texts and images. More broadly, the term encompasses any self-published work of minority interest usually reproduced via photocopier.
A popular definition includes that circulation must be 5,000 or less, although in practice the significant majority are produced in editions of less than 1,000, and profit is not the primary intent of publication.”
This exhibition gives me a giggle in choice of source material: repurposing an ephemeral object: ie: yesterday’s news, as a creative exercise. It is many moons since I was so engaged in reading the Chronicle, having decided long ago that it was not the most efficient use of my news gathering time since I became a devotee of Radio National & SBS. However, I do dip into it from time to time to get my fix of local news.
But here, fresh from the minds and hands of creative people, is another reason the read the print emanating from our local daily purveyor of news which had its beginnings as a four penny weekly on July 4, 1861 in a coachbuilder’s shop in James Street with founder Darius Hunt.
The newsprint, however, in these artists’ hands, has been sliced, spliced, torn and shorn, with realigned and juxtaposed journalism, hacked (not hackneyed) headlines, dubious by-lines, reinvented meaning, and re-contextualised content in a manner unintended by the founder and original authors.
The zines are available for viewing from May 24 to June 5, 2011 at SQIT Flexilearn Centre in A Block at 100 Bridge Street. Open Monday and Wednesday 8am to 6pm, Tuesday to Thursday from 8am to 5pm and Friday from 8am to 4pm.
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April – QCP Artists of the Month
This month we are ARTISTS OF THE MONTH on the QUEENSLAND CENTRE FOR PHOTOGRAPHY website
SEE the site here: http://www.qcp.org.au/
DOUG’s ‘Borderlines’ Book Wins QAIPP Photographic Book of the Year
On April 9 & 10 the Queensland Division of the AIPP held its 2011 Professional Photography Awards. The photographic book of the year category was won by my BORDERLINES book, my FLIP-Book NARCISSUS MEETS HIMSELF ON THE ROAD TO BUNDANON was the runner-up. Although not a heavily contested category it was a great thrill to have the book receive the award as well as a SILVER WITH DISTINCTION certificate.
The Toowoomba Chronicle ran a quick news story with portrait and story – See text only here CHRONICLE 13 April
MORE TO FOLLOW
http://www.thechronicle.com.au/story/2011/04/12/local-photographer-scoops-award
SCU Acquisitive Artists Book Award – February 26, 2011
The 2011 Southern Cross University’s Acquisitive Artists Book Award was announced at the Next Gallery in Lismore on February 26. Shortlisted works represented a cross section of the discipline from sculptural books to the ephemeral oddities, readymades, recycled, sticks ‘n’ feathers and solidly traditional weighty codexes. The exhibition was a ‘something for everyone’ sampler of contemporary approaches to the art—whatever that may be.
The exhibition venue, whilst modest in size, amply accommodated the works and gave an intimate viewing experience to the books. Importantly the gallery places the works within the centre of the Lismore Central Business District enabling a very public connection to artists’ books as art gallery presentation content. This is contrary to the almost secular way in which this kind of work is presented in libraries and specialized venues.
Professor Ross Woodrow, from the Queensland College of Art, as this year’s judge was charged with the responsibility of selecting works to compliment the books already held by the university’s library that are used not only for exhibition and reading, but also for lecture discussion samples.
Woodrow listed his three principal criteria for selection; (1) the best books for the collection, (2) personal taste and (3) books that look like books and acted as books. His selection of 3 books confirms this criteria:
- Lyn Ashby: The Ten Thousand Things, digital prints, Arches Watercolour paper, boards, 24 x 30cm closed, Edition 50.
- Peter E Charuk: Glacies Lux, digital photographs, 21 x 34cm
- Peter Lyssiotis + Ann-Marie Hunter: A Modern Forest, screenprint, 26.3 x 17.5cm Edition 10, Publisher: Mastertheif / Psyclonic Studios
As usual the judge’s selections have created some contention in the artists book scene. Some commentators on the awards seem to miss the point that this is an acquisitive award that contributes to the university’s teaching library of artists books. Each acquisitive award event is presided over by a different judge and different areas of artists book practice will be represented in their selection. Ultimately the winner is everyone interested in artists books as the collection will quite possibly become one of the most diverse, in terms of examples of exemplary practice, in the country.
An online catalogue is available for viewing on the Next Gallery Site
Check it out!
Cheers
Doug







