In July the artists book symposium ABBE 2025 took place at Artspace Mackay. A key theme of this event was the ‘mapping Australia’s artists book histories’ and in the extended brief for the conference there was the lament that while artists books in Australia had been broad and active there was a scant record of the history the discipline.
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Reference was made to the understated history of the two main texts Gary Catalano’s The Bandaged Image (1983) and Alex Selenitsch’s NGA published Australian Artists Books 2008, conferences such as those coordinated by Artspace Mackay, many unpublished PhD thesis and the ‘valiant attempts by journals’ that burn out after a few years.
‘Bring your stories, your artifacts, and your memories’ they said so I put forward a submission consisting of aspects of the visual record that I have been making over 22 years of the artists book scene. My submission was to be an illustrated presentation consisting of approximately 200 portraits of the people of the artists book discipline as well as a few events.
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Here is my submission rationale:
AN ARTISTS BOOK FAMILY ALBUM – A ‘paper’ by Dr Doug Spowart
“A family’s photograph album is generally about the extended family
and, often, is all that remains of it.”
Susan Sontag in On Photography 1977
Family archives are a profound thread connecting past, present, and future, serving as repositories of memory, identity, and history.
Photography is more than just a medium for capturing pictures—it is a lens through which we view and understand history. Its ability to document, provoke, and preserve moments in time has made it an indispensable tool for both personal and collective memory.
In this way photographs hold the power to evoke vivid recollections, introducing us to lost relatives and forgotten stories while anchoring us within a broader familial narrative. Yet, the fragility of these archives is striking — images tucked away on devices or in drawers risk being lost to time, their stories untold.
The passing of key family members often deepens this void, as context and meaning tied to people and events can vanish. Establishing and preserving a family archive becomes not just an act of personal curation but a legacy-building effort, ensuring that these visual fragments of memory remain accessible to future generations.
In an era where countless photos are taken but rarely saved, the challenge lies in collecting and annotating these fleeting moments. A taking them into lasting archives for some to have as a touchtone for memory, and for others to review and research. Maybe to tell the story for future eyes and minds of the books that were made, what events happened and who was there…
This paper will present an illustrated fragment of photographs of the artists book family taken by the author over a 20 years period.
Dr Doug Spowart
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This submission was accepted, and the presentation offered to attendees of the symposium, and later online as a movie via the Artspace website.
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A LINK TO THE YOUTUBE VIDEO ON DOUG SPOWART’s Channel: “CLICK IMAGE”
For BEST viewing quality select HD quality in the SETTINGS menu. NOTE: The full video is 12 minutes long.
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PRESENTER’S COMMENT from Doug Spowart
In curating these photographs I have focussed on selecting images from the broad artists book community and have not included many photographs from my collaborative practice with Victoria Cooper.
Every attempt has been made to ensure correct captions – Please advise of any errors or omissions. Thanks to Caren Florance, Helen Cole, Robert Heather and Adele Outteridge for their assistance with captions.
Victoria and I have provided commentary about the artists book and photobook disciplines for many years in our Blog, journals, events coordinated and lecture presentations.
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All photographs are Copyright Doug Spowart (Some by Victoria Cooper). The subject pictured, after contacting the copyright owner, may be able to use the portrait of themselves for non-commercial applications. Other usage may require negotiation of a fee.
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WHAT FOLLOWS IS A LIST OF ALL CAPTIONS IN THE VIDEO
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MABF 2017 National Gallery of Victoria
Deanna Hitti and Deidre Brollo @ MABF 2017 National Gallery of Victoria
‘Life’s Journey’ exhibition @ Redland Art Gallery, Cleveland 2012
Julie Barratt in her gallery at Alstonville 2011
Dianne Longley in her exhibition ‘Navigations’ at Barrett Galleries 2008
Tim Mosely in his exhibition Make Like An Eskimo 2012
grahame galleries opening of Lessons in History Vol. II – Democracy 2012
Heather Matthew and Stephen Spurrier @ grahame galleries opening of Lessons in History Vol. II – Democracy 2012
Monica Oppen and Jan Davis @ grahame galleries opening of Lessons in History Vol. II – Democracy 2012
Volume Art Book Fair, Artspace, Woolloomooloo, Sydney 2017
Helen Cole chairs presentations by Keith Smith and Scott McCarney State Library of Queensland 2012
Siganto Seminar: The Trouble with Artists’ Books SLQ 2013
Helen Cole –Siganto Seminar: The Trouble with Artists’ Books SLQ 2013
Noreen Graeme and Jan Davis – Siganto Seminar: The Trouble with Artists’ Books SLQ 2013
Hearsay book launch with Euan Mcleod, Ron McBurnie, Susi Muddiman & Lloyd Jones SLQ 2013
Jo Kambourian at Artists Books Flash Mob Survey Book event Grafton 2013
Catherine McCue Boes Books as art: 30 years in the making Bundaberg Regional Gallery 2014
George Paton Gallery, Artist’s Books (reprised) University of Melbourne 2014
International speaker Sarah Bodman presents a paper – Abbe 2015 Griffith University
International speaker Brad Freeman – Abbe 2015 Griffith University
Lyn Ashby – Abbe 2015 Griffith University
Convener Tim Mosely presenting – Abbe 2015 Griffith University
Books By Artists exhibition – Abbe 2015 Griffith University
Sue Anderson + Gwen Harrison Abbe 2015 Griffith University
Deidre Brollo with Christene Drewe + Helen Cole and Marian Crawford with Sarah Bodman
Abbe 2015 Griffith University
Penny Carey-Wells and Caren Florance Abbe 2015 Griffith University
Robyn Foster + Fiona Dempster and Angela Gardner Abbe 2015 Griffith University
Sheree Kinlyside and Impress Printmakers: Sue Poggioli + Jennifer Stuerzl Abbe 2015 Griffith University
Tim Mosely and Heather Matthew Abbe 2015 Griffith University
Adele Outteridge + Wim de Vos – Abbe 2015 Griffith University
Jo Kambourian and Darren Bryant at Lismore Art Space 2014
The SLQ White Gloves team Christene Drewe, Helen Cole and Jeanette Garrard for Abbe 2015
State Librarian Janette Wright welcomes attendees SLQ 2015
Brazillian artist Amir Brito Cadôr keynote presentation Siganto Foundation Artists’ Book Seminar 2015
Julie Barratt and Clyde McGill discusse their Siganto Foundation Creative Fellowship 2015
Jan Davis and Doug Spowart discuss their Siganto Foundation Creative Fellowship 2015
A forum on collaboration – Siganto Foundation Artists’ Book Seminar 2015
Judy Bourke and Adele Outteridge+Wim de Vos at the Siganto Foundation Artists’ Book Fair SLQ 2015
Clyde McGill and Anne Kirker and Sue Poggioli at the Siganto Foundation Artists’ Book Fair SLQ 2015
Helen Malone and Sandra Pearce at the Siganto Foundation Artists’ Book Fair SLQ 2015
Amir Brito Cadôr with Noreen Grahame & Helen Malone at the Siganto Foundation Artists’ Book Fair SLQ 2015
Helen Cole, Michael Wardell & Clyde McGill at the Siganto Foundation Artists’ Book Fair SLQ 2015
Dr Marie Siganto makes a presentation to Ana Paula Estrada and Victoria Cooper
PAPER CONTEMPORARY – Sydney Contemporary 2015
Grahame Galleries stand with Ron + Jonathan McBurnie at Paper Contemporary – Sydney Contemporary 2015
Victoria Cooper, Jan Davis and Trent Walter at Paper Contemporary – Sydney Contemporary 2015
Sue Anderson + Gwen Harrison and Brigita Oppen at Paper Contemporary – Sydney Contemporary 2015
Helen Cole, Akky van Ogtrop, Robyn Berkeley from Berkeley Editions and Victoria Cooper at
Paper Contemporary – Sydney Contemporary 2015
Fellow Travellers a book by William Kelly, SLV Creative Fellow and Baldessin Press Studio Residency recipient
Personal Histories International Artist Book Exhibition Uni of NSW Canberra 2015
Tones of Home draws together artists from Arts Project Australia (APA), Melbourne, regional Victoria, and north Queensland to present works inspired by domestic and urban spaces. Curated by Eric Nash, Director Benalla Art Gallery the exhibition extends beyond these settings to consider ‘what makes a place, a home?’, touching on notions of family, community, belonging, connection, love, comfort, safety, and personal histories.
Featuring APA artists Steven Ajzenberg, Miles Howard-Wilks, Chris Mason, Chris O’Brien, Lisa Reid, Anthony Romagnano, Georgia Szmerling and Amani Tia alongside Atong Atem, Susie Buykx, Cooper+Spowart, Erub Arts Torres Strait and Ghost Net Collective, Aishah Kenton and Ron McBurnie.
(Text from the APA Website)
Tones of Home continues until 25 November 2023
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Tones of Home Exhibition
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SOME COMMENTS FROM THE CURATOR – ERIC NASH
The seeds of this exhibition were truly sewn at home. As my wife and I awaited the arrival of our second child, I found myself considering a work by Mini Graff that hangs above our bed. It is a street art poster in a vintage drawing style. Text on the work reads ‘Today is my lucky washing day’, and a woman hangs washing on a clothesline while an atomic bomb appears to have gone off in the background. It seemed to resonate with my experience of our domestic bubble of safety, and, when at home, perhaps even my ignorance to the outside world.This caused me to ponder what ‘home’ felt like, and indeed meant, to others? It had to mean more than just somewhere we reside. I couldn’t help but imagine my favourite fictional retired barrister, Lawrence Hammill QC, declaring, “You can acquire a house, but you can’t acquire a home”.
I owe a debt of gratitude to the Arts Project Australia team and artists who kicked this project off by sharing their thoughts on the topic of home. A number of responses stuck with me and have framed the exhibition. Home, in their words, could be “where the most important people in your life are”… “where you feel safe”… “a base where you start from”… “a place that fits your ideas of design, location, and convenience.” Common themes emerged, specifically ‘Personal histories’; ‘Love and family’; ‘Community and connection’; and ‘Belonging, comfort and safety’. …
READ MORE FROM THE CURATOR – Download the exhibition Catalogue
Georgia Szmerling ceramics (front) & Erub Arts Torres Strait and Ghost Net Collective (back wall)
Chris Mason “Me and Monica Together” & “Me and my friends at work” 2019
Anthony Romagnano’ works
Aishah Kenton’s photographs
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COOPER+SPOWART WORKS IN THE SHOW
Cooper+Spowart “Desire Paths 2+3” Proposed layout
Victoria with Jo Salt Gallery Director + Doug PHOTO: Michael Coyne
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COMMENTARY ON OUR DESIRE PATHS ARTISTS BOOKS…
Some words from Curator Eric Nash
… I write this essay now during paternity leave. This is the longest time I have spent consistently at home in years. This break and time with Tegan and our children brought something into clear focus: while Tegan and I have moved cities several times in the last ten years, I have always felt ‘at home’ as we have been together. Cooper and Spowart (Victoria Cooper and Doug Spowart) exemplify this through their extensive photography, photobook and artists book practices, which are maintained both as individual practitioners, and as life collaborators. For these artists, ‘home’ “was an idealised state of being in Place, which offered a sanctuary and a garden. More than architecture, ‘home’ is also a psychological and sensorial place for the safe shelter ofmemories and experiences.” (4)
Cooper and Spowart’s recent Desire Paths books resonate with their shared life and artistic journey, explaining “Our artistic process is also defined by the desire to discover new paths around the traditional norms. Over time these new paths become alternative solutions to the ultimate desired outcome. All these paths or lines are theexistential experience and representation of desire.” (5)
1.The astle (1997) Directed by Rob Sitch. [Feature .ilm]. Sydney, NSW, Australia: Roadshow Entertainment.
4 & 5. Cooper, V and Spowart, D (2023) Email to Eric Nash, 27 August.
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Susie Buykx+Victoria+Eric Nash (Curator) +Doug
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Thanks to Eric Nash, Jo Salt and the Team at Arts Project Australia for the opportunity to to show work in this exhibition in Melbourne (Naarm). N
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Unless noted otherwise photographs are by Doug Spowart
AT THIS TIME THE BLOG WILL FEATURE IMAGES OF THE EVENT
We are happy to receive comments and dialogue arising from the seminar and will post selected feedback. Please leave a comment on this blog for consideration by us for posting.
Queensland, it seems, is the place to be if you are interested in artists’ books (ABs). Queenslanders have one of the countries most significant collection of artists’ books in the State Library of Queensland, another significant private collection held by Noreen Grahame, herself a major contributor to the AB in this country. Other collections and events coordinated by Artspace Mackay including the Focus on Artists’ Books Forum and Libris Awards. There are also major practitioners of the art living and working in Queensland including Katherine Nix, Adele Outteridge, Wim de Vos, Ron McBurnie, Stephen Spurrier, Helen Malone, Jack Oudyn, Judy Barrass, and many more.
CODEX Event graphic
In this fertile space for ABs a small band of interested practitioners recently met to discuss the idea of forming a special interest group dedicated to the discipline. The invitation came as an email under the auspices of a CODEX 9 event with the following statement:
books by artists / artists books
printmaking, letterpress, papermaking and more
artists interested in making books are invited to
join an Impress Printmakers discussion group
located in Brisbane to foster and promote
contemporary artists book practice
Meeting on level 4 of the State Library of Queensland the 10 attendees represented a broad range of artists many of whom have had significant activity within the AB discipline, some had experiences of working as teachers using the book as a learning tool, some had academic links to ABs apart from their practice of making books, all had a definite interest in the discipline and wanted to engage in the idea of the discussion group as proposed in the invitation.
CODEX Event + Impress Printmakers AB discussion meeting
During the meeting many topics were raised including:
The dogged question of ‘what is an artist’ book?
What is not an artists’ book?
Where does the apostrophe go in the term artists book and why does it move
The Duchampian view of the ‘found object’ as art and his often cited idea that ‘it’s art because I say it is, and I’m an artist’
If it has a colophon then it’s an AB(?)
Scrapbooks as AB and the silent ‘s’ in the term scrapbook
Ideas of sharing knowledge about the gamut of the discipline
One participant presented a polemic to the group, proposing that a freestanding 3D object on the table before us could be an AB – how would we know? The object was a folded “No food or drink allowed” SLQ sign. Discussion ended and reinforced the group’s interest in being challenged, as through such knowledge and understanding emerges.
a polemic for an artists book
Other structural matters relating to the group’s future activities, meeting schedule, email and communications methods were discussed. Some requested a degree of anonymity at this time. It was noted that the SLQ will be hosting the next Siganto seminar with the topic being the trouble with artists’ books. It was agreed that it will be a ‘must attend’ event.
The meeting concluded in a convivial mood with most attendees going for a coffee, and we guess, some more conversations about the idea of the artists book …
In an otherwise drought of artists’ book activity in Brisbane the opening of the much awaited exhibition at grahame galleries Lessons in History Vol. II – Democracy provided a welcome spike in calendar. In one brief afternoon there was the opportunity to be swept up in a deluge of books and book people. This is a the democratic camera view of the event …
A catalogue is available for viewing at the gallery’s website HERE. A print catalogue featuring each book is available from the gallery as well.
grahame galleries panorama
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Noreen Grahame and the catalogue
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Jan Davis and her book Democracy Counts
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Monica Oppen and her book Dare to VOTE!
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Anne Kirker and Ron McBurnie discussing books
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Stephen Spurrier and his book Canaries for Democracy
GRAHAME GALLERIES: Lessons in History Vol. II – Democracy
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grahame galleries panorama
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Noreen Grahame and the catalogue
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Jan Davis and her book Democracy Counts
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Monica Oppen and her book Dare to VOTE!
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Anne Kirker and Ron McBurnie discussing books
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Stephen Spurrier and his book Canaries for Democracy
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Looking @ Glen Skien’s Atlas 1
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Heather Matthew and her book Occupy
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Discussing Democracy books
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Written by Cooper+Spowart
November 23, 2012 at 8:16 pm
Posted in Artists Books, Exhibitions, Meeting People, Wot happened on this day
Tagged with Anne Kirker, Artists Books, artists comment on democracy, Glen Skien, grahame galleries, grahame galleries and editions, Heather Matthew, Jan Davis, Lessons in History Vol. II - Democracy, Monica Oppen, Noreen Grahame, Ron McBurnie, Stephen Spurrier